Category: Good vs. Evil

A Paranormal Suspense #Audiobook Spotlight during #WyrdAndWonder | “The Haunting of Hillwood Farm” by Kathryn Knight, narrated by Kristin James

Posted Tuesday, 21 May, 2019 by jorielov , , , 2 Comments

Audiobook Spotlight banner created by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

I received a complimentary audiobook copy of “The Haunting of Hillwood Farm” via Audiobookworm Promotion who is working with Sara Pascoe on this blog tour in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

What inspired me to listen to this audiobook:

I love watching Paranormal Suspense stories on television whilst I also have a healthy appetite for them in fiction. Series like “Ghost Whisperer” have such a layered effect of bridging the paranormal into our contemporary & modern world with a healthy effect of keeping the unseen world spilt & splintered from our view in the foreground of the stories.

It is a curious thought to recognise that not everything can be readily explained – that there are things which can seek to do harm which go unseen from most who never are aware of anything amiss. And, this story felt like it was walking between those concepts – as it is a ghost story with an unforeseen foe and you have to determine as you listen to the story – was this a benign presence or one who had malicious intentions?

I wanted to seek out the paranormal during #WyrdAndWonder – as during this 2nd Year, although I’m predominately focusing on traditional Fantasy, there are aspects within Fantasy such as Magical Realism, Paranormal Suspense & Witchy story-lines which hug closer to Fantasy than they do other sub-niches of Speculative Fiction. Therefore, as I sought out my reading list for the month, I decided to cast a bit of a wider net this year and see which of the stories I was going to pursue would become the reads I could not put down.

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A Paranormal Suspense #Audiobook Spotlight during #WyrdAndWonder | “The Haunting of Hillwood Farm” by Kathryn Knight, narrated by Kristin JamesThe Haunting of Hillwood Farm
by Kathryn Knight
Narrator: Kristin James

After tragedy strikes, Callie Sinclair is left with a gift she never wanted - the ability to communicate with ghosts. But when a desperate widow begs for her help, she reluctantly agrees to investigate the strange occurrences at Hillwood Farm. She quickly realizes she’s dealing with a dangerous presence beyond anything she’s ever experienced, and something else becomes equally clear - the only other living person in the house, Mrs. Turner’s handsome grandson, thinks she’s a scam artist. While she’d prefer to just ignore him, her heart beats a little faster every time he’s nearby.

Luke Turner doesn’t believe in spirits. He’s moved back to restore the family farm, but living on the property serves a dual purpose - he can watch out for his grandmother. He’s not happy about the sudden appearance of a self-described psychic, or his inexplicable attraction to her. His initial suspicions crumble as evidence points to an actual haunting, but he’s still determined not to fall for Callie - the past has taught him it’s best to avoid relationships.

As Callie is drawn deeper into the mystery, she becomes the target of a vengeful spirit, and Luke can no longer fight his feelings for her. Unable to resist their desire, passion ignites…even as the paranormal activity escalates to a final deadly confrontation.

Places to find the book:

Add to LibraryThing

ASIN: B07QMZNFCZ

Genres: Ghost Story, Gothic Literature, Paranormal Suspense


Published by Self Published Author

on 15th April, 2019

Format: Audiobook | Digital

Length: 5 hours and 18 minutes (unabridged)

This is a self-published audiobook.

Formats Available: Trade Paperback, Audiobook and Ebook

Converse via: #TheHauntingOfHillwoodFarm + #AudioReads, #Audiobook

OR #Paranormal, #ParanormalSuspense and #WyrdAndWonder

About Kathryn Knight

Kathryn Knight

Kathryn Knight spends a great deal of time in her fictional world, where mundane chores don’t exist and daily life involves steamy romance, dangerous secrets, and spooky suspense.

Kathryn writes contemporary romance spiked with mysterious hauntings as well as YA paranormal romance filled with forbidden love. Her novels are award-winning #1 Amazon and Barnes & Noble Bestsellers and RomCon Reader-Rated picks.

When she’s not reading or writing, Kathryn spends her time catching up on those mundane chores, driving kids around, and teaching fitness classes. She lives on beautiful Cape Cod with her husband, their two sons, and a number of rescued pets.

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Posted Tuesday, 21 May, 2019 by jorielov in #WyrdAndWonder, Audiobookworm Promotions, Blog Tour Host & Reviewer, Dark Fantasy, Fantasy Fiction, Ghost Story, Ghosts & the Supernatural, Good vs. Evil, Gothic Literature, Gothic Mystery, Haunting & Ethereal, Indie Author, Mediums & Clairvoyants, Mental Health, Parapsychological Gifts, Parapsychological Suspense, Realistic Fiction, Speculative Fiction, Supernatural Creatures & Beings, Supernatural Fiction, Urban Fantasy

Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 20 February, 2019 by jorielov , , , , 1 Comment

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground” and “Bridge to Burn” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. However, this time round as I switched my subscription from Audible to Scribd, I did not yet have the chance to purchase my copy of “Bridge to Burn” – which I shall be doing eventually as I want to have a full set of all the Kay Hunter installments – I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Bridge to Burn” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Gone to Ground” and why I was itching for the next novel:

Kay’s team has a few growing pains coming to it as with Kay’s recent promotion, the rest of the team remains a bit lopsided. Her first pick to gain a promotion soon after her was Barnes; unfortunately for Kay, Barnes was comfortable in the role he was already employed. She had to respect his choice even if it confused her why he wouldn’t want to rise in the ranks. Barnes was her right hand man on the team, a person she could trust without blinking and know he would have her back.

You can observe her own growth as a person finding traction in front of cameras whereas only a year prior being the lead spokesperson for the unit would have put her in a bit of a tailspin of anxiety. Now, she is shining as a voice for the police and hoped the words she spoke would encourage new leads to come forward after the report went out on the newscast. The case itself was perplexing – they had a clue towards what the crime involved but without ‘more evidence’ they could only speculate which was the one thing they didn’t want anyone to do. It would only lead to heartache for everyone involved.

I was definitely curious about how Larch decided to take early retirement and moved off into the Midlands as a result. This left an open space in the team and unit Kay was now overseeing alongside with the guidance of Sharpe. With Sharper in the overseeing role for the team, you start to see how the new dynamics are forming and keeping each of the team members a tightly knit team who know they can rely on each other. What was lovely though is how Kay is open to having her fellow detectives (including the junior ones) have equal respect in the bull room so to speak – to speak their theories and to explore (as a team) what they feel might be motive and opportunity. Even if they fall a bit short of a solid lead, it helps build their foundation as a team who everyone feels comfortable being an active part of growing into a well-oiled machine of efficiency.

At the morgue we get a keen insight into the gloom and the heart-wrenching cases the ME has to sort through when the caseload becomes unbearingly brutal with cases which are harder to reconcile than usual. I think any case that goes through the morgue which deals with children and youth, has to be the cases they struggle with the most to ‘let go’ once they’ve done all they can to determine the cause of death. Medical examiners don’t get a enough credit for how strong of mind and heart they have to be to constantly do their job and remain emotionally disconnected.

One of my favourite revelations was not even related to the case, it was about Adam’s inheritance, how horses played a keen role in his award and how the friendship he had with an older lady who wanted a guardian for her horses was the key to how Adam and Kay lived rather comfortably.

Outside of focusing on Kay and Adam at home and out about in their community, there were loads of cheeky humour sequences and workplace camaraderie which I love so much in this series! It helps re-affirm who these people are and how they interact with each other. When you listening to different installments of the series and a bit of time goes by – seeing how they react to each other is another way of re-aligning you right back into the dialogue from whence you had left off in the last installment.

Seeing Kay develop her confidence in her new position is a joy – each day she’s on the job, the more she becomes a confident leader. The irony of course, their current case involves team building exercises where their potential victim was spending time – the random joy for Kay is finding that her unit works well without the benefit of an official ‘time away’ from the office to come together as a united front.

When it is known what the title refers to ‘gone to ground’ – everything seemed to make better sense about the structure of this particular case. The key focus on the team and how they interact with each other has become the new standard of the series – as originally, when the series first began we would shift between the detectives and the one(s) they were pursuing – giving us a dual perspective from two different sides of every investigation.

In this particular instance – it proves how frustrating detectives become when they don’t have enough to guide them forward. I was hoping this particular case might have a decidedly brilliant wench in the wheel of the investigation and I must admit, Amphlett definitely gave us one!! It has to do with who you think is the person of interest and who the truer culprit turnt out to be – the curious bit here is how Amphlett constantly brings the sociological side of sleuthing into her stories. She focuses on the psychological and the sociological – of easing you through the hardest bits by re-focusing on the reasons ‘why’ certain behaviours are being explored and why some characters have more guilt within them than others. Sometimes your not even sure where a confession is going to lead you or if the confession your hearing is the right one for the case at hand.

I must admit, the crime(s) involved in this installment are really difficult to get through – although, I do credit Ms Amphlett for not making it worse than it was – she definitely pulls back when I have witnessed other authors who don’t have as much self-control as she does. This is a credit to her for giving us a chillingly suspenseful read but without ensuring we’ll have nightmares afterwards! You want to feel the suspense – similar to watching your favourite Hitchcock film but without feeling as if you can’t properly recover afterwards! Hitchcock and Amphlett both found the sweet spot in Suspense where they can give you chills but allow you the grace to know you can handle where the stories will lead.

-quoted from my review of Gone to Ground

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I can’t believe I’ve been outside this world since last [September]!

After finishing Gone to Ground, I was truly thankful there was a bit of a ‘gap’ between books six and seven as I felt I needed to put some distance between myself and Kay Hunter. This is a series I truly felt captivated to listen to throughout [2018] however, it is a very emotionally jarring series – you don’t realise how attached your going to become to the series until your in the throes of it and by then, your heart is gone. You are so intricately immersed inside this authentically writ world by Ms Amphlett and the heart-pulsing high octane paced narration styling of Ms Campbell – you simply can’t disconnect your ears from listening to the series once you’ve become smitten with the world, the characters and journey Kay Hunter is taking both personally and professionally.

This is why I was thankful the blog tour was in early [2019] as it gave me the distance and the breathier I need from the last installment before I entered the seventh story. I knew a few stories back this series was making a twist of a turn for being a bit more hard-boiled than most Thrillers and Suspense novels I’m reading but at the heart of the series is Kay, her team and the life she shares with Adam. I wrestled with feeling if I could continue to listen to the series and go forward with her on this journey or if I might one day need to back-out as the growing series was expounding on the grim sides of her job whilst it was also tucking us closer into her private world.

There are so many lovely layers of this series, in the end, I opted to ‘stay invested’ in the series and I credit that first and foremost to the author Ms Amphlett for how dedicated she is not to :push: the line too far afield to where I can’t get through the novels and to Ms Campbell for her passionate portrayal of Kay and how she intuitively hugs us back inside Kay’s world. The two of them together is why this increasingly dramatic crime series is dearly beloved by me – it might be on the upper tier of what I can consider reading and/or listening too – but I love the continuity, the layered insight into the life of these characters and the fact that I can trust the author for giving me an edgy read without making me feel as if I couldn’t survive it afterwards.

This is why I was wicked excited about finding the latest audiobook via Scribd as it was coordinated in such a way (ie. released to subscribers) to where I could join the blog tour – continue sharing my ruminations alongside my fellow enthused audiobook readers in the book blogosphere and tuck closer to Kay to see where we are on her personal journey whilst finding myself enchanted once more by Ms Campbell’s approach at giving me a new visitation with the whole cast of characters within the Kay Hunter series! This is definitely one that grabs you rather immediately and before you realise you’ve become addicted to hearing the stories, your already progressing through your seventh volume!

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Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellBridge to Burn
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a mummified body is found in a renovated building, the gruesome discovery leads Detective Kay Hunter and her team into a complex murder investigation.

The subsequent police inquiry exposes corruption, lies and organised crime within the tight-knit community – and Kay’s determination to seek justice for the young murder victim could ruin the reputations of men who will do anything to protect their business interests.

But as Kay closes in on the killer, tragedy strikes closer to home in an event that will send a shockwave through her personal life and make her question everything she values.

Can Kay keep her private and professional life under control while she tries to unravel one of the strangest murder cases of her career?

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 978-1-9993683-3-3

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground


Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Published by Saxon Publishing

on 13th January, 2019

Format: Audiobook | Digital

Length: 6 hours, 39 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Reading this book contributed to these challenges:

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Posted Wednesday, 20 February, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

Blog Book Tour | “Dominic’s Ghosts” (Book One: #CityQuartet) by Michael Williams

Posted Sunday, 17 February, 2019 by jorielov , , , , 2 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book By: I was selected to be a stop on the “Dominic’s Ghosts” blog tour from Seventh Star Press. The tour is hosted by Tomorrow Comes Media who does the publicity and blog tours for Seventh Star Press and other Indie and/or Self Published authors. I am a regular blog tour host with Tomorrow Comes Media and enjoy getting to read a wide range of Speculative Fiction across Science Fiction, Fantasy and Cosy Horror genres of interest. Sometimes the stories are genre-benders and/or they’re embracing the beauty of #SpecLit to such a degree they are their own unique niche in the larger expanse of the genre itself.

I received a complimentary copy of “Dominic’s Ghosts” direct from the publisher Seventh Star Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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How I came to learn of this novel:

I wasn’t aware of this particular series until Stephen Zimmer mentioned it to me – as he’s the founder of Seventh Star Press and the publicist behind Tomorrow Comes Media – he’s known my readerly habits since our paths first crossed in [2013} when I first started hosting his authors and reading the releases through his publishing company. Over the years, what has truly fascinated me as a reader is how attached I’ve become to *Urban Fantasy* and the genre-benders which fuse themselves into a quasi-Urban Fantasy world.

This has been proven by my love of E. Chris Garrison’s Tipsy Fairy Tales and Jennifer Silverwood’s Borderlands Saga whilst there are others I’ve read and ruminated about which are equally beloved for how their authors created their worlds; however, when I think about Urban Fantasy, these two authors come to mind first and foremost due to how their stories affected me as I read them. I was dearly attached within their worlds soon after I began reading them which you’ll happily notice if you visit the archives I’ve linked for you to peruse.

When I learnt this is Mystic Urban Fantasy series – separated into four distinctly unique installments – where you can walk in and out of the sequencing, I was quite keen to read “Dominic’s Ghosts” as I wanted to see for myself how this series was being constructed. Generally speaking – when it comes to serial fiction, I am a strong advocator for reading series *in order of sequence* to their world(s) not necessarily by order of publication – however, I’ve also been known to read series out of sequence if there is a time issue or there is a gathering issue of the past installments. I’ve enjoyed an introduction to those particular series all the same as if I had read them in order and I was looking forward to knowing what my takeaways would be with the City Quartet.

And, why I’m thankful for Scribd:

I’ve renewed my subscription to Scribd this past month, as I noticed how much listening to audiobooks is aiding me with curbing my chronic migraines – a two year quest to turn my reading life around & to find comfort in knowing by listening to more audiobooks, I am steps away from not experiencing as many migraines (as being a book blogger for six years come March & August, 2019 I’ve read a higher volume of stories in print than I have in the rest of my years) whilst appreciating my journey into the lives of narrators by how they internalise, execute and produce a listening environment that enriches the stories I’m’ enjoying through my headphones. I predominately use Scribd as an *audiobook subscription* whilst I do look at their ebooks as ‘chapter samplers’ to gauge certain books not available in audiobook if I would enjoy reading them in print via my local library.

Imagine my surprise finding a copy of “Vine” available to sample and to become introduced to the style of this series – which in of itself, is a uniquely assembled series!

Thereby, I acquired the ebook for “Vine” as a subscriber to Scribd – wherein I am sharing a few notations from reading as sampler of the context of the book for my own edification whilst proceeding to read “Dominic’s Ghosts” for this blog tour. I was not obligated to post a review nor was I compensated for my opinions or thoughts shared herein.

 Fun Stuff for Your Blog via pureimaginationblog.comBlog Book Tour | “Dominic’s Ghosts” (Book One: #CityQuartet) by Michael WilliamsVine
Subtitle: An Urban Legend
Source: Scribd | Subscription

Amateur theatre director Stephen Thorne plots a sensational production of a Greek tragedy in order to ruffle feathers in the small city where he lives. Accompanied by an eccentric and fly-by-night cast and crew, he prepares for opening night, unaware that as he unleashes the play, he has drawn the attention of ancient and powerful forces.

Michael Williams' VINE: AN URBAN LEGEND weds Greek Tragedy and urban legend with dangerous intoxication, as the drama rushes to its dark and inevitable conclusion.

Places to find the book:

Add to LibraryThing

ASIN: B07H45PVQB

on 28th September, 2018

Format: eBook

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I believe I’ve found my ‘connecting link’ to the City Quartet and that is the theatre itself – it is the linchpin uniting all four stories as the key draw to reading Vine would be revealled within the final chapter. As I can only read a sampling of the ebook, I chose to read a portion of the Prologue and then, immediately went to the very end to the Exodus – as I knew I wouldn’t understand the point to Vine without spoiling the journey. This is the first time in a long time I was able to ‘sample’ chapters from an ebook – which is marked progress for me, as I used to read them quite frequently as it helps me decide which stories I might enjoy reading in fuller length.

I had a theory the connective thread of interest in the City Quartet was the theatre – as if you notice the cover art for the two editions by Seventh Star Press there is something rather theatrical about their synchronicity! Not to mention the fact, Vine is writ in the vein of a living play – as you move through it (according to the layout of the chapters, which are not traditionally incurred) your taking this lyrical journey into the world itself; pulling back the layers in a way a play would reveal itself on stage and thereby, your not reading a traditional story by the end of it.

From what I did read – especially in the conclusionary final chapter, is this series is not shy from broaching current events and political rhetoric from what you might gleam from the news. I was a bit surprised the switch in direction at the end but then, I wasn’t privy to the full journey and thereby can’t speak on behalf of what wasn’t yet read. I was just surprised by what the topic was in regards to how it was being inter-related to the City Quartet time-line of events.

Outside of a few thoughts relating to the overall series itself, I must admit I was more confused than I was enlightened and immediately began reading Dominic’s Ghosts to see if I could sort out what was what and where we were to go from here. Or rather, where did we originate in order to have Vine follow suit after Dominic’s Ghosts as the novel I was sent for the blog tour was published a full month ahead of Vine; even if in theory, this series has an earlier publication history.

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Blog Book Tour | “Dominic’s Ghosts” (Book One: #CityQuartet) by Michael WilliamsDominic's Ghosts
Subtitle: City Quartet
by Michael Williams
Illustrator/Cover Designer: Enggar Adirasa
Source: Publisher via Tomorrow Comes Media

Atmospheric and thought-provoking, Dominic’s Ghosts will take you on a unique kind of journey that involves a conspiracy, legends, and insights from a film festival!

Dominic’s Ghosts is a mythic novel set in the contemporary Midwest. Returning to the home town of his missing father on a search for his own origins, Dominic Rackett is swept up in a murky conspiracy involving a suspicious scholar, a Himalayan legend, and subliminal clues from a silent film festival. As those around him fall prey to rising fear and shrill fanaticism, he follows the branching trails of cinema monsters and figures from a very real past, as phantoms invade the streets of his once-familiar city and one of them, glimpsed in distorted shadows of alleys and urban parks, begins to look uncannily familiar.

Places to find the book:

Add to LibraryThing

ISBN: 978-1948042581

Genres: Alternative Reality | History, Fantasy Fiction, Genre-bender, Urban Fantasy


Published by Seventh Star Press

on 6th August, 2018

Format: Trade Paperback

Pages: 396

Published By: Seventh Star Press (@7thStarPress)
Available Formats: Softcover and Ebook

The City Quartet Editions via Seventh Star Press

Vine by Michael WilliamsDominic's Ghosts by Michael Williams

The City Quartet Series (in order of original publication):

Trajan’s Arch (2010) | Vine (2018)

Dominic’s Ghost (2018) | Tattered Men (*forthcoming)

Seventh Star Press Logo badge provided by Seventh Star Press.

*It should be noted, I believe the Seventh Star Press edition of “Dominic’s Ghost” reset the series – where this edition is the “first” book in the series. Followed closely by “Vine” being the second book and then, the final two would be “Trajan’s Arch” and “Tattered Men”. I am unsure the proper reading order if you wanted to read this as a quartet and look forward to sorting out the final order once it is known.

Converse on Twitter: #CityQuartet, #DominicsGhosts & #7thStar

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About Michael Williams

Michael Williams

Over the past 25 years, Michael Williams has written a number of strange novels, from the early Weasel’s Luck and Galen Beknighted in the best-selling DRAGONLANCE series to the more recent lyrical and experimental Arcady, singled out for praise by Locus and Asimov’s magazines.

In Trajan’s Arch, his eleventh novel, stories fold into stories and a boy grows up with ghostly mentors, and the recently published Vine mingles Greek tragedy and urban legend, as a local dramatic production in a small city goes humorously, then horrifically, awry.

Trajan’s Arch and Vine are two of the books in Williams’s highly anticipated City Quartet, to be joined in 2018 by Dominic’s Ghosts and Tattered Men.

Williams was born in Louisville, Kentucky, and spent much of his childhood in the south central part of the state, the red-dirt Gothic home of Appalachian foothills and stories of Confederate guerrillas. Through good luck and a roundabout journey he made his way through through New England, New York, Wisconsin, Britain and Ireland, and has ended up less than thirty miles from where he began. He has a Ph.D. in Humanities, and teaches at the University of Louisville, where he focuses on the Modern Fantastic in fiction and film. He is married, and has two grown sons.

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Posted Sunday, 17 February, 2019 by jorielov in Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Bookish Discussions, Content Note, Fantasy Fiction, Fly in the Ointment, Genre-bender, Good vs. Evil, Indie Author, Speculative Fiction, Supernatural Fiction, Tomorrow Comes Media, Urban Fantasy, Urban Life, Vulgarity in Literature