*Blog Book Tour*: Gracianna by Trini Amador!

Posted Wednesday, 13 November, 2013 by jorielov , , 5 Comments

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Gracianna by Trini Amador - HFVBTGracianna by Trini Amador
Published By: Green Leaf Book Group, 23 July, 2013
Official Author Websites: Amador on Facebook; Amador on Twitter; Gracianna Winery
Available Formats: Hardcover and E-Book
Page Count: 296

Original HFVBT Tour: 15 July – 9 August 2013

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Acquired Book By: I was selected to be a stop on the second blog book tour for “Gracianna” hosted by Historical Fiction Virtual Book Tours. I received a complimentary copy of “Gracianna” in exchange for an honest review by the author Trini Amador. I was thankful to be placed on the tour as I was able to not only able to read the book but interview the author! I did not receive compensation for my opinions or thoughts shared herein.

Author Biography:

Trini Amador AuthorTrini Amador vividly remembers the day he found a loaded German Luger tucked away in a nightstand while wandering through his great-grandmother’s home in Southern California. He was only four years old at the time, but the memory remained and he knew he had to explore the story behind the gun. This experience sparked a journey towards Gracianna, Amador’s debut novel, inspired by true events and weaving reality with imagination. It’s a tale drawing from real-life family experiences.

Mr. Amador is a traveled global marketing “insighter.” He is a sought-after guru teaching multinational brand marketers to understand how customer and consumer segments behave based on their needs, values, motivations, feeling and values. He has trained over five thousand brand marketers on how to grow brands in over 20 countries in the last 15 years. His counseling has been valued at global brands including General Electric, Microsoft, AT&T, Yahoo!, Sun Microsystems, Google, Jack Daniel’s, The J.M. Smucker Co., DuPont, Mattel, and Rodale, Inc..

Amador is also a founding partner with his wife and children of Gracianna Winery, an award-winning winery located in Healdsburg, California. The winery also pays tribute to the Amador Family’s maternal grandmother, Gracianna Lasaga. Her message of being thankful lives on through them. The Gracianna winery strives to keep Gracianna’s gratitude alive through their wine. Learn more at: www.gracianna.com, like Gracianna Winery on Facebook or follow them on Twitter @GraciannaWinery.

Amador resides in Sonoma County with his family.

Synopsis of Gracianna:

Gracianna by Trini AmadorThe gripping story of Gracianna–a French-Basque girl forced to make impossible decisions after being recruited into the French Resistance in Nazi-occupied Paris.

Gracianna is inspired by true events in the life of Trini Amador’s great-grandmother, Gracianna Lasaga. As an adult, Amador was haunted by the vivid memory of finding a loaded German Luger tucked away in a nightstand while wandering his great-grandmother’s home in Southern California. He was only four years old at the time, but the memory remained and he knew he had to explore the story behind the gun.

Decades later, Amador would delve into the remarkable odyssey of his Gracianna’s past, a road that led him to an incredible surprise. In Gracianna, Amador weaves fact and fiction to tell his great-grandmother’s story.

Gracianna bravely sets off to Paris in the early 1940s–on her way to America, she hopes–but is soon swept into the escalation of the war and the Nazi occupation of Paris. After chilling life-and-death struggles, she discovers that her missing sister has surfaced as a laborer in Auschwitz. When she finds an opportunity to fight back against the Nazis to try to free her sister, she takes it–even if it means using lethal force.

As Amador tells the imagined story of how his great-grandmother risked it all, he delivers richly drawn characters and a heart-wrenching page-turner that readers won’t soon forget.

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As the Story Opens:

Amador reflects on his childhood discovery which launched him on a lifelong journey towards unraveling the truth behind his great-grandmother Gracianna. This innocent look into a young boy’ s childhood find of a German gun gives a pointed insight into Gracianna herself who even in this memory had a formidable presence. Upon recollecting her early years, he made a choice to focus not only on her hard work ethic but to give a light on her ability to realise how important knowledge and learning is to a person’s life; through her passion for reading. She was proud of her language (the Basque) due to its uniqueness as compared to the surrounding languages of the Spanish, French, and Portuguese. I noted this as a nodding towards her self-reflection of her self-identity and how interesting it is that she wanted to hold onto a language that might have been passed over for a more commonly spoken one by another.

The pacing of Amador’s narrative reads and asserts itself as a biographical fiction piece which is an ingenious way of writing a non-fiction story (i.e. biography or memoir) with the inclusions of painting in the in-between moments of a person’s lived life with a familiar resonance to where a reader can walk alongside rather than trudge through a straight-up recollection of dates. He walks between his own tellings of her life and borrowing from metaphoric and mythological stories of ancient truths. He chooses to paint his great-grandmother’s life in point-of-face and point-of-fact accuracy of bone-chilling realism that is at times gutting and emotionally convicting. The imagery is not always easy to drink in but neither is the life she lived an easy path to endure.

Her formidable training taking her from girlhood to womanhood (after her mother’s death) was due to the stability and presence of the imposing Anastasia. One begs to wonder if through this relationship, Gracianna formulated her own persona and identity as a reflection of Anastasia. Anastasia was Ann’s mother, making her Gracianna’s maternal grandmother. Proving that she comes from a lineage of strong women who endure as a living testament and legacy to those of whom they lose in death.

My Review of Gracianna:

The story of Gracianna’s life is pivoted against a brief re-telling of her ancestral roots and beginnings of her enriched life as a descendant of the Basque from the Pyrenees. (on the border of France and Spain) As Amador disclosed his great-grandmother’s ability to walk and read in harmony, I was drawn to think back on my own life where I would do the same during my school years as my head was always cast inside of a book whilst walking to and from class. She shifted from childhood into adulthood during harrowing personal tragedies which became an epoch of trauma and loss for her family. At the moment she lost her mother, she had to be reminded about who she was and how strong she was as despite her fortitude she lost her footing at the death of her mother. A fracture of her spirit was repaired by the family members who stood beside her and reminded her of who she was and of where she came. This rooted her ability to carry-on and proceed forward at a time when she didn’t feel motivated to do so.

My mind had trouble staying in tow with the story of Gracianna due to the overwhelming disconnects that ensue as you watch her life unfold. One moment she’s endearing to the point of humbling a graceful measure of humanity in every action she takes and on the next page, it’s as though this Gracianna your heart is rooting for is replaced by a stranger you have not yet met. I reflected that this could be due to the author’s stop-and-go writing process as he wrote Gracianna’s story whilst traveling for his work’s intense schedule. It’s almost as though he resumed the story without realising he had started a piece of it in a different vein of thought. I can sympathise with his situation but as a reader, it’s a bit difficult to work through as your second-guessing who Gracianna really is. His thoughts were being pulled in too many different directions for the story to fuse together properly. As the story proceeds, I began to wonder if Gracianna’s greater legacy would have been better off told through a collection of antidotes and short missives of life lessons rather than through a novel where her essence becomes entangled and muddled.

On wine and story-telling:

Originally I had wanted to select a hearty choice of red wine as my preferences are Cabernet Sauvignon and Merlot, however I surprised myself by settling on Sangria! Sweet. Robust. Flowery. My choice of wine I felt would match well with a story of Gracianna as she originally came from a region of where there was a fusion of wine, story-telling, and living life with passion infused into everyday living. I occasionally admit that rather than pairing a book with a cuppa tea or a steamingly smooth coffee latte, I opt instead for a smooth glass of wine! Whether the atmospheric murmurings of the story about to be read is the inspiration or the pure indulgence of being an adult who can relax into a story with a subtle nod to the novel at large, makes reading a blissful adventure for me! Being that the author owns a vineyard it only felt fitting that I make a selection to pour a bit of decadence into a rose-hued glass goblet and have it accompany me on my journey into his début!

Fly in the Ointment:

Despite the flawless words of the author in recounting Gracianna’s young life, he failed to include the formidable years between eight and seventeen. It’s a shame we were not privy to more details of her young life. This exclusion jutted me out of the context of the story momentarily as it felt as though the story shifted forward without a proper segue to account for the loss of years. Perhaps this was due to a lack of information of the years in question, in which I can fully accept and understand. However, there wasn’t a footnote to guide the reader. There is a passage on page 12 which takes a detour from the Gracianna who is first introduced to us in the opening pages (as much as being included in his interview), where she is now painted as a humbled, caring, and empathic woman. I found this a bit out of step with her character as she was previously introduced as a hardened, slightly embittered, over-bearing grandmother. The juxtaposition feels a bit unrealistic to me either due to two reflections of the same woman or of a grandson unsure of which personality his grandmother was the truer one of the two. The disconnect truly stems from his interview answer in which he describes her as quick-tempered, stubborn, and controlling. If this was a woman whose personality shifted due to her life experiences I would have preferred this to be explained in the text as her life is described for the reader to drink in and accept.

My honest feeling in this last regard is that the story was rushed to print too quickly and needed a bit more time to become polished and absorbed into being. Amador has brilliant moments of flucidity in which he writes with heart and soul. Unfortunately, his pen undermined his passion to bring her story forward in the light I believe he was attempting to place her.

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Inspired to Share: I truly had expected this story to wrap around my heart and not let me go. As you watch this book trailer, the story in the heart of the premise unfolds before you as Amador narrates his grandmother’s story. However, I was unfortunately unable to fully conceive his vision of the story as I couldn’t connect with the context as it was presented in Gracianna.

“Gracianna” by Trini Amador Official Book Trailer

by Greenleaf Book Group on Gracianna Winery Channel

Fun Stuff for Your Blog via pureimaginationblog.com

The “Gracianna” Virtual Book Tour Road Map:

Gracianna by Trini Amador - HFVBTBe sure to catch the first half of this showcase on JLAS:
Jorie interviews Trini Amador!

Fun Stuff for Your Blog via pureimaginationblog.com

Be sure to scope out upcoming tours I will be hosting with:

Historical Fiction Virtual Book Tours - HFVBTon my Bookish Events Featured on JLAS!

{SOURCES: Cover art of “Gracianna” as well as Trini Amador’s photograph and biography, the blog tour badge, and the logo banner for HFVBT were all provided by Historical Fiction Virtual Book Tours and used with permission. The book trailer by Greenleaf Book Group had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2013.

Related Articles:

Virtual Tour: Gracianna – (closedthecover.com)

Gracianna – (doingdeweydecimal.wordpress.com)

Review: Gracianna by Trini Amador – (diaryofaneccentric.wordpress.com)

Gracianna by Trini Amador is the Story of a Women’s Strength During Nazi-Occupied France – (hookofabook.wordpress.com)

Book Review: Gracianna by Trini Amador – (westmetromommy.blogspot.com)

Book Review: Gracianna by Trini Amador – (confessionsavidreader.blogspot.com)

Gracianna by Trini Amador – (flashlightcommentary.blogspot.com)

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Posted Wednesday, 13 November, 2013 by jorielov in 20th Century, Biographical Fiction & Non-Fiction, Blog Tour Host, California, Debut Novel, Fly in the Ointment, France, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Multi-Generational Saga, Sonoma County, The World Wars, Vintages and Vineyards

*Blog Book Tour*: The House Girl by Tara Conklin

Posted Tuesday, 12 November, 2013 by jorielov , , , 5 Comments

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The House Girl by Tara Conklin

The House Girl

Published By: William Morrow,

an imprint of HarperCollins Publishers (12, February 2013 [hardback]

Published By: William Morrow Paperbacks, 5, November 2013 [paperback]

Official Author Websites: Conklin on Facebook; Conklin on Twitter;

Personal Website and Contributor @ Popcorn the Blog.

Available Formats: Paperback, Hardback, and E-Book Page Count: 400

Converse on Twitter: #TheHouseGirl

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Acquired Book By: Book Browse First Impressions Programme: I received a complimentary ARC in exchange for my honest review on Book Browse, from the publisher William Morrow. The House Girl was amongst the offerings for November 2012, as this book was published in February 2013. I did not receive compensation for my opinions or thoughts shared therein or herein. Fun Stuff for Your Blog via pureimaginationblog.com On Being a Part of the Blog Book Tour: Whilst I submitted my application to work with TLC Book Tours, I had mentioned that I have read this particular book as I noted they were going to launch a blog book tour for it in November 2013; to celebrate the paperback release! I thought it would be nice to participate in a blog book tour on behalf of a book that truly not only captivated my imagination but is of a story that I have never fully let go of since I put the book down! I was thankful to be placed on the tour! Therefore, this is my second reading of this story based on the ARC I previously received. I will juxtaposition my original thoughts alongside my new impressions as they are revealed! I did not receive compensation for my participation on this book tour! Fun Stuff for Your Blog via pureimaginationblog.com Inspired to Re-Visit: As a reader there are always those particular books that stand out to us, stories and characters who have a way of transforming our perspective as much as endearing us to a particular time in history that was wholly different from the time we live in ourselves. These are the stories that challenge us to dig into the heart of the narrative to seek out the truth of which the writer is imparting to us. Through their words of choice, as much as the fingering nudges they urge us to open our eyes to, a portion of history that is hard to reconcile even today. They endeavour us to seek humanity and empathy as they seek to obliterate social prejudices whilst revealing a story that is not only multi-layered but dimensionally complex. This is one of those stories that leaves you ruminative as you close the book sleeves and sit pondering the greater message that has been revealed in its ending.

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Listen to an Excerpt:

The House Girl by Tara Conklin

Fun Stuff for Your Blog via pureimaginationblog.comSlipping Back in Time and Forward Again:

Conklin weaves her narrative forward and backwards between Josephine’s world in the mid to late 1800s, and Lina’s in the present day, given us the full force of each woman’s plight as their individual circumstances start to unfold. Josephine is not a free slave when the story begins, as she earnestly wants to run to freedom and enter into a new life she has dared not allow herself to imagine. Her sole friend and confidante was Lottie, a woman of passionate faith mixed with an indomitable spirit despite the hardship of loss she has suffered. The two women forged a friendship which consoled Josephine as the years waxed onward. Their lives were always interrupted by the absence of sold-off slaves, of whom they had grown attached too and suddenly never knew what had become of them next. The worst part of their lives was the broken connections between friends, family, and offspring. No living histories could be formed in other words, which led many to question and wonder what ever became of anyone they had ever known.

Lina on the other hand, is caught between where her life has led her and where her heart is leading her to go next. She is harbouring deep seeded anguish murmuring from her past into her present, as she attempts to break free once and for all. She has closed her heart to seeking out a way to let love back into her life as she has walled herself against being close to anyone who could bring her discomfort or loss. What she wasn’t realising is that a life without love is a sure way to live a half-fulfilled life which would only bring regret in the end. The ability to make two cornerstone eras reminiscent through narrative, dialogue, and elemental knowledge of the eras themselves is a nodding to how Conklin fuses the story within the time setting of The House Girl. She diverts your mind from realising there is a time slip happening as you shift further into the folds of the novel, soaking in the natural world through Josephine’s eyes and taking in the repulsive angst of a reparations case in Lina’s. Whichever setting you find yourself present in per chapter you’re not in your current time and place, but rather are living through the spirit and eyes of Conklin’s lead heroines. As for me, both Josephine and Lina are heroines in their own rights, having transcended everything that was holding them back.

My Review of The House Girl [one year later] for TLC Book Tours:

The story opens inside an ordinary day in Josephine’s, where she has to endure more abuse from her Master. Her eye is always attached to the outside world noticing the most insignificant details. It’s in these details her true freedom begins. She drinks in a piece of joy whilst walking barefoot in the grass, a moment for her that meant more than what could be observed in its simplicity. She was bourne into a world of unjust rules thrust upon her and those like her to live with the heaviest of burdens without the rights afforded to them. To live in a world where you had no say in what became of you is the hardest part of the story to drink in as a reader. Your heart starts to grieve as Josephine and Lottie’s intimate conversations paint the stark realities of their world. Where even the necessity of medical care was not given as an option. Her only resolve was to focus on the task at hand which gave her a purpose for the hour. It wasn’t enough to keep her thoughts away from running, but it helped to keep her focus off her nerves.

As time slips back into the present, Lina comes into view as a lawyer bent under the pressures of being on the fast track to success. A slave in her own right to the work load she is drowning inside. Lina suffers from lack of self-esteem and self-confidence in both her work ethic and her abilities to provide the services her clients are in need of most. She finds that her position at the law firm is all but redundant as the work she puts in is not even close to being necessary. She is finding that her role in life is being a cog in the wheel to where her fated course is up to someone else. She has missed the ability to feel as though she is making a difference rather than only doing what is expected of her. When she is assigned the reparations case to seek a living heir through the descendants of Josephine Bell and to provide proof of provenance for the artwork which was recovered (as there is an issue of who the artist actually was), she finds her true self. She starts to shed  the outer barrier that kept her at a distance from becoming close to others and starts to find her voice through following the path of Josephine; the house girl who dreamt of freedom in the Underground Railroad.

In direct comparison, here is my Original Review for Book Browse First Impressions:

Art Redeems the Soul

Josephine Bell is the catalyst that launches an inquiry into the historical past, to unearth the mystery of what happened to the artist who fashioned the artwork that survived time. Her story is not unlike others in her class and station, in the late 1800’s. A slave bound to her Master’s wife, as a house girl confined to their land and their rules. A life that would have gone unnoticed until an unsuspecting lawyer (Lina) in the 21st century (early 2000’s) is giving the task to unearth data on a case that would give back redemption to those who have all but been erased by modern history. This isn’t just a story that evokes the tragedy of those enslaved in the South, but rather a silver lining of Hope… that their lives took on greater meaning and purpose when their lives started to intersect with others. It’s through this intersection where the ripples of small kindnesses and hours of bravery, began to change the lives of others. I found that inside the secondary characters held within the House Girl, the simplest of truths to step forward. Peace with Self. Strength in Resolve. Determined Self Reliance. And the hope of freedom. Oppression comes in different forms, as even those who live free are not always free to do what their hearts desire.

I believe this would make an excellent addition to an Art History class or a Civil Rights class which focuses on slavery in the South. The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

My cross-comparison of my feelings separated by a year between readings:

Initially when I first read The House Girl, I had a lot of thoughts and feelings running through my head at the time I was reading the narrative, so much in fact, I nearly felt like I should have a blog to write everything down and share with other readers! Fast forward to when I was applying to be a tour hostess for TLC Book Tours, and the opportunity arose to re-read this lovely novel that never quite left my conscience since I originally read it! All those swirling thoughts started to re-surface, but I tried to keep them at bay, in order to best re-visit a book I had previously read! I liked the challenge of this particular book tour, as it would stretch me completely outside my comfort zone as I have never re-read a book for a tour beforehand! I liked the fact that I would have to not only challenge my heart to approach the story with a new pair of eyes but to keep myself focused on the hidden depths of the novel that I might have overlooked or missed during my first reading!

Therefore, I can attest that as I was musing about the message of The House Girl, I found myself a bit at a loss for words to purport it into focus in a clear and even paragraph. This is a novel that is best read by feeling the story by your heart and the evoking emotions that comes out of internalising the story you’ve just read. I was deeply attached to each character at different parts of the story’s thread, as you get to see different pieces of their souls shining through at different intervals. In my mind, there wouldn’t have been much to lament about on Lina’s behalf if Josephine Bell hadn’t been in her life; likewise, I feel as though Josephine Bell’s life was to give a living testament and tribute to her descendants once the provenance of her artwork was discovered. The greater truth I think is the perception we have of blood relations and the essence of who we are on the outside as a mirror image of who we are on the inside.

The House Girl challenges the perception of ancestral lines and blood ties as passed down through the generations from the original start of a hereditary chain. It seeks to point to the truth of who we are as a society and who we endeavour to become. I still stand by what I spoke about a year ago, as there is such a determined spirit to The House Girl, as far as taking bold steps to overcome your circumstances as much as being bold in your faith when you feel all hope has been lost. As you unravel the heart of the story, you start to see the other layers which were intuitively stitched into the tapestry of Josephine and Lina’s entwined story-lines. Even now, a full year later, I find that my final sentence in my original review is the key for me to think back upon this story with fond affection: The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

Empathy wrapped inside Sophisticated Prose:

Tara Conlin photo credit Mary Grace Long
Photo Credit: Mary Grace Long

Ms. Conklin has a wonderful ability for drawing empathy and compassion out of her narrative whilst wrapping her story inside sophisticated prose which speaks to a higher message. Her willingness to delve into the deeper levels of humanity and uncertainty for each of her characters’ lives, gives the reader a first-hand impression of where the story led her to go as she wrote it. I was struck by her honest way of writing the time slip between Josephine and Lina, to where neither century felt forced or conjectured. She uses words to paint the time eclipse of each woman on the cusp of a season of change arriving into their lives when they least expect a change to be possible. Each woman is seeking her own true self and a freedom of their past they were not expecting to receive. It’s in this honesty that Conklin performs the best visually, as she uncovers the nibblings of the human spirit as evoked through the emotional shiftings of her two protagonists. Reading through The House Girl you gather the sense that the story itself had an equally powerful effect on its writer. And, I suppose that begs to ask the question, “Are stories written by their writers solely, or are stories evoked out of a seed of a story that alights in a writer’s mind as needing to be told?”

Inspired to Share: Ms. Conklin talks about her journey towards publishing The House Girl, and how like Lina, she was a lawyer originally but technically still feels in her heart she is still a lawyer. Her novel started as a seed of an idea and developed into a novel. I must have tapped into this rather intuitively as it was true! I found it interesting how the slave doctor catapulted her muse to follow where the story was leading her. As you listen to her experiences as a litigator as it cross-compares to her life as a writer, she has a fascinating beginning to her writing career. Research and writing as a litigator was a natural progression for Conklin to become a novelist. I find this most intriguing, as I hadn’t realised how much research and writing goes into being a litigator! One of the more compelling things she discloses is how she became a wordsmith of the mid-to-late 1800s by keeping a journal of words she had read inside letters of the time. I appreciated her speaking about the aspect of ‘freedom’, as I have oft believed myself that true freedom lies in the simplicity. She loved the short story format but never thought she could create a novel! She happily surprised herself. I highly recommend taking the time to see the interview in full!

Fun Stuff for Your Blog via pureimaginationblog.com

Tara Conklin Interview by the Pacific Northwest Writers Association

on Bill Kenower [Author, Magazine Editor] Channel

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The “The House Girl” Virtual Book Tour Roadmap:

  1. 5 November: Review @ Read Lately
  2. 7 November: Review @ A Bookish Affair
  3. 11 November: @ Books in the Burbs
  4. 12 November: Review @ Jorie Loves a Story
  5. 13 November: @ Peppermint PhD
  6. 14 November: @ Lavish Bookshelf
  7. 18 November: @ Olduvai Reads
  8. 19 November: @ BoundbyWords
  9. 20 November: @ Book-alicious Mama
  10. 26 November: @ A Bookish Way of Life

I hope to be a regular tour hostess with:

TLC Book Toursuntil then, check up my upcoming Bookish Events Featured on JLAS!

[*NOTE: Any and all purchase links that are attached to SoundCloud are not affiliated with Jorie Loves A Story.]
{SOURCES: Cover art of “The House Girl” as well as Tara Conklin’s photograph, and the logo badge for TLC Book Tours were all provided by TLC Book Tours and used with permission. The author interview by PNWA / Author magazine as well as the audio excerpt of “The House Girl” by Tara Conklin via SoundCloud had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it.  Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2013.

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Posted Tuesday, 12 November, 2013 by jorielov in ARC | Galley Copy, Art History, Artist's Proof, Artwork Provenance, Author Interview, Blog Tour Host, Book Browse, Civil Rights, Debut Author, Debut Novel, Equality In Literature, Fathers and Daughters, First Impressions, Historical Fiction, Literary Fiction, Pre-Civil War, Soundcloud, The Deep South, Time Slip, TLC Book Tours, Underground Railroad