Category: Siblings

Blog Book Tour | “Second Sister” by Chan Ho-Kei (an Zeitgeisty Hacker Contemporary Thriller)

Posted Sunday, 22 March, 2020 by jorielov , , , 0 Comments

Book Review banner created by Jorie in Canva.

Acquired Book By: I’ve been enjoying hosting blog tours for the UK Indie publisher Head of Zeus as I feel blessed to work with them as a book blogger being that I love celebrating authors from the UK and the stories they are telling through the different genres Head of Zeus is publishing. These blog tours have been encouraging my bookish and readerly wanderings into Crime Dramas, Historical Fiction and Historical Sagas whilst also engaging into my passionate love of Speculative Fiction which encompasses Science Fiction and Fantasy. I am thankful to be hosting tours for the publisher directly and with their publicity team at Midas PR.

I received a complimentary copy of “Second Sister” direct from the publisher Head of Zeus in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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What intrigued me about “Second Sister”:

I have noticed a shift in my reading patterns has brought me back into *Crime Fiction!* recently – even before I announced becoming an influencer for the Crime Fiction Subscription Book Box which is focused on highlighting Canadian Crime Writers and Crime Fiction from around the world. This is a niche of literature I personally LOVE to be reading – from Contemporary Suspense & Thrillers to Cosy Historical Mysteries to dramatic Cosy Crime and police proceduals and amateur sleuths – there is something truly captivating about reading stories which invigorate your mind whilst your attempting to uncover the writer’s vision of how to tell a captivating suspense novel through their own lens of inspiration to leave you gripped inside a novel that might be hard to put down after its read.

From the moment I first read the premise of “Second Sister” – I just had this murmuring of interest as this was my first takeaway having read the synopsis:

It isn’t often I find a Thriller like this one which intrigues me to read the story. The author reminds me of what I enjoyed about reading J.S. Monroe’s “Forget My Name” and why I am dearly eager to read his new release “The Other You” – which I hosted an Author Q&A for earlier in January of this year.

It isn’t often I find Crime Fiction in translation – the first novel of I read of this nature was The Swimmer which happily took me by surprise and was a wicked good read. This is the other reason “Second Sister” appealled to me as a reader – not to mention the premise was a gutting one – how it effectively was about the lives and choices of two sisters and would take me to Hong Kong to hear their story. I’ll admit the tagline attached to this novel was quite alluring in its own right –  an Zeitgeisty Hacker Contemporary Thriller!

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Blog Book Tour | “Second Sister” by Chan Ho-Kei (an Zeitgeisty Hacker Contemporary Thriller)Second Sister
by (Translator) Jeremy Tiang, Chan Ho-Kei
Source: Direct from Publicist

Upon discovering her fifteen-year-old sister’s body sprawled in a pool of blood at the bottom of their apartment block, Nga-Yee vows to serve justice to the internet troll she blames for her sister’s suicide.

Hiring an anti-establishment, maverick tech-savvy detective, Nga-Yee discovers the dark side of social media, the smokescreen of online privacy and the inner workings of the hacker’s mind.

Determined to find out the truth about why her sister Siu-Man killed herself, Nga-Yee cannot rest until she finds out whose inflammatory social media post went viral and pushed her sister to her death. Along the way, Nga-Yee makes unsavoury discoveries about her sister’s life and the dark underbelly of the digital world.

Perfect for fans of hacker thrillers such as Stieg Larsson’s The Girl with the Dragon Tattoo series, Second Sister is part detective novel, part revenge thriller. It explores timely themes of sexual harassment, online trolling, victim blaming, fake news and data privacy scandals , vividly capturing the zeitgeist of Hong Kong and the world today.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 978-1788547116

Genres: Contemporary (Modern) Fiction (post 1945), Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Setting: Hong Kong


Published by Head of Zeus

on 18th February, 2020

Format: Hardcover Edition

Pages: 496

Published By: Head of Zeus (@HoZ_Books)

Converse via: #SecondSister, #Thriller

as well as #Contemporary and #TechnoThriller

Available Formats: Hardcover, Trade Paperback, Audiobook & Ebook

About (Translator) Jeremy Tiang

Jeremy Tiang

Jeremy Tiang's short story collection It Never Rains on National Day was published by Epigram Books in 2015. His writing has also appeared in The Guardian, Esquire, Asia Literary Review, Brooklyn Rail, Drunken Boat, Meanjin, Ambit and Best New Singaporean Short Stories.

He has translated more than ten books from Chinese, including work by Yeng Pway Ngon, You Jin, Wong Yoon Wah, Yan Geling, Yu Qiuyu, Su Wei-chen and Zhang Yueran. Shorter translations have appeared in Two Lines, the Iowa Review, Asymptote and The Stinging Fly.

He is a 2016 NEA Literary Translation Fellow, and has received grants from PEN/ Heim and the National Museum of Taiwanese Literature. Jeremy also writes and translates plays, including Floating Bones (The Arts House, Singapore), A Dream of Red Pavilions (adapted from the novel Hong Lou Meng; Pan-Asian Repertory Theatre, NYC) and The Last Days of Limehouse (Yellow Earth Theatre, London).

About Chan Ho-Kei

Chan Ho-Kei

Chan was born and raised in Hong Kong. He was graduated from the Chinese University of Hong Kong with a B.Sc. degree in 1997. He has worked as software engineer, game designer, manga editor, and lecturer. Chan made his debut as writer in 2008, with short story The Murder Case of Jack and the Beanstalk which was shortlisted for the 6th Mystery Writers of Taiwan Award. Chan reentered and won this award in the next year with The Locked Room of Bluebeard.

After receiving a couple more of awards, Chan reached the first milestone of his writing career in 2011. Chan's novel, The Man who Sold the World won the biggest mystery award in the Chinese speaking world, the Soji Shimada Award. The book has been published in Taiwan, Japan, Italy, Thailand and Korea.

 In 2014, Chan's work The Borrowed was published in Taiwan and has been well acclaimed. It has sold rights in eight countries, and the film rights sold to director Wong Kar-Wai.

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Posted Sunday, 22 March, 2020 by jorielov in 21st Century, Bits & Bobbles of Jorie, Blog Tour Host, Contemporary Thriller, Crime Fiction, Equality In Literature, Fly in the Ointment, Head of Zeus, Modern Day, Multi-cultural Characters and/or Honest Representations of Ethnicity, Post-911 (11th September 2001), Siblings, Sisters & the Bond Between Them, Vulgarity in Literature

#SaturdaysAreBookish | An after canon of #JaneAusten’s classic respun into “Sense Without Sensibility” by Keena Richins

Posted Saturday, 15 February, 2020 by jorielov , , , 1 Comment

#SaturdaysAreBookish banner created by Jorie in Canva.

Acquired Book By:

I have been hosting for Poetic Book Tours since [2016], where I am finding myself encouraged to seek out collections of poetry or incredible fiction being published through Small Trade publishers and presses. I have an Indie spirit and mentality as a writer and I appreciate finding authors who are writing creative works through Indie resources as I find Indies have a special spirit about them. It is a joy to work with Poetic Book Tours for their resilience in seeking out voices in Literature which others might overlook and thereby, increasing my own awareness of these beautiful lyrical voices in the craft.

I received a complimentary copy of “Sense without Sensibility” direct from the author Keena Richins in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Fun Stuff for Your Blog via pureimaginationblog.com

On how Jorie is spending the New Year 2020 lost in #JaneAusten:

Some years organically shape themselves into how your bookish & readerly life is going to manifest itself. For me, 2020 soon alerted me to the fact it was finally the year where I could re-shift my focus back into Jane Austen’s canon whilst entertaining her after canon sequels & retellings which I have been enjoying since I first started blogging my readerly life in [2013]. Prior to these years as a blogger and an avidly joyful tweeter – I never sorted out which of the after canon novelists I wanted to read due to the sheer amount of stories which are regularly published!

My journey of course began in December, 2013 when I read J. Marie Croft’s “Love at First Slight” which restylised “Pride and Prejudice” (singularly my favourite by far and one I highlighed in 2017 during #AustenInAugustRBR). From there I moved into my first “Sense & Sensibility” retelling entitled “Sense & Sensibility: A Latter-day Tale” by Rebecca H. Jamison proving that despite not reading nor seeing the motion picture adaption of the original with Emma Thompson (as this was a special gift to movie tie-in from my Mum; both the novel & the screenplay at time of release) you can definitely alight into a respun Austen story! I read this in August of 2014 (still within my first year as a book blogger) whilst years later I would re-cross paths with the author due to following Janeite & Austenite group author blogs and participating in INSPY related readathons!

Conversely, my attempts at participating in Roof Beam Reader‘s annual (until it took a sabbatical) Austen in August event was both productive and futile; depending on how you view my history of participation! Laughs at self.

When I soaked into “Liam Darcy: I Loathe You” by Heidi Jo Doxey (May, 2015) I learnt that there is still much to be learnt about comedic & satire writings in relation to Jane Austen! By October 2016, I was discovering “Sketching Character” (a variant of “Pride and Prejudice”) by Pamela Lynne. Yet in 2018, I discovered my first ‘not my cuppa’ variation of “Persuasion” whilst by November of the same year, I gushed over my first #25PagePreview of reading “Pride” by Ibi Zoboi!

Which brings me to the incredibly layered and wickedly smashing trilogy by Collins Hemingway entitled “The Marriage of Miss Jane Austen”! First read in 2018 and finished in 2019 – this became ‘the’ novel for all Janeites as I have regularly attested in my ruminations on the series behalf which acculmuated this New Year 2020 in the capstone interview I featured on Mr Hemingway’s dedication to bringing “Jane” to life as eloquently as he had! (see also reviews of Volume One, Volume Two & Volume Three)

In 2019 – I also had the honour of discovering the Quill Collective – of whom published a delightful Jane Austen anthology wherein all the writers took a round robin approach to adding in their variations to each of the canonical stories of Jane’s. The audiobook truly had a strong impact on me and I am not even done listening to it yet and ruminating over it as some portions of it I had to withhold listening til I could read the originals. This was meant to lead-in to my listening of a second anthology by the Quill Collective between November & December, 2019 entitled “Yuletide” which is a variation of “Pride and Prejudice”!!

Sadly – I had a hard ending to 2019 – from October – December my health was beyond afflicted and in January, 2020 my focus was simply removed from reading altogether. I barely blinked online – by blog or Twitter and focused more on showcasing #TopTenTuesday than reviews or features. It is only now in February where I have a renewal of spirit despite having a well of inactivity and a respite of absence from reading altogether as highlighted in my recent #BookishNotBookish.

Except to say – one audiobook series which is in of itself a variant of Jane Austen’s legacy is what truly helped ‘pull me out of my bookish funk’ and began to reinspire me to read again – the #JaneAustensDragons series by Maria Grace! I was able to share my initial takeaways and impressions on behalf of the first audiobook narrated by Benjamin Fife entitled “Pemberley: Mr Darcy’s Dragon” – whilst I also featured an interactive, candid and insightful interview with Mr Fife. The sequel “Longbourn: Dragon Entail” is next in line to be featured before I reveal my thoughts on the third in sequence which is “Netherfield: Rogue Dragon”!

In a recent convo on Twitter with @KhatriHina I realised I needed to break the trend of ‘not reading’ the original canons of Jane and to resume my love of her after canons. Thus, we’re reading “Emma” first and then moving into her other works whilst as this blog tour via Poetic Book Tours implies I am also reading her after canons in succession betwixt and between those readings as well! I want to dive into Jennetta James’s “Suddenly Mrs Darcy” as much as finally feel rooted into “Yuletide” in order to properly share my reactions to both as I move through their stories.

I am going to alternate from reading the books I currently have visible on my shelves (ie. “Northanger Abbey”, “Mansfield Park” & “Persuasion”) whilst borrowing the others except for “Pride & Prejudice” as I’ve read it oft enough to bypass it this year – though I do want to finally finish Stephanie Barron’s first Jane Austen Mysteries “Jane and the Unpleasantness at Scargrave Manor”). “Emma” is being borrowed on audiobook and I am thankful for it as I am striving for balance between what I read in print and what I listen to in audiobook.

I might have taken the long road back into reading #JaneAusten but I am appreciative of the fact that despite the adverse years of 2018-19 where my migraines raged – this New Year 2020 it is blissful to be migraine-free allowing me the grace of realigning back into Classical Literature & my selections of Non-Fiction which had to be back-burnered until the migraine lost their grip on me.

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#SaturdaysAreBookish | An after canon of #JaneAusten’s classic respun into “Sense Without Sensibility” by Keena RichinsSense without Sensibility
by Keena Richins
Source: Author via Poetic Book Tours

After a stroke that devastates the mind of her father, Elinor expects her life will never be the same. But she wasn’t expecting to lose her job and her family home thanks to a legal technicality.

Facing ruin, Elinor prepares to fight against the selfish, cruel man who would ensure that ruin. However, Edward turns out to be the opposite, a kind soul who only wants to fulfill his duty. So Elinor hatches a new plan: get Edward on her side and utilize their own legal technicality. The only problem? Edward would have to go against his very influential and wealthy family.

Would he risk losing everything–his job, his family, and his massive inheritance–to save Elinor?

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781074858070

Genres: After Canons, Classical Literature, Contemporary (Modern) Fiction (post 1945), Re-telling &/or Sequel


Published by Self Published

on 23rd June, 2019

Format: Paperback Edition

Pages: 286

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The Pemberley Estates series:

Book One: Persuading Him (A Modern Persuasion Re-telling)

Book Two: Persuading Her (A Modern Persuasion Re-telling)

Book Three: Sense without Sensibility (A Modern Sense & Sensibility Re-telling)

Read the Author’s Guest post on the tour which explains why #stroke is an important part of the story within “Sense without Sensibility” whilst read my previous posts about how this has impacted my own life with my father. (Not Your Traditional Thanksgiving)(Returning)(& Top Ten Tuesday)

Fun Stuff for Your Blog via pureimaginationblog.com

Available Formats: Trade Paperback and Ebook

Converse via: #AfterCanon of #JaneAusten, #SenseAndSensibility
& #SenseWithoutSensibility as well as Retellings of #ClassicLit

About Keena Richins

Keena Richins has a curse: she must write the stories bubbling in her head or go mad. Seriously. You should see the hordes of characters in her head constantly babbling about their lives. When she needs a break, Keena will delve into books and her favorite are the Jane Austen books, so it is only fitting for her first debut to be a modern twist on one of those classics. And many more are soon to come.

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Posted Saturday, 15 February, 2020 by jorielov in 21st Century, After the Canon, Blog Tour Host, Classical Literature, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jane Austen Sequel, Modern Day, Poetic Book Tours, Re-Told Tales, Sense & Sensibility Re-telling, Sequel Authors, Siblings

A Jane Austen Conversation | featuring Collins Hemingway in discussion about his Marriage of Miss Jane Austen series

Posted Wednesday, 15 January, 2020 by jorielov , , 0 Comments

Conversations with the Bookish badge created by Jorie in Canva

Hallo, Hallo dear hearts,

I am not entirely sure if everyone who reads my blog is aware of my admiration for Jane Austen or the fact, I consider myself a #Janeite. I have loved the author’s style of narrative for many years, in fact, I wrote an Essay about it during 2017’s #AustenInAugust and couldn’t help but gush over the reading of the first novel in this trilogy as well.

What implored me truly to read this after canon selection on a theory of Jane Austen’s life is my affection for the author herself. I love reading after canon works based on her collective works but I also like to entertain readings of stories which relate directly to the writer, herself. Previously, I have explored this through the Jane Austen Mysteries a series I look forward to re-visiting, as I hadn’t had the time to re-read the first novel nor continue with the rest of the stories which followed suit. This was initially my goal whilst reading the first volume in this series – however, in the past few years, my readings of Austen Literature has taken a few interesting hiatuses.

Whilst noting this is a novel of an evolving theory based on what ‘could have been’ in accord to Ms Austen’s life, I felt it warranted exploring because after all, how much do any of us know about the Classical authors we love to read? In this, I had a curious thought – what if this novel had a foundation of grounding based on one of the author’s own works? This is something which came into better clarity as I read the novel directly and one in which, I had wondered if other readers on the blog tours had noted themselves.

Fun Stuff for Your Blog via pureimaginationblog.com

Directly though – I was dearly curious to continue reading this series due to these
ruminative thoughts I had shared after finishing Volume Two:

As I re-entered Jane’s life as a married woman, I was happy to find Cassandra was beside her, news of the Napoleonic War held good news for her family (especially in regards to her brother) whilst her new life was still one she was settling into accepting. Ashton provided a step-up in social standing for Jane, including how they lived and what they had within their environs. You can see her a bit uncertain how to handle the luxuries of this life compared to what she was used to previously with the Austens, who lived a humbled existence.

Jane is the newly minted Mrs Dennis in the household – a duty and station which comes with a litany of obligation, responsibility and a foresight of understanding for social trademarks for a hostess. It is here where we first start to notice how Jane’s own upbringing fell short of what she would have to endure as a married woman. How her mother-in-law wouldn’t hesitate to point out her faults and where her sister Cassandra would provide a moral anchour to her nerves. It is here we find Jane attempting to do the biding of her husband but without the fuller knowledge of what a disaster it could become if she would blindly follow his advice without taking into consideration the suggestions of his mother, the other ‘Mrs Dennis’.

It is interesting to see how Jane would approach married life – how she is open to discussing things with Ashton or of finding ways to engage him in the romantic gestures she endeavours to instigate. Nothing is seen as this was inspired by Jane Austen and thus, Hemingway happily kept her style of narrative intact without deviating out of the tastefulness of a romance which made her infamous for the genre; yet what was interesting is how he gave a bit of freedom of expression to both Jane and Ashton. They were happily enjoying their married lives – all facets of it but most importantly the ways in which they were endearing each other in their more intimate moments.

There is a bit of cheeky humour threading into the backbone of this installment – how Jane is reflectively musing about how she’s surprised at how natural being a married woman has come to her and how she enjoys being with her husband. There are other sides to Jane as well, such as the woman who is not yet ready to lead a household but of whom, is attempting to remain outside her comfort zone if it means improving her connection to her husband, her staff and her mother-in-law. This is a story of growth – of seeing Jane move away from her years of youth and of embracing this new chapter where she is writing the hours as they arrive.

As Jane started to see how marriage loomed ahead of her, her one regret truly was the lack of hours in which to be creatively engaged with her pen. She spoke of this to Ashton, of whom did not see why she was upset (not really, though he attempted to try) as she had chosen to be with him, to be a wife and to have responsibilities that would naturally come out of the union. Quite a typical response, except that it fell short of realising from a husband’s perspective, how sometimes a woman in a marriage was not realising they were sacrificing a part of themselves for the sake of being with the man they loved. I think in this instance, Jane had become caught inside the romance and hadn’t fully thought about how her life might become altered if she followed course.

A lot of truth in those worries of Jane as I readily observe how not all husbands are supportive of their wives (especially if their writers) and how it would appear that women are still even now needing to defend why they write or why they want to be economically engaged outside of their marriage. This was a moment of reckoning for Jane, as it wasn’t just putting aside her desires to write which plagued her conscience but certain aspects of marriage itself; which also acted as a conflict with how she was raised and the more sheltering views of being a clergy’s daughter.

Similarly, Hemingway was not shy to highlight the other tensions in their marriage – such as the blunderment Ashton made in deference to Jane in private conversation. It shows how he was effectively examining their marriage from an outside vantage point which had the pleasure of seeing the more intimate moments of their private hours. In thus, he pulled back the layers of what was shielding them from the outside world – drawing them out, letting them reveal their raw emotional thoughts and to speak plainly how they felt about not just one another but the topical issues of their era. They were together for most things but they struck a chord apart on deeper issues I think bemused both of them to notice they truly were two passionate souls who each had their own individual mind. To which end, there were some aspects of their disagreements which were worth owning and there were others worth realising they would never agree on the finer points which separated them.

They do remain united in their ability to draw back together after their differences are shed – for they have a strong marriage built out of trust and truthfulness. It is through their discussions they realise certain aspects of their business and their personal lives are coming to a head of discourse. They cannot continue to engage in partnerships which go against their own minds and hearts which reflect the current events – from slavery to the promise of war, they are keeping on the fringes of what is reflective in the papers. This causes disruptions for them naturally but at the heart of their marriage is a union sparked out of love and united in a fond respect for each other, the world at large and the auspicious emblems of living a life with ethical morals.

As we peer more into Jane and Ashton’s world as a married couple, we start to see how difficult it is for both of them – how they must learn to yield to one another and draw a closer circle of strength to tackle what is awaiting them. There is a joyful revelation in this installment – one that further enlarges our scope of understanding for how Jane is fully lit alive by her experiences as a wife and how by embracing these subtle changes she is finding herself radically new and altered. Jane is happily introspective throughout the story – owning to her pursuit to understand herself and her environment but also, to acknowledge how each new year of a life lived is a chance to see the milestones of the experiences you’ve gained.

This particular installment ends on a happy note but one which is guarded for the future – for not everything is certain and there are a few key reasons for Ashton and Jane to feel as if the future yet to come might prove to be far more taxing than the hours that they have just passed through. It is a keenly intriguing series and one I hope more Janeites discover as it truly is a unique testimony about how a modern writer can re-tap into the life of Jane and bring her out so wholly original and true of her person to give us a near-living testimony of how she would have lived had she taken the paths and passageways he’s explored in this trilogy.

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It is hard to put into words how much this trilogy has taken up a cosy niche of joy in my heart – as I first started reading this beautiful sequence of Jane Austen’s life in January 2018. The past two years has given me a lot of heartfelt joy to reconnect to Austen in a plausible and believable way of re-introducing myself into her world and the ways in which this sequence of her life could have been lived. I have felt from the start, Hemingway himself was channelling a special entreaty into her life and world – the ways in which he instinctively knew how to write about her innermost thoughts, the way he tucked in letters and correspondences into the trilogy and how he captured the heart of the Regency as an era and background to the story itself.

His capacity to tell this story has been a heartwarming experience for me and I am truly thankful I could close out 2019 with reading the finale installment which brings our experiences with Jane in this beautiful trilogy to a close.

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A Jane Austen Conversation | featuring Collins Hemingway in discussion about his Marriage of Miss Jane Austen seriesThe Mariage of Miss Jane Austen
Subtitle: Volume Three
by Collins Hemingway

The Stunning Finale to Jane Austen’s Saga

In the moving conclusion to “The Marriage of Miss Jane Austen,” Jane and her husband struggle with the serious illness of their son, confront a bitter relationship with the aristocratic family who were once their friends and face the horrific prospect of war when the British Army falters on the continent. The momentous events of the Napoleonic wars and the agonizing trials of their personal lives take Jane and Ashton to a decision that will decide their fate—and her future—once and for all.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781979472760

Also by this author: The Mariage of Miss Jane Austen : Volume One, The Mariage of Miss Jane Austen : Volume Two, The Mariage of Miss Jane Austen

Genres: After Canons, Historical Fiction, Historical Romance, Re-telling &/or Sequel


on 4th November, 2017

The Marriage of Miss Jane Austen trilogy:

The Marriage of Miss Jane Austen by Collins HemingwayThe Marriage of Miss Jane Austen Vol II by Collins HemingwayThe Marriage of Miss Jane Austen Volume 3 by Collins Hemingway

Converse via: #HistFic, #HistoricalFiction, #HistRom + #JaneAusten

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Posted Wednesday, 15 January, 2020 by jorielov in #SaturdaysAreBookish, 19th Century, After the Canon, Blog Tour Host, Bookish Discussions, Christianity, Family Drama, Family Life, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, Inspired By Author OR Book, Jorie Loves A Story Features, Mother-Daughter Relationships, Pride & Prejudice Re-telling, Second Chance Love, Siblings, Sisters & the Bond Between Them, the Regency era, Women's Fiction, World Religions

A #blogmas of Austen Book Review during #SaturdaysAreBookish | “The Marriage of Miss Jane Austen” (Vol.3) by Collins Hemingway

Posted Saturday, 21 December, 2019 by jorielov , , 2 Comments

#blogmas 2019 badge created by Jorie in Canva.

This #blogmas I knew I wanted to be reading a select few after canon sequences focused on Jane Austen’s narratives and/or of her life – lateron this afternoon I’ll be posting a special post announcing how I’m taking the weekend to be with Jane and the writers who have written stories which excite me as a reader who is chasing after her after canons with a heart full of giddy joyfulness! However, this morning I wanted to focus on my ruminative thoughts and musings for having read & finished the finale of this beautiful trilogy given to us by Mr Hemingway!

I have been dearly appreciative to have hosted this entire trilogy as it has toured the book blogosphere via Historical Fiction Virtual Book Tours – it has been an incredibly lovely experience and having this trilogy in my personal library has become a treat of joy. I have loved his instincts for how he told this story and how he crafted a realistically compelling narrative about a writer we all long to read & to understand better as we do.

As a Janeite whose approached reading this trilogy with an open mind and heart – it is a mark of joy to feature this third installment as one of my final #SaturdaysAreBookish reviews for 2019. As you know – this was my new featured showcase of reviews for Romance & Women’s Fiction which launched in January 2019. I look forward to seeing where those journeys take me in the New Year of 2020 and beyond – whilst it is lovely to end this year with a trilogy I’ve loved reading. Be sure to return next Saturday as I feature my final review for this sequence of featured reviews as I say ‘goodbye’ to 2019 and all the beautifully lovely Romance & Women’s Fiction stories which have graced my life this bookishly happy year.

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Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess!

I received a complimentary copy of “The Marriage of Miss Jane Austen Volume 3” direct from the author Collins Hemingway in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Fun Stuff for Your Blog via pureimaginationblog.com

Why I was interested in the premise behind this novel:

I am not entirely sure if everyone who reads my blog is aware of my admiration for Jane Austen or the fact, I consider myself a #Janeite. I have loved the author’s style of narrative for many years, in fact, I wrote an Essay about it during 2017’s #AustenInAugust and couldn’t help but gush over the reading of the first novel in this trilogy as well.

What implored me truly to read this after canon selection on a theory of Jane Austen’s life is my affection for the author herself. I love reading after canon works based on her collective works but I also like to entertain readings of stories which relate directly to the writer, herself. Previously, I have explored this through the Jane Austen Mysteries a series I look forward to re-visiting this year, as I hadn’t had the time to re-read the first novel nor continue with the rest of the stories which followed suit. This was initially my goal whilst reading the first volume in this series – however, in the past few years, my readings of Austen Literature has taken a few interesting hiatuses.

Whilst noting this is a novel of an evolving theory based on what ‘could have been’ in accord to Ms Austen’s life, I felt it warranted exploring because after all, how much do any of us know about the Classical authors we love to read? In this, I had a curious thought – what if this novel had a foundation of grounding based on one of the author’s own works? This is something which came into better clarity as I read the novel directly and one in which, I had wondered if other readers on the blog tour had noted themselves.

Directly though – I was dearly curious to continue reading this series due to these
ruminative thoughts I had shared after finishing Volume Two:

As I re-entered Jane’s life as a married woman, I was happy to find Cassandra was beside her, news of the Napoleonic War held good news for her family (especially in regards to her brother) whilst her new life was still one she was settling into accepting. Ashton provided a step-up in social standing for Jane, including how they lived and what they had within their environs. You can see her a bit uncertain how to handle the luxuries of this life compared to what she was used to previously with the Austens, who lived a humbled existence.

Jane is the newly minted Mrs Dennis in the household – a duty and station which comes with a litany of obligation, responsibility and a foresight of understanding for social trademarks for a hostess. It is here where we first start to notice how Jane’s own upbringing fell short of what she would have to endure as a married woman. How her mother-in-law wouldn’t hesitate to point out her faults and where her sister Cassandra would provide a moral anchour to her nerves. It is here we find Jane attempting to do the biding of her husband but without the fuller knowledge of what a disaster it could become if she would blindly follow his advice without taking into consideration the suggestions of his mother, the other ‘Mrs Dennis’.

It is interesting to see how Jane would approach married life – how she is open to discussing things with Ashton or of finding ways to engage him in the romantic gestures she endeavours to instigate. Nothing is seen as this was inspired by Jane Austen and thus, Hemingway happily kept her style of narrative intact without deviating out of the tastefulness of a romance which made her infamous for the genre; yet what was interesting is how he gave a bit of freedom of expression to both Jane and Ashton. They were happily enjoying their married lives – all facets of it but most importantly the ways in which they were endearing each other in their more intimate moments.

There is a bit of cheeky humour threading into the backbone of this installment – how Jane is reflectively musing about how she’s surprised at how natural being a married woman has come to her and how she enjoys being with her husband. There are other sides to Jane as well, such as the woman who is not yet ready to lead a household but of whom, is attempting to remain outside her comfort zone if it means improving her connection to her husband, her staff and her mother-in-law. This is a story of growth – of seeing Jane move away from her years of youth and of embracing this new chapter where she is writing the hours as they arrive.

As Jane started to see how marriage loomed ahead of her, her one regret truly was the lack of hours in which to be creatively engaged with her pen. She spoke of this to Ashton, of whom did not see why she was upset (not really, though he attempted to try) as she had chosen to be with him, to be a wife and to have responsibilities that would naturally come out of the union. Quite a typical response, except that it fell short of realising from a husband’s perspective, how sometimes a woman in a marriage was not realising they were sacrificing a part of themselves for the sake of being with the man they loved. I think in this instance, Jane had become caught inside the romance and hadn’t fully thought about how her life might become altered if she followed course.

A lot of truth in those worries of Jane as I readily observe how not all husbands are supportive of their wives (especially if their writers) and how it would appear that women are still even now needing to defend why they write or why they want to be economically engaged outside of their marriage. This was a moment of reckoning for Jane, as it wasn’t just putting aside her desires to write which plagued her conscience but certain aspects of marriage itself; which also acted as a conflict with how she was raised and the more sheltering views of being a clergy’s daughter.

Similarly, Hemingway was not shy to highlight the other tensions in their marriage – such as the blunderment Ashton made in deference to Jane in private conversation. It shows how he was effectively examining their marriage from an outside vantage point which had the pleasure of seeing the more intimate moments of their private hours. In thus, he pulled back the layers of what was shielding them from the outside world – drawing them out, letting them reveal their raw emotional thoughts and to speak plainly how they felt about not just one another but the topical issues of their era. They were together for most things but they struck a chord apart on deeper issues I think bemused both of them to notice they truly were two passionate souls who each had their own individual mind. To which end, there were some aspects of their disagreements which were worth owning and there were others worth realising they would never agree on the finer points which separated them.

They do remain united in their ability to draw back together after their differences are shed – for they have a strong marriage built out of trust and truthfulness. It is through their discussions they realise certain aspects of their business and their personal lives are coming to a head of discourse. They cannot continue to engage in partnerships which go against their own minds and hearts which reflect the current events – from slavery to the promise of war, they are keeping on the fringes of what is reflective in the papers. This causes disruptions for them naturally but at the heart of their marriage is a union sparked out of love and united in a fond respect for each other, the world at large and the auspicious emblems of living a life with ethical morals.

As we peer more into Jane and Ashton’s world as a married couple, we start to see how difficult it is for both of them – how they must learn to yield to one another and draw a closer circle of strength to tackle what is awaiting them. There is a joyful revelation in this installment – one that further enlarges our scope of understanding for how Jane is fully lit alive by her experiences as a wife and how by embracing these subtle changes she is finding herself radically new and altered. Jane is happily introspective throughout the story – owning to her pursuit to understand herself and her environment but also, to acknowledge how each new year of a life lived is a chance to see the milestones of the experiences you’ve gained.

This particular installment ends on a happy note but one which is guarded for the future – for not everything is certain and there are a few key reasons for Ashton and Jane to feel as if the future yet to come might prove to be far more taxing than the hours that they have just passed through. It is a keenly intriguing series and one I hope more Janeites discover as it truly is a unique testimony about how a modern writer can re-tap into the life of Jane and bring her out so wholly original and true of her person to give us a near-living testimony of how she would have lived had she taken the paths and passageways he’s explored in this trilogy.

It is hard to put into words how much this trilogy has taken up a cosy niche of joy in my heart – as I first started reading this beautiful sequence of Jane Austen’s life in January 2018. The past two years has given me a lot of heartfelt joy to reconnect to Austen in a plausible and believable way of re-introducing myself into her world and the ways in which this sequence of her life could have been lived. I have felt from the start, Hemingway himself was channelling a special entreaty into her life and world – the ways in which he instinctively knew how to write about her innermost thoughts, the way he tucked in letters and correspondences into the trilogy and how he captured the heart of the Regency as an era and background to the story itself.

His capacity to tell this story has been a heartwarming experience for me and I am truly thankful I could close out 2019 with reading the finale installment which brings our experiences with Jane in this beautiful trilogy to a close.

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A #blogmas of Austen Book Review during #SaturdaysAreBookish | “The Marriage of Miss Jane Austen” (Vol.3) by Collins HemingwayThe Mariage of Miss Jane Austen
Subtitle: Volume Three
by Collins Hemingway
Source: Author via Historical Fiction Virtual Book Tours

The Stunning Finale to Jane Austen’s Saga

In the moving conclusion to “The Marriage of Miss Jane Austen,” Jane and her husband struggle with the serious illness of their son, confront a bitter relationship with the aristocratic family who were once their friends and face the horrific prospect of war when the British Army falters on the continent. The momentous events of the Napoleonic wars and the agonizing trials of their personal lives take Jane and Ashton to a decision that will decide their fate—and her future—once and for all.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781979472760

Also by this author: The Mariage of Miss Jane Austen : Volume One, The Mariage of Miss Jane Austen : Volume Two, The Mariage of Miss Jane Austen

Also in this series: The Mariage of Miss Jane Austen : Volume One, The Mariage of Miss Jane Austen : Volume Two


Genres: After Canons, Historical Fiction, Historical Romance, Re-telling &/or Sequel


Published by Self Published

on 4th November, 2017

Format: Trade Paperback

Pages: 338

The Marriage of Miss Jane Austen trilogy:

The Marriage of Miss Jane Austen by Collins HemingwayThe Marriage of Miss Jane Austen Vol II by Collins HemingwayThe Marriage of Miss Jane Austen Volume 3 by Collins Hemingway

Converse via: #HistFic, #HistoricalFiction, #HistRom + #JaneAusten

About Collins Hemingway

Collins Hemingway

Whether his subject is literature, history, or science, Collins Hemingway has a passion for the art of creative investigation. For him, the most compelling fiction deeply explores the heart and soul of its characters, while also engaging them in the complex and often dangerous world in which they have a stake. He wants to explore all that goes into people’s lives and everything that makes tThe hem complete though fallible human beings. His fiction is shaped by the language of the heart and an abiding regard for courage in the face of adversity.

As a nonfiction book author, Hemingway has worked alongside some of the world’s thought leaders on topics as diverse as corporate culture and ethics; the Internet and mobile technology; the ins and outs of the retail trade; and the cognitive potential of the brain. Best known for the #1 best-selling book on business and technology, Business @ the Speed of Thought, which he coauthored with Bill Gates, he has earned a reputation for tackling challenging subjects with clarity and insight, writing for the nontechnical but intelligent reader.

Hemingway has published shorter nonfiction on topics including computer technology, medicine, and aviation, and he has written award-winning journalism.

Published books include The Marriage of Miss Jane Austen trilogy, Business @ the Speed of Thought, with Bill Gates, Built for Growth, with Arthur Rubinfeld, What Happy Companies Know, with Dan Baker and Cathy Greenberg, Maximum Brainpower, with Shlomo Breznitz, and The Fifth Wave, with Robert Marcus.

Hemingway lives in Bend, Oregon, with his wife, Wendy. Together they have three adult sons and three granddaughters. He supports the Oregon Community Foundation and other civic organizations engaged in conservation and social services in Central Oregon.

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Reading this book contributed to these challenges:

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Posted Saturday, 21 December, 2019 by jorielov in #SaturdaysAreBookish, 19th Century, After the Canon, Blog Tour Host, Bookish Discussions, Christianity, Family Drama, Family Life, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, Inspired By Author OR Book, Jorie Loves A Story Features, Mother-Daughter Relationships, Pride & Prejudice Re-telling, Second Chance Love, Siblings, Sisters & the Bond Between Them, the Regency era, Women's Fiction, World Religions

Blog Book Tour | “Sign of the White Foal” (Book One: Arthur of the Cymry Trilogy) by Chris Thorndycroft

Posted Friday, 2 August, 2019 by jorielov , , , , , 2 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

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Acquired Book By:

I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.

It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.

I received a complimentary of “Sign of the White Foal” direct from the author Chris Thorndycroft, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On why this story appealled to me & how I arrived inside the chapters:

You might remember how consumed I was by the story-telling and historical narrative arc within the Guinevere Tales trilogy by Nicole Evelina? This was the first chance I had to pull myself into the folds of a well-thought out exploration of the Arthurian myth & canon – wherein, I found a wicked intense focus on Guinevere herself, the foundations of Avalon’s history and the curious ways a writer can pull you through a Historical Fantasy series wherein you’re not just captivated by their research for these fabled characters and heroes of the ancient times in our timeline but you feel more anchoured to a part of history which isn’t oft discussed or explored.

As I had such an emotional connection to Evelina’s trilogy, I waited until after I had concluded reading it before I began to read more stories set in, round or next door to her time periods. There is another Historical trilogy I am re-reading late Summer, early Autumn this year – as the first novel released last year; “The Lost Queen” runs parallel to my interests in this timescape. Thus, when I saw “Sign of the White Foal” was touring, I was equally delighted and excited to see how this author would treat the subject and the persons he’s populated within his story.

It is lovely how for each author who stimulates a historical portal to the past, there are others who can pick up from whence we left off with one author and continue our quest to move in and out of periods of history which fascinate our imaginations.

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I had planned to read two Non-Fiction releases before sharing my review for “Sign of the White Foal” – Wisdom of the Middle Ages & Wisdom of the Renaissance – whilst I wanted to dig back into “The Lost Queen” as well – to have this lovely immersion experience in cross-relating stories and subjects of interest. *However!* – instead my week was wrecked by plumbers, a migraine & more life woes than a girl can shake a stick at in apt frustration! Thereby, my review which I had thought was due on Friday, was in effect, meant to arrive on Thursday but it wasn’t til Thursday night I honestly could curl back inside “Sign of the White Foal” and bring this review to my readers!

When you haven’t a way of reaching your books & your blog, you just have to hope and pray the hours you have after the chaos recedes allows you enough serenity to ‘catch up’ and find the blissitude you had before the chaos overtook your readerly hours! At least, this is how I re-directed my heart and mind as I dipped back into reading this late Thursday night and early Friday morning!

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Blog Book Tour | “Sign of the White Foal” (Book One: Arthur of the Cymry Trilogy) by Chris ThorndycroftSign of the White Foal
Subtitle: Book One in the Arthur of the Cymry Trilogy
by Chris Thorndycroft
Source: Publisher via Historical Fiction Virtual Book Tours

A generation after Hengest and Horsa carved out a kingdom in the east, a hero of the Britons rises in the west…

480 A.D. The sons of Cunedag have ruled Venedotia for fifty years but the chief of them – the Pendraig – is now dying. His sons Cadwallon and Owain must fight to retain their birthright from their envious cousins. As civil war consumes Venedotia, Arthur – a young warrior and bastard son of the Pendraig – is sent on a perilous quest that will determine the fate of the kingdom.

The Morgens; nine priestesses of the Mother Goddess have found the cauldron of rebirth – a symbol of otherworldly power – and have allied themselves with the enemy. Arthur and six companions are dispatched to the mysterious island of Ynys Mon to steal the cauldron and break the power of the Morgens. Along the way they run into the formidable Guenhuifar whose family have been stewards of Ynys Mon for generations. They need her help. The trouble is, Guenhuifar despises Arthur’s family and all they stand for…

Based on the earliest Arthurian legends, Sign of the White Foal is a rip-roaring adventure of Celtic myth and real history set in the ruins of post-Roman Britain.

Places to find the book:

Add to LibraryThing

ISBN: 9781099698132

Also by this author: Sign of the White Foal (Interview)

Also in this series: Sign of the White Foal (Interview)


Genres: After Canons, Arthurian Legend, Historical Fiction, Re-telling &/or Sequel


Published by Self Published

on 1st July, 2019

Format: POD | Print On Demand Paperback

Pages: 311

This novel is self-published

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Avalon and #Arthurian

Available Formats: Trade paperback and Ebook

About Chris Thorndycroft

Chris Thorndycroft

Chris Thorndycroft is a British writer of historical fiction, horror and fantasy. His early short stories appeared in magazines and anthologies such as Dark Moon Digest and American Nightmare. His first novel under his own name was A Brother’s Oath; the first book in the Hengest and Horsa Trilogy. He also writes under the pseudonym P. J. Thorndyke.

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Reading this book contributed to these challenges:

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Posted Friday, 2 August, 2019 by jorielov in #JorieLovesIndies, 5th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Arthurian Legend, Biographical Fiction & Non-Fiction, Bits & Bobbles of Jorie, Blog Tour Host, Book for University Study, Bookish Discussions, Britian, Coming-Of Age, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Genre-bender, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, High Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, JLAS Update Post, Literary Fiction, Literature for Boys, Men's Fiction, Military Fiction, Mother-Son Relationships, Orphans & Guardians, Re-Told Tales, Realistic Fiction, Self-Published Author, Siblings, Spin-Off Authors, Spirituality & Metaphysics, Supernatural Fiction, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment