Category: Self-Published Author

#SpooktasticReads Audiobook Review | “A Nest of Vipers” (Ruritanian Rogues series, No.2) by Richard Storry, narrated by Jake Urry [an audiobook I began during #FraterfestRAT]

Posted Thursday, 24 October, 2019 by jorielov , , , , 1 Comment

#SpooktasticReads Book Review badge created by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions.

By hosting for Audiobookworm Promotions, I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks in particular). Meanwhile, I am also curating my own wanderings in audio via my local library via Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I began to expand the percentage of how many audios I listen to per year starting in 2018.

Through hosting with Audiobookworm Promotions, I crossed paths with Mr Urry, as my first audiobook review was for “The Cryptic Lines” – a story I listened to at least four times, as I was simply captivated by both the story and the narrator! This was back in [2016] and in this small frame of time, Mr Urry has remained my favourite narrator of Suspense – although my short-list now includes Moira Quirk (of Anna Blanc series) and Alison Campbell (of Kay Hunter series) – as well as the other lovely narrators I mentioned in this tweet s/o of narrator appreciation!

In early 2018, Mr Urry approached me about considering his titles for review – I was able to select which titles interested me, even though I think he knew I was keen on hearing the next installment of this particular series (Ruritanian Rogues) as I enjoyed the first story and was interested in seeing what the next chapter would reveal. In regards to my second choice, I wanted to try a different kind of Suspense story which was slightly unique in concept and plot direction which is why I selected “The Tesla Gate”. This marks my first review working directly with Mr Urry – as I have three planned to be featured during #SpooktasticReads Year II with a fourth following suit in early November.

I received a complimentary audiobook copy of “A Nest of Vipers” from the narrator Jake Urry in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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What I loved about ‘A Looming of Vultures’:

aside from my obvious appreciation of: Storry & Urry!

It surprises me not, this story begins with a dash of prose – of poetic insinuation to set the tone of the story yet to be told. Storry has a curiously instinctive way of placing you exactly where you need to be at the beginning of his stories – of enveloping you in the ominously unknown setting you’ve not yet had a proper glimpse of but one you can feel is lurking there – slightly shadowed and held back from your direct observation; lingering a bit to give you a fuller breadth of why this story needs to be one you must hear. He builds the curiosity by slowly shifting your perspective into his world-view – combined with the gentle nudging by Urry, to guide you within these realms, whose voice is as alluring and addictive as your favourite actor whose transformation confirms the role he’s taken on – the stage is magnificently set for your immersion.

There is a metaphoric overlay about vultures – of their creature specific personalities and how they appear in the sky, as their flights are of particular choosing – where only their motivations for going where they go is not as well known to those who observe them. They seek their own way, of choosing to visit certain places for specific reasons – whether to eat what was left behind for them to consume (as they were scavengers; part of the team of the nature’s world band of undertakers) or whether their presence was needed for something else entirely. They had keen minds, nothing escaped their attention, where their olfactory senses were intensively attuned to their environment.

With reasons to avoid human encampments – it was curious to find one such creature was more daringly moving in circles of closeness to where the humans were already gathered. His patience was part of his fortitude, his mannerisms held their own truths but his eyes drank in everything moving in front of him; to be dissected for what it would yield for his own means of enjoyment.

There are a lot of layers to this story – as you peer into each of them, you start to see things differently than what you first hear the first time round. However, having said this – one of the joys is observing the thief – the gull this person has at keeping their promises to carry out their plans, but also, how passionate they are in being able to carry off whatever they deem is worthy of their time. One of my favourite scenes was actually a moment where the thief was nearly found out – because it showed the other side of thieving – of how close one can become to being caught! Mind you, this person is so blinded by their pursuit of what they want – they can’t process any other observation on their actions!

I truly loved how Storry makes this an immersive experience for the reader – you get to feel guided a bit by how he’s setting everything up to be followed in direct pursuit of his characters, but there are moments where even the characters themselves are not as certain about where they are going – as they have to move through their setting as if visiting it for the first time, to navigate themselves out of it. There is a particular moment where you felt most intrigued for how little elements are knitted into the background each step of the way, as there are remnants of the historical era of this story here and there; little touches of grounding you in a time-line which makes sense for the general awareness of ‘when’ we’ve been transported.

And, in regards to Mr Urry’s narration:

This is dearly theatrical because you get caught up in the height of how each character is presented – they are so very well attuned to their distinct personalities, you can listen to how they are dimensionally being portrayed. In this kind of performance it is easier to alight inside the narrative because you can see each of the characters in turn, their voices altering between each other and this never sounds like a novel being voiced by one narrator. The joyful bit is unravelling the plot through what your listening too – as Mr Urry gives such depth to everyone he’s portraying as it automatically thickens the plot because your feeling your way through the story the same way you do as your reading a book in print. This is why I love listening to how he narrates his stories!

-quoted from my review of A Looming of Vultures

I still lament: I’m addictive to listening to Urry’s voice and I am musefully happy to see what Mr Storry is going to write next because his stories are a brilliant match to Urry’s narration.

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#SpooktasticReads Audiobook Review | “A Nest of Vipers” (Ruritanian Rogues series, No.2) by Richard Storry, narrated by Jake Urry [an audiobook I began during #FraterfestRAT]A Nest of Vipers
Subtitle: Ruritanian Rogues, Volume Two
by Richard Storry
Source: Direct from narrator
Narrator: Jake Urry

A string of unexplained, gruesome deaths brings fear and uncertainty to the streets of Ruritania’s capital.

And it could not have happened at a worse time. The planned visit by the Vice Chancellor of Jermania to commence peace talks is thrown into jeopardy. Will all the preparation for the negotiations come to nothing? Will the brutal war between the two nations escalate once again?

Meanwhile, the spate of thefts from wealthy homes continues. Who is responsible? And how can they be stopped?

And who is the mysterious figure who continually gains illegal access to the city apothecary?

With many conflicting and intertwining agendas, this proud and noble city faces the very real danger of becoming a nest of vipers.

Places to find the book:

Add to LibraryThing

ASIN: B078WXYG4G

Also by this author: The Cryptic Lines, A Looming of Vultures

Also in this series: A Looming of Vultures


Genres: Crime Fiction, Historical Fiction, Historical Thriller Suspense, Suspense


Published by Self Published Author

Format: Audiobook | Digital

Length: 5 hours 5 minutes (unabridged)

Published By: Cryptic Publications

Ruritanian Rogues series:

A Looming of Vultures by Richard Storry (audiobook)A Nest of Vipers by Richard Storry (audiobook version)A Shroud of Darkness by Richard Storry, narrated by Jake Urry (audiobook)

A Looming of Vultures | Book One
(see also Review)

A Nest of Vipers | Book Two

A Shroud of Darkness | Book Three

A Betrayal Of Trust | Book Four

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Reading this book contributed to these challenges:

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Posted Thursday, 24 October, 2019 by jorielov in #JorieLovesIndies, Audiobook, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Cosy Historical Mystery, Crime Fiction, Historical Fiction, Historical Mystery, Historical Thriller Suspense, Indie Author, Self-Published Author

#Mythothon Author Interview | How Shakespeare and Camelot merge together in the duology [ Merlin’s Shakespeare ] by Carol Anne Douglas

Posted Thursday, 5 September, 2019 by jorielov , , , , 0 Comments

Conversations with the Bookish badge created by Jorie in Canva

Good morning, dear hearts!

September marks my second year participating in #Mythothon – wherein, a group of us who are book bloggers, bookish tweeters and readers love to gather together to celebrate the mutual love & affection we have in discovering the Mythologically Fantastical about the artfulness of re-tellings and after canons as they parlay through origins in Mythology and/or Mythological Myths which can be from a wide net of origins.

When I signed on for this blog tour, I thought it would be interesting to host an author whose merged together two of my personal favourite canons which is Shakespeare and Camelot. Of the two, over the past several years, I’ve read the most extensively through Camelot and I will be re-visiting it again this September, as part of my #Mythothon readings this year is a Non-Fiction account of Guinevere’s life called “The Once and Future Queen”. A bit lateron today, I’ll be revealling what I am reading for Mythothon Year 2 and I look forward to seeing what everyone else has selected to entreat into this lovely new niche of interest we are celebrating!

Ahead of the conversation, I have with Ms Douglas is an extract from the first story in the duology for Merlin’s Shakespeare. The author revealled in our conversation that this is a duology at this point in time rather than a continuing series where there are more installments. I hope you’ll enjoy this introduction to the first novel and gleam a bit more insight into how it was written as you read the responses by the author herself in our conversation.

Extract from ‘Merlin’s Shakespeare’ by Carol Anne Douglas

the first novel in the Merlin’s Shakespeare series; used with permission of the author

“If you are Merlin, why would you come to our school?” she asked.

“I have my reasons. Can you imagine that Merlin would explain himself to you? Or to anyone?” He frowned. “Can you prove that you are Beth Owens?” he asked scornfully.

“I have lots of papers that say so, and my teacher will agree that I am,” Beth said, though it was clear that he already knew the answer.

“But may I ask why you honor us with a visit?” Ms. Capulet’s voice was reverent. She gazed at him as if he were the combination of a movie star and a religious leader.

Apparently the teacher’s manner was humble enough to mollify Merlin. “I came to teach Beth how to channel her magic,” the wizard said. He turned to Beth. “You have magical powers, and you love Shakespeare. Th at is a combination I need. I could use you as a researcher on Shakespeare’s plays.”

If he needed something from her, Beth wasn’t going to be speechless. “Was Shakespeare really Shakespeare?” she asked. She had heard that some people believed he wasn’t the one who had written the plays.

“Did William Shakespeare really write all those plays?”

“Of course Shakespeare was Shakespeare.” Merlin looked at her as if she had said a pig was a chimpanzee.

“Some people say an actor couldn’t have known enough about kings or court life to have written the plays.”

“Of course he didn’t know enough. That was why I helped him,” Merlin said. “I saw that he had great ability as a poet, and I helped him travel to worlds where he would get the experience he needed. His plays are magic. He provided the art; I provided the magic.”

“Oh.” Beth paused to take in this information. A genius and a wizard working together. Th at made sense to her. “But how can you still be on this earth?” Merlin didn’t look like a ghost. “Are you dead or alive?”

“I am immortal,” Merlin said, looking down at her though he wasn’t much taller than Beth. “But I allow only a few people to see me.”

“Why do you think I could help you?” Beth asked.

Merlin rubbed his beard. Th ere was a gleam in his eye. “Not just because you have a talent for wizardry,” he said. “It is better to call you a wizard than a witch, I think. Safer for you.”

“Even today it is,” Ms. Capulet agreed. “Men who can do magic are seen as potentially great, but people too often think that women who can do the same thing are evil.”

“I have a task for you, Beth,” Merlin told her. He sat down on one of the auditorium seats near hers. “There is one great lack in Shakespeare’s writings. I helped him for a reason. I wanted him to write a play about King Arthur.” He paused.

“But there isn’t any Shakespeare play about King Arthur,” Beth said.

“There is not. Or there does not seem to be.” Merlin frowned. “I gave Will all he needed. Knowledge of kings, knowledge of battles. But he used bits and pieces in other plays, and never wrote the one I most desired. Or he did not appear to. There may be such a play, but it may be hidden.”

“A lost Shakespeare play!” Ms. Capulet gasped. “That would be incredibly valuable.”

“Beyond measure,” Merlin said, “especially to me. Not just any play, but the one that was to be his crowning glory.”

Beth wanted to giggle, because “crowning glory” in this instance sounded like a pun, but she refrained because Merlin intimidated her.

“If you, who are so powerful, can’t find it, why do you think I could? I’m just a teenager.”

“People might tell you things that they would not tell me,” Merlin said. “You have some magical powers—untried and unschooled, it is true—and you love Shakespeare and learn the lines quickly. You also have some talent for acting.”

“Thank you.” Beth felt proud. If she had impressed Merlin, she must be good. “But what people would know anything about this play, if it exists?”

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The Merlin’s Shakespeare duology:

Merlin's Shakespeare by Carol Anne DouglasThe Mercutio Problem by Carol Anne Douglas

Merlin’s Shakespeare | book one

Beth loves Shakespeare’s plays, but does she want risk her life for them?

The immortal wizard Merlin transports high school actor Beth Owens to Shakespeare’s London and the worlds of Shakespeare’s characters in search of a missing play about King Arthur. Mercutio guides her and flirts with her, but Richard III threatens her sanity, her friends’ lives, and the integrity of Shakespeare’s plays.

The Mercutio Problem | Book Two

High school actor Beth Owens faces a new challenge: She needs to bring a Shakespearean character she loves back from the dead. But she has to become a man and risk her life to do it. Richard III still menaces her.

Genres: Shakespeare | Camelot | Mythological Re-tellings / After Canons

Young Adult | Fantasy Adventure | Time Travel or Shift

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Posted Thursday, 5 September, 2019 by jorielov in Blog Tour Host & Reviewer, Fantasy Fiction, Indie Author, Literature for Boys, Lola's Blog Tours, Self-Published Author, YA Fantasy

Author Interview | Discussing MacBeth and the way this tale was re-spun through the vision DK Marley had for “A Fire in Winter”

Posted Friday, 16 August, 2019 by jorielov , , , , , 0 Comments

Conversations with the Bookish badge created by Jorie in Canva

Hallo, Hallo dear hearts!

I have an exciting interview to share with you today, as the author and I myself are both passionately dedicated to reading Shakespeare! I have appreciated the Bard since I was quite young though it wasn’t until a freshman in high school where I started taking more of an earnest interest in discerning what I was interpreting out of his stories; thus taking on a new role in my life as a Shakespearean reader. From that year til this one, I’ve been dancing through the plays in different formats of exploration – from the plays themselves, of course, but also through adaptations in film, after canon novels and the re-tellings which are re-shaping how we think, feel and understand the original canon of Shakespeare.

What truly implored me towards reading “The Fire of Winter” is wanting to re-step through a lens of insight into both MacBeth and the origin story surrounding Lady MacBeth. It was a play that has been a curiosity for me since I was sixteen and I felt Marley just might be the author who would give me a version of this story which would resolve some of my own questions and curiosities therein whilst giving me a heap of fodder to chew over as a book blogger. I was not wrong on all counts.

This interview is a follow-up to the review I’ve previously disclosed – wherein, you’ll notice through my observations and my readerly takeaways why the writings Marley is giving us are not just wicked good fiction but they are accountable and authentic towards a better understanding of why Shakespeare wrote his stories. She pulls you back into the context of his vision but also, re-represents that vision in a way that you can re-visit the themes, the characters and the settings in a wholly original examinations of those founding stories. For me, it was a way of re-stepping into a door of literature I have loved and finding a refreshing new spin on what I remembered having read.

If you want to settle your reader into the heart of the scene rather immediately after she opens your novel, I think when it comes to opening paragraphs DK Marley takes the ultimate star award for dramatic entrances! Not only do you gather the emotional rooting of this scene – partially built against the purity of rage and anger; as clearly the woman whose allowing men to die by flame and fire isn’t concerned with their dangerous demise but rather, the freedom (or so it appears) their death shall yield to her as a result of their premature deaths. This doesn’t outright surprise me because raids, unexpected coups and power re-alignments were quite common during this particular century as those who wished for power didn’t go about it diplomatically; rather, they plundered it off the lands of others, stole it outright or found ways to circumvent the ethical divides between the ruling class and pirating your destiny out of a world rife with war.

Gruah is a woman caught in a circumstance not of her own choosing – if you follow that thread you’d find she was ready to embrace a life with a man she desired to be with rather than one she was forced to remain enchained. The interesting bit here though is how Marley handles the scene as she doesn’t let us see the remorse of her character (not that I felt she had any to yield) nor does she give her time to apologise for her impulsive actions (again, I didn’t feel that was plausible!) – no, instead, she presents her just as she were – her faults surfacing with malice whilst carrying a gleaming glow of self-satisfaction. This was a woman who knew what she wanted, how she would achieve it and dare anyone to tell her differently. She leaves her mark and her mark is by fire and sword.

As Gruah grows in her hatred towards her newly wed husband forced on her by her father – an exchange of alliance and power; nothing more – she begins to emerge as Lady MacBeth. The woman who would turn her heart to stone if it meant finding her own internal power to eradicate the ills done against her – as you find her plotting her revenges even as she takes her first steps into her new marriage. Of course, she is already “MacBeth” in both honour and declared love; married to Lord MacBeth in secret and yet, secreted from that truth due to the alignment of strife to overtake her father’s and the King’s wishes on her behalf. I was curious about what changed the woman’s right to choose her own spouse – as it was mentioned briefly that they used to be able to make those choices outside the purview of the men; where their own destiny was once their own and not owned by others who did as they willed whether or not it was consented or accepted. In that regard, there are a lot of contemporary issues for women’s rights penetrating through MacBeth’s struggle to find the right action to fuse with her words; as her wrath was always spoken but its the actions she needs to take which take longer to formulate.

Marley has written an historical novel rife with conflict and the secrets which never stay in the past but which re-rise in the future when they are meant to be known. Her Lady MacBeth is a woman who is attempting to right the wrongs against her by taking action as an adult when she couldn’t act as a child. It is a story of redemption but also, of self-sacrifice as in this version of MacBeth you understand better what anchoured her to the darker roots of her faith and how the Earthen Spirituality she shared with her Mum was the only grounding foundation she had to battle against the horrors of her youth.

Marley also broaches the current topics of women’s rights, domestic violence against women and the suffering hours of being victims of sexual violence as children. She moves instinctively through the actions of the present and counters it with the recollected memories of the past to where you can overlay the past with the present and understand how everyone is on this collision course to where fate, life and death are interchanging their roles. It is a story that is fuelled by revenge but it is also a story of injustice and the purity of true love which seeks to rise through the ashes and lay claim to the purity of how love when it is freely given is a freedom of its own.

It is a hard novel to read in many regards because of how it descends and rises through the pacing of the play – including the fall of madness in Lord MacBeth. There is violence yes, as these are not people who opt for diplomacy to solve their problems, they’d rather take to the sword and see who is the better of combatants than to use talk to diffuse their differences. There are scenes which are hard to read just due to what they involve but at the heart of the novel is the life of MacBeth; both the husband and the wife. You get to re-examine what motivated them, what sparked the love between them and what ultimately drove them apart – you see those moments they shared together and how they perceived of their future by secret plotting.

The most powerful part of the story is the conclusion – where Lady MacBeth has a final say about what is meant to be remembered about herself. In that confession, you peer close to her soul and her heart; you see into her the truthfulness of her actions and the ways in which she felt she had to act in order to secure her own destiny. The difficulties of those choices however had consequences that do not wait to rest on a mind hardened by the actions of a woman who was aflame with murderous intentions to accomplish the deeds she first felt would define her and secure her future. You had to contemplate if she had the option to re-live it, what would she choose and what would she change; if anything? Or was it all pre-destined and her life lived out just as it was meant?

-quoted from my review of The Fire of Winter

As you embark on reading this conversation, be sure to have brewed your favourite cuppa and get ready to get your Shakespeare on as we discuss the components of this re-telling of MacBeth whilst also discussing why Marley has a firm passion for re-visiting other plays and how she is re-envisioning the canon of Shakespeare as a whole! I hope you enjoy where our convo led us and perhaps, you’ll find a renewal of interest in these stories as much as I have myself!

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Author Interview | Discussing MacBeth and the way this tale was re-spun through the vision DK Marley had for “A Fire in Winter”The Fire of Winter (Interview)
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours

She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?

Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.

Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?

The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.

“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)

Places to find the book:

Add to LibraryThing

ISBN: 978-1724914965

Also by this author: The Fire of Winter

Genres: After Canons, Classical Literature, Historical Fiction, Historical-Fantasy, Re-telling &/or Sequel


Published by White Rabbit Publishing

on 1st June, 2019

Pages: 355

Published by: White Rabbit Publishing

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth

Available Formats: Hardcover, Trade paperback, Audiobook and Ebook

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As “The Fire of Winter” goes into the heart of who Lord and Lady MacBeth were as their lives were being lived – what was your inspiration towards wanting to use the play and their story as a catalyst to explore the fuller background of this century through the drama of what their lives became?

Marley responds: I am a true Shakespeare-lover! Since the time I was eleven and my grandmother gave me her college textbook “The Complete Works of Shakespeare”, I was hooked. I am currently attempting to adapt all the plays into historical fiction novels, so Macbeth was the second on my list. My first adaptation is “Prince of Sorrows” which is Hamlet set in 9th-century Denmark. Read More

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Posted Friday, 16 August, 2019 by jorielov in 11th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Biographical Fiction & Non-Fiction, Blog Tour Host & Reviewer, Book for University Study, Bookish Discussions, Britian, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Men's Fiction, Military Fiction, Re-Told Tales, Realistic Fiction, Self-Published Author, Spin-Off Authors, Spirituality & Metaphysics, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment

#SaturdaysAreBookish Book Review | “The Fire of Winter” by D.K. Marley a unique spin re-delving into the canon of “MacBeth”!

Posted Saturday, 10 August, 2019 by jorielov , , , , , 0 Comments

#SaturdaysAreBookish created by Jorie in Canva.

After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.

#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!

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Acquired Book By:

I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.

It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.

I received a complimentary of “The Fire of Winter” direct from the author D.K. Marley, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On why this story appealled to me & how I arrived inside the chapters:

I have a short history involving MacBeth – as it was the play of choice for seniors who took a year to study Shakespeare whilst I was in high school whilst it was also the subject of an after canon re-telling audiobook I previously reviewed. I didn’t get to study the Bard in school but I did get to help the seniors pass their exams as a sophomore who only read one full page layout of the play and intuited enough from that layout to take them through their exams. The conversation that led afterwards with their teacher is one of my fondest memories as she couldn’t quite sort out how they all came to the same conclusions and yet didn’t have an entry point in their defended statements of how they arrived at those answers. Smiles. Sometimes school can surprise you and beat the droll-drums.

Similarly, to my readings of “Sign of the White Foal” – I had plans to do a sequencing of reading ahead of diving into “The Fire of Winter”: I had planned to read two Non-Fiction releases – Wisdom of the Middle Ages & Wisdom of the Renaissance – whilst I wanted to dig back into “The Lost Queen” as well – to have this lovely immersion experience in cross-relating stories and subjects of interest. *However!* – instead my week was wrecked by plumbers, a migraine & more life woes than a girl can shake a stick at in apt frustration! Be as it were – I had to reschedule my review & the interview I am hosting with this author in order to give myself a bit of time to rest & cover the energies I needed to properly read the novel.

When you haven’t a way of reaching your books & your blog, you just have to hope and pray the hours you have after the chaos recedes allows you enough serenity to ‘catch up’ and find the blissitude you had before the chaos overtook your readerly hours! At least, this is how I re-directed my heart and mind as I read “The Fire of Winter” in the early morning hours of Saturday as a chase-up to posting my review before lunch was ready to serve.

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#SaturdaysAreBookish Book Review | “The Fire of Winter” by D.K. Marley a unique spin re-delving into the canon of “MacBeth”!The Fire of Winter
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours

She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?

Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.

Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?

The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.

“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)

Places to find the book:

Add to LibraryThing

ISBN: 978-1724914965

Also by this author: The Fire of Winter (Interview)

Genres: After Canons, Classical Literature, Historical Fiction, Historical-Fantasy, Re-telling &/or Sequel


Published by White Rabbit Publishing

on 1st June, 2019

Format: POD | Print On Demand Paperback

Pages: 355

Published by: White Rabbit Publishing

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth

Available Formats: Hardcover, Trade paperback, Audiobook and Ebook

About D.K. Marley

DK Marley

D. K. Marley is a historical fiction writer specializing in Shakespearean themes. Her grandmother, an English Literature teacher, gave her a volume of Shakespeare’s plays when she was eleven, inspiring DK to delve further into the rich Elizabethan language.

Eleven years ago she began the research leading to the publication of her first novel “Blood and Ink,” an epic tale of lost dreams, spurned love, jealousy and deception in Tudor England as the two men, William Shakespeare and Kit Marlowe, fight for one name and the famous works now known as the Shakespeare Folio.

She is an avid Shakespearean / Marlowan, a member of the Marlowe Society, the Shakespeare Fellowship and a signer of the Declaration of Intent for the Shakespeare Authorship Debate. She has traveled to England three times for intensive research and debate workshops and is a graduate of the intense training workshop “The Writer’s Retreat Workshop” founded by Gary Provost and hosted by Jason Sitzes. She lives in Georgia with her husband and a Scottish Terriers named Maggie and Buster.

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Posted Saturday, 10 August, 2019 by jorielov in #SaturdaysAreBookish, 11th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Biographical Fiction & Non-Fiction, Blog Tour Host & Reviewer, Book for University Study, Bookish Discussions, Britian, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jorie Loves A Story Features, Literature for Boys, Men's Fiction, Military Fiction, Re-Told Tales, Realistic Fiction, Self-Published Author, Spin-Off Authors, Spirituality & Metaphysics, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment