Available Formats: Hardback, Audiobook, & Ebook
Converse via: #TheStoryOfLandAndSea & #KatySimpsonSmith
Acquired Book By:
I was selected to be a tour stop on the “The Story of Land and Sea” virtual book tour through TLC Book Tours. I received a complimentary ARC copy of the book direct from the publisher HarperCollins Publishers, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Set in a small coastal town in North Carolina during the waning years of the American Revolution, this incandescent debut novel follows three generations of family—fathers and daughters, mother and son, master and slave—characters who yearn for redemption amid a heady brew of war, kidnapping, slavery, and love.
Drawn to the ocean, ten-year-old Tabitha wanders the marshes of her small coastal village and listens to her father’s stories about his pirate voyages and the mother she never knew. Since the loss of his wife, Helen, John has remained land-bound for their daughter, but when Tab contracts yellow fever, he turns to the sea once more. Desperate to save his daughter, he takes her aboard a sloop bound for Bermuda, hoping the salt air will heal her.
Years before, Helen herself was raised by a widowed father. Asa, the devout owner of a small plantation, gives his daughter a young slave named Moll for her tenth birthday. Left largely on their own, Helen and Moll develop a close but uneasy companionship. Helen gradually takes over the running of the plantation as the girls grow up, but when she meets John, the pirate turned Continental soldier, she flouts convention and her father’s wishes by falling in love. Moll, meanwhile, is forced into marriage with a stranger. Her only solace is her son, Davy, whom she will protect with a passion that defies the bounds of slavery.
In this elegant, evocative, and haunting debut, Katy Simpson Smith captures the singular love between parent and child, the devastation of love lost, and the desperate paths we travel in the name of renewal.
Places to find the book:
Published by Harper Books
on 26th August, 2014
Format: Paperback ARC
Length: 7 hours and 28 minutes (unabridged)
Katy Simpson Smith was born and raised in Jackson, Mississippi. She attended Mount Holyoke College and received a PhD in history from the University of North Carolina at Chapel Hill and an MFA from the Bennington Writing Seminars. She has been working as an adjunct professor at Tulane University and is the author of We Have Raised All of You: Motherhood in the South, 1750-1835. She lives in New Orleans.
An Editor’s Note inside the ARC:
I am always happily amazed when I find the letter from the Editor or Acquisitions person inside the publishing house who has elected to publish a novel. I get a bit giddy over these little notes which are inclusive to ARCs because from the outside world this little insight is out of sight from those of us who grew up reading finished copies of novels, and never knew what was held within the opening pages of an ARC. I, myself was only exposed to ARCs originally through my participation in the First Impressions programme at Book Browse. The first year I was a book blogger I received a few here or there, but it was in late Spring and into Mid-Summer I started to notice I was receiving more than the occasional few. I simply smiled, because for me, the happiness is in seeing how each publisher approaches the binding of an ARC and the disclosures they put on their back jackets as to how they are going to proceed with publicity and marketing. I like the little unknown details of the passageway a novel travels once it leaves the publisher; little clues I would only be able to fathom a guess untold previously.
Not every ARC has such a note, mind you, but the ones that do always strike me as needing to be included with the finished copy. It is such a curious bit of the novel’s life – this note the person who first came across the manuscript saw the life which is now breathed into the pages has set a note inside this advanced copy as to give the advanced reader the joy by which they had for themselves prior to the novel’s release. This hidden and treasured burst of joy of discovering a new novelist and the manner in which the pen inked out their written legacy. I cherish these notes and as I read this one from Mr. Jonathan Burnham (not an Editor per se, but the Senior Vice President) I felt an inertia of excitement. I saw in his short note of praise on behalf of The Story of Land and Sea, a reader who is lit afire by words and palettes of stories painted by ink. I knew then what I knew at the conclusion of the novel: I had stumbled across something quite remarkable.
Listen to a passage from the Novel:
The Story of Land and Sea by Katy Simpson Smith
Starting my second blog tour novel via TLC through an audiobook sample:
Originally, I had been most delighted to share my experience in finding that Yangsze Choo had narrated her novel The Ghost Bride, as I had listened to her read the opening chapter of her novel prior to soaking inside the pages myself with the book in my hands. Imagine my happier joy in finding that this particular book The Story of Land and Sea, is not only released in audiobook but it was available to ‘sample’ via SoundCloud! I have included the sample along with my review, as the most curious nature of ‘listening’ to a novel ahead of consumption for me is having the blessing of hearing certain words and phrases spoken aloud! As I had fully declared on my review for The Ghost Bride, being a dyslexic reader is quite the elliptical adventure! I do not oft know how certain words are intoned or meant to be said aloud, as I garnish my own endearing language as I turn through the pages of the stories I read. Invariably, by the time I have finally sorted out how a word or name is properly said I am not always keen to let go of my original renderings as they have become a ‘part of the story’ as felt and seen through my own eyes of how the tale is revealed.
However, the beauty of audiobook samples online is that I get to curb my dyslexic slips at the jump-start of reading a new novel, soaking in a bit of the author’s original intended voice for their words and alight rather soundly inside the story as it was always meant to be enjoyed. In this instance, the voice of the narrator had a rather profound effect on how I saw the father in the story carry himself through his carriage; he is a strong yet a bit shy of a fellow, confident but not quite fully aware of his strengths at the same time. The actor who portrayed him did a good job of presenting the furrowed thoughts any father would have on behalf of his young daughter growing up without the benefit of a mother; or rather even, as a reflective premonition of how his daughter could mature on the merits of whom her mother was as a younger woman. He is a bit anguished over the history of his wife and daughter, and I appreciated hearing this conviction of emotion thriving in the voice on the audiobook version. Likewise, he did quite a good job at showing the innocent nature of a child – not quite fully understanding her father’s emotional state, and yearning to simply be in his company.
I daresay, this is going to be placed on my audiobook wish list over on Riffle! To think actors are now lending their voices to breathing life into stories lit alive by voice and the mirth of telling a story through the spirit of vocal narration! I ought to have half a mind to recommend a few actors I follow on Twitter to see if they could start to audition as they have speaking voices that I never tire of listening too, and I’d be plumb surprised if they were not a natural fit to this type of story-telling!