Category: Gothic Literature

Audiobook Series Spotlight and Mini-Review | “Cradle to Grave” (Book Eight: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 6 November, 2019 by jorielov , , , , 0 Comments

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Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground”, “Bridge to Burn” and “Cradle to Grave” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. Eventually as I want to have a full set of all the Kay Hunter installments – I will be purchasing the ones I am missing from Audible to house them all in one place unless I find them available on mp3 CD – until then, I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Cradle to Grave” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Bridge to Burn” and why I was itching for the next novel:

As soon as Kay walked onto the crime scene, I felt like it was old home week again – being treated to seeing another view of her life and to catch-up with the friends I’ve found along the way of peering into her world. In classic Kay Hunter fashion, she quite assessed what was happening with the investigation – whilst her team was close at hand, doing their bit and at the ready to give her the details of what they’d come to understand in the initial analysis of the scene. There were a few changes in their designations – as Kay herself was recently promoted but it was the announcement that Barnes had followed her suit of promoting himself which was quite the lovely news. I still remember how anguished he was over making that choice and why he was hesitating to do it. Seems like between then and now, he’s resolved that this would not only be a good choice for himself but it would allow the close cohesiveness of the team to remain intact. On that level, I was relieved as sometimes if you upset the apple cart, you simply can’t re-establish what you’ve lost.

Harriet never fails to make me smile – then again, I have a soft spot for Medical Examiners and Crime Scene Investigators as that is what originally drew me into NCIS (x3) outside of the fact I simply find Mark Harmon charmingly engaging! She has such a keen sense of self about her and she knows how to keep the scene at hand serious but with a calming bit of levity as well – something I love to see as their lives are stressful enough without having to find some way of alleviating the difficult things they’re having to witness.

Amphlett never fails to knit her continuity tightly anchoured to the previous installments – it is one of the wicked best reasons why I love listening to to this series, as she honestly never lets you forget the moments in her characters’ lives which are intimately important to remember. Herein, when she was having Kay reminisce about her miscarriage you felt immediately drawn back to the installments which discussed this and how it was such an upheaval for Kay and Adam. Of how they drew closer together, how they tried not to let their family try their patience and how putting the pieces together to move forward was one small step at a time. Still, like any tragic loss – her grief lingers, even years on as there are small reminders everywhere about how others can enjoy the blessings of motherhood whilst she cannot. It was a simple inclusion right in the midst of the workday but it was important because it owned the truth of who Kay Hunter is and of how intricately connected this series becomes to her sense of self, her psychological state of mind and how she emotionally processes her job.

It wasn’t until lateron when Adam was brought into scene where we pulled back the layers of Kay’s healing and recovery (as it wasn’t simply a miscarriage which affected her heart, soul and mind) – where we peer into how hard it has been for her to continue to transition beyond what afflicted their lives. They were both emotionally distraught not just to the loss of a child but due to everything during that period of time which not only frayed their nerves but nearly overtook their ability to survive. Adam and Kay have a very strong marriage but even a strong marriage can have a breaking point – Amphlett has never shied away from honing in on the honesty of their marriage and for showing the realistic ways in which a couple comes back from the loss of their child.

If this is the first installment someone wanted to listen to they would be dearly impressed because it held within it a recapture of all the key moments and timeline of the series thus far along. They would find out within one installment why I’ve become so dearly attached to this cast and the drama behind their lives inasmuch as how much they support one another like all families do who work together. I am fond of the ‘family’ knitted together like this – where its a found family story and it speaks to why all the crime dramas I watch on television are of the same kinship of closeness.

What I loved about this installment were the interactions between Kay, Barnes, Sharpe, Gaven and the rest of the team – they keep drawing closer together, re-forming the bonds they share as a ‘found family’ and prove that despite the high risks associated with their job, they truly care about one another. There are lovely details towards exploring this bond they have – such as the pizza party, the breakfast food runs and the ways in which they look out for Kay, understanding her emotional traumas and how as a family unit they never leave anyone behind.

Bridge to Burn also focused more intuitively on Kay’s Mum, Dad and sister – there was a family emergency which took Adam and Kay outside their routines over a weekend to where they had to travel over six hours to reach the family. During this sequence, Amphlett re-highlights the strain Kay has with her mother, the closeness she shares with her sister and how her father gives her unconditional support. A lot of what was fracturing the relationship with Kay and her mother are explored more in-depth as well – a lot of which surprised me, as I never thought Kay’s Mum would be open to meditation but you find out why she came to that new stage of reconciliation as something pushed her towards that goal with Kay. They’re not entirely on solid footing – as they have a chasm as wide as the Grand Canyon between them but ooh! You don’t want to miss their exchanges of dialogue — listening to how Ms Campbell approached their scenes nearly makes you want to reach for the tissues!

-quoted from my review of Bridge to Burn

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Audiobook Series Spotlight and Mini-Review | “Cradle to Grave” (Book Eight: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellCradle to Grave
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a faceless body is found floating in the river on a summer's morning, Detective Kay Hunter and her team are tasked with finding out the man's identity and where he came from.

The investigation takes a sinister turn when an abandoned boat is found, covered in blood stains and containing a child's belongings. Under mounting pressure from a distraught family and an unforgiving media, the police are in a race against time - but they have no leads and no motive for the events that have taken place.

Will Kay be able to find a ruthless killer and a missing child before it's too late?

Places to find the book:

Add to LibraryThing

ISBN: 9781916098817

ASIN: B07YZ63BBV

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground, Bridge to Burn

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground, Bridge to Burn


Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Published by Saxon Publishing

on 15th October, 2019

Format: Audiobook | Digital

Length: 7 hours, 56 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven (see also Review)
Cradle to Grave | Book Eight

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Reading this book contributed to these challenges:

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Posted Wednesday, 6 November, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#SpooktasticReads | Year II of our spooktastically lovely mini-#WyrdAndWonder event for Autumn! This year, #JorieReads with a main concentration on #WitchyReads + Ghost Stories!

Posted Friday, 18 October, 2019 by jorielov , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 1 Comment

#SpooktasticReads banner created by Lisa (@deargeekplace) Photo Credit: Kenai Fjords National Park, United States, by Daniel H. Tong on Unsplash (Creative Commons Zero) Used with permission.
#SpooktasticReads banner created by Lisa (@deargeekplace) Photo Credit: Kenai Fjords National Park, United States, by Daniel H. Tong on Unsplash (Creative Commons Zero) Used with permission.

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Welcome, Welcome to #SpooktasticReads Year II

 

Happily visit my lovely co-hosts:

Lisa @ Dear Geek Place

+ Imyril @ There’s Always Room for One More

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In Autumn [2017], you might remember I conceived of this idea to re-start my readings into the spooktacular worlds of chilling Thrillers, Suspense, Mysteries and the Paranormal (with just a dash of love for Cosy Horror!) – wherein I conceived of spending a fortnight reading such lovelies and enjoying a personal readathon leading into Halloween! I fell a bit short of my goals in [2017], though I took it as a success – as not only did I read some rather spookified tales but I found myself wholly intrigued by the stories I was selecting to read!

Last year [2018], I helped name our first mini-event for #WyrdAndWonder – wherein I was hoping to let this small idea I had in [2017] take flight, reach a bigger audience and find readers who might find their own definition of #SpooktasticReads befitting their own readerly life!

Some of the stories of course play the theme up quite a bit for the spookier side of the genres, some of which may or may not directly (or indirectly) relate to Fantasy per se but this is one of those readathons which is open to both interpretation and the joy of having free reign to enjoy the readathon in a way each reader wants to approach it!

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A Spooktastic reading binge for Psychological Suspense & Gothic Tales!

Autumn for me is a time in the year where I simply like to read a curated collection of stories which fall under different categories of mutual interest: Mystery, Suspense, Thriller, Gothic or Paranormally inclined and Cosy Horror.

This year [2019] as I co-host my own mini-event celebrating the 13 days leading into Halloween with #SpooktasticReads – I am going to be focusing on two equally dynamic concentrations: #WitchyReads & Ghost Stories! I noticed I have quite a gathering of both – they both parlay into the heart of #SpooktasticReads but also, the fact that when it comes to #SpookyReads in general – these are the two concentrations I have the tendency of seeking out the most! I have the added benefit and joy of being able to focus on narrators I love listening too whilst knocking off a few of my backlogue reviews!

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If other book bloggers or readers want to join us, please link to your blog, Twitter, LibraryThing List or other ‘space’ online where you are updating about what your reading – such as Instagram or Vlog (YouTube) in the Comments section below!

Use the tag: #SpooktasticReads & link back to this post – as I will happily be sharing what your doing for this lovely #WyrdAndWonder mini-event! Plus, I love hearing what others are reading in case something they discover would be a good fit for me as well!

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Posted Friday, 18 October, 2019 by jorielov in Bookish Discussions, Cosy Historical Mystery, Crime Fiction, Ghosts & the Supernatural, Gothic Literature, Historical Fiction, Historical Thriller Suspense, Parapsychological Gifts, Supernatural Fiction, Suspense

Author Interview | Discussing MacBeth and the way this tale was re-spun through the vision DK Marley had for “A Fire in Winter”

Posted Friday, 16 August, 2019 by jorielov , , , , , 0 Comments

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Hallo, Hallo dear hearts!

I have an exciting interview to share with you today, as the author and I myself are both passionately dedicated to reading Shakespeare! I have appreciated the Bard since I was quite young though it wasn’t until a freshman in high school where I started taking more of an earnest interest in discerning what I was interpreting out of his stories; thus taking on a new role in my life as a Shakespearean reader. From that year til this one, I’ve been dancing through the plays in different formats of exploration – from the plays themselves, of course, but also through adaptations in film, after canon novels and the re-tellings which are re-shaping how we think, feel and understand the original canon of Shakespeare.

What truly implored me towards reading “The Fire of Winter” is wanting to re-step through a lens of insight into both MacBeth and the origin story surrounding Lady MacBeth. It was a play that has been a curiosity for me since I was sixteen and I felt Marley just might be the author who would give me a version of this story which would resolve some of my own questions and curiosities therein whilst giving me a heap of fodder to chew over as a book blogger. I was not wrong on all counts.

This interview is a follow-up to the review I’ve previously disclosed – wherein, you’ll notice through my observations and my readerly takeaways why the writings Marley is giving us are not just wicked good fiction but they are accountable and authentic towards a better understanding of why Shakespeare wrote his stories. She pulls you back into the context of his vision but also, re-represents that vision in a way that you can re-visit the themes, the characters and the settings in a wholly original examinations of those founding stories. For me, it was a way of re-stepping into a door of literature I have loved and finding a refreshing new spin on what I remembered having read.

If you want to settle your reader into the heart of the scene rather immediately after she opens your novel, I think when it comes to opening paragraphs DK Marley takes the ultimate star award for dramatic entrances! Not only do you gather the emotional rooting of this scene – partially built against the purity of rage and anger; as clearly the woman whose allowing men to die by flame and fire isn’t concerned with their dangerous demise but rather, the freedom (or so it appears) their death shall yield to her as a result of their premature deaths. This doesn’t outright surprise me because raids, unexpected coups and power re-alignments were quite common during this particular century as those who wished for power didn’t go about it diplomatically; rather, they plundered it off the lands of others, stole it outright or found ways to circumvent the ethical divides between the ruling class and pirating your destiny out of a world rife with war.

Gruah is a woman caught in a circumstance not of her own choosing – if you follow that thread you’d find she was ready to embrace a life with a man she desired to be with rather than one she was forced to remain enchained. The interesting bit here though is how Marley handles the scene as she doesn’t let us see the remorse of her character (not that I felt she had any to yield) nor does she give her time to apologise for her impulsive actions (again, I didn’t feel that was plausible!) – no, instead, she presents her just as she were – her faults surfacing with malice whilst carrying a gleaming glow of self-satisfaction. This was a woman who knew what she wanted, how she would achieve it and dare anyone to tell her differently. She leaves her mark and her mark is by fire and sword.

As Gruah grows in her hatred towards her newly wed husband forced on her by her father – an exchange of alliance and power; nothing more – she begins to emerge as Lady MacBeth. The woman who would turn her heart to stone if it meant finding her own internal power to eradicate the ills done against her – as you find her plotting her revenges even as she takes her first steps into her new marriage. Of course, she is already “MacBeth” in both honour and declared love; married to Lord MacBeth in secret and yet, secreted from that truth due to the alignment of strife to overtake her father’s and the King’s wishes on her behalf. I was curious about what changed the woman’s right to choose her own spouse – as it was mentioned briefly that they used to be able to make those choices outside the purview of the men; where their own destiny was once their own and not owned by others who did as they willed whether or not it was consented or accepted. In that regard, there are a lot of contemporary issues for women’s rights penetrating through MacBeth’s struggle to find the right action to fuse with her words; as her wrath was always spoken but its the actions she needs to take which take longer to formulate.

Marley has written an historical novel rife with conflict and the secrets which never stay in the past but which re-rise in the future when they are meant to be known. Her Lady MacBeth is a woman who is attempting to right the wrongs against her by taking action as an adult when she couldn’t act as a child. It is a story of redemption but also, of self-sacrifice as in this version of MacBeth you understand better what anchoured her to the darker roots of her faith and how the Earthen Spirituality she shared with her Mum was the only grounding foundation she had to battle against the horrors of her youth.

Marley also broaches the current topics of women’s rights, domestic violence against women and the suffering hours of being victims of sexual violence as children. She moves instinctively through the actions of the present and counters it with the recollected memories of the past to where you can overlay the past with the present and understand how everyone is on this collision course to where fate, life and death are interchanging their roles. It is a story that is fuelled by revenge but it is also a story of injustice and the purity of true love which seeks to rise through the ashes and lay claim to the purity of how love when it is freely given is a freedom of its own.

It is a hard novel to read in many regards because of how it descends and rises through the pacing of the play – including the fall of madness in Lord MacBeth. There is violence yes, as these are not people who opt for diplomacy to solve their problems, they’d rather take to the sword and see who is the better of combatants than to use talk to diffuse their differences. There are scenes which are hard to read just due to what they involve but at the heart of the novel is the life of MacBeth; both the husband and the wife. You get to re-examine what motivated them, what sparked the love between them and what ultimately drove them apart – you see those moments they shared together and how they perceived of their future by secret plotting.

The most powerful part of the story is the conclusion – where Lady MacBeth has a final say about what is meant to be remembered about herself. In that confession, you peer close to her soul and her heart; you see into her the truthfulness of her actions and the ways in which she felt she had to act in order to secure her own destiny. The difficulties of those choices however had consequences that do not wait to rest on a mind hardened by the actions of a woman who was aflame with murderous intentions to accomplish the deeds she first felt would define her and secure her future. You had to contemplate if she had the option to re-live it, what would she choose and what would she change; if anything? Or was it all pre-destined and her life lived out just as it was meant?

-quoted from my review of The Fire of Winter

As you embark on reading this conversation, be sure to have brewed your favourite cuppa and get ready to get your Shakespeare on as we discuss the components of this re-telling of MacBeth whilst also discussing why Marley has a firm passion for re-visiting other plays and how she is re-envisioning the canon of Shakespeare as a whole! I hope you enjoy where our convo led us and perhaps, you’ll find a renewal of interest in these stories as much as I have myself!

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Author Interview | Discussing MacBeth and the way this tale was re-spun through the vision DK Marley had for “A Fire in Winter”The Fire of Winter (Interview)
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours

She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?

Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.

Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?

The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.

“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)

Places to find the book:

Add to LibraryThing

ISBN: 978-1724914965

Also by this author: The Fire of Winter

Genres: After Canons, Classical Literature, Historical Fiction, Historical-Fantasy, Re-telling &/or Sequel


Published by White Rabbit Publishing

on 1st June, 2019

Pages: 355

Published by: White Rabbit Publishing

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth

Available Formats: Hardcover, Trade paperback, Audiobook and Ebook

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As “The Fire of Winter” goes into the heart of who Lord and Lady MacBeth were as their lives were being lived – what was your inspiration towards wanting to use the play and their story as a catalyst to explore the fuller background of this century through the drama of what their lives became?

Marley responds: I am a true Shakespeare-lover! Since the time I was eleven and my grandmother gave me her college textbook “The Complete Works of Shakespeare”, I was hooked. I am currently attempting to adapt all the plays into historical fiction novels, so Macbeth was the second on my list. My first adaptation is “Prince of Sorrows” which is Hamlet set in 9th-century Denmark. Read More

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Posted Friday, 16 August, 2019 by jorielov in 11th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Biographical Fiction & Non-Fiction, Blog Tour Host & Reviewer, Book for University Study, Bookish Discussions, Britian, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Men's Fiction, Military Fiction, Re-Told Tales, Realistic Fiction, Self-Published Author, Spin-Off Authors, Spirituality & Metaphysics, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment

#SaturdaysAreBookish Book Review | “The Fire of Winter” by D.K. Marley a unique spin re-delving into the canon of “MacBeth”!

Posted Saturday, 10 August, 2019 by jorielov , , , , , 0 Comments

#SaturdaysAreBookish created by Jorie in Canva.

After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.

#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!

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Acquired Book By:

I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.

It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.

I received a complimentary of “The Fire of Winter” direct from the author D.K. Marley, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On why this story appealled to me & how I arrived inside the chapters:

I have a short history involving MacBeth – as it was the play of choice for seniors who took a year to study Shakespeare whilst I was in high school whilst it was also the subject of an after canon re-telling audiobook I previously reviewed. I didn’t get to study the Bard in school but I did get to help the seniors pass their exams as a sophomore who only read one full page layout of the play and intuited enough from that layout to take them through their exams. The conversation that led afterwards with their teacher is one of my fondest memories as she couldn’t quite sort out how they all came to the same conclusions and yet didn’t have an entry point in their defended statements of how they arrived at those answers. Smiles. Sometimes school can surprise you and beat the droll-drums.

Similarly, to my readings of “Sign of the White Foal” – I had plans to do a sequencing of reading ahead of diving into “The Fire of Winter”: I had planned to read two Non-Fiction releases – Wisdom of the Middle Ages & Wisdom of the Renaissance – whilst I wanted to dig back into “The Lost Queen” as well – to have this lovely immersion experience in cross-relating stories and subjects of interest. *However!* – instead my week was wrecked by plumbers, a migraine & more life woes than a girl can shake a stick at in apt frustration! Be as it were – I had to reschedule my review & the interview I am hosting with this author in order to give myself a bit of time to rest & cover the energies I needed to properly read the novel.

When you haven’t a way of reaching your books & your blog, you just have to hope and pray the hours you have after the chaos recedes allows you enough serenity to ‘catch up’ and find the blissitude you had before the chaos overtook your readerly hours! At least, this is how I re-directed my heart and mind as I read “The Fire of Winter” in the early morning hours of Saturday as a chase-up to posting my review before lunch was ready to serve.

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#SaturdaysAreBookish Book Review | “The Fire of Winter” by D.K. Marley a unique spin re-delving into the canon of “MacBeth”!The Fire of Winter
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours

She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?

Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.

Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?

The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.

“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)

Places to find the book:

Add to LibraryThing

ISBN: 978-1724914965

Also by this author: The Fire of Winter (Interview)

Genres: After Canons, Classical Literature, Historical Fiction, Historical-Fantasy, Re-telling &/or Sequel


Published by White Rabbit Publishing

on 1st June, 2019

Format: POD | Print On Demand Paperback

Pages: 355

Published by: White Rabbit Publishing

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth

Available Formats: Hardcover, Trade paperback, Audiobook and Ebook

About D.K. Marley

DK Marley

D. K. Marley is a historical fiction writer specializing in Shakespearean themes. Her grandmother, an English Literature teacher, gave her a volume of Shakespeare’s plays when she was eleven, inspiring DK to delve further into the rich Elizabethan language.

Eleven years ago she began the research leading to the publication of her first novel “Blood and Ink,” an epic tale of lost dreams, spurned love, jealousy and deception in Tudor England as the two men, William Shakespeare and Kit Marlowe, fight for one name and the famous works now known as the Shakespeare Folio.

She is an avid Shakespearean / Marlowan, a member of the Marlowe Society, the Shakespeare Fellowship and a signer of the Declaration of Intent for the Shakespeare Authorship Debate. She has traveled to England three times for intensive research and debate workshops and is a graduate of the intense training workshop “The Writer’s Retreat Workshop” founded by Gary Provost and hosted by Jason Sitzes. She lives in Georgia with her husband and a Scottish Terriers named Maggie and Buster.

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Posted Saturday, 10 August, 2019 by jorielov in #SaturdaysAreBookish, 11th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Biographical Fiction & Non-Fiction, Blog Tour Host & Reviewer, Book for University Study, Bookish Discussions, Britian, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jorie Loves A Story Features, Literature for Boys, Men's Fiction, Military Fiction, Re-Told Tales, Realistic Fiction, Self-Published Author, Spin-Off Authors, Spirituality & Metaphysics, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment