Category: England

Blog Book Tour | “Claiming My Place: Coming of Age in the Shadow of the Holocaust” by Planaria Price with Helen Reichmann West

Posted Sunday, 3 March, 2019 by jorielov , , , , 1 Comment

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

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Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary copy of “Claiming My Place” direct from the author Planaria Price in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On why this story appealled to me:

When I was contacted about being on this blog tour, I must admit, I nearly declined it. Not because I wasn’t interested in the story – the reason stems from my childhood. As a young girl – an impressionable reader and a person with a sensitive heart, I was never able to read The Diary of Anne Frank – despite the nudges from my Mum and my grandparents; there was something preventing me from reading the book. I know I recognised a lot of myself in Anne – I was even her age when I re-attempted to read her words but there was an emotional reasoning in my head and heart; knowing if I walked into her world, I might have difficulty walking out knowing how she died. I had a lot of issues with death as a child and this in part could have played a role in not wanting to re-live Anne’s life as a young girl. The distance between her life and mine felt smaller somehow – when your the age of someone whose died tragically – somehow time, distance and proportional understanding of their life draws closer to your heart.

I also was frustrated by how my school teachers were avoiding talking about the war eras though they had no difficulty in speaking about the Civil War. Comparatively, I felt it was more relevant to everyone who grew up in the GenX generation to focus more on 20th Century History – from the war era straight into the heart of Civil Rights and the 1970s; than it would have been to dredge up history where both sides still were aggrieved about what happened. The relevancy of the 20th Century still had an important role in understanding our present and our future; at least, this was what I tried to reason in my arguments about a lack of proportional education for an engaged student losing interest in an education system which befitted no one due to how much was lost from being learnt.

As I researched the story itself – there is one particular reason why I said ‘yes’ to reading this story and why I knew I could handle the story I’d find within it. It has a happier ending than Anne Frank – hers is an uplifting story of a different nature; this one seeks to go into how someone survived but also found happiness after the war. I think for me, I needed this ‘extra chapter’ on a story which seeks to re-explain what was happening during Anne Frank’s living years whilst giving us an ending that is easier to swallow and accept.

There is a reason why I’ve altered the kind of war dramas I seek out to read – I used to read all sorts of them; including the guttingly convicting narratives which gave me nightmares. Why? I haven’t the foggiest clue. Something was directing me towards them and although I don’t regret reading them per se – I had to take a full step back from reading half of the war dramas I was naturally curious about reading. The one which crushed my soul and clued me into needing to make this change in selection was Citadel. I was within my first year of book blogging and although this novel opened my eyes to quite a heap of unknown history within the era in question, it also drew to my mind there are levels of reality I need to avoid finding in fiction.

Having said that – what inspired me to read Claiming My Place is knowing why Mum originally wanted me to read Anne Frank’s story. I knew why she wanted me to read it was simply a matter of a girl recognising she couldn’t read her story. I have regretted that personal choice over the years and as I’m inching towards turning thirtyten, it is nice to finally resolve this with being able to handle reading a different story which seeks to highlight the same truths within a classic I had to appreciate from afar.

In the same vein of interest, I did go to the theater to see Life is Beautiful and Saving Private Ryan; the latter not only gutted me emotionally but left me shell-shocked; in effect, it was too much to process. The former was my preferred experience of the two – guttingly realistic, emotionally powerful and at the root of the story is what truly was hard to reconcile about the second world war. It ends with a ray of hopefulness with the sombering tragedy of loss intermixed with your emotional reaction of having felt as if you had personally lived through the story. Notwithstanding the fact by the end of the film I no longer remembered it wasn’t in my native language. When other film goers complained about reading the subtitles – I still remember walking out going “What subtitles?” I was dearly invested in that film and I credit this to how Roberto Benigni wrote the story and brought his character to life in such a way as to transcend time, language and the human spirit.

Reading Claiming My Place is a daughter’s way of reconnecting to her mother’s memory of Anne Frank and of resolving not being able to read one of the most popular books for young readers.

I am grateful for this story, especially as the war eras have held a captivating impression on me since I was a young girl. I grew into a reader of war dramas & historical narratives set at the battlefields & on the home fronts; from one continent to the other – seeking the living truths of those who lived through the era and of the humbling ways in which History merits becoming known in each new generation past these marked fixtures in time which ought never become repeated.

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Blog Book Tour | “Claiming My Place: Coming of Age in the Shadow of the Holocaust” by Planaria Price with Helen Reichmann WestClaiming My Place
by Planaria Price
Source: Author via Historical Fiction Virtual Book Tours
Narrator: Ilyana Kadushin

A Junior Library Guild selection

Claiming My Place is the true story of a young Jewish woman who survived the Holocaust by escaping to Nazi Germany and hiding in plain sight.

Meet Gucia Gomolinska: smart, determined, independent, and steadfast in the face of injustice. A Jew growing up in predominantly Catholic Poland during the 1920s and ’30s, Gucia studies hard, makes friends, falls in love, and dreams of a bright future. Her world is turned upside down when Nazis invade Poland and establish the first Jewish ghetto of World War II in her town of Piotrkow Trybunalski. As the war escalates, Gucia and her family, friends, and neighbors suffer starvation, disease, and worse. She knows her blond hair and fair skin give her an advantage, and eventually she faces a harrowing choice: risk either the uncertain horrors of deportation to a concentration camp, or certain death if she is caught resisting. She decides to hide her identity as a Jew and adopts the gentile name Danuta Barbara Tanska. Barbara, nicknamed Basia, leaves behind everything and everyone she has ever known in order to claim a new life for herself.

Writing in the first person, author Planaria Price brings the immediacy of Barbara’s voice to this true account of a young woman whose unlikely survival hinges upon the same determination and defiant spirit already evident in the six-year-old girl we meet as this story begins. The final portion of this narrative, written by Barbara’s daughter, Helen Reichmann West, completes Barbara’s journey from her immigration to America until her natural, timely death. Includes maps and photographs.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9780374305291

ASIN: B07BHQCW1B

Genres: Biographical Fiction, Biography / Autobiography, Feminist Historical Fiction, Historical Fiction, Inspirational Fiction & Non-Fiction, Non-Fiction, Women's Fiction


Published by Farrar Straus and Giroux Books for Young Readers

on 13th March, 2018

Format: Audiobook | Digital, Hardcover Edition

Pages: 278

Length: 9 hours and 19 minutes (unabridged)

Published by: Farrar, Straus and Giroux Books for Young Readers (@fsgbooks)
an imprint of Macmillan Publishing

Converse via: #WarDrama + #HistFic or #HistNov

Available Formats: Hardback, Ebook and Audiobook

About Planaria Price

Planaria Price

After graduating from Berkeley and earning a Master’s Degree in English Literature from UCLA, Planaria Price began her career teaching English to adult immigrants in Los Angeles. She has written several textbooks for University of Michigan Press and has lectured at over 75 conferences. In addition to her passion for teaching and writing, Planaria has worked with her husband to save and restore over 30 Victorian and Craftsman homes in her historic Los Angeles neighborhood. Claiming My Place is her first book for young adults.

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Posted Sunday, 3 March, 2019 by jorielov in 20th Century, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Coming-Of Age, Debut Author, England, Flashbacks & Recollective Memories, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, London, Prejudicial Bullying & Non-Tolerance, Realistic Fiction, Scribd, The World Wars, War Drama, Young Adult Fiction

Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 20 February, 2019 by jorielov , , , , 1 Comment

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground” and “Bridge to Burn” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. However, this time round as I switched my subscription from Audible to Scribd, I did not yet have the chance to purchase my copy of “Bridge to Burn” – which I shall be doing eventually as I want to have a full set of all the Kay Hunter installments – I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Bridge to Burn” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Gone to Ground” and why I was itching for the next novel:

Kay’s team has a few growing pains coming to it as with Kay’s recent promotion, the rest of the team remains a bit lopsided. Her first pick to gain a promotion soon after her was Barnes; unfortunately for Kay, Barnes was comfortable in the role he was already employed. She had to respect his choice even if it confused her why he wouldn’t want to rise in the ranks. Barnes was her right hand man on the team, a person she could trust without blinking and know he would have her back.

You can observe her own growth as a person finding traction in front of cameras whereas only a year prior being the lead spokesperson for the unit would have put her in a bit of a tailspin of anxiety. Now, she is shining as a voice for the police and hoped the words she spoke would encourage new leads to come forward after the report went out on the newscast. The case itself was perplexing – they had a clue towards what the crime involved but without ‘more evidence’ they could only speculate which was the one thing they didn’t want anyone to do. It would only lead to heartache for everyone involved.

I was definitely curious about how Larch decided to take early retirement and moved off into the Midlands as a result. This left an open space in the team and unit Kay was now overseeing alongside with the guidance of Sharpe. With Sharper in the overseeing role for the team, you start to see how the new dynamics are forming and keeping each of the team members a tightly knit team who know they can rely on each other. What was lovely though is how Kay is open to having her fellow detectives (including the junior ones) have equal respect in the bull room so to speak – to speak their theories and to explore (as a team) what they feel might be motive and opportunity. Even if they fall a bit short of a solid lead, it helps build their foundation as a team who everyone feels comfortable being an active part of growing into a well-oiled machine of efficiency.

At the morgue we get a keen insight into the gloom and the heart-wrenching cases the ME has to sort through when the caseload becomes unbearingly brutal with cases which are harder to reconcile than usual. I think any case that goes through the morgue which deals with children and youth, has to be the cases they struggle with the most to ‘let go’ once they’ve done all they can to determine the cause of death. Medical examiners don’t get a enough credit for how strong of mind and heart they have to be to constantly do their job and remain emotionally disconnected.

One of my favourite revelations was not even related to the case, it was about Adam’s inheritance, how horses played a keen role in his award and how the friendship he had with an older lady who wanted a guardian for her horses was the key to how Adam and Kay lived rather comfortably.

Outside of focusing on Kay and Adam at home and out about in their community, there were loads of cheeky humour sequences and workplace camaraderie which I love so much in this series! It helps re-affirm who these people are and how they interact with each other. When you listening to different installments of the series and a bit of time goes by – seeing how they react to each other is another way of re-aligning you right back into the dialogue from whence you had left off in the last installment.

Seeing Kay develop her confidence in her new position is a joy – each day she’s on the job, the more she becomes a confident leader. The irony of course, their current case involves team building exercises where their potential victim was spending time – the random joy for Kay is finding that her unit works well without the benefit of an official ‘time away’ from the office to come together as a united front.

When it is known what the title refers to ‘gone to ground’ – everything seemed to make better sense about the structure of this particular case. The key focus on the team and how they interact with each other has become the new standard of the series – as originally, when the series first began we would shift between the detectives and the one(s) they were pursuing – giving us a dual perspective from two different sides of every investigation.

In this particular instance – it proves how frustrating detectives become when they don’t have enough to guide them forward. I was hoping this particular case might have a decidedly brilliant wench in the wheel of the investigation and I must admit, Amphlett definitely gave us one!! It has to do with who you think is the person of interest and who the truer culprit turnt out to be – the curious bit here is how Amphlett constantly brings the sociological side of sleuthing into her stories. She focuses on the psychological and the sociological – of easing you through the hardest bits by re-focusing on the reasons ‘why’ certain behaviours are being explored and why some characters have more guilt within them than others. Sometimes your not even sure where a confession is going to lead you or if the confession your hearing is the right one for the case at hand.

I must admit, the crime(s) involved in this installment are really difficult to get through – although, I do credit Ms Amphlett for not making it worse than it was – she definitely pulls back when I have witnessed other authors who don’t have as much self-control as she does. This is a credit to her for giving us a chillingly suspenseful read but without ensuring we’ll have nightmares afterwards! You want to feel the suspense – similar to watching your favourite Hitchcock film but without feeling as if you can’t properly recover afterwards! Hitchcock and Amphlett both found the sweet spot in Suspense where they can give you chills but allow you the grace to know you can handle where the stories will lead.

-quoted from my review of Gone to Ground

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I can’t believe I’ve been outside this world since last [September]!

After finishing Gone to Ground, I was truly thankful there was a bit of a ‘gap’ between books six and seven as I felt I needed to put some distance between myself and Kay Hunter. This is a series I truly felt captivated to listen to throughout [2018] however, it is a very emotionally jarring series – you don’t realise how attached your going to become to the series until your in the throes of it and by then, your heart is gone. You are so intricately immersed inside this authentically writ world by Ms Amphlett and the heart-pulsing high octane paced narration styling of Ms Campbell – you simply can’t disconnect your ears from listening to the series once you’ve become smitten with the world, the characters and journey Kay Hunter is taking both personally and professionally.

This is why I was thankful the blog tour was in early [2019] as it gave me the distance and the breathier I need from the last installment before I entered the seventh story. I knew a few stories back this series was making a twist of a turn for being a bit more hard-boiled than most Thrillers and Suspense novels I’m reading but at the heart of the series is Kay, her team and the life she shares with Adam. I wrestled with feeling if I could continue to listen to the series and go forward with her on this journey or if I might one day need to back-out as the growing series was expounding on the grim sides of her job whilst it was also tucking us closer into her private world.

There are so many lovely layers of this series, in the end, I opted to ‘stay invested’ in the series and I credit that first and foremost to the author Ms Amphlett for how dedicated she is not to :push: the line too far afield to where I can’t get through the novels and to Ms Campbell for her passionate portrayal of Kay and how she intuitively hugs us back inside Kay’s world. The two of them together is why this increasingly dramatic crime series is dearly beloved by me – it might be on the upper tier of what I can consider reading and/or listening too – but I love the continuity, the layered insight into the life of these characters and the fact that I can trust the author for giving me an edgy read without making me feel as if I couldn’t survive it afterwards.

This is why I was wicked excited about finding the latest audiobook via Scribd as it was coordinated in such a way (ie. released to subscribers) to where I could join the blog tour – continue sharing my ruminations alongside my fellow enthused audiobook readers in the book blogosphere and tuck closer to Kay to see where we are on her personal journey whilst finding myself enchanted once more by Ms Campbell’s approach at giving me a new visitation with the whole cast of characters within the Kay Hunter series! This is definitely one that grabs you rather immediately and before you realise you’ve become addicted to hearing the stories, your already progressing through your seventh volume!

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Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellBridge to Burn
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a mummified body is found in a renovated building, the gruesome discovery leads Detective Kay Hunter and her team into a complex murder investigation.

The subsequent police inquiry exposes corruption, lies and organised crime within the tight-knit community – and Kay’s determination to seek justice for the young murder victim could ruin the reputations of men who will do anything to protect their business interests.

But as Kay closes in on the killer, tragedy strikes closer to home in an event that will send a shockwave through her personal life and make her question everything she values.

Can Kay keep her private and professional life under control while she tries to unravel one of the strangest murder cases of her career?

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 978-1-9993683-3-3

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground


Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Published by Saxon Publishing

on 13th January, 2019

Format: Audiobook | Digital

Length: 6 hours, 39 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Reading this book contributed to these challenges:

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Posted Wednesday, 20 February, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#SaturdaysAreBookish | “We Shall See The Sky Sparkling” by Susana Aikin

Posted Saturday, 16 February, 2019 by jorielov , , , , 1 Comment

#SaturdaysAreBookish created by Jorie in Canva.

After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.

#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!

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Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary ARC copy of “We Shall See The Sky Sparkling” direct from the publisher Kensington Books in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On why this novel appealled to me:

A good portion of the story is hinged on ancestral sleuthing and of keeping the living histories of our families alive for each new generation who has the chance to hear them told. Being one half of the Ancestry Sleuth team in my own family, I can attest to how the preservation and the exploration of one’s family line can become quite a wicked adventure! Especially if you only have subtle clues towards researching past your maternal and paternal great-grandparents or know the names of at least a few of your great-greats going back from there – genealogy is a pursuit of joy for both my Mum and I.

I keep missing the #HistFicChat’s on Thursdays as my hours during the chat are unfortunately taken elsewhere now to where I can’t chat with fellow enthused readers and the writers of Historical Fiction as I had been free to do the previous year. It was only this Friday where I realised this past Thursday the featured guest was Ms Aikin and as I read a part of the feeds for the chat, I soon unearthed that part of this story was inspired by her own ancestral lineage! In fact, she had an actress in her family (see this tweet) whilst she also was heavily read in pre-revolutionary Russian Lit which also inspired the story itself (see also this tweet).

I’m hopeful I can start to return to the chat – as Rachel Brimble is returning to speak about a sequel to her Pennington novel – of which I enjoyed discussing when it first published and Soraya Lane is going to be featured the following week for her latest release The Spitfire Girls which I enjoyed talking to her a bit about on Twitter previously during the last year. I purchased one of Soraya Lane’s past novels on audiobook via Audible and I placed a request for The Mistress of Pennington’s which was accepted by my local library. The paperback is on hand to be read and the audiobook is one I have slated to be listened to this Spring whilst I endeavour to read, listen and focus on Historical Fiction selections during my #HistoricalMondays showcases.

I decided to feature this during my #SaturdaysAreBookish feature as to me it spoke to me as being a Historical Women’s Fiction narrative – whereby, the main threads of the author’s muse were interconnected to her grandaunt and the legacy of the life she had lived. It is a particular lens into how one woman dared to live a different life – go to different places in the world and to curate her own path from her era’s conventions. To me that is at the heart of why Women’s Fiction is relevant today as it doesn’t matter if the stories are Contemporary or Historical in nature if they are focused on telling a woman’s journey – towards her own destiny on terms she determined herself or how she overcame adversity or tragedy and still found a way to move forward in the aftermath. These kinds of stories always interest me and are part of the inspiration behind both the feature and the the redirection of my chat @SatBookChat.

Thereby, you can see – I predominately focus on reading the historic past and attempt to find new voices in Historical Fiction every year, such as Ms Aikin!

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Notation on Cover Art: I could honestly envision Lily is on the cover – letter-writing was dearly important to her as it was a method of keeping in touch with her brother and sister. Her letters are a featured pause in the narrative arc and I, personally, loved how they were included in the chapters. Therefore, whomever designed this cover truly tapped into the heart of Lily and gave her a cover where you could almost see her coming in from a hectic day where she simply wanted to ink out her thoughts and draft a new letter to post! Even the outfit here reminds me of Lily from Ms Aikin’s pen!

#SaturdaysAreBookish | “We Shall See The Sky Sparkling” by Susana AikinWe Shall See The Sky Sparkling
by Susana Aikin
Source: Publisher via Historical Fiction Virtual Book Tours
Narrator: Rosalyn Landor

Set in London and Russia at the turn of the century, Susana Aikin’s debut introduces a vibrant young woman determined to defy convention and shape an extraordinary future.

Like other well-bred young women in Edwardian England, Lily Throop is expected to think of little beyond marriage and motherhood. Passionate about the stage, Lily has very different ambitions. To her father’s dismay, she secures an apprenticeship at London’s famous Imperial Theatre. Soon, her talent and beauty bring coveted roles and devoted admirers. Yet to most of society, the line between actress and harlot is whisper-thin. With her reputation threatened by her mentor’s vicious betrayal, Lily flees to St. Petersburg with an acting troupe–leaving her first love behind.

Life in Russia is as exhilarating as it is difficult. The streets rumble with talk of revolution, and Lily is drawn into an affair with Sergei, a Count with fervent revolutionary ideals. Following Sergei when he is banished to Vladivostok, Lily struggles to find her role in an increasingly dangerous world. And as Russian tensions with Japan erupt into war, only fortitude and single-mindedness can steer her to freedom and safety at last.

With its sweeping backdrop and evocative details, We Shall See the Sky Sparkling explores a fascinating period in history through the eyes of a strong-willed, singular heroine, in a moving story of love and resilience.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781496717658

ASIN: B07MQ3FCHR

Genres: Epistolary | Letters & Correspondences, Feminist Historical Fiction, Historical Fiction, Women's Fiction


Published by Kensington Books

on 29th January, 2019

Format: Paperback ARC

Pages: 416

Length: 14 hours and 53 minutes (unabridged)

Published by: Kensington Books (@KensingtonBooks)

Converse via: #Epistolary #HistFic or #HistNov

Available Formats: Paperback and Ebook

About Susana Aikin

Susana Aikin

Born in Spain of an English father and a Spanish mother, Susana Aikin is a writer and a filmmaker who has lived and worked in New York City since 1982. She was educated in both England and Spain; studied law at the University of Madrid, and later Creative Writing at Manchester Metropolitan University, UK.

In 1986 she started her own independent film production company, Starfish Productions, producing and directing documentary films that won her multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. She started writing fiction full time in 2010. She has two sons and now lives between Brooklyn and the mountains north of Madrid.

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Posted Saturday, 16 February, 2019 by jorielov in 19th Century, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Content Note, Debut Author, Debut Novel, Domestic Violence, England, Epistolary Novel | Non-Fiction, Flashbacks & Recollective Memories, Fly in the Ointment, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, London, Mental Health, Postal Mail | Letters & Correspondence, Psychological Abuse, PTSD, Realistic Fiction, Scribd, Trauma | Abuse & Recovery