Gifted Book By: This novel “The Princess and the Pirate” was part of a gifted #bookhaul of mine from my Mum and Dad for #WyrdAndWonder, Year 4! They happily surprised me with a lovely bundle of books I featured last Wyrd And Wonder celebrating the Indie Publisher Odyssey Books! This kicks-off my readings of those novels as I was overjoyed I can read all the lovely stories I had either showcased and/or featured but wasn’t able to read during our Year 3 Wyrd And Wonder.

Thereby, I was gifted a copy of “The Princess and the Pirate” by my parents and I was not obligated to post an honest review on its behalf. I am sharing my thoughts on behalf of this novel for my own edification and a continued journey of sharing my readerly life on Jorie Loves A Story. I did not receive compensation for my opinions or thoughts shared herein.

Note: I received the Press Materials last year from the publisher and had asked if I could re-use them if and when I was able to read and/or review the stories I was featuring during Wyrd And Wonder Year 3 (2020); and thankfully was given permission to do so which is why I am using them during my readings this 4th Year of Wyrd And Wonder.

Why I am in love with this series & couldn’t wait to read the next story:

I immediately took an interest in Dance – she was a brave young girl who understood the history of her island but also the growing tension of why her father worried about her safety and the safety of their community here. Even in the opening paragraphs there is a bit of urgency in the tone of how Banks started her story – where Dance can sense the heightened fear in the caller’s voice – the person intending to speak with her father and the voice which was drawing her to catch her breath.

I loved how art was introduced straight-away – a small bit of insight into the heart of her people – of how on this island (Luar) art was as sacred as the trees. And, trees apparently were quite revered because you can sense this yourself as Dance speaks about the art which comes from the raw materials of the trees. Trees for me have held such a high impression on my person since I first started staring after trees along highways and byways; whilst pausing whenever I was close to them in person and happily feeling museful about their lives. Especially the cycle of how other species laid claim to their boughs and branches; how connected they were to our source of life (ie. oxygen) and how throughout the ages of time, trees are resolute, proud and awe-inspiring just to be nearby. I could then imagine – any bit of art carved from a tree has a life spirit of its own etched out of the raw wood and drawing a new energy from the carver’s tools, hands and vision for what the art being created would represent.

Dance lives on an island tucked away from the world – what makes this one dearly unique in my eyes as I haven’t come across a lot of snowbound or ice encased worlds, is the fact this particular island would be right at home in the Arctic Circle! It is beyond cold here – where the frozen ice hides their greatest enemy (ie. Heest monsters) and where if you were brave enough, you wouldn’t consider what their presence unde the ice was foretelling about your own fate and the fate of your community. Banks goes into a bit of detail about how this island was fashioned together – from materials they could repurpose and from purchases they had made long ago giving them a bit of bolster of privacy from prying eyes on the outside. It was their sincere hope to remain hidden which inspired how they lived and how they choose to thrive in one of the coldest locations I’ve had a chance to visit.

I positively LOVE finding illustrative art inside novels – The Monster Apprentice is delightfully inclusive of renderings of the scenes you’re reading about as you walk beside Dance! The very first illustration was featuring the ‘sky cows’ – having spent time on a ranch with breeding stock, I know how stubborn cows can be and how particular they are once they’ve settled on a place they want to roost. Cows are gentle giants and have kind hearts but there are moments where like most animals, they simply want to be left alone and left to their own devices. The imagery provided in this illustration and the depictions of the cows and Dance’s interaction with them in the text was quite a heap of hilarity! It was interesting to see how Dance chooses to interact with her world and how she constantly likes to bend the rules in order to do what she is tasked to accomplish!

Banks does a wonderful job of keeping this first installment beautifully connected on her characters and on the priming of our introduction to their ice and sea world. Things are not quite as you expect them to be here – there are hints of magic, of intrigue and of binding bargains which may in the end be worse than their initial acceptance. Each person here – young or old alike has to find their own individual truth and path; similar to life, everyone is working through their own headspace and has to find the courage to be a bit braver than they feel.

One of my favourite features of this novel are the Heest – mostly because Banks keeps us in the dark for most of the novel about their truer nature and how they operate as a species. There is far more to the Heest than what is presumed and that is the true beauty of their kind for me. I’d love t see how this trilogy continues to develop – especially if we can entreat more into the magical perimeters of the world and the concepts of how those magical extras operate within a place that is a rather harsh physical environment of both ice and sea.

As this first novel is setting up the foundation of the trilogy – we were treated only to a hinting of the magic in this world. The curators of the magic are known as quickensmiths and this was broached at the time when Dance had to face the pirates because of how the ship itself was moving through the water. I found it interesting how the dynamics of the world and of the magic within it were not completely disclosed because this was a very character-centred introduction. You get a few hints towards what is coming in future installments but not overly enough to lose your curiosity because this novel does lend itself to being curious about what will become disclosed!

-quoted from my review of The Monster Apprentice

The Princess and the Pirate
by Felicity Banks
Source: Gifted

Genres: Children's Literature, Middle Grade, Fantasy Fiction, Middle Grade Fantasy, Mythological Fantasy, Pirate Fiction

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 978-1925652680

Also by this author: The Monster Apprentice

Published by Odyssey Books

on 1st June, 2019

Format: Trade Paperback

Pages: 126

The Rahana Trilogy:

Felicity Banks invented the fantasy world of Rahana while living in Indonesia. She grew up reading stories set in Narnia and Middle Earth, and she wanted to invent a fantasy world that was just as beautiful but didn’t feel British, or white, or male.

In Rahana the weather is tropical and the people are visually similar to Indonesians. Magic is common, and makes physical strength irrelevant. There are millions of islands both small and large, and sailing technology is more advanced that the other sciences. Rahana is a thriving tropical world where people are born with a love of the high seas.

Naturally, the world is full of pirates.

The Monster Apprentice (book one)

The Princess & the Pirate (book two)

Waking Dead Mountain (book three)

Published by: Odyssey Books (@OdysseyBooks)

Available Formats: Trade Paperback and Ebook

Converse via: #ThePrincessAndThePirate, #MGLit, #MGFantasy
as well as #pirates and #MiddleGrade; #IndieAuthor, #IndieFantasy

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Reading this book contributed to these challenges:

• #WyrdAndWonder