Gifted Book By: Last year, I had the chance to feature this lovely series by Impress Books UK twice – for a Spotlight & Extract as well as an author interview for the tour celebrating the sequel. I enjoyed hosting for the touring company attached to these tours, but during late (2020) I decided to pull back from a few of the touring companies I was hosting and re-focus on the blog tours, publishers & authors I regularly host more often. My memory is a bit foggy if I was conversing with the publisher about ‘Tree Magic’ before or after the second blog tour. In that conversation, I was mentioning the book wasn’t yet released stateside in a print edition and I wasn’t sure (at the time) when I’d be able to purchase a copy as 2020 was quite an adverse year for my family all told. Especially for medical emergencies and/or ER visits in particular. Thereby, when the publisher offered to send me a copy of ‘Tree Magic’ when it was available in print, I thanked them for their gracious offer and knew once my migraines calmed down, I wanted to dive into this novel!
The months passed by and as 2021 started off with adversities of its own, I can honestly say, it wasn’t until May this year, during #WyrdAndWonder where I could read past the first few pages of ‘Tree Magic’!! I am overjoyed I could wait until now to talk about this novel and the series it begins as I felt such a strong attachment to this book and the world it is set in due to the showcases I hosted last year. I had eight migraines in September, 2020 after the five I had in May, 2020 – so betwixt and between both those months, I’m equally in the dark if I received this for review consideration or for my own personal readerly curiosity.
Thereby, I was gifted a copy of “Tree Magic” by the publisher Impress Books UK without being obligated to post an honest review. I am sharing my thoughts on behalf of this novel for my own edification and a continued journey of sharing my readerly life on Jorie Loves A Story. I did not receive compensation for my opinions or thoughts shared herein.
Note: I received the Press Materials last year from the publisher and vaguely remember asking if / when I was able to read this novel if I could re-use the materials given to me on both blog tours and being given permission to do that if / when the time arose. Therefore, this is why the Press Materials for this series are included on this review.
Hallo, Hallo dear hearts!
I have had a firm attachment to the natural world ever since I was a young girl – growing up with a fascination and wonderment about nature, wildlife and especially of trees! This is why when I first saw this blog tour being announced, I was super giddy about participating on the tour because any writer who can celebrate and champion the natural world in a pro-positive way is an author I would love to feature on Jorie Loves A Story!
I could immediately connect with the premise with this novel which is why I am trying to seek out a copy of this in print through my local library – there is something quite magical about how trees are the guardians within the natural habitats we visit whilst hiking or walking in natural landscapes; they know things and they remember everything. This is partially why it is soul-crushing whenever there are huge wildfire seasons like the ones that are affecting the Western United States right now and/or the fires in Australia at the turning of the New Year. Nature grieves for the losses those fires bring to those habitats but I oft felt the trees especially are full of the grief of what could not be protected and what fell at their feet due to how the forests have not been able to withstand fire as they had in the past. I still remember hearing about the old growth forests of the Redwoods recently and of how achingly hard it was to see them aflame.
I have regularly spoken about the natural world on Jorie Loves A Story – from the stories I am reading to the context of the stories which seek to bring an ecological mindset and heart for conservation onto my blog because I believe strongly those stories are necessary for today’s world. Not just due to the climatic changes we’re all experiencing but to help re-connect readers with the knowledge about the natural ecosystems they might overlook and not be as familiar with as I have become myself. Knowledge is the first step towards change and to remain connected to the connectivity of how the natural world and our world intersect is one step closer to finding better balance in how to keep Earth a healthier place.
There is one reason I held off reading this novel – it took me until May to reconcile how to read Tree Magic was because of a gutting loss of trees in my neighbourhood which were uncalled for and mercilessly butchered by a bulldozer rather than cut with respect with a chainsaw. The trees were sacrificed due to a ridiculous expansion of a sidewalk which had zero benefit to the neighbourhood and took out a total of seven trees for reasons NO ONE understood lest of all the trees! I will never forget that feeling of knowing the trees were trying to defend themselves and the murmuring after effects of their death. These were full-grown cedar trees – whose rings in their trunks showcased their years of life and the emptiness of their protective shade has never felt more absent than the arrival of Summer. I still feel affected by what happened and how it was done – why cities plan their designs to erase more of the natural world than preserve it is not something I’ll ever comprehend.
This is why I had to let this novel sit on my shelf even longer than planned – I just couldn’t bring myself to read about trees and our connections to them until I could deal with the loss of the majestic cedars which once stood silently against storms and sun and whose presence was a kind reminder of how quietly trees whisper to us throughout the year.
Thirteen-year-old Rainbow discovers she can communicate with trees.
But that’s just the beginning. Her magic hands can shape trees at her will, but her gift is dangerous and has fatal consequences. An accident that leaves Rainbow unconscious leads her mother to make a confession that will change Rainbow’s life forever. Are her abilities a gift or a curse? Can Rainbow really trust her mother? From England to France, through secrets, fears and parallel worlds, Rainbow’s journey to understand her powers takes her beyond everything she’s ever known.
Converse via: #YALit, #Trees and #Magic, #MagicalRealism, #YAFantasy
as well as #TreeMagic or #Fantasy
About Harriet Springbett
Harriet Springbett’s childhood on a small farm in West Dorset gave her an early exposure to nature, which continues to inspire her writing.
She qualified as an engineer but, during a Raleigh International expedition in Chile, she realised she preferred words to numbers. She abandoned her profession, moved to France, studied French and then worked as a project manager, feature writer, translator and TEFL teacher. She now lives in Poitou-Charentes with her French partner and their teenage children.
Since her first literary success, aged 10, her short stories and poetry have been published in literary journals and placed in writing competitions, including a shortlisting in the 2017 Bath Short Story Award.
Harriet leads writing workshops, has judged the Segora international short story competition.
Acquired Book By: I have been hosting blog tours with Cedar Fort Publishing and Media for several years now, wherein their new blog tour publicist (Ms Sydney Anderson) also runs her own publicity touring company: Singing Librarian Book Tours (or SLB Tours for short!). I happily joined her team of book bloggers as a hostess in late Spring, 2018 wherein my first tours with her as a hostess began Summer, 2018. I appreciate reading INSPY literature and was happy to find these are most of the stories she is showcasing through SLB Tours! Most of her authors are published through Cedar Fort, though she does work with authors who are either Self-Published or Indie published through different publishers as well.
I received a complimentary copy of “The Secret of Haversham House” direct from the publisher Sweetwater Books (an imprint of Cedar Fort Publishing & Media) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
To find out why I love Sweet Romances and the #PureRomance imprint you might like to check out my previous postings for Cedar Fort blog tours, wherein I related my love of Historical & INSPY stories on a previous blog tour featuring To Suit a Suitor, however, I have happily been reading the offerings of this particular imprint for quite a long while now. The stories which still stand out are as follows: ‘Willow Springs’, ‘The Darkest Summer’, ‘Unexpected Love (anthology)’ and ‘The Second Season’.
To follow through my readings, be sure to scroll through this tag Pure Romance!
A conversation with Julie Matern: Part I
What first drew your eye into Regencies and what were your favourite memories of reading your first Regency Romances? What attached yourself into them: the era, the lifestyle difference (upstairs/downstairs), the fashions or the historical backdrop and aesthetics?
Matern responds: I didn’t get into Jane Austen until after college – I was taking a French degree which required reading French Literature and there wasn’t time for much else. Quite honestly my connection to Austen’s books came as quite a surprise as I had been required to read Jane Eyre by Charlotte Bronté at school when I was quite young and did not like it at all.
I decided then that those ‘old’ books were not for me. So when I chanced to read Pride and Prejudice as an adult I was amazed at how much I loved it almost immediately. I enjoyed Jane’s voice and her characters and the era itself – so polite and civilized. I found I couldn’t put the books down. I think they swept me back in time. Then television and movie studios began making the adaptations with the beautiful scenery and costumes and I was totally hooked. I have three daughters and I have converted two of them! (PS I love Jane Eyre now too!)
I believe our reading lives have their Seasons,… I struggled to get into both Bronté and Austen when I was younger – though why I hesitated to read either of them, is lost to time itself. I started to focus on reading ‘Pride’ when Keira Knightley’s film was released (finishing it in time to see it live at the theater!) whilst my reading progress into ‘Jane Eyre’ has taken nearly the full five years I’ve been a book blogger! I haven’t a clue as to why either, except I find myself distracted from the text more times than naught and this year, I’m determined to conclude my ruminative thoughts as I would very much like to read a sequel author’s trilogy! Wish me well!
Strangely, despite the hiccups I incurred with these authors, I was into Classical Children’s Lit throughout my younger years as well as Contemporary favourites like Carolyn Keene (of whom I hadn’t realised to much later was a pen name!) and the other authors I’ve listed on my Children’s Lit page! The way you’ve described why you love reading these stories is something I can relate to myself ‘being swept into the historic past’, ‘the authenticity of Austen’s voice’ and the ways in which the manners of her time were eloquently brought forward into her stories. You’ve summarised it rather lovely!
It is an interesting premise, to have a girl raised in the ton (aristocracy) who didn’t realise her lot was not officially cast in those circles – what inspired this choice of entry into her shift of acceptance from her peers?
Matern responds: Well, heritage is so very important to the nobility at this time. Lady Catherine de Bourgh is probably the best example of this attitude in Austen’s writing. She is horrified that Elizabeth isn’t enough of a lady for her nephew. In Persuasion, Anne is discouraged from marrying Captain Wentworth because he ranks beneath her and in Emma, the thought that Harriet might marry Mr. Knightley makes Emma ill.
I thought it would be an interesting study to examine the possible reaction of this class of people to someone they knew and loved as a lady, under the new information that she was actually not. Then the question was how can this be accomplished and a secret adoption seemed a natural vehicle.
I love how you’ve found an interconnection between the plottings of Ms Austen’s novels – of how birth origins and your status in society meant everything towards a well-matched marriage than the person’s character; second only to reputation, as this was equally a concern of the aristocracy! It is a bit how I was happily surprised Adoption is now an option for Royals where previously it was not allowed. A secreted adoption I believe is the only way it could have worked within the framework of the Haversham’s case due to the nature of how constricted they were by both society and family alike. Blessedly not due to their own beliefs, thoughts and convictions!
Self-identity is oft-times linked to our ancestral heritage – did your interest in ancestry play a key role in exploring Francesca’s soul-search for her own identifiable truth? How did you want to show who you are and who you believe you are are oft-times not the same person?
Matern responds: I have researched my own genealogical lines for over 40 years. I find it absolutely fascinating. There are hidden secrets in many people’s lines; my grandmother thought she was a year younger than she was; people lied to their fiances about their age so that they didn’t seem too much older than them and it is discovered by researchers like me generations later when we notice the discrepancy between the birth certificate and the marriage certificate; I know of someone who did not know she was born before her parents married, until after her parents died and she examined all the certificates. The truth can shake people to their foundations. Any revelation that changes what you have believed to be true about yourself creates a need to know everything, I believe. Ancestry.com is using this common need in their advertising to create interest in their DNA testing – people who find out that they have ethnicity in their family tree that they did not know about, for example, often begin a study of that ethnicity to understand it in an attempt to understand themselves better.
Adoption is not something I have direct experience of and in our day and age it is very open. In writing about Francesca’s emotions I tried to put myself in her shoes and imagine receiving the news that my mother was not my birth mother. It would spark an avalanche of emotions and confusion and a desire to seek out my birth relatives.
I do believe that ancestral heritage affects how we see ourselves and anchors us to our past, endowing us with a sense of connection to them and helping us have stronger self-esteem. My great-uncle died when he was 19 in WWI in France and my own grandfather almost died in the same war. Their sacrifice helps me feel that my family helped in the cause of freedom. My husband’s side has many pioneers who did extraordinary things under extremely difficult circumstances and it is very important to me that my children know about those on my side who fought and those on my husband’s side who sacrificed so much to connect them with these great heroic acts.
I’ve been blessed by having a Mum whose research into our own ancestral lines began 40+ years ago whereas my own journey as an #AncestrySleuth began roughly 10 years ago where we started to combine our efforts! It even led to a ‘match’ of finding living cousins in Sweden, of whom we thankfully had the chance to meet in Autumn 2017! We personally love the archives and the resources attached to FamilySearch.org as the services they provide are blessedly ‘free’ and all the information on Ancestry.com (which is a paid service) is available for ‘free’ as well as they share their databases. Towards that end, I even participated in a records updating weekend once which proved how tedious it is to update records and how thankful all of us are for the hours dedicated volunteers world-wide are giving to these records/databases to help us all interconnect with lost relatives and ancestral heritage (both living and dead).
Yes, and no. You’d be surprised — I knew in my early twenties I wanted to adopt my future children and despite being comfortable on my path, whenever I go to talk about how I intend to have children (through adoption) you’d be properly surprised how much negatively people project on you and how dedicated they are to tell you the choice you’ve made (for your own life, mind you!) is the wrong one! I never would have thought of all the topics and subjects the general public would feel the right to debate with you, the path you take towards mumhood would be one they would feel most inclined to argue!
Therefore, in many ways, I still see us a bit behind the times when it comes to Adoption – this is why there are many campaigns to re-think how people see adoption and how adoption is still not the option most families are willing to make to either expand or start their families. I wish it were different but the facts do not lie. We’re as closed-minded to adoption now as we were in the Regency in so many ways and that is something I hope will change within my lifetime.
I truly believe as you do – a healthier way forward is to know our past, to examine it, draw strength from it and to continue to ‘tell the living histories’ of our families if only to keep the voices of the past alive, present and acknowledged! I grew up with these kinds of stories myself and they re-etch an impression about yourself, your family and the legacies we all leave behind – some in larger ways than others but all of us have stories to share, tell and honour.
How did you decide on the surname Haversham? It is a rather unique choice and I was wondering if there might be a story behind it? Also, what is your process for selecting the names of your characters overall?
Matern responds: My husband, who is not English by birth, loves these types of quintessential English surnames and is often popping them into conversations. Haversham, Flaversham, Faversham. So it was a nod to him.
Choosing a name for a character is a bit like choosing a name for a baby – I want it to fit. Her name had to be Francesca because of the Italian-French connection so then I wanted a very English surname to pair it with. Then I say my character’s full names out loud to make sure they have a good ring to them.
I always want to use very traditional names as the first names of my characters. (Langley is not very traditional but is a name of an ancestor of mine so I felt I could use it.) Then I use google to search English surnames that have several syllables (these seem more regal to me) or I look through my family tree for the perfect name. Septimus Sladden is an actual ancestor of mine. The minute I found him I knew I was going to use that name in a book.
Charles Dickens was so very clever with his name choices and JK Rowling too, as often the name tells us about the character. I hope to be able to imitate that in the future.
OOh, I am so glad you’ve mentioned this!! As this is part of my own process for selecting names for my own characters! I even have a lovely Baby Name Book which is multi-ethnic and pulls names from various ethnic backgrounds world-wide as well as various spellings therein! I can go off in small tangents of research just to dig up the Etymology of the names I’ve chosen to see if perhaps, I was choosing the right ‘name’ so to speak at any given time! Much like I would if it were naming a child of mine, to see if I honed in on their personality and the potential they would have in life to fill the shoes behind the name.
I thought your idea of combining the Italian name for ‘French’ as a nod to both Francesca’s Italian heritage but French set Adoption was a stroke of brilliance!
I shall readily admit – when it comes to old English names, I am as addicted to them as your husband! This is one reason I am thankful I’m personally British three times to Sunday! The names and titles alone in my ancestral lines are lushly addictive to research!
Yes! Isn’t it interesting how the names of our ancestors take us by shocked surprise? I have many revelations like this on my own family tree – but also, of whom they were, where they were bourne and where they ended their lives as they moved round quite frequently!
Eighteen-year-old Francesca Haversham is privileged, beautiful, and naive. Lineage, titles, and wealth are the ultimate virtues among nineteenth-century English aristocracy, and Francesca is elite society's newest and most celebrated debutante from one of England's most illustrious families. Her pedigree is impeccable - or is it?
Her coming-out ball brings iwth it the appearance of one Mr. Langley Ashbourne, and Francesca is immediately taken in by his handsome features and flattering words. But not everything is as it seems, and flowery comments can only hide dark truths for so long. Meanwhile, a long-buried secret creeps ever closer to the light, one that would destroy her comfortable life, tarnish her family's character, and ruin all hopes of a reputable marriage.
Converse via: #Regency or #RegencyRomance, #HistFic or #HistoricalRomance
#INSPYRom, #SweetRomance OR #HistRom; #Adoption
About Julie Matern
Julie Matern is a resident of Utah. She attended the University of Exeter in Exeter, England, and graduated with a double major in French and Education. She was born and raised in England, moving to America after her marriage and is the mother of six children.
She has served in the PTA for over 20 years, taught tap dance, and enjoys amateur photography. She is the author of ‘British War Children’ (for which she received a “Recommended Read” award from the League of Utah Writers) and ‘British War Children 2: An Enemy Among Us’.
Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary ARC copy of “The Phantom’s Apprentice” direct from the author Heather Webb in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I was so enamored with the premise behind ‘The Phantom’s Apprentice’:
Aside from being an admirer of the author’s collective works (as hinted at through my conversational tweets attached to the bottom of this review) and having had the joyful blessing of being able to follow her career whilst I’ve been a book blogger – all of this aside, I’ve been a girl whose appreciated Broadway and Musicals since I was old enough to listen to original soundtracks on cassette tape. I used to go to sleep with a tape of Annie – not the stage play version but the original motion picture soundtrack. From there, I graduated into more familiar Musicals – including listening to the Michael Crawford soundtrack for Phantom until it etched itself into my blood.
I continued to follow Phantom – from watching the PBS broadcast of the anniversary production from London to celebrating the motion picture adaptation starring Emmy Rossum. Whilst I was writing my ruminative thoughts on behalf of this novel, I was playing the motion picture soundtrack channel for Phantom via Pandora Radio which showcased all versions of the play and musical.
I am also an appreciator of Gothic Literature – something I haven’t actively pursued on my blog – except in short spurts and showcases – however, in the back of my wanderings is a keen interest to resume my Gothic readings, as I’ve had my eye on Kate Morton for several years now. She’s only one of the authors whose winked out a recognition of the kind of Gothic vein of interest which whets a healthy appetite to explore. Closer to finishing is my reading of Jane Eyre which I always held in high esteem – mostly stemming out of a love of the author’s vision for Eyre and what I found in a film adaptation I felt owned to the strength of who Eyre was and is for all of us to know through this beautiful novel.
The music of Phantom – irregardless of which incantation of performance and artistic vision are the songs which lift my soul. The sound of Phantom is individually distinctive and the story within it’s heart is one of gutting emotions surrounding the suspense of what is truly happening to Christine and of what motivates the Phantom himself to pursue her to such an extent of invested interest. It is also part cautionary tale about obsession and misguided love.
Knowing this story was in the hands, heart and mind of Ms Webb was enough to convince me I needed to read this evocative re-telling. She’s one author I appreciate reading due to her tenacious approach to drawing forward the strong female leads I personally find myself engaging with as I read their stories. I have a newfound interest in Feminist Historical Fiction and of finding the voices out of History who are celebrating #HerStory. You’ll find many writers who write these kinds of stories peppered throughout my archives and featured within my Story Vault. It is a pleasurable joy each time I get the chance to read a story which evokes such a strong reaction and provides me with hours of cherished happiness for having found the characters and the world in which they live.
In this re-imagining of Phantom of the Opera, meet a Christine Daaé you’ve never seen before…
Christine Daaé sings with her violinist Papa in salons all over Paris, but she longs to practice her favorite pastime—illusions. When her beloved Papa dies during a conjurer’s show, she abandons her magic and surrenders to grief and guilt. Life as a female illusionist seems too dangerous, and she must honor her father’s memory.
Concerned for her welfare, family friend Professor Delacroix secures an audition for her at the Nouvel Opéra—the most illustrious stage in Europe. Yet Christine soon discovers the darker side of Paris opera. Rumors of murder float through the halls, and she is quickly trapped between a scheming diva and a mysterious phantom. The Angel of Music.
But is the Angel truly a spirit, or a man obsessed, stalking Christine for mysterious reasons tangled in her past?
As Christine’s fears mount, she returns to her magical arts with the encouragement of her childhood friend, Raoul. Newfound hope and romance abounds…until one fateful night at the masquerade ball. Those she cares for—Delacroix, the Angel, and even Raoul—aren’t as they seem. Now she must decide whom she trusts and which is her rightful path: singer or illusionist.
To succeed, she will risk her life in the grandest illusion of all.
as well as #ThePhantomsApprentice w/ #PhantomOfTheOpera
About Heather Webb
HEATHER WEBB is the author of historical novels Becoming Josephine and Rodin’s Lover, and the anthology Fall of Poppies, which have been featured in the New York Times, Wall Street Journal, Cosmopolitan, Elle, France Magazine, and more, as well as received national starred reviews.
RODIN’S LOVER was a Goodreads Top Pick in 2015. Last Christmas in Paris, an epistolary love story set during WWI released October 3, 2017, and The Phantom’s Apprentice, a re-imagining of the Gothic classic Phantom of the Opera from Christine Daae’s point of view releases February 6, 2018. To date, her novels have sold in ten countries. Heather is also a professional freelance editor, foodie, and travel fiend.
I wanted to create a bit of a niche on Jorie Loves A Story to showcase romance fiction steeped in relationships, courtships, and the breadth of marriage enveloped by characters written honestly whose lives not only endear you to them but they nestle into your heart as their story is being read!
I am always seeking relationship-based romance which strikes a chord within my mind’s eye as well as my heart! I’m a romantic optimist, and I love curling into a romance where I can be swept inside the past, as history becomes lit alive in the fullness of the narrative and I can wander amongst the supporting cast observing the principal characters fall in love and sort out if they are a proper match for each other!
I love how an Indie Publisher like ChocLitUK is such a positive alternative for those of us who do not identify ourselves as girls and women who read ‘chick-lit’. I appreciate the stories which alight in my hands from ChocLit as much as I appreciate the inspirational romances I gravitate towards because there is a certain level of depth to both outlets in romance which encourage my spirits and gives me a beautiful story to absorb! Whilst sorting out how promote my book reviews on behalf of ChocLit, I coined the phrase “ChocLitSaturdays”, which is a nod to the fact my ChocLit reviews & features debut on ‘a Saturday’ but further to the point that on the ‘weekend’ we want to dip into a world wholly ideal and romantic during our hours off from the work week!
Acquired Book By: I am a regular reviewer for ChocLitUK, where I hand select which books in either their backlist and/or current releases I would like to read next for my #ChocLitSaturdays blog feature. As of June 2016, I became a member of the ChocLit Stars Team in tandem with being on the Cover Reveal Team which I joined in May 2016. I reference the Stars as this is a lovely new reader contribution team of sending feedback to the publisher ahead of new book releases. As always, even if I’m involved with a publisher in this sort of fashion, each review is never influenced by that participation and will always be my honest impression as I read the story. Whether the author is one I have previously read or never had the pleasure to read until the book greets my shelf.
I received a complimentary copy of “Where Dragonflies Hover” from ChocLit in exchange for an honest review! I did not receive compensation for my opinions or thoughts shared herein.
Why I wanted to read this lovely new release:
When this title was initially released (Digital First), I do remember I was charmed by it’s premise – to find an older estate and an diary of a life lived during WWI through the eyes of the nurse who has such a strong connection to the same house? It felt like it had a lot of the components and elements I enjoy finding in this particular niche of #HistFic which brokers into #timeslip or even #timeshift – where you are moving between more than one time in the narrative whilst having the full pleasure of being anchoured equally into the shoes of the characters who are pulling you in and out of their time-line! These are gems because we can re-walk through History, from a unique perspective whilst finding there is a plausible curiosity about having a portal such as a journal or diary carting us back into a specific time and place where a particular story or ‘truth’ hidden from sight needs to be unearthed, understood and brought forward into the light where it can reside without a shroud.
In regards to nursing fiction, I started finding Midwife stories I liked in Amish Fiction, short story or novella INSPY collections or stand-alone releases as well as a few selections in Historical Fiction across theme or sub-genre. One in particular was the discovery of the Bess Crawford Mysteries (see also Review) wherein I found a delightful new heroine! This series is one I want to re-address when time allows me – as I would LOVE to be able to re-read it straight from the beginning through to the latest installment! Secondly, sometimes you find nurses are strong characters within an established series, such as ChocLit’s #ChartonMinster series wherein I truly felt hugged close into Rose’s situation during the war sequences within the chapters of The Silver Locket (see also Review).
Having said this, there are moments where I feel Nursing Fiction can walk the fine line between being realistic and being a bit over the edge of where I can handle Medical Fiction. I never know until I get into the throes of a story where the line will be walked but I had caught a reader’s takeaway about Where Dragonflies Hover ahead of reading it myself, which made me wonder – oh, dear my! I think I might be in for a few scenes or sequences which could top my bookish sensitivities!
Notation on Cover Art Design: When you really pull this image into a larger context of viewing, you can see how the timeines are equally spilt between the war era and the Contemporary find of the estate! I love how each is a slice of the story but also, how each half of the timeline visited int he story is pivotal to the understanding of the story as a whole!
Sometimes a glimpse into the past can help make sense of the future…
Everyone thinks Lexi is crazy when she falls in love with Hollingsworth House – a crumbling old Georgian mansion in Yorkshire – and nobody more so than her husband, Dylan. But there’s something very special about the place, and Lexi can sense it.
Whilst exploring the grounds she stumbles across an old diary and, within its pages, she meets Allie – an Australian nurse working in France during the First World War.
Lexi finally realises her dream of buying Hollingsworth but her obsession with the house leaves her marriage in tatters. In the lonely nights that follow, Allie’s diary becomes Lexi’s companion, comforting her in moments of darkness and pain. And as Lexi reads, the nurse’s scandalous connection to the house is revealed…
Converse via: #ChocLit & #HistFic + #TimeSlip OR #WhereDragonfliesHover
About AnneMarie Brear
AnneMarie has been a life-long reader and started writing in 1997 when her children were small. She has a love of history, of grand old English houses and a fascination of what might have happened beyond their walls. Her interests include reading, genealogy, watching movies, spending time with family and eating chocolate – not always in that order!
AnneMarie grew up in Australia but now lives in the UK.