Author: Stephen Zimmer

Blog Book Tour | “Dream of the Navigator” (Book One: #FarawaySaga) by Stephen Zimmer #JorieReads her 8th #Dystopian story and has a surprise to share with her readers!

Posted Wednesday, 15 August, 2018 by jorielov , , , 0 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book By: I was selected to be a stop on the “Dream of the Navigator” blog tour from Seventh Star Press. The tour is hosted by Tomorrow Comes Media who does the publicity and blog tours for Seventh Star Press and other Indie and/or Self Published authors. I am a regular blog tour host with Tomorrow Comes Media and whilst I haven’t read all of Mr Zimmer’s collective works, I did previously enjoy his anthology collection of shorts out of one of his universe’s of interest: Ave. I have oft contemplated whether or not I could find a niche of interest in Dystopian stories and this one felt uniquely different and I decided to give it a go! This is interesting because the first time I read one of his stories I was a 1st Year Book Blogger and as I am celebrating my 5th Blog Birthday (this August), I am reading my second story of Zimmer’s.

I received a complimentary copy of “Dream of the Navigator” direct from the publisher Seventh Star Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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A bit of a reflective look at Jorie’s views on Dystopian Lit:

I must confess, I have been avoiding reading books that fall under this sub-heading across all genres for such a long time because I still have issues with certain books I read whilst in school! Writers like Steinbeck and Orwell did not paint my future well for appreciating Dystopian stories! Nor did I feel very inclined to read them on my own inclination due to the heavy amount of violence and dark undertones that seemed to be all the rage inside the stories that were being produced for the genre overall. Which is why I decided to undertake this challenge (originally) during SFN (Sci-Fi November aka #RRSciFiMonth). To approach the genre as a skeptic, but perhaps emerge after a month of readings as an appreciator?

This is how I began an essay about why I’ve been a reluctant reader of Dystopian Lit for the entirety of my reading life! I had meant to pull the stories off the mini-list of #mustreads I had pooled together that particular year – though as luck would have had it, something derailed my efforts and I hadn’t quite accomplished what I had set out to do! This was my 1st year as a Book Blogger and my first foray as a participant into the now infamous phenomenon knowing as Sci-Fi Month and/or Sci Fi November which was happily founded by Rinn of Rinn Reads (she’s since moved on to co-blogging).

A note on ‘dystopian’ literature:

Being that I am not as well versed in this particular genre, my understanding of its place in literature and the key components that make it vital to be read, will evolve as I seek out more titles to read. However, I started to expound on what I am reading through The Boxcar Baby, and have drawn one curious conclusion: dystopian stories have the tendency to bring out the warts of our exterior worlds and environments, and seek to convey a critical thought or forewarning that would then, either indirectly or directly shift the perspective of those who can bring about the most change in our own lives. Its a method of story-telling to bring to the readers’ attention certain aspects of modern life that are effectively in need of change OR give a cautionary tale of ‘what could be’ if humans do not tread lightly on a path that could lead them to a future of ill-regret. Again, I could be completely mistaken, but this is a newcomer’s perspective of what the genre is seeking to reveal and assert. To put it another way, one must endeavour to walk through a desolate and despairing dystopia in order to emerge into a utopia of balanced proportion.

-quoted from my review of The Boxcar Baby by J.L. Mulvihill

(2013, September) | 1st Year Book Blogger

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My Dystopian Reads:

The Boxcar Baby (Steel Roots, Book One) by J.L. Mulvihill

Moments in Millennia: A Fantasy Anthology (edited) by Penny Freeman

→ My favourite short of course was ‘Time out of Mind’ by Michael Cross

The Lazarus Game by Stephen J. Valentine (DNF)

An Uncommon Blue (Blue series, Book One) by R.C. Hancock (DNF)

The Path (Tag series, Book One) by Peter Riva (DNF)

Watcher (Watcher series, Book One) by AJ Eversley*

Carbon (Watcher series, Book Two) by AJ Eversley (DNF)

*NOTE: Eversley’s series in [2017] was my ill-fated attempt to re-address a curiosity of mine about Dystopian Lit and to see if I could finally find a singular author who could not only entice me into their world-building but give me the kind of Dystopian story I was seeking.

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As you can see, Zimmer’s Dream of the Navigator is my eighth attempt at reading Dystopian narratives over the score of the five years I’ve been a book blogger! I started reading this particular one *after!* my fifth blog’s birthday (6th of August, 2018) – marking it officially the one story I felt in five years which would become the ‘exception to the rule’ and the kind of Dystopian story I’ve been seeking all these years whilst wandering round a genre which has failed to garnish my full heart & appreciation!

There have been keen moments of where I’ve tucked inside a writer’s vision for their world-building which has befit what I felt would resound well as a ‘Dystopian Futuristic impression’ of where any particular world could be cast afield to such a such a time in ‘the future’ of where certain attributes of its society led it down a particular path and thereby led to a certain outcome. You can see this in the motion pictures “Wall-E” (one of the best representations of a society that is too ‘connected’ to see the truth in the pudding round them!) and “Final Fantasy: The Spirits Within” (where the sole pursuit of ‘life’ is found in a decidedly ‘altered’ future). Ironically, finding those films seemed to be an easier pursuit than finding a writer who knew how to write a Dystopian world which not only had the chops to hold my attention but to write a sophisticated narrative which has teeth to stand out from the pack!Fun Stuff for Your Blog via pureimaginationblog.com

And, then there was that particular infamous (in my mind) #SciFiExperience where I was wicked excited about reading Kate Elliott’s Icepunk series (Spiritwalker) whilst contemplating her ‘Court of Fives’ novel. I am still curious about these stories – I had to table my goals that year as well. There have been a lot of ups/downs over the years in my reading life & endeavours but occasionally when the stars aligned, I was able to read a few Dystopians despite the angst of having to postpone the other reads I was most curious to explore!

I drew together further insights into why I have this love/hate relationship with Dystopian Lit when I tried to settle into the first installment of the Blue series by Mr Hancock.

I think the main issue I find with Dystopian Lit is the fact everything is a bit cock-eyed; meaning, where you can observe what is wrong it isn’t enough to evoke change; you have to prove change needs to happen and oft-times that means putting your own life at risk. There is a clear wave of bullying between the different caste systems in the story, and the boy who caused Bruno to become painted is the classic bully whose connections protect him yet he is allowed to manipulate events without consequences. Bruno starts to unravell the underpinning principles of his world, whilst noting not everything on the Blue side is effectively the same elsewhere. For the Greens and those whose fire are reflective of blended hues (which points to the fact they ‘painted’ or blended their fire with someone else; either by force or compliant) getting through their lives is not quite the same as what Bruno had whilst he was a purebred Blue. The Blues are more elite in this world, as they are given opportunities the others are not privy to receiving themselves; even if by opportunity they are controlled. There is an imbalance between individual freedoms and the internal workings of the government who seek to control every aspect of their choices and how they act on their free will can determine their fates.

It wasn’t the writing that bothered me it was the structure of the story itself and how powerless everyone in Telesphore City truly were as perception on events trumped the truth of them; reducing any ability for justice. As I turnt around in my mind everything I had read up until this point, I realised why I struggle so much with Dystopian Lit and why I have been the last to admit it simply might not be for me at all. Its the disparity of it all. The overwhelming anguish of having the world painted black (here this refers to an intense thickening of darkness not a coloured variant of a word) to the brink where the light has barely any wick to shine. This is what bothers me a bit about Young Adult novels in general, but in regards specifically to Dystopian, I think I struggle with letting go of my optimistic spirit whilst I am reading them.

I love conflict and adversity in the books I am reading, but when it comes to Dystopian story-lines, I find myself uncomfortably displaced and a quickening sense of how fast everything can change. It is a bit like trying to sort out where you’ve gone wrong with a map written in a language you do not speak. I have read two Dystopian novels now, wells, technically I read a portion of this one and I struggled to finish the other one (The Boxcar Baby), giving me pause for realising sometimes what your curious about isn’t always worth uncovering. I just cannot give my heart to Dystopian Lit no matter how much I try to think there is a writer or a story within these worlds that will appeal to me.

Hancock makes interesting choices to steer the reader away from using strong language as a method of expressing what is being felt during the height of intense emotional moments; yet he cleverly uses colour as a way to not only explain the world but how colour itself can express the darkest shades of emotion. He makes clear definitions between what is considered right, wrong, and questionable (the in-between) yet personally I struggle to tuck inside a story whose undercurrent of tone is backlit with such heaviness; which is becoming the way I can express Dystopian story-lines. The uneasiness quickened a bit whilst seeing how callous some of the characters were towards each other and how the guards in the story were equally so towards everyone.

Hancock I believe has given a strong presence for YA Dystopian Lit for those who understand how these worlds are underlit and written as a whole. For an outside perspective, I didn’t find it a good fit for me personally but those other book bloggers I am thinking of tonight (including the girls of “Oh the Books” who co-hosted Sci Fi November this year!), I think they might tuck inside this and enjoy what he gave to the genre. For me, I checked out when a boy was killed simply for helping his best friend get out of a locked down campus — the manner in which he was killed just wrecked me on a lot of levels and the unnecessary force was just too disturbing. In light of recent current events, I respect a need to show different points of view and a clarity of conscience but in the end, the novel just broke my heart once too many times.

– quoted from my review of An Uncommon Blue by R.C. Hancock

Where Hancock erred in keeping me rooted in his vision of his Dystopian world, Zimmer has excelled. The key differences of course is purpose & intent – there is an undertone which remains firmly oblique and darkening in Hancock’s world whereas there is a presence of Light & Hopefulness in Zimmer’s.

Moreso, I simply enjoyed the back-stories and the background of Zimmer’s Faraway Saga moreso than Hancock’s as to me, the world in which Hancock created would let down a lot of readers for how desolate it truly became. You never felt you could gain traction of change inside his world – everything was operating against rebellion and personal freedoms. Even the powers he conceived were at first uniquely interesting to observe but then, I felt he worked against that power and kept altering the potential outcome to something rather more nefarious than I was willing to see through.

A lot of the issues I had in ‘An Uncommon Blue’ were never observed in ‘Dream of the Navigator’ in fact, in many ways – I felt Zimmer’s series was built on a stronger foundation. He had a stronger vision for his world to where you never felt the world itself was ‘changing against it’s type’. He projected their motivations clearly and even the components of the structure and order of the world doesn’t alter from it’s own non-ethical protocols; they are what they are  – which is beneficial to feeling you can trust Zimmer’s world of being exactly as it represents itself without a wench in the wheel throwing you out of its dimension.

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Similar to my readings on behalf of Antiphony, Riva has begun his on discourse on society, technology, religion and our place inside the world itself – how we view our living reality and how our living reality is altered by what is never completely in our control. He has written a challenging text because like the other author, he wants you to ponder the deeper meanings and take the Tag series to an awareness of recognising what could be unnoticed right before our eyes. The only key difference between the two, is Antiphony was a pursuit to understand a higher plane of existence outside of our limited sensory understanding of ‘reality’ which broached spirituality and other ideals of thought. Within the Tag series, Riva has augmented a society removed from any religious or spiritual pursuits, as the controlling rule is specifically geared towards putting humanity through a vise and only allowing humans to live a life deemed beneficial to the whole rather than the limited few.

In other words, nothing about living is determined by the individual but is rather systematically fused to an ordering rule (i.e. the government in this case; of which I can only presume is similar to The Hunger Games world based on the notes my friends have given me on it’s behalf). I think it’s safe to say my preference is always to have a level of spirituality kept inside a world – even if the world is futuristic, I’m not a particular fan of dissolving all thoughts and beliefs of a higher power; hence why I never read Phillip Pullman’s series beginning with The Golden Compass.

-quoted from my review of The Path by Paul Riva

Spirituality and Metaphysics are aptly explored in Zimmer’s Faraway Saga but rather than removing the precepts of religious thought & belief completely – to where it no longer has a place of origin or purpose, Zimmer found a way to ask intellectually stimulating questions of his characters – to where he desires them to recapture their own free will of mind & thought – to let them make the choices on behalf of what they believe or don’t believe without those choices being made for them.

He also approaches the context of this section of his world with an open mind – he let’s his characters walk a muddled path towards self-enlightenment due to how their world has repressed a lot of knowledge & information for the sake of population control and a future disconnected from personal growth. They want their citizens to remain in stasis intellectually as that would allow them to rule over them without conflict or disagreement.

Of the two, I prefer the approach Zimmer took – as it allows the door to remain open – for his world, his characters and the reader who is approaching his Dystopian viewpoint(s).

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One thing I appreciate most about how Eversley has approached writing this novel is how she fuses bits and bobbles of what you can conceptionalise against what could be a living reality not too far forward into the future. It’s a unique balance – to insert readers into a world with a Dystopian bent and a world which brings up hard philosophical questions about humanity, the pursuit of living authentically and the greater purpose behind life itself or even the art of survival if things go dangerously wrong.

Eversley has tapped into a niche of Dystopian where you can play with the genre – you can add not only depth of the world through the layers in which we entreat inside it’s boundaries but by how this world is stitched together – from the origins of their beliefs (hinted at) to the constructs of how they believe their rights as sentient beings should be maintained (similar to us) whilst enlarging the scope to have a dual presence of foe against foe – each fighting for the right to be the champion and each not honestly seeing how they could bridge their differences (if that’s even a plausible possibility) as war takes it’s toll. It’s not just the losses of life – it’s the wear and tear on the psyche and on morale of those who are fighting everyday to live one more day towards the ‘end goal’. For the Carbons and the Watchers, they are each moving towards a collision of sorts – at least, from what I can gather – if this debut is the introduction into the Watchers as a collective, than the second novel in the series surely picks up the momentum begun here through the point-of-view of the Carbons; to give a buoyancy between good and evil or what is perceived as good vs evil. It could all be an experiment gone wrong – or rather, an experiment which outgrew it’s purpose and turnt into something else completely.

If anything, there is so much your thinking about – trying to root out Eversley’s motivating inspiration and uncovering what is driving the story forward whilst trying to respect the world and pull back it’s layers to see what is really being set for you to see.

-quoted from my review of Watcher by A.J. Eversley

You might be curious why I decided to take you back down this particular readerly rabbit hole – of why I felt it necessary to re-visit the past Dystopian Reads in order to better augment my reasons for preferring Zimmer’s vision for his own. The reason, dear hearts, is quite simple – if you didn’t fully understand where I had traversed in the past – through these worlds the prior seven story-tellers had crafted for me to find, you might not fully understand how hard it has been to seek out writers’ who are crafting the kinds of Dystopian stories I am seeking.

For the most part, there have been positives and negatives across the board – hence, why I chose to add the quotations and to re-empathsis what worked for me and what did not ahead of revealling my ruminative thoughts on behalf of ‘Dream of the Navigator’ which at first glimpse brought back memories of ‘Flight of the Navigator’ (a motion picture) – a personal favourite of my childhood. I am unsure if the title has any cogitation of reference to the film, however, it had one for me.

Despite being a particularly particular reader of specific genres and thematics of literature – I remain optimistic I can find a niche of interest even in the most unapproachable literary arenas I find rather arduous to step inside. This is why I’ve continuously tried to read different Dystopian works of literature – finding a few qualms overall (four DNFs out of eight is telling in its own right!) and yet, I haven’t reached the plateau of lost hope!

I also want to share – I reverted back to my days of being able to read ‘chapter samplers’ to decide it ‘Dream of the Navigator’ would be a good ‘fit’ for me – those were the days where I could read a whole chapter digitally ahead of sourcing a print copy to read in full – back before my clustering chronic migraines were not occupying so many dear hours of my life and wrecking a lot of readerly hours off the clock as well. Prior to requesting a place on this tour, I happily found a sampler for this novel wherein despite the limitations I have nowadays with digital samplers, I gleamed enough to ‘wish to turn the pages!’ and find out what was going to happen next!

This isn’t the reaction I was expecting – I thought it would take me a bit longer than mere paragraphs to feel attached to the story-line – after all, this was a *Dystopian world!* – though, I admit, my readings of Julie E. Czerneda’s #TheClanChronicles has opened my eyes to worlds on shaky ground and where disparity can threaten to overrule.

Of all the stories I read in the past within this genre – ‘Watcher’ was the closest I felt towards finding a writer who could write a Dystopian world in a manner of approach I could appreciate. There were issues of course after I read ‘Watcher’ – as the series had to go on without me as a reader, as there were key choices I felt which worked against the plotting established in the first book – but this time round – I felt much more confident about the Faraway Saga than I had with Watcher – and that simply boils down to individual choices on behalf of the story-crafters who gave them to us.

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On my connection to Stephen Zimmer:

Over the past five years, Mr Zimmer has given me a lot of opportunities to engage with Speculative Lit authors – both through my readings of their stories (by the blog tours he’s hosted via Tomorrow Comes Media or through Seventh Star Press directly) and by letting me visit the radio frequencies by guest appearances on the Star Chamber Show (a blogtalkradio podcast). In Autumn of [2013] Zimmer was one of the first publicity and blog touring companies to give me a chance at being a ‘tour hostess’ and I am quite grateful he added me to his Blogger Team! I have spent 5 years appreciating the journey into Speculative Fiction – deepening my understanding of the genre and of sourcing out the writers who are writing the stories I love to be reading!

I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Mr Zimmer through the twitterverse or whilst I host for Tomorrow Comes Media and Seventh Star Press and/or privately as well. I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time or continuing to read their releases as they are available.

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Notation on Cover Art Design: As soon as I saw the cover art for this novel – the genre it resides started to shift in front of my eyes! I loved how much ‘light vs dark’ is playing in the design – how the splintered and mirrored images are playing off each other – whilst hinting towards ‘more’ – almost of a pinnacle to reach vs where the state of things currently lie. Even the rainbow (the symbol of hope) was aptly placed and the lush world ‘above’ counterbalances the darker shades of a technate driven world. I was beyond impressed!! I have long held the cover artists with Seventh Star Press in high esteem and this is another one which left me in ‘awe’ admiring it! Of course, the premise and the chapter sampler worked together to tempt me to read the chapters behind this art – but for the sake of art and illustration, this cover is wickedly impressive!!

Blog Book Tour | “Dream of the Navigator” (Book One: #FarawaySaga) by Stephen Zimmer #JorieReads her 8th #Dystopian story and has a surprise to share with her readers!Dream of the Navigator
Subtitle: Faraway Saga
by Stephen Zimmer
Illustrator/Cover Designer: Enggar Adirasa
Source: Publisher via Tomorrow Comes Media

Cities have been replaced by technates. It is a world of soaring apartments, hundreds of stories high, where technology measures, monitors and rations to meet the needs of the greater populace. It is a world of drones, in the air and on the ground, and advanced robotic beings who carry out much of the harder labor, security, and even pleasure assignments.

Those discontent, or who resist, are taken to Rehabilitation Centers, established after the embrace of the Greater Good Doctrine.

For most, virtual realms, substances, and entertainment provide escapes, but for Haven, Cayden, Jaelynn, and Salvador, growing up in Technate 6 is a restless existence.

A hunger for something more gnaws inside each of them. Discoveries await that open the gates to transcend time and space, and even new planes of existence. Nothing in their universe, or others, is impossible to explore.

What was once reality, now seems like an illusion in a deepening experience.

Begin the journey to Faraway, in Dream of the Navigator, the first book of the Faraway Saga!

Places to find the book:

Add to Riffle

Add to LibraryThing

ISBN: 978-1948042536

Also by this author: Chronicles of Ave: Vol.1, (Author Interview) The Chronicles of Ave, (Guest Post) The Chronicles of Ave, (3-part) Interview Rayden Valkyrie TV Pilot

Genres: Dystopian, Genre-bender, Sci-Fantasy, Science Fiction, Techno-Thriller, YA Contemporary, YA Dystopian Lit, YA Urban Fantasy, Young Adult Fiction


Published by Seventh Star Press

on 24th June, 2018

Format: Trade Paperback

Pages: 398

Published By: Seventh Star Press (@7thStarPress)
Available Formats: Softcover and Ebook

Converse on Twitter: #FarawaySaga, #DreamOfTheNavigator & #7thStar

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What I previously loved about Stephen Zimmer’s style:

You get the firm sense that Zimmer is a voracious reader who dips into a bit of everything that yields to his personal curiosity and allows his mind to wander through the gate of his imagination to deposit into a reader’s hands a wholly encased world whose dimensions are ever expanding into larger scales of tales yet to be told! Except for the few shorts, where I think he opted instead for traditional heroic bloodshed story-telling! This might draw a close eye towards the fact he appreciates the horror genre, and bits of that seep into this side of his fantasy worlds. It’s his passion for research that I applaud first and foremost, as not every writer goes to the length as he does and I always celebrate a writer I find who carries out research on this level! Secondly, he endeavours you to amplify his words into motion by the words he uses to provoke a visual response, in which backs up something he said in an interview I heard of his (whilst researching which questions I wanted to ask him in my own interview!) where he acclaimed his novels are set to embody a motion picture medium rather than the printed world of the book! This is a claim he rightly deserves to make!

He is one of the writers that I would genuinely be delighted to seek out (if it had not been for Tomorrow Comes Media!), as he parlays his fervent passion for research by interspersing what he uncovers into the tapestry by which Ave is threaded against! It’s a world that encompasses as many distinctively unique cultures, traditions, spirituality’s, and languages as our own living counterpart, and yet, it has something to give back to us as well!

The care he takes to diminish the force of the violence inside by counter-balancing it with a life lesson is absolute genius, because your not as apt to focus on the brief encounters of evil, but rather, on the benefits of what each short attempts to draw out of the character he’s chosen to hone in on instead! These characters, I perceive to be secondary ones in the larger stories (novels), yet, they have a specific life-path in Ave that cross-sects with the intervening entities or events that bring about the most metamorphose of growth! You can use me as a barometer in knowing that if I can handle these stories, you can as well! I have an intolerance for violence, but I cherish the soulful stories such as these that grant the reader a ruminative conclusion of what they’ve read!

-as previously expressed on my review of Chronicles of Ave: Volume One

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About Stephen Zimmer

Stephen Zimmer

Stephen Zimmer is an award-winning author and filmmaker based out of Lexington Kentucky. His works include the Rayden Valkyrie novels and novellas (Sword and Sorcery), the Rising Dawn Saga (Cross Genre), the Fires in Eden Series (Epic Fantasy), the Hellscapes short story collections (Horror), the Chronicles of Ave short story collections (Fantasy), the Harvey and Solomon Tales (Steampunk), the Ragnar Stormbringer Tales (Sword and Sorcery), and the forthcoming Faraway Saga (YA Dystopian/Cross-Genre).

Stephen’s visual work includes the feature film Shadows Light, shorts films such as The Sirens and Swordbearer, and the forthcoming Rayden Valkyrie: Saga of a Lionheart TV Pilot.

Stephen is a proud Kentucky Colonel who also enjoys the realms of music, martial arts, good bourbons, and spending time with family.

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Reading this book contributed to these challenges:

  • #FuellYourSciFi
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Posted Wednesday, 15 August, 2018 by jorielov in #JorieLovesIndies, Astral Projection, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Bookish Discussions, Compassion & Acceptance of Differences, Dreams & Dreamscapes, Dystopian, Epistolary Novel | Non-Fiction, Equality In Literature, Fantasy Fiction, Father-Daughter Relationships, Futuristic Fantasy, Gaming, Genre-bender, Good vs. Evil, Indie Author, Multi-cultural Characters and/or Honest Representations of Ethnicity, Science Fantasy, Speculative Fiction, Tomorrow Comes Media, Virtual Reality, YA Fantasy, Young Adult Fiction

Stories on the Rise | An interview in 3 parts: two actors & the film-maker behind “Rayden Valkyrie: TV Pilot” by Seventh Star Studios

Posted Wednesday, 23 August, 2017 by jorielov , , , , , 3 Comments

Stories on the Rise Banner created by Jorie in Canva

The Rayden Valkyrie TV Pilot began as a crowd-funding project via Kickstarter. Once funded production began and the pilot grew into a project which is now finding position within the current television market to gain traction to be built into a full production of a serial. This interview goes behind the scenes – where two of the pilot’s actors share their takeaways with being a part of the pilot and where the film-maker behind creating ‘Rayden Valkyrie’ (the character based on his novels) shares a few secrets with his readers, his future audience and those of us who have followed his publishing endeavours (via Seventh Star Press and their authorly collective) in the book blogosphere.

Seventh Star Press is one of the first publishers I started to host for during the Autumn of 2013 shortly after I launched Jorie Loves A Story. This interview was conceived to shine a light on the pilot which is the secondary focus of this lovely blog tour which illuminates the series which launched the pilot.

Follow the Journey of Rayden Valkyrie the tv adaptation | Tweet your Support

Read Stephen Zimmer’s blog post about why he wanted to produce the pilot

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Hallo, Hallo dear hearts!

I can well imagine what you might be thinking – why is Jorie showcasing a Sword & Sorcery story-line involving Heroic Bloodshed and steeped in Viking History? Not quite her typical cuppa is what is most likely coming to your mind, eh? And, in this regard – you would be right! It’s a series of stories penned by an author I appreciated finding when I first read Chronicles of Ave (in 2013) entitled the Dark Sun Trilogy. Except for the Vikings – as I first had an introduction into Anglo-Saxon early histories & the presence of the Vikings through my readings of Avelynn (of which I will be re-exploring this Autumn as I read the sequel!). Add to the random things which become introduced to you as you explore Literature and Ancestral passageways, I recently started seeing the Vikings threading into my own ancestral past – something I’ll touch on as I read Edge of Faith!

You might remember seeing Seventh Star Press titles pop up now and again on Jorie Loves A Story, as this is one of the first Indie Publishers I started to host for as a book blogger whilst finding myself readily engaging with their eclectic offerings across Science Fiction, Cosy Horror (smirks) and Fantasy – including Urban Fantasy (where I found out I love cheeky fey humour); anthologies of the Fantastical and Horrific (this side of Cosy, of course!), Altered Historical time-lines, a dash of Superhero Fiction and a pinch of Space Opera! However, if was the DRAGONS and Murkens (shifters) who stole my heart the most!

When this tv pilot originated on Kickstarter, I took stock and interest of it’s journey towards production – not only because I have been following the career of the writer behind the pilot – but also due to my personal passion for film-making (with an eye on Indies) which led me to cheer from afar for this little project would not only find traction with a (potential) audience but it would gain the backing it needed to go into production. Kentucky is one of those states which is known for film-making but hasn’t quite captured awareness of being one of the better states to conduct film business inside; a bit of a surprise to myself, as the film world isn’t as big as one would perceive – there are certain regions where film-making has legs to grow and develop in a viable economy prime to allow for said growth to reshape the active market. Kentucky thus stands on the fringes of being more of a forerunner rather than a secondary option! This is another reason why I wanted to highlight this pilot – as it allows others to start to take notice of how film and television are continuously shifting how they are being utilised in our backyards.

I continued to oversee the journey when videos popped up on YouTube – both for promotion of the pilot being filmed and for the process of taking it into production. There isn’t a lot I missed between the conception of the idea and the birth of the pilot – all of which, I have happily cheered on Mr Zimmer and his lovely cast and crew – seeing how they were shaping his vision for this story to take flight and to be brought to a visual audience who likes well-written stories with fierce historical roots and a well produced production to boot!

Finding out a bit more about Kentucky in the process – from location shoots to how the natural elements were broached into the background of the pilot itself was quite enjoyable, too! I love how you can find elements of our world set within the otherworlds of Fantasy – as it not only helps root you into the story but it offers a beautiful gap between the fantastical fictional realms and our living realities. Getting a chance to converse with two of the actors attached to this pilot was heartwarming as I truly loved how they approached my questions – they gave me answers which I feel helped bring a rounded introduction of the pilot to my readers and to those visitors on the blog tour itself – as it’s a step outside what might have been expected to be found! I love surprising my readers – it is a joy unlike all others! Also, I wanted to anchour their replies to Mr Zimmer’s – giving the presence of three different perspectives on the same subject – thereby, giving you an up close and personal definition of who Rayden Valkyrie is and why the pilot is such an important project.

So you see – sometimes I might surprise you – some stories interest me even if perhaps on the surface you might think it wouldn’t be something I’d be akin to liking! Besides – of all the cross-related tv series Mr Zimmer mentioned as being ‘one’ of a similar feather to Rayden Valkyrie – there is one from my own past which I admit, I did enjoy watching: Xena: Warrior Princess! Come now – who didn’t like watching Xena? Lucy Lawless played her to perfection!

Grab your favourite cuppa and sit back for a conversation in 3-parts!

Read More

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Posted Wednesday, 23 August, 2017 by jorielov in Action & Adventure Fiction, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Heroic Bloodshed, Jorie Loves A Story Features, Saxon | Viking History, Serial TV | Film, Seventh Star Press, Stories on the Rise, TV Serials & Motion Pictures

+SSP Week+ Author Guest Post “On writing Ave within the Fires of Eden series” by Stephen Zimmer

Posted Monday, 10 February, 2014 by jorielov , , , , , 4 Comments

Guest Post by ParajunkeeProposed Topic for Stephen Zimmer How did you create the world of Ave initially and did you foresee Ave being shaped into a full-on series? What is the back-story of the research you discovered as you went along &/or what were your methods of deciding the texture of the world? Was there a key moment which left the impression of which direction Ave was heading? How did everything evolve forward past conception of the idea?

The Chronicles of Ave
Artwork Credit: Matthew Perry

As you might recognise, I asked Mr. Zimmer to return to Jorie Loves A Story by featuring an Author Guest Post to discover the early days of conceiving the idea for “Ave” the world in which the “Fires of Eden” series resides. I previously reviewed the “Chronicles of Ave: Volume 1” (the first anthology of the series) which served as my unorthodox introduction to the series! As you will see from that particular post, I was most intrigued by what I found inside! So much so, that it has led me to reading “Crown of Vengeance” of which will be brought to life in a review going live on Wednesday! Be sure to drop back to see my recollections! I also had the pleasure of interviewing Mr. Zimmer whilst participating in the Chronicles of Ave blog tour! Blessedly for those of you who are already wrapped up inside this world, there are many more stories yet to be revealed! Let us now yield to Zimmer who will provide the ‘genesis’ of how Ave was first created.

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The Genesis of Ave

Ave is in my heart and has been from the beginning of the road of its genesis that began in the early 1990’s. The origin of this story and how it has grown comes from one of my own personal fantasies. I’ve always imagined and dreamed of what it would be like to go through the wardrobe, to use a Narnia reference, and enter a fantastical world such as the one found in my books.

The entire story involving Ave really did begin on that simple, singular premise, and the idea of an ensemble of characters, all with different backgrounds and circumstances, going into a new world moved it forward as far as a concept for an epic fantasy series. The question of why they are pulled into that world, and what their part is within it, led me to what became the core plot of the series. Before I started writing the first page, I knew the ultimate destination of the series.

I’ve always been drawn to the medieval period, especially the earlier period, including the so-called Dark Ages (I say this as there were a lot of places that continued on a course of progress, from the Byzantines to China, to name a couple). As such, Ave takes on a medieval texture, with a modest presence of magic, as I didn’t want magical or supernatural elements to be too overwhelming in this series (though both play a significant part).

Ave grew into my own personal playground, as far as having everything I would love to see in a fantasy world. It has a full range of cultures , lands, and geographies, with many inspired by historical periods in our own world, and some that are entirely inventive.

One of the challenges of writing this series has been making sure the organic realism of the fully original cultures like the Trogens and Unguhur resonate just as strongly as the ones reflecting a historical inspiration, like the Saxans, Midragard, Avanor, and others. They all need to have the same kind of depth and comprehensive portrayal.

With the historically inspired cultures, I wanted to be sure that there was a strong presence of societies and cultures not commonly reflected in epic fantasy. Readers will see that right from Book One, Crown of Vengeance, when they discover the Five Realms and the five tribes that comprise it. Based upon the Iroquois, the Five Realms and the story of the tribal people within it are a major part of the series.

To bring cultures like the Five Realms to life, research has become a very important aspect of this series. Interestingly enough, in the late 1990’s, when I had the first version of what would become Crown of Vengeance done, one of the biggest reasons I did not try to get an editor or publisher at that time was that I realized that I had not done enough in the area of research to give the books the kind of depth and organic realism that they deserved. It led to several years of immersion into research and rewrites, but at the end of that road I ended up with a book that I was confident in taking onward.

The extended research also honed my thinking and perspective when it came to developing an original culture like the Trogens. Subtle touches about their culture, beliefs, and history added a full dimension to my depiction of them, where before they were coming off as more fantastical than real. In ultimate effect, engaging in serious levels of research developed my thinking process, in a way that truly strengthened this series.

Writing a large-scale series such as this, one that has the kind of depth where I can do short story collections right alongside it, does require some structure, but at the same time I leave myself open to new ideas and adventures that can crop up during the writing of a new title. Having an idea of the core plot of the series, and its ultimate destination, keeps it on a track so that it does not drift or derail into a problematic situation.

Yet at the same time, Ave is truly a playground, and all manner of new creatures, lands, characters, and sub plots can emerge at any given time, and I do want to take advantage of those opportunities. The last thing I wanted to do was box myself in without any flexibility during the process.

I think this is what has led me to using a multi-threaded character-focused style for the Fires in Eden Series. Having multiple story threads does add some complexity to the series, but I also feel it adds a lot of texture and added dimension too. There are layers, there are all sorts of seeds being planted for future payoffs, and for the reader I give a trove of material to enjoy and savor with this kind of depth.

Granted, not all readers may enjoy this approach, and want something more simplistic and linear, but to use a rock band metaphor, there are those who like a more complex and layered musical act like Rush, and those who like a simpler and more straightforward act like ACDC, and there are those who like both. As a reader (and as a rock fan!) I happen to like both complex and straightforward approaches, being in the mood for one or the other at given times. Hopefully, the readers that like the kind of scope I offer will find their way to the world of Ave.

For those that do enjoy this, I have an entire world to explore, one that is being unveiled gradually in the series and in the short stories of the Chronicles of Ave collection. There is so much more ahead and I invite readers along for the grand adventure!

You can follow Stephen Zimmer’s continuous journey with Ave and other stories at: Stephen Zimmer’s website & blog.

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Honestly, I knew a lot of thought had gone into Ave, from the moment I first stepped inside its dimension of space and time, it felt as though every inch of Ave had been thought about with care! You have a way of bringing the reader into Ave unaware of its origins and its history, by making the world itself accessible and visually stimulating! As those are what staid with me after I put down the Chronicles! I was quite curious what your method of process would be for creating the multi-layered universe in which Ave resides, and in this lovely Guest Post you have given myself and my readers alike something hearty to ponder! I knew too, there would be hidden depths to the reasonings behind why you elected to create certain classes of people in Ave as much as why there were certain names being used to express who they were. I love how you were studying ancient civilisations in order to have Ave thrive in the past way possible! And, the inclusion of using the Middle Ages as a staging arena for the world itself I think was a classic move on your part to give your world a rooting in our own timeline of reflection. It was especially a time where the world saw the most growth, change, and enlightenment coming out of a period of unrest, uncertainty, and ignorance.

As a writer of whom appreciates writing serial fiction herself, I can understand why you wanted to create a world in which would be limitless in regards to where to expand the threads of Ave’s tapestry and as far as how far you could take your audience! It’s always a lovely gesture to become so well acquainted with your own created world that you can see extensions of the original plot passages igniting new ones down the road! I must confess, although I see my own writings in full view of where I want them to go, I have not yet formulated the fullness of the worlds therein. As in reference of seeing the final destinations of where the characters and the story itself will be ultimately going towards. I give you credit for being able to focus on Ave in a way that befits the benefit of having such a clarity of mind in its creation! I, perhaps, might yield to the fact that my writings have been percolating for the better part of twenty years and have been writ at different intervals of time therein. One of these days I’d love to see everything fall together in a way that will honour my own story.

Your essay here on how Ave knitted together, I think will give all writers (regardless of genre preference) a lot of hope in what they will achieve in their own goals once the bones of what they want to write is out in the open. I can understand what you meant about the difference preferences of readers, where some might prefer the depth vs the low-key approach of subtle nudging, but I for one, tend to choose the complexities of a well-plotted story when I want to soak into epic sagas because it’s the layers in which I get caught up inside which bring me the most joy! They also provide endless hours of reading bliss in order to see how all the connections of lead and supporting cast make off in the installments that follow suit! I always get a kick out of remembering the wholeness of whom is residing in these wicked fantasy stories, because sometimes its nice when the layout is not limited to a cluster of a few but held together with the fullness of an army!

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This Seventh Star Press focus week was brought together with the help of Tomorrow Comes Media, of which I am a blog tour hostess and book reviewer. To keep up to speed with which authors and books I will be featuring on Jorie Loves A Story in the near future via Tomorrow Comes Media, please check out my Bookish Events! Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.

This marks my fifth post in contribution of:

2014 SciFi Experience
(“Strength and Honor” by Stephan Martiniere, used with the artist’s permission)

You can follow along on the official Sci-Fi Experience site!

Cross-listed on: Sci-Fi & Fantasy Fridays via On Starships & Dragonwings

{SOURCES: The 2014 Sci-Fi Experience was granted permission to use the artwork by Stephen Martiniere in their official badge for all participants to show their solidarity during the event! The Chronicles of Ave: Volume One cover art provided by Tomorrow Comes Media and used with permission. I requested an Author Guest Post on the topic of writing the back-story of Ave’s creation and received the essay direct from the author Stephen Zimmer. Post dividers badge by Fun Stuff for Your Blog via Pure Imagination. Blog News badge provided by Parajunkee to give book bloggers definition on their blogs.}

Copyright © Jorie Loves A Story, 2014.

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Posted Monday, 10 February, 2014 by jorielov in Anthology Collection of Stories, Fantasy Fiction, Folklore and Mythology, Heroic Bloodshed, Heroic Fantasy, High Fantasy, Indie Author, Reader Submitted Guest Post (Topic) for Author, Seventh Star Press, Seventh Star Press Week, Sword & Scorcery, The Sci-Fi Experience, The Writers Life

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