Category: Audiobookworm Promotions

An Audiobook Spotlight w/ Notes | “The House Called Hadlows” by Victoria Walker (Clayton), narrated by Kim Bretton

Posted Thursday, 8 October, 2020 by jorielov , , , , , 0 Comments

Audiobook Spotlight banner created by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring, knitting and playing solitaire agreeable companions to listening to audiobooks, I embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions.

Through hosting for Audiobookworm Promotions, I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods. Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue wherein I can also request new digital audiobooks to become added to their OverDrive selections. Aside from OverDrive I also enjoy having Audible & Scribd memberships as my budget allows. It is a wonderful new journey and one I enjoy sharing – I have been able to expand the percentage of how many audios I listen to per year since 2018.

I received a complimentary audiobook copy of “The House Called Hadlows” via Audiobookworm Promotion who is working with Kim Bretton on this blog tour in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Why I was wickedly enchanted by my journey
into the Sebastian & Melissa series:

Walker plunges you into this world of mystery and magic with such an ease of alignment, you wonder why you’ve not yet traversed through her lens of enchantment sooner! From the nuanced details about the ways in which she built Sebastian’s world – to the foods his cook prepared for him to the more curious details how his life and world was now co-merging into another world’s dilemma. You found connection through the details but she also encouraged you to think further outside the box of what is unthinkable and plausible to imagine. She acts as the guide to give your imagination good folly to exercise its limits and I love her for it!

As I was listening to the story – I saw moments of familiarity within the story – of how it was being told and some of the entanglements of the magical bits of the world. I felt it had a brilliant cross matching of themes and events which could be pulled straight out of The Neverending Story and Jumanji and yet, I wasn’t sure if those stories were writ first or second to this one. Whichever way round, the beauty of course is recognising certain themes and story threads whilst finding a wonderful new world to entreat inside which plays by its own rules.

As Bretton describes the background of Sebastian’s world you can gather he’s living in a rather bustling community but it is how he absently walks through this towne and how he arrives where he is meant to be rather than where he was intending to be is what gave me the most smirks! As isn’t that just as real and humbling honest about our own lives? We sometimes make discoveries we aren’t meaning to make but still find all the same?! I love how he was walking without much direction and finding himself more in the way of others than enjoying the adventure of being outside. By the time he reaches the old furniture shop memories of visiting antiquarian book shoppes and early attic stores came back to mind! I loved those visitations in my childhood as they were great fodder for an emerging writer – as the objects and items for sale were futile ground for my imagination.

The descriptive details about Sebastian’s discovery of the mirror was pure joy! I loved how Walker leant into the scene to pull us closer to Sebastian’s widening eyes as he drew a more curious astonishment about what he was seeing – you can feel what Sebastian felt in that moment and it was awe-inspiring! Especially as the mirror itself was serving as a portal into a different world as much as Bastian’s book served him. The cat he encounters reminded me of the felicity of finding cats in places I had unexpected to find them and how their nature drew you towards them even if you had other things on your mind at the time.

As Sebastian starts to speak with Melissa, she helps him understand how her world and his can merge together – with one keen exception, she cannot cross into his world! When it came time for Sebastian to enter Melissa’s world I was so caught up in the moment with Sebastian, I, too, had forgotten to notice there had been a shifting of worlds – of where his and hers suddenly had merged together and he had taken such a keen step forward into the unknown! The cat (of course) plays a strong role in how he can make this transition as much as the magical object he hadn’t realised he was in possession over – yet, when it came time to visualise this transitional scene, Walker illuminated it with the childhood curiosity and wonderment you could sense and taste as an adult reader who still has the innocence of youth.

I liked how the story was ahead of its time showcasing the differences in boys and girls – and how girls should be seen on equal grounds with each other. Whilst at the same time, I liked how cheeky the fourth wall was broken in some places like when there is a point in the story where the focus is off of Sebastian and Melissa and the reader is acknowledged. I love how subtle this was done and how well those moments fit within the context of the story itself.

One of the best blessings though is her command of language and phrases – she has such a firm presence of wordsmithing this series into a wonderful display of descriptive narrative and sharp bursts of dialogue – the whole story simply feels alive on its own accord. You can almost feel the leaves which are part of Autumnus and you definitely feel like giving a big hug to each of the Seasonal Guardians Sebastian had met on his journey.

-quoted from my review of The Winter of Enchantment

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An Audiobook Spotlight w/ Notes | “The House Called Hadlows” by Victoria Walker (Clayton), narrated by Kim BrettonThe House Called Hadlows
by Victoria Walker (Clayton)
Source: Audiobook via Audiobookworm Promotions
Narrator: Kim Bretton

The sequel to The Winter of Enchantment and the return of Mantari the magic cat.

Sebastian and Melissa would never forget their arrival at the house called Hadlows. The long drive through the neglected park and woodland, the lake glimpsed through trees, the house, with its "thousand windows" looking down on them and the great hall, empty but for the portraits covering the walls. Hadlows held a secret, of that they were sure.

Genres: Children's Literature, Classical Literature, Fantasy Fiction, Middle Grade Fantasy, Portal Fantasy


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781906123024

ASIN: B08D26C1X3

Also by this author: The Winter of Enchantment

Also in this series: The Winter of Enchantment


Published by Victoria Clayton Limited

on 22nd July, 2020

Format: Audiobook | Digital

Length: 5 hours and 34 minutes (unabridged)

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The Sebastian & Melissa series:

The Winter of Enchantment by Victoria WalkerThe House Called Hadlows by Victoria Walker

The Winter Enchantment (book one) | see also my review

The House Called Hadlows (book two)

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Formats Available: Trade Paperback, Audiobook and Ebook

Converse via: #AudioReads, #Audiobook and #AudiobookwormPromotions

as well as #KidsLit, #ClassicFantasy, #MGFantasy or #MiddleGrade and #Fantasy; #PortalFantasy

About Victoria Walker (Clayton)

Photo Credit: Kim Bretton Photo is being used with permission.

Victoria Walker was twenty-one when she wrote The Winter of Enchantment in 1968. A second story about Sebastian and Melissa, The House Called Hadlows, was published in 1972. In 1973 she went to Cambridge University to read English and married immediately after finishing her degree. Two children followed and two decades passed before she began to write under her married name of Victoria Clayton. She lives with her husband in Northamptonshire.

Photo Credit: Kim Bretton

(photo is the original illustration by the author on behalf of her series)

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Reading this book contributed to these challenges:

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Posted Thursday, 8 October, 2020 by jorielov in Audiobook, Audiobookworm Promotions, Blog Tour Host, Children's Classics, Children's Literature, Classical Literature, Fantasy Fiction, Indie Author, Juvenile Fiction, Middle Grade Novel, Portal Fantasy, Self-Published Author

#EnterTheFantastic an Audiobook Review during #RIPXV | “The Winter Enchantment” by Victoria Walker (Clayton), narrated by Kim Bretton

Posted Thursday, 1 October, 2020 by jorielov , , , , , 0 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring, knitting and playing solitaire agreeable companions to listening to audiobooks, I embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions.

Through hosting for Audiobookworm Promotions, I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods. Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue wherein I can also request new digital audiobooks to become added to their OverDrive selections. Aside from OverDrive I also enjoy having Audible & Scribd memberships as my budget allows. It is a wonderful new journey and one I enjoy sharing – I have been able to expand the percentage of how many audios I listen to per year since 2018.

I received a complimentary audiobook copy of “A Winter of Enchantment” via Audiobookworm Promotion who is working with Kim Bretton on this blog tour in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Fun Stuff for Your Blog via pureimaginationblog.com

Why this series left me curious to listen too:

As one of the co-hosts of @WyrdAndWonder every year now for the past three years (2018-2020) I have been attempting to seek out Classics in Fantasy – especially Classical Children’s Fantasy stories as I would like to establish a better foundation for a genre I have loved since I was seventeen. I grew up loving the films within The Neverending Story series whilst I hungered after more Fantasy films ever since I first saw Pete’s Dragon (the original). There was a mysterious enchantment about those stories – about how magic was interstepping through our world and how sometimes the magical was just round the next corner in our own  individual journeys.

Knowing what I know now about my preferences for reading Fantasy, it shouldn’t have been such a keen revelation to realise I would learn to adore and become passionately enthused by reading (or listening) Urban Fantasy and/or Portal Fantasy. In this particular series, the two are interchangeable because it is partially within an Urban Fantasy framework as Sebastian must cross into the realm wherein Melissa has been living in confinement whilst Sebastian lives in our own world. Yet it is a beautiful Portal Fantasy wherein certain objects act as the transportation and teleportation channels of travelling through both worlds.

I was hoping this series might help me re-align into reading (and listening) to more Fantasy this Autumn. I’ve been attempting to get back into Fantasy since Wyrd And Wonder ended our third year in May; after a series of clustering migraines and other life adversities took me out of their stories. I fought hard during Summer to win back the joy I had in May and in some bursts of readerly blissitude, I had reattained that happiness I had felt in May but it never held. My migraines were a blustering nightmare this Summer and I am thankful as October has finally dawned I am hopeful they will start to lessen their hold on me.

I knew I would immediately connect with Ms Bretton’s voice but what surprised me so happily is how anchoured I felt inside this world of Sebastian & Melissa!! It is a world that is so engaging as you first start to read (or listen) to it – wherein you feel as if this isn’t your first foray into its world. Every turn of the story is a new chance to see something quite fantastical and there are creatures and sweet dialogue inside this story that warms your bookish heart, too! It is a charming representation of Classical Children’s Fantasy and the innocence of their journey together is what I loved most!

Thereby I was lead by earnest curiosity to listen to this series and through that curiosity I have found myself re-aligning back into a genre I love dearly! I am so thankful to be on this blog tour and to have found a new author whose artful crafting of Fantasy has become a new beloved favourite!

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#EnterTheFantastic an Audiobook Review during #RIPXV  | “The Winter Enchantment” by Victoria Walker (Clayton), narrated by Kim BrettonThe Winter of Enchantment
by Victoria Walker (Clayton)
Source: Audiobook via Audiobookworm Promotions
Narrator: Kim Bretton

A magic mirror enables Sebastian to travel from his Victorian world of winter snow and Mrs Parkin to a magic world of Melissa, Mantari, and wicked Enchanter and many other exciting people.

This wonderful audiobook follows in the great tradition of the E. Nesbit magic books. Since its first publication in 1969 it has proved its appeal to children of every age. Long out of print until republished by Fidra Books in the UK and Purple House Press in the USA, it received praise from respected children's authors. The sequel to this book is called The House Called Hadlows.

Genres: Children's Literature, Classical Literature, Fantasy Fiction, Middle Grade Fantasy, Portal Fantasy


Places to find the book:

Add to LibraryThing

ASIN: B08B4645R9

Also by this author: The House Called Hadlows

Also in this series: The House Called Hadlows


Published by Victoria Clayton Limited

on 15th June, 2020

Format: Audiobook | Digital

Length: 4 hours and 13 minutes (unabridged)

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The Sebastian & Melissa series:

The Winter of Enchantment by Victoria WalkerThe House Called Hadlows by Victoria Walker

The Winter Enchantment (book one)

The House Called Hadlows (book two)

Fun Stuff for Your Blog via pureimaginationblog.com

Formats Available: Trade Paperback, Audiobook and Ebook

Converse via: #AudioReads, #Audiobook and #AudiobookwormPromotions

as well as #KidsLit, #ClassicFantasy, #MGFantasy or #MiddleGrade and #Fantasy; #PortalFantasy

About Victoria Walker (Clayton)

Photo Credit: Kim Bretton Photo is being used with permission.

Victoria Walker was twenty-one when she wrote The Winter of Enchantment in 1968. A second story about Sebastian and Melissa, The House Called Hadlows, was published in 1972. In 1973 she went to Cambridge University to read English and married immediately after finishing her degree. Two children followed and two decades passed before she began to write under her married name of Victoria Clayton. She lives with her husband in Northamptonshire.

Photo Credit: Kim Bretton

(photo is the original illustration by the author on behalf of her series)

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Reading this book contributed to these challenges:

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Posted Thursday, 1 October, 2020 by jorielov in Audiobook, Audiobookworm Promotions, Blog Tour Host, Children's Classics, Children's Literature, Classical Literature, Fantasy Fiction, Indie Author, Juvenile Fiction, Middle Grade Novel, Portal Fantasy, Self-Published Author

An Audiobook Review during #RIPXV | “A Lock of Hair” by A. Rose Pritchett, narrated by Melanie Huesz

Posted Saturday, 12 September, 2020 by jorielov , , , 0 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring, knitting and playing solitaire agreeable companions to listening to audiobooks, I embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions.

Through hosting for Audiobookworm Promotions, I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods. Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue wherein I can also request new digital audiobooks to become added to their OverDrive selections. Aside from OverDrive I also enjoy having Audible & Scribd memberships as my budget allows. It is a wonderful new journey and one I enjoy sharing – I have been able to expand the percentage of how many audios I listen to per year since 2018.

I received a complimentary audiobook copy of “A Lock of Hair” via Audiobookworm Promotion who is working with A. Rose Pritchett on this blog tour in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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A Q&A with the author A. Rose Pritchett

I would normally compile questions for an author to respond to whilst hosting a blog tour, however due to the amount of personal stress & adverse medical emergencies in my family recently, I honestly had forgotten to submit questions to Ms Pritchett. Thereby, I chose a selection of the questions she responded to which were based on questions Ms Jess asked herself as I found her replies to fit in-line with topics I would have broached myself if I had had the chance to ask her questions of my own.

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Tell us about the process of turning your book into an audiobook.

Pritchett responds: When I first published my book a year ago, I knew I wanted to turn it into an audiobook, but didn’t know how to go about it. It seemed expensive and I already invested so much into editing and publishing. Then, after some research, I discovered that ACX has a royalty-share program, which means that I pay nothing upfront, but just split my royalties with the narrator. I auditioned a few narrators, and ended up choosing Melanie Huesz because she gave each character a unique voice, which I knew was a major challenge. After all, there are characters from Boston, Ireland and the South. Some are young, some are old, and one has Down Syndrome. After a couple months of back-and-forth, we got an audiobook produced.

Were there any real life inspirations behind your writing?

Pritchett responds: Mildred’s dog, Nightshade, is inspired by my dog, Isabel. Even though they’re different breeds, Nightshade acts a lot like Isabel. Also, I took a Meyers-Briggs test from Mildred’s POV for the heck of it, and she’s an INFJ like me, so there’s that.

How do you manage to avoid burn-out?
What do you do to maintain your enthusiasm for writing?

Pritchett responds: Contrary to popular advice, I don’t write every day. A lot of times, I’ll switch my focus to one of my many, many hobbies. In fact, part of my routine on days that I write is to take a break to draw or cross stitch, just to be away from the screen. I also allow myself to take “lazy days”, which are days (usually Sunday) where I just do nothing at all except watch cheesy movies and play Sims. It gives my mind a rest so that I’m not half-dead the next time I stare at the little blinking line on the blank screen.

What’s next for you?

Pritchett responds: I have a completed draft of my second book set during WW2 that I’m trying to get published, and I’m currently working on my third book, which is a fantasy that I’m really in love with. I’ve also dabbled in screenplay writing, with a pilot for a miniseries inspired by my childhood growing up in the restaurant industry and a script that I’m working on-and-off based on my experiences going from my preppy middle school to my arts high school (total culture shock!). All of my works have the same snarkiness that A Lock of Hair has.

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An Audiobook Review during #RIPXV  | “A Lock of Hair” by A. Rose Pritchett, narrated by Melanie HueszA Lock of Hair
by A. Rose Pritchett
Source: Audiobook via Audiobookworm Promotions
Narrator: Melanie Huesz

Boston, 1846. Eighteen-year-old Mildred Parish, a barber's daughter, practices practical witchcraft using locks of hair obtained from her father's customers. She's very selective about who knows her secret and the kinds of spells she casts. Only people she trusts can know, and she must never cast a spell to harm another person.

One of her father's clients is Theodore O'Brian, an Irish immigrant whose family is fortunate enough to be wealthy. Mildred is head over heels in love with him, but he's destined to be with someone else. One day, a woman named Trinity Hartell comes knocking on Mildred's door. She has a vendetta against an entire family and wants Mildred to cast a death spell on them. The family? The O'Brians, including Theodore. Mildred refuses, but Trinity is set on getting what she wants, one way or another.

Mildred now feels she must protect the O'Brian family and the man she loves, but she must also protect herself. How can she make sure Trinity is stopped without telling the entire city of Boston that she's a witch?

Genres: Feminist Historical Fiction, Historical Fiction, Historical Women's Fiction


Places to find the book:

Add to LibraryThing

ASIN: B089YD7759

Published by Self Published

on 11th June, 2020

Format: Audiobook | Digital

Length: 6 hours and 7 minutes (unabridged)

Fun Stuff for Your Blog via pureimaginationblog.com

Formats Available: Trade Paperback, Audiobook and Ebook

Converse via: #AudioReads, #Audiobook and #AudiobookwormPromotions

as well as #HistoricalFiction and/or #HistFic

About A. Rose Pritchett

A. Rose Pritchett

A. Rose Pritchett's writing career started in kindergarten when she daydreamed about being a fairy princess instead of learning subtraction. Her childhood obsession with American Girl turned her into an avid history lover.

At seventeen, she moved from her hometown of Charlotte, North Carolina, to Savannah, Georgia, where she earned her BA in writing with a history minor from Georgia Southern University. She continues to live in Savannah, still daydreaming about princesses wearing gorgeous dresses. A LOCK OF HAIR is her debut novel.

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Reading this book contributed to these challenges:

Divider

Posted Saturday, 12 September, 2020 by jorielov in 17th Century, African-American History, Audiobook, Audiobookworm Promotions, Balance of Faith whilst Living, Blog Tour Host, Boston, Compassion & Acceptance of Differences, Down Syndrome, Equality In Literature, Historical Fiction, History, Indie Author, Self-Published Author, Special Needs Children

Audiobook Blog Tour especially for #Janeites & #Austenites | A mini Review and a Conversation about “Elizabeth: Obstinate Headstrong Girl” (Vol.5: the Quill Collective, series) narrated by Elizabeth Grace

Posted Saturday, 5 September, 2020 by jorielov , , , , , 18 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm Promotion I expanded my knowledge of authors who are producing audio versions of their stories whilst finding my own traction into audiobooks and the way in which storytelling took on a deeper layer of immersion for me as a listerner. Meanwhile, I started to curate my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue as well as a regional library who uses CloudLibrary; I offset borrowing audiobooks through libraries with an active subscription to Scribd (for audiobooks). I batch my membership months with Audible to several months per year and purchase a few audiobooks whilst I have it active as well as enjoying selecting free Audible Original audiobooks.

This is the long history of how I entered into becoming an audiobook reviewer – it was through hosting for Audiobookworm Promotions I originally crossed paths with Ms Christina Boyd with The Quill Collective (via the ‘Rational Creatures’ audio blog tour) and thereby have enjoyed keeping in the loop with their after canon stories connected to Jane Austen. This is how I came to know ‘Yuletide’ and now ‘Elizabeth: Obstinate Headstrong Girl’ of whom is my favourite character from ‘Pride and Prejudice’; my favourite canon novel of Austen’s.

I received a complimentary audiobook copy of “Elizabeth: Headstrong Girl” via Christina Boyd @ The Quill Collective in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Being a Janeite,

I have a fierce appreciation for The Quill Collective:

I’ve been a Janeite for a very long time – during #AustenInAugust [2017], I had the joyful pleasure of submitting a guest essay to commemorate how Austen has been moving in and out of my life over the years which ran on a featured day on Roof Beam Reader’s blog. It is in of itself a quite all-inclusive look at how Jane Austen has left a strong impression on my life. Do read it if you have a chance to peer into how Austen and her stories have given me a lifetime of reflective rumination & joy.

And, ever since my essay was published I have made fervent attempts of re-establishing myself into my Classics Club TBR – to source and seek out works of Classical Lit I’ve earmarked to be read and for the vast majority of those pursuits, it is the canon of Jane Austen I desire most to focus upon. I have the canon in print in several editions but most of those are packed save three and it is those three which I am in pursuit of finishing first whilst continuing to seek out after canon novelists and short story writers who are giving me a well of presence within those worlds that not only honour Austen’s own words but allow us to carry forward into the worlds themselves.

Whilst I was working on this featured post for the blog tour – I had an unexpected discovery – Audible now offers a more friendly budget price for listeners who are not in a hurry to purchase audiobooks (as choosing one per month was enough anxiety for me to last lifetimes) but rather would love to listen to an unlimited amount of them which are provided within the catalogue of the new listen and return service. Similar truly to why I am a lover of Scribd’s services for audiobooks.

Guess what the vast majority of those ‘free to listen in unlimited amounts’ per month include!? *Classics!* Including a fair amount of Jane Austen!!! I even found Rosamunde Pike’s “Pride and Prejudice” and Emma Thompson’s “Emma”!! Imagine?! I was truly taken aback and gobsmacked — another reason I am blessed to have a tablet now for listening to audiobooks & music – as it allowed me to accept a 30 day trial right now and remain within the grip of the Classics!

That news aside, what I LOVE about the Quill Collective is how they honour Jane Austen and how they remain wholly passionate about publishing stories which celebrates the canon but allows the writers they publish to re-envision those characters in such a refreshingly new way as to give each of us a new reason to seek Austen and to seek after canon stories of her collective works. These are the stories by a publisher who understands why we are such discerning readers of Classical Lit and the after canon retellings and sequels which allow us to ruminate further on those worlds… they give us the same passionate response in story as we personally give ourselves over to ponder whenever we pick up a story of Austen. And, for me – the highest praise indeed is their propensity of producing quality over quantity and giving all of us such a wonderful catalogue of stories I truly believe Austen herself would be wicked giddy over seeing published.

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An informative conversation with Elizabeth Grace:

Conversations with the Bookish badge created by Jorie in Canva. Updated version July 2020.

the questions were ones I provided and I delighted in her responses!

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As you’re narrating an audiobook with a collection of stories inspired by Jane Austen – I was curious, what first drew your eye to the project and what do you personally love about the voice, style and legacy of Ms Austen?

Grace responds: I was drawn to this project by an author I had started working with called Elizabeth Adams who wrote “Something Like Regret” for the anthology. I was just finishing up with her novel, “Green Card” and was looking for a new project. She recommended me to Christina Boyd who then asked me to audition for OHG. I hadn’t narrated an anthology before but I loved it.

Each story has such personality and a style that is at once individual to the author yet also completely in keeping with Austen’s original characters and wit. I think that is my favourite thing about her writing, how well it translates. It makes me realise how recent her writing was in the grand history of time and that while we think their society and thoughts are vastly different to ours, we haven’t really changed all that much.

I believe that is the best singular truth of insight into Jane Austen’s writings I’ve ever heard – how continuously relatable she is due to how we’ve become such an unchanged society. For all the progresses and all the developments of how live has shifted forward per generation, there are still telling truths about how she wrote about society and the pressures of how life can sometimes become too measured by what society believes it can dictate out of a life. I love the serendipitous nature of how you became attached to OHG; I tend to think those are the better moments of our lives – how we cross paths with people who have an important reason of being in our life at any particular point in time. It speaks to how we’re all connected. Whilst at the same time – how some stories ‘find us’ rather than how we presume to believe ‘we find them’.

Of all the stories of Austen, my first introduction to her stories was through “Pride and Prejudice” and thus, Elizabeth has been my favourite Austen heroine ever since the adaptation featuring Keira Knightley was released (as it coincided with my first readings). As you were reading the stories you’ve brought to life – what did you intuit out of them about Elizabeth and about her nature as one of our leading ladies who has withstood time to affect us on such a personal level of appreciation?

Grace responds: I have been asked similar questions before and I am always brought back to Tessa Dare’s wonderful foreword from the anthology. She talks about why Elizabeth is such a popular character and why we continue to relate to her so well and she says it is because “Elizabeth is just like me – but awesome”. I think that is so true, because she is extremely human and altogether female. She is clever and yet judgemental, witty and at times cutting, self-aware and often a little self-deprecating. You can feel her battling with the same traits that we battle with today and she does so with this beautiful honesty and vulnerability which allows her to accept when she is wrong but also speak out against her better judgement when she needs to defend herself, her family or her opinion.

I have so much Elizabeth Bennett inside me (as well as Jane Eyre and Jo March, and lest I forget Anne Shirley) that it isn’t too remarkable to me to realise why I haven’t found myself attached to another novel by Jane Austen (as of yet – ‘Persuasion’ has a new audiobook narration waiting in the wings for me via NetGalley) inasmuch as my absolute admiration, dedication and passion for ‘Pride and Prejudice’; singularly it is hard to discern, is it strictly due to Lizzie or is it equally split between her and Mr Darcy – of whom I’ve previously disclosed is my first and only (thus far into my fourth decade) book boyfriend! I believe that’s the key draw really – seeing someone who is not shy about speaking her mind, bluntly so at moments and honestly evoking a reaction out of others in order for her voice to be heard when it infers an importance to her to be said. In defence of family and self – there are no truer moments for which we all need to remember to listen to our intuition and feel confidence in our voice.

Isn’t that the mark of true classically perennial stories? Where you can revisit them and still see why you originally loved them but then find these extra layers of genius within how they were writ? I felt that way when I first started watching “Anne with an E” via NetFlix and when I was listening to the audiobooks for the first three “Anne of Green Gables” stories via Post Hypnotic Press – wherein I was seeing Marilla in a whole new ray of light wherein previously (per my younger visitation into this world) I was finding myself only drawn to Anne.

Did you have a favourite story in the collection?
And if so, what was it about it that drew you in as deeply as it had?

Grace responds: I really enjoyed each of the stories for different reasons. I recently did a reading of “Atmospheric Disturbances” by Christina Morland for the book tour and I loved that one because I really enjoy narrating arguments! I am not sure why, but I think its because of the fast pace and the high stakes.

Other memorable stories are “Love in the Limelight” by Beau North because of the amazing backdrop of Hollywood’s golden age. The one that moved me the most during my narration was “A Mate for Life” by Christina Boyd, I am sure you can hear my voice crack towards the end. There is something so nostalgic and tender about Elizabeth as an elderly woman reflecting on a life well lived while watching her grand-daughter begin her own journey into adulthood that is so touching.

OOh! I love when a narrator has to go head to head – character on character and walk us through the paces of a full-on row! It gives such a realistic edge to the story and such a believable measure of time for seeing the characters move through their lives – likewise, between the rows and the emotional anguish sequences – I daresay, I credit a lot to the stamina and the performances by narrators who can take us tenfold into their journey by voicing stories with such beautiful dimension! Those are dearly my favourite moments – where you can really hear and sense the ’emotions’ behind a narrator’s voice and how through their performance you can feel intuitively closer to when they had originally sat to read the audio play. As to me, audiobooks bring back why live radio theatre used to be as popular as it had been – audiobooks are the new variant of those radio plays – where it is all vocalised and it etches into your heart, encompasses your imagination and gives you this immersive depth that you cannot get otherwise by print or screen. It is very interpersonal and I love the effect of it.

I oft wonder how narrators approach their performances – did you do any prep work for narrating this series of stories and/or how did you approach getting into the head and heart of Elizabeth through the different incantations that were presented therein?

Grace responds: I would love to tell you that I prepped for weeks to get into Elizabeth’s mind and understand her inside out but the truth is I learned more about her during the process than beforehand.

Working with such talented authors as those featured in OHG, they set up the circumstances so perfectly you are given all you need to know to get stuck straight in. Like you, I was familiar with Elizabeth from reading “Pride and Prejudice“, watching the films and TV adaptations and (as a girl called Elizabeth) being likened to her for a lot of my life! I had a good grounding on what she stands for and who she is. It helps that she is super relatable so it is easy to put some of  myself into her which is really what we, as actors do. Rather than thinking so much on the lines of “what would my character do?”, I try to think, given everything I know about my character, if I was in this situation what would I do/how would I react?

OOh no standing on airs here – I love getting the ‘behind-the-book’ trivia bits about how stories are writ and performed – whatever inks out of being the truthful accounting of how a story was either first created or thus after performed are the right answers to give to my readers. I oft wonder though – isn’t that similarly true for regular performances as well? To best get into the headspace of a character you first have to take that fuller immersion into performing them – rooting out their essence and getting a niche of a feel for how they ought to be portrayed? At least, that is what I gather from afar?

I also love the personal touches you etch into this performance – as you said, you took it to a personal heart to heart level and inverted it to being a reflection of your own reactions and responses rather than simply leaning on ‘what Elizabeth Bennett might have done herself’. I think that’s champion and the best route into how to have obtained the right balance in your performance; as said, I have noted things from afar (from loving theatre, radio, television and film) but I never knew if any of those observations had merit as I haven’t yet worked in theatre.

Were there any secondary characters in this collection of stories you felt stood out to you the most?

Grace responds: Darcy can’t not stand out in the anthology, he plays such a significant role. Again, harping back to Tessa Dare’s foreword, I love her line about loving Darcy because he is smart enough to love Elizabeth. While all the other men are fawning over Jane, he is drawn to Elizabeth for all the reasons we love her.

In each of these stories we really see his tenderness towards Elizabeth shine. This is really prominent for me in “Resistive Currents” by Karen M Cox where he really displays this kindness and loyalty we don’t always get to see. I think I realised that while he is often played as being super stoic and harsh, it is really important to also portray his nervousness and protectiveness. Again, these are traits we would all have to some degree given his experiences and what he has been through.

I was immediately thinking about Peter Calpaldi as ‘Doctor Who’ – who apparently became one of the most unrelatable Doctors (according to those I’ve spoken with) and yet, he was so endeared to me for reasons you’ve broached about Darcy. It goes back to the layers of a character’s soul and the artfulness approach in how through their story and the stories after those initial ones which reveal more of those hidden layers that might oft go overlooked or become discarded in favour of presumptive prejudgements on their character. For me, Calpaldi brought a richness to the role – the emotional unresolved angst of an immortal person who could no longer live with the guilt and conscience of what he had done, whom he could not save and the weight of how the universe constantly pulled him into circumstances to act in impossible situations to resolve whatever wrong needed righted. In essence, he was portraying another situation that Dr Beckett found himself in perpetually in ‘Quantum Leap’.

I believe Darcy fits into this bracket as well – people have such strong reactions to Darcy – to his manners and to his speech that they sometimes fail to see the ‘real’ Darcy behind the gruffiness of his personality and to peer into what is motivating him to act and speak in the ways in which he is presenting himself to his peers and neighbours. As you said – more layers there, we just have to be open to finding them, understanding them and accepting Darcy on his own terms – very much like Lizzie had herself.

What is more challenging – tackling a character as renown as Elizabeth Bennett (or any Classical character) or having to give life and voice to a character fresh out of an author’s imagination?

Grace responds: There are real advantages and disadvantages to both, as you can imagine. Taking on characters that are well know, you are faced with other peoples’ preconceived notions of how they believe the character should sound or behave. However, it also means so much more when they tell you afterwards how much they feel you encapsulated that character for them. I do love creating them for myself, having the time to really understand someone new and be able to guide an audiences perception but when I do this, I am always also working with author who gave birth to them and also has a view on how they should sound so it’s not so different in that respect.

What are your favourite takeaways from this collection as a whole and what did you feel was the greatest message that would impact listeners and readers alike?

Grace responds: I think for me, the fact that each story is set in either a different time period or a different scenario really brings back the idea of Jane Austen’s initial writing being so incredibly modern. That we can pick these characters up and transport them this way while maintaining their original character traits and even literally their words in some cases just goes to show how revolutionary and natural her writing was. I think the anthology is very pertinent for women at the moment during this feminist wave where we support each other, we have opinions and we speak our minds and ultimately, we strive to be obstinate and headstrong.

What do you feel are harder to narrate? Short stories or novels and why?

Grace responds: I think novels are trickier, simply due to the length of them. Short stories tend to be very dynamic and fast paced as they try to fit in a fair amount of drama into a relatively short amount of time. They are also less complex with regards to dramatic reading in terms of chronology and subtext. Usually we find the characters in short stories have very clear needs and obstacles from the outset which for a narrator requires a little less planning. Novels are longer and so you need to be more conscious of maintaining the momentum of the story throughout and you need to really consider the characters motives at each point – what do they know, what don’t they know, what is the immediate need and what’s the end game for them etc. However, I do love novels for this complexity too, it’s often more challenging and you can get really stuck into the story, whereas with anthologies, I can feel like I am on a roll, then the story concludes and I am on to the next.

How did your impression of Elizabeth change from “Pride and Prejudice” to “Elizabeth: Obstinate Headstrong Girl”? What do you think became reflected through these new stories that perhaps Austen left out of disclosing herself on her behalf? As much as how did it feel to voice such a literary heroine as Elizabeth and share her name?

Grace responds: From a purely feminist perspective, when I look back on Elizabeth in “Pride and Prejudice” with all the knowledge I have now, it feels like she could have done more. Please don’t misunderstand me, I wouldn’t want the story to change but after reading of her in OHG doing all these amazing things, I feel bad that ultimately, by accident in a way, she ends up bending to societies’ expectations.

In “The House Party” by Janetta James, Elizabeth is surrounded by the suffragette movement and while she supports these women and their fight, she doesn’t get stuck in herself. It took me a moment to realise how very “Elizabeth” that is. And I am the same. I wonder what adrenaline and desperation Emily Davison felt before she flung herself in front of the King’s horse, but I will likely never know.

Like Elizabeth Bennet, I am woman of relative means, I have always lived a comfortable enough life to see the other side not so far away and to support and sympathise, say the right words but not necessarily feel that desperation to join the physical fight. Not everyone can feel like that, otherwise everyday would be a revolution I suppose, but did Jane Austen not feel desperate as a female writer in the early 1800s?

I wonder if it crossed her mind to make Elizabeth more revolutionary, but if she feared that it would make her a lot less likable at the time. I imagine she would be proud to see her heroine become one of the only female engineering students at Fordyce University, or sticking up for her sister to a big movie executive in Hollywood. We have the amazing ability to make Elizabeth’s options in life limitless. As a fellow Elizabeth, I thank women like Jane Austen for giving us a heroine that does withstand the passage of time and allows fantastic, modern authors to give new direction to her and inspire the next generation.

When you’re not narrating and performing what renews your spirit?

Grace responds: I love to travel which is why lockdown has been so hard for me. I am real social butterfly and love nothing more than seeing new places and being close to people – 2 meters just isn’t near enough! I have found solace however in my work, meeting some amazing, creative people in these authors and working with them to create something special. I write this from a hotel on an island in the Canaries called Lanzarote. It’s a little 10-day getaway that I will be paying for in isolation for 2 weeks on my return but will hopefully feel refreshed and renewed!

I am a traveller myself and fully respect the angst! Even though we, as a family have grown to love our car picnics and takeaway meals – there is something to be said for real sit down meals out of the house – which thankfully we did do the night prior to when this post runs on Jorie Loves A Story as we were craving an evening out where we could do something pre-pandemic normal and learnt our local pub was at half capacity and had an available table. I cannot express how comforting it was to order our favourite Friday night meal (ie. sloppy joes with fries) and try a new dark lager beer with a toasted after note! Even our server was thankful we were there and it was wonderful to see her after such a long absence! It was only the second time we’ve gone back to eat out – the first was during an epic storm ahead of a 12 hour shift for Mum and that was only a quick grab and go meal in a takeaway restaurant with no one else round. No, last night it felt more like we had captured a dose of normalcy and it felt brilliant!

Like you, I find solace in how I can adapt to what life brings to our path and how we can remain in contact with people in however they enter our lives. My blog is a labour of love and a saving grace which allows me to focus outside my personal adversities and give back to book world as much as it is a journalled collection of my readerly adventures and the curious thoughts which stories inspire me to share with fellow bookish geeks who seek out book blogs to read to find new inspiration in their own bookish lives. As bookish joy shared is tenfold better than never to have shared it at all.

I pray your holiday gives you what you are hoping it shall reveal and I definitely understand how it is worth the inconvenience of self-isolation on return because of what it will give you once you’ve arrived. We are all finding our way in this new situation and finding that if we keep ourselves adaptive and bendable we’ll make it through just fine.

Many blessings to you, Ms Grace and thank you for blessing me with this lovely conversation! Some of your replies I left as they were as I hadn’t had the chance to listen to the fuller contents of the audiobook prior to this being shared on my blog. I enjoyed your revelations and cannot wait to peer into those sections and re-visit your takeaways and comments.

Fun Stuff for Your Blog via pureimaginationblog.com

Audiobook Blog Tour especially for #Janeites & #Austenites | A mini Review and a Conversation about “Elizabeth: Obstinate Headstrong Girl” (Vol.5: the Quill Collective, series) narrated by Elizabeth GraceElizabeth
Subtitle: Obstinate Headstrong Girl
by (Editor) Christina Boyd
Source: Direct from Publisher
Narrator: Elizabeth Grace

With timeless verve, the heroine of Pride and Prejudice, Elizabeth Bennet, bares her intimate thoughts while offering biting social commentary through a collection of romantic re-imaginings, sequels, and prequels, set in the Regency to present day by ten popular Austenesque authors.

Foreword by NY Times & USA Today bestselling author Tessa Dare. “I think her as delightful a character as ever appeared in print…” wrote Jane Austen in a letter, January 1813―and we think so too!

Stories by Amy D’Orazio, Jenetta James, Christina Morland, Beau North, Joana Starnes, Karen M Cox, Elizabeth Adams, Leigh Dreyer, J. Marie Croft, and Christina Boyd.

Genres: After Canons, Anthology Collection of Short Stories and/or Essays, Classical Literature, Feminist Historical Fiction, Historical Fiction, Re-telling &/or Sequel


Places to find the book:

Add to LibraryThing

ASIN: B08FCSJ33D

Also by this author: Rational Creatures

Also in this series: Rational Creatures


Published by The Quill Collective LLC

on 31st August, 2020

Format: Audiobook | Digital

Length: 10 hours and 41 minutes (unabridged)

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Reading this book contributed to these challenges:

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Posted Saturday, 5 September, 2020 by jorielov in After the Canon, Anthology Collection of Stories, Audiobookworm Promotions, Blog Tour Host, Classical Literature, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jane Austen Sequel, Short Stories or Essays