A weekly meme about page 56 or 56% of ereading/audiobooks:
You’re meant to share a quote from the 56th page of a novel in print and/or a quotation at the 56% of an ebook or audiobook; from your current reads, recently read or a story you’ve slated to reading – whilst talking about the selection you’ve highlighted and a few thoughts about the story or the scene*. This last bit I’ve added as otherwise its a lot of random words & quotes without definition.
Hallo, Hallo dear hearts!
I LOVE finding new ways to interact with authors on blog tours – which is why I selected to feature a new meme for my tour stop this week. I’ve noticed the #Friday56 over the years but I’ve never participated in the meme until today. What I liked about the meme was from a different perspective than it was created – rather than readers selecting the extracts from the stories they are reading, I felt it would give authors a chance to disclose an extract from their story which would have a bit of depth towards becoming introduced to their characters and their world-building; hence why I asked a few interlinking questions this week for the #Friday56!
Similar to the special guest author #TopTenTuesday’s I’ve hosted recently (ie. Ghost Punch, Secrets behind “The Tobacconist’s Wife” and the Verin Empire) – this is a new way of hosting authors on Jorie Loves A Story whilst creating new content to work with the book blogosphere meme’s and giving my readers and visitors a like something different to enjoy whilst their on my blog. I’ve loved creating these features this Autumn and you can look forward to more of them throughout the next year, 2021!
When I first learnt of the premise behind “River Magic” I was quite intrigued – it isn’t everyday I come across stories which focus on Earthen Magic and Spirituality. I have a fierce appreciation for the natural world and I love stories which have either an ecological or environmental spirit within them whilst at the same time, the lead character in “River Magic” sounded like a girl in the midst of better understanding who she was and what she was meant to do with her life. In that regard, I love coming-of age stories and/or stories about characters undertaking a journey wherein they either learn more about who they are or they discover a path they are meant to be walking.
I loved how the author approached my prompt for today’s #Friday56 – how she reflected about her own beliefs as a Druid and how she inserted a bit of her own path and beliefs into the backbone of “River Magic” whilst also giving us something to chew on when it comes to numbers and numerology. I don’t study it myself but I have noticed there are certain numbers which seem to percolate themselves into my life at different intervals – you can notice numerical patterns in your life even if you are not studying the numbers themselves. I always found it interesting how that works out.
Today it is an honour to host a new blog tour with Storytellers on Tour – a blog touring company whose championing Indie Storytellers and giving us all a lovely chance to feature their collective works. I am looking forward to working with them as oft as I can and I look forward to the conversations and features which hosting will inspire to bring to my readers on Jorie Loves A Story!
Brew yourself a cuppa and let’s find out more about River Magic!
River Magic Subtitle: A Rituals of Rock Bay novel by M.A. Phillips
Budding clairvoyant Lacey Moran seeks to understand her dreams and find her life’s purpose along the St. Lawrence River. If only her visions of silver arms and Cian O’Connor’s blue eyes were easier to understand! The pieces begin coming together when she encounters a mermaid in the river, joins a group of Druids, and opens herself to romance with an old friend.
Can Lacey overcome her doubts, or is she in over her head?
This is artwork featuring “Lacey” from “River Magic”.
Topic for this week’s #Friday56 as suggested by Jorie:
Share a quote of “River Magic” from page 56 and talk about what went into creating the scene or dialogue found on that page and what inspired the choices you made in creating this particular portrait of the story. Likewise, do you find numerology has any presence in your life? Maybe reoccurring numbers pop up every so often or you find yourself drawn to certain numbers? I felt compelled to ask as this prompt focuses on the fifty-six page rather than any others in the stories being featured.
Earlier this August, I featured the Cover Reveal and book trailer (which spoke to the origins of the world’s mythology) whilst I was eagerly awaiting the blog tour which would celebrate the novel’s release. However, somewhere between my initial curiosities about Under the Lesser Moon and the blog tour, I have come to uncover some of the content and aspects of how the story is told (both contextually and visually) are now a step removed from what I can personally handle as a reader – as you will find disclosed through this Q&A there are certain content and trigger warnings which I simply do not desire to read about in the stories I am choosing to read. One of the hardest of all the ones listed for me is abuse – for both children and animals. It is a deal-breaker for me for any story I am considering to read because I simply cannot handle those kinds of stories – they are above and beyond the kind of content I want to be reading myself. In fact, I pulled out of a blog tour this year which dealt with explicit child abuse and on/off scene visuals of it because it was not the story I was pitched as a book blogger and I feel a bit the same in regards to Under the Lesser Moon.
Mostly as I was under the impression this was a slow-building dragon fiction series – wherein, the dragons would be more central to the story and to the context of the series rather than what is being disclosed today through the conversation I had with the author. In some respects, I think this is outside my own purview of what I would like to see in dragon fiction as this is too hinged to the origins of what first inspired the mythological past of the world Campbell has built. I had no idea her inspiration marker was the Aztecs as I studied the histories and cultures of the Aztecs, the Mayans and the Incas in school. I had a very strong passion for Archaeology and Anthropology and nearly entered those fields – however, of the three societies I studied, the one I felt the most akin to wanting to know more about were the Mayans. I found them quite interesting and by sixteen I was walking through the ruins of their cities in Central Mexico and in the Yucatan peninsula.
Likewise, the one series I never felt motivated to read despite it being touted as a series I ought to read by my teachers was Clan of the Cave Bear as to me, it was too brutal of a world and the darker elements of what was written into the novel for me were just not my cuppa of tea. I barely made it through the opening bridge of the first novel if I finished it at all before I put it down and returnt it to my teacher. I’ve kept away from stories and series which parallel thematically from that series and/or stories which are rooted in similar epochs of History as they do not seem to be a good fit for me as a reader.
And, in regards to the Horror disclosures of Under the Lesser Moon, I was quite disappointed as despite the fact I read ‘Cosy Horror’ – for me the most spookied part of this subniche of the genre is the fact like in a Hitchcock film, most of the suspenseful thrills are off camera and off-scene; these are stories which thread through a psychological suspense lens rather than a visually graphic one depicting the truer elements of what Horror is known for as a genre. Thereby, I do not read traditional Horror and was quite burnt a few times on stories which I felt were Cosier than they became as I read them.
As the conversation progressed however I appreciated the candor of the author’s responses as much as I appreciated how she gave us such a firm impression of her world-building and the character sketches she reveals about her mythological origins and of the lead character himself. To me, this conversation is pivotal towards understanding the main components of the series this novel begins and of better knowing if the content of the story (and of the succession of installments) is a good fit for us as readers. This is one reason I enjoy interviewing authors and/or conversing with them on Twitter. It is hard to gather an opinion about a story in Speculative Fiction from the outside without asking key questions which root out the specific areas we might be concerned about as readers. Thus, I am fully appreciative whenever an author answers my questions candidly and with such wonderful insight as Ms Campbell has herself today.
I hope you will find this conversation I had with the author, Ms Campbell will help you decide if this Dark Fantasy novel and series is right up your street or if it is a bit too dark for you as I have felt it is for me through the conversation we shared.
I wasn’t as inspired with this topic as much as I was to contribute a clever topic for an author whose series has left me dearly curious to READ. One of my bookish hobbies (as let’s face it, a lot of us have more bookish hobbies than non-bookish!) is finding new subniches of familiar genres and re-discovering why I love each particular genre by finding my route into a new hidden niche I haven’t yet explored – which is how I came to be featuring Mr William Ray!
Jorie’s topic for William Ray: Top Ten Secrets of Surviving in the Verin Empire 📖🦎
Hallo, Hallo dear hearts!
I positively love Indie (Press and Publishers) and Self Published Speculative Fiction storycrafters who are giving me wicked good literary wanderings within Cosy Horror, Science Fiction and Fantasy!!
For this week’s #TopTenTuesday, I wanted to do something special and a bit different – which is why I decided to creatively come up with a fun topic for the author whilst hosting this lovely blog tour which is celebrating a rather uniquely interesting book series as I’ve been in conversation with the author, Mr Ray whilst setting up this featured guest post! I do not oft get the chance to have this level of collaboration with an author about a guest post and I must admit, it was the highlight of the past few weeks for me as I took ill for over a week after the sudden loss of my Cedar trees which was explained in a series of tweets within this *thread. The collaboration proved to be the best diversion to offset what was affecting me in the aftermath of having those trees forcibly removed.
Here’s the exciting bit: you see, his series, the Verin Empire *switches!* genres per each installment of the series – you will find my notes relating to which genre applies to which installment of the series shortly. Even more interesting to mention I felt is how these genre descriptions and interpretations apply to the Verin Empire as well!!
Let me explain:
(portions of this top anchour were pulled from my conversations
with Mr Ray and are being reshared on this post with permission of Mr Ray.)
When I enquried about “Blackpowder Fantasy” (as in all humbled honestly I can’t stop thinking about the franchise of films for Pirates of the Carribean as they loved using the stuff!) this is what the author responded by explaining to me where his story fits within the scope of this designation:
Blackpowder covers a huge technological range from
quasi-medieval to Victorian war story. I’m at the far modern end of what fits in it.
Whereas when it comes to whether or not his stories
are considered gritty or grim – he had this to say:
A bit gritty. I don’t think it’s super dark or anything…
but it’s a grimy 19th century cityscape with rampant corruption. Grimy, not grim.
And, of course, I had to ask if by gritty or grim if this was by any chance inferring explicitly graphic violence in ANY of the installments as I’ve been burnt before on how far writers can take their crime scenes, death scenes and you know, that side of the story:
I don’t think the violence is super explicit in Great Restoration. It gets a little heavier in the final chapters, but there are only a couple of key deaths along the way, and they’re not particularly gruesome (and both are off-page!). Gedund is more brutal with that stuff… but then, it’s a war story and I don’t think it’s particularly gorey for its ilk.
As you can see, this is a series which might have been considered outside the purview of Jorie’s readerly curiosities but then again, you have to take into account when the film Rango came out she was one of the first to feel inclined to give it a whirl and see what a wild ride *that!* kind of fantastical Western could present!! Somewhere in the story and throughout its adventurous tale Rango managed to worm its way into her cinematic heart! Seriously, how can you not LOVE ‘Rango’? I digress.
Through the illustrations (which Mr Ray kindly shared with me for this post and for a special post which will arrive during @WyrdAndWonder’s Year 4, May 2021) you can start to see the vision he had for this series as much as how this series re-sets a standard in what you can expect to find in your fantastical wanderings. I was most intrigued by what provided the bones of this series foundation – the inspirational routes the author took to find his own voice and style within Fantasy but also to write a fantastical and engaging series which re-shifts the reader into the curious realms of where Fantasy can take them.
The only warning signs I had this series might have its ebb and flow of caution for me as a reader would be when he broached where this series falls in regards to Fantasy classification terms and inclusions – thereby, if you have any similar sensibilities as I do as a reader, you might want to note them as you consider this series for yourself:
I shift things around a lot stylistically, so Gedlund has some brutal bits, but I tend not to indulge in garish gorey detail because that pushes further from the period feel. But it is heavier on horror elements and violence than the others, being about war. The detective stories aren’t about that though. As a sort of western, Shadow Debt is more violent than the detective stories, but it’s dime-novel stuff, not Grimdark.
Two of his main influences of inspiration are the stories of Sherlock Holmes and the collective works of JRR Tolkien – which is something I can relate to myself, as although I own the full Histories of Middle Earth and all the connecting stories within the Trilogy – I’ve only accomplished seeing the film adaptations in recent decades. I am thankful I could attend one of the midnight premieres as those are the kind of experiences you can easily take for granted now in this current world of pandemics and the issues surrounding large crowds at movie premieres. Thankfully during those releases things were a bit more innocent and tamer – where you could enjoy the film and the collective experience of being in the theater without the kind of worries which are on your mind nowadays.
Through seeing those adaptations and learning about the director’s process for bringing them to life – both cinematically and visually through Weta’s visual special effects, you can uncover a lot of Tolkien’s vision as well. In that regard, just the sheer breadth of Tolkien’s work is impressive enough and is one to be respected. And, when it comes to Holmes, is there a greater private detective who has captured our hearts, our minds and our natural curiosity to observe how he sleuths? I can definitely respect why each of those would provide a wicked amount of inspiration!
What endeared me though through our conversations is when he described his series as the following:
I don’t think Gedlund is Grimdark. It’s a bit dark, but it has a more hopeful edge… Grimdark usually emphasizes an implacable world full of dark things. Gedlund has more of an… incompetent world of dark things? The theme in all the Verin Empire stories is about the lingering darkness of the past, but implicit in that is an idea that things are improving. Arc of history bending towards justice and so forth.
So, for example, there’s this broad notion that magic is fading from the world… but as you get into the details of it, it turns out most of the magical world was kind of awful and people are better off that it’s gone. Most of fantasy features a struggle against a returning evil once defeated by a more virtuous past… I wanted to show a lingering evil at war with a more virtuous (but still far from perfect) newer world.
And, this is what re-gave me the hope of being able to read the series! *whew!* Whenever you are on the fringes of discovering a new subniche of a genre you love reading, it is wicked wonderful when you can ask the author direct questions and put your concerns about their stories to rest. Especially if you’re a sensitive reader like I am or if you know your limitations when it comes to Dark Fantasy elements, graphic violence (or any amount of violence and how its portrayed) or whatever else might concern you ahead of seeking out the stories for your own readerly consumption.
I was wicked thankful for his explanation because this was my initial takeaway after this was revealled: it’s a world in transition and a world choosing how it wants to be in the future and if it is ready to shift away from the past or if it wants to revisit those darker days (in some regards),…
As you can see, he has written a series which encourages you to consider the layers and the ways in which the stories are told to further understand the telling of how the stories reveal themselves. And, those are my favourite stories to find to read. They offer a lovely challenge because of what they encourage you to ruminate over as you’re reading them.
And, of course, once he said this – I mean, what more can you ask for in this series?
Exactly! A big part of what inspired Gedlund was that visual of this ‘modern’ army fighting an immortal lich king, stuck forever in the past. The world is still has that 19th century sort of mud on its boots, but it’s marching forward. There’s rampant sexism, but there are also murmurings of the battles for Women’s Suffrage. There’s classic aristocratic corruption, but the stirrings of democracy and more sensible management. Things aren’t perfect, but they’re moving forward. Fantasy worlds all too often feel like fixed things, and I wanted to write a world that was clearly moving through history.
I loved how Mr Ray rooted real world issues into the backbone of his world’s back-histories whilst he kept the world on its own trajectory as well. I look forward to one day tackling this series and finding my way inside the world once I do – ooh, for those who are curious, his short story is available in PRINT which is something I already celebrated finding out myself! Whilst at the same time, I requested my local library to purchase Gedlund and I am awaiting their response.
One blessing I’ve found as a book blogger and as a Joyful Tweeter is generally most authors are willing to respond to your enquiries and they are blessedly approachable when it comes to a reader who wants to ask more pointed questions out of the concern for how those stories might affect them as a new reader to either their style, their genre or the thematic of the stories they are writing. Never feel you cannot reach out to a #newtoyouauthor and ask the questions which are important to you.
Today it is an honour to host a new blog tour with Storytellers on Tour – a blog touring company whose championing Indie Storytellers and giving us all a lovely chance to feature their collective works. I am looking forward to working with them as oft as I can and to the conversations and features which hosting will inspire to bring to my readers on Jorie Loves A Story!
Brew yourself a cuppa and let’s find out more about the Verin Empire!
And, I hope you’re as entertained as I was with this wicked response from Mr Ray!
Shadow Debt Subtitle: A Tale of the Verin Empire by William Ray
Glynn Sorley is sheriff of Keat’s Field, a tiny settlement in an otherwise lawless frontier. With the discovery of diamonds, her town is flooded with fortune-hunters looking to strike it rich. It’s also a target for competing colonial powers, savage goblin tribes, and outlaws.
A rustler on the run from the law stumbles across his father’s mysterious legacy – a weapon of immense magical power. He uses it to ravage across the territory as the notorious outlaw Gentleman Jim.
But the weapon’s power comes at a terrible cost, and Keat’s Field may just have to pay the price…
This third Tale of the Verin Empire returns us to the world of Gedlund and The Great Restoration. It explores a frontier trapped between competing nations, where goblins reign and a lone sheriff fights to keep the peace.
Drawing inspiration from L’Amour’s Comstock Lode, Tolkien’s Lord of the Rings, and our own late 19th century, Shadow Debt continues William Ray’s bold, critically acclaimed reinvention of classic fantasy in a world of memorable characters and unique perspectives, and features sketches from acclaimed illustrator Tom Parker.
Connect with the illustrator Tom Parker via @papagaeio
Gedlund (book one) : Blackpowder Fantasy
A Case of Eager Heris (short story) :
Gaslight / Urban Fantasy | Private / Noir Detective
The Great Restoration (book two) :
Gaslight / Urban Fantasy | Private / Noir Detective
Shadow Debt (book three) : Weird West | Western Fantasy
Top Ten Secrets of Surviving in Verin Empire
by William Ray
Inspiration from Jorie for this Topic: a lovely list of things to be aware of as a new visitor to this world – cautionary things, odd quirks, small insights into the places or the people therein. A bit of a last grab list of things any new person to this world would love to have in hand before they went into the world without any knowledge of it and might get into a few pickles.
Author’s Response: As the creator of Tales of the Verin Empire, I’ve been asked to offer advice for any traveler intrepid enough to tour those storied lands. Frankly, I find this a huge relief! If I can just watch you fumbling around out there it will save me a lot of work in character and plot development. With that in mind, good luck, and thanks in advance!
I am wicked thrilled to be on this lovely blog tour celebrating a series I first *discovered!* on NetGalley – which is the Bury Down Chronicles! I have only been on NetGalley since February of 2020 (wherein I started participating by listening to audio extracts) and I have been reviewing and listening to audiobooks via NetGalley since July, 2020. Previously I was not able to participate on NetGalley due to my inability to read ebooks due to my chronic migraines. Hence why I am celebrating this year NetGalley finally released a format which works for readers who only read stories in print and/or listen to audiobooks; as the latter have been such a keen pleasure of joy in my life since I first started listening to them in 2016.
I wasn’t sure which kinds of audiobooks would be available for review consideration this Summer on NetGalley but what I am finding is a lovely mixture of stories – from adult to Children’s Lit and from Fiction and Non-Fiction. Three of the reviews I submitted are on my blog now – which are as follows: Solstice Shadows (see also Review); My Life in Plants (see also Review) and Jorik Calling (see also Review). I will be releasing more as I finish the stories I’ve begun listening to whilst I am also re-balancing my NetGalley selections as a few of them archived before I could listen to them and am thankful those selections are on Scribd.
When it came to Megge of Bury Down – I was thankful I could request the audiobook from the author as I had a lot of health issues in September and at the end of October; this coming week I am listening to both Megge of Bury Down (courtesy of the author) and The Lady of the Cliffs (which thankfully was available via NetGalley). What caught my attention first and foremost is how this is a lovely installment of stories featuring strong women and a cornerstone of History I do not regularly get to read or listen too. I love seeking out hidden stories in the historical past which bring to life a bit of history you are not expecting to find and whose heroines of the stories themselves have such a strong story to be heard.
I personally love finding Feminist Historical Fiction & Historical Women’s Fiction stories as much as I love stories which dip into the shadows and corners of Magical Realism. Each writer who uses Magical Realism re-invents what can be done with this genre and it is a joy to continue to discover each writer’s spin and evocation of the genre itself. For these reasons I am wicked thrilled I can listen to this series during the blog tour and to help signal boost the series to those readers who might not have discovered it.
Today, I am sharing extracts from both stories in order to give you a better preview of what is inside them and hopefully after reading the extracts you might decide to either fetch these audiobooks via NetGalley yourself (as I saw they are still available under ‘Listen Now’) or perhaps you’ll add the series to your own #mustread list! Either way, ENJOY!
The Bury Down Chronicles:
Megge of Bury Down (book one)
Megge of Bury Down was recently named a Distinguished Favorite in the categories of historical fiction and cover design at the Independent Press NYC Big Book Awards.
The Lady of the Cliffs (book two)
The Lady of the Cliffs is a continuation of Megge of Bury Down, it is not a standalone novel and readers will have to have read Megge in order to understand the events that take place in this book.
Converse via: #HistoricalFiction, #HistFic, #Celtic and #MeggeOfBuryDown
as well as #BuryDownChronicles, #MagicalRealism or #WomensFiction
About Rebecca Kightlinger
Rebecca Kightlinger holds an MFA in creative writing from the University of Southern Maine’s Stonecoast MFA program and is a member of the National Book Critics Circle. A fulltime writer and literary critic, she divides her workday between researching and writing the Bury Down Chronicles, reviewing novels for the Historical Novel Society, and reading fiction submissions for New England Review. She travels to Cornwall to carry out on-site research for each book of the Bury Down series.
In her twenty years of medical practice as an obstetrician gynecologist, she had the privilege of caring for the women of Pennsylvania, Virginia, and Guyana, South America. A lifetime Fellow of the American College of Obstetricians and Gynecologists and a member of the American Association for the History of Medicine, she also studies ancient medicine, medieval midwifery, the history of Cornwall, and the manuscripts and arts of the mystical healer.
She and her husband live in Pennsylvania.