After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout  will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Book By: I’ve been blessed by meeting authors via #bookishTwitter for five years now. I love the #writingcommunity in the twitterverse as the writers who are publishing and/or of whom like me are still on their publishing journey are approachable, relatable and keenly conversational which is wicked brill. When my path crossed with this lovely author what truly humbled my heart and gave me such a lift of joy is the fact she was able to send me an ARC of her novel in printed form. She understood why I couldn’t read an ecopy of the novel and I am the proud owner of a spiral bound ARC!
I received a complimentary spiral bound ARC copy of “The Stars May Rise and Fall” direct from the author Estella Mirai in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I was keenly excited about reading this re-telling of ‘Phantom of the Opera’:
You might remember, last year I read “The Phantom’s Apprentice” by Heather Webb which was her self-published re-telling of the same story. She was also who chose to self-publish her novel in lieu of seeking (or being able to seek) traditional publication for her story. It is rather unique I think, a year later I am celebrating the discovery of a second novel based on this Classical story which had to take an Indie route to reach reader’s hands!
I’ve truly have had a love affair with the music of ‘Phantom’ ever since I was a young girl – I grew up with an appreciation of the arts at a very young age. My parents encouraged me to seek out theatre, symphonies and listen to orchestrations via vinyl records at home. I also was actively engaged with programming on PBS as much as I loved the local arts community in my metropolis – not just limited to musical routes of enjoyment but also fine art and other exhibits or old world arts & crafts fairs/festivals. In essence, I was surrounded by the arts across mediums of influence whilst I was musically introduced to such a hearty variety of sounds & soundscapes, it turnt me into a lifelong appreciator of musical compositions.
I loved Classical compositions as much as Contemporary – however, I had a special place in my heart for sound for motion picture and the Broadway Musical scores and soundtracks. There was something rather intimate about Original Cast Recordings when it comes to a Musical – you can feel the intensity of the performance and you can paint the scenes alive in your mind as soon as you hear the music begin. Which is what I was trying to capture last year when I mentioned this ahead of sharing my review of “The Phantom’s Apprentice”:
The music of Phantom – irregardless of which incantation of performance and artistic vision are the songs which lift my soul. The sound of Phantom is individually distinctive and the story within it’s heart is one of gutting emotions surrounding the suspense of what is truly happening to Christine and of what motivates the Phantom himself to pursue her to such an extent of invested interest. It is also part cautionary tale about obsession and misguided love.
I also went on to mention how long I’ve been connected to ‘Phantom’:
I’ve been a girl whose appreciated Broadway and Musicals since I was old enough to listen to original soundtracks on cassette tape. I used to go to sleep with a tape of Annie – not the stage play version but the original motion picture soundtrack. From there, I graduated into more familiar Musicals – including listening to the Michael Crawford soundtrack for Phantom until it etched itself into my blood.
I continued to follow Phantom – from watching the PBS broadcast of the anniversary production from London to celebrating the motion picture adaptation starring Emmy Rossum. Whilst I was writing my ruminative thoughts on behalf of this novel, I was playing the motion picture soundtrack channel for Phantom via Pandora Radio which showcased all versions of the play and musical.
In effect, this is a story which is simply a ‘part of me’ and it was an honour to have the chance to see this story & its characters re-imagined into an m/m romantic arc set in Tokyo, Japan. For those who read and visit my blog regularly, you already know of my admiration on behalf of Susan Spann’s Hiro Hattori novels – though set in 16th Century Japan, the point here is the fact I love visiting the country in fiction. In the past, I had several friends who lived in different parts of Japan inasmuch of the fact one of my favourite Winter Olympics were the Nagano Games. My grandparents helped encourage my fascination & love of Japan as they themselves loves the country, through their art (sculpture) and musicians especially.
In essence, it feels like ‘coming home’ whenever I consider reading a story set in Japan – it is a beautifully lovely country full of Mystic roots, humbling traditions and a wonderful cultural heritage.
Teru came to Tokyo with dreams of making it big in the glam-metal visual kei scene, but three years later, all he has to show for it is a head of hot pink hair and some skill with an eyeliner pencil. He may look the part, but he doesn’t sound it, and constant bickering among his bandmates has him worried about his future. When he finds a mysterious business card in his bag, he’s willing to take any help he can get.
Help comes in the form of Rei, a crippled, disfigured composer whose own career was ended by an accident before it had really begun. With Teru’s voice and looks, and Rei’s money and songwriting skills, both of their dreams seem about to come true – but a forbidden kiss and a late-night confession threaten to tear it all apart. Now Teru, who has spent most of his life denying his attraction to men, and Rei, who vowed long ago never to love again, must reconcile their feelings with their careers – and with their carefully constructed ideas of themselves.
THE STARS MAY RISE AND FALL is an M/M retelling of Phantom of the Opera, set in Tokyo at the turn of the millennium. It comes with a healthy dose of angst and a dollop of nostalgia, as well as an age-difference romance, a physically disabled love interest, and memorable characters who will stay with you long after the pages are closed.
Places to find the book:
Setting: Toyko, Japan
Published by Self Published
on 11th December, 2018
Format: Spiral Bound ARC
Self Published Author
This is a Digital First Release – other formats will be forthcoming such as print
Converse via: #PhantomOfTheOpera retell, #LGBTQ, #Contemporary Romance
Reading this book contributed to these challenges: