Gifted Book By: This novel “Harlequin’s Riddle” was part of a gifted #bookhaul of mine from my Mum and Dad for #WyrdAndWonder, Year 4! They happily surprised me with a lovely bundle of books I featured during Wyrd And Wonder Year 3 celebrating the Indie Publisher Odyssey Books! This continues my readings of those novels as I was overjoyed I can read all the lovely stories I had either showcased and/or featured but wasn’t able to read during our Year 3 Wyrd And Wonder.
Thereby, I was gifted a copy of “Harlequin’s Riddle” by my parents and I was not obligated to post a review on its behalf. I am sharing my thoughts on behalf of this novel for my own edification and a continued journey of sharing my readerly life on Jorie Loves A Story. I did not receive compensation for my opinions or thoughts shared herein.
Note: I received the Press Materials last year from the publisher and had asked if I could re-use them if and when I was able to read and/or review the stories I was featuring during Wyrd And Wonder Year 3 (2020); and thankfully was given permission to do so which is why I am using them during my readings this 5th Year of Wyrd And Wonder.
Hallo, Hallo dear hearts!
I was quite smitten with all the stories I’ve selected to feature from this Independent Publisher – each of the guest features will tuck us closer to the stories themselves, introduce us to the writers and give us a newfound appreciation for the Fantasy stories which are being independently published by publishers who champion the crafting of stories and the writers who have created these fantastical worlds for us to discover.
I wanted to begin this series of features with Ms Nightingale – as her world is a rather curious one – both from the perspective of what initially inspired her series and how she first fused curiosity to building the foundation of this world she’s given us to read and by how her characters simply step forward from that world and embrace our imaginations.
As you might remember – two years ago, I had the lovely pleasure of running a series of guest features for Odyssey Books. Their authors were very welcoming to me and open to my enquiries as much as they returnt my interview and guest post topics with such hearty depth – it was a true pleasure to host all of them! I even interviewed one of them via #SatBookChat as I did a takeover chat experience that year as well.
Last year, I was able to start my readings again of Odyssey Books via “Cassandra” (see also Review) whilst previously I had featured Elizabeth Foster’s “Esme’s Wish” (from 2020: see also Review) and Felicity Banks Rahana trilogy: “The Monster Apprentice” (from 2020: see also Review) and “The Princess and the Pirate” (see also Review) in 2021.
This #WyrdAndWonder I am picking up from whence I last left off – I have the complete set of stories for the Tales of Tarya to read and I couldn’t be happier! I didn’t want to set out to read the first novel if I knew I couldn’t read the rest of the series. Thereby, I waited until our 5th Year to begin my journey into this world and it is my hope to read the rest of the Odyssey Books I have on my shelves every Monday throughout May. Part of what drew me into these stories was the premise of them — how they are a combination of reshaping what we understand about Shakespeare against what we love about Mythological Fantasy and Fantasy which is set in a world re-inspired by another writer.
Whilst I am planning to read the Odyssey Books authors on Mondays – you’ll find two more lovelies from them being featured and read this month: “Esme’s Gift” the sequel to “Esme’s Wish” and “The Shadow of the Skytree” (see also Interview). I am attempting to get a copy of “Songlines” by Carolyn Denman as well. Join me on Mondays as I take my own odyssey into a publisher’s canon of stories and series.
Ten years ago, Mina’s beloved older brother disappeared with a troupe of travelling players, and was never heard from again. On the eve of Mina’s own departure with a troupe, her father tells her she has a special gift for storytelling, a gift he silenced years before in fear of her ability to call visions into being with her stories.
Mina soon discovers that the travelling players draw their powers from a mysterious place called Tarya, where dreams are transformed into reality. While trying to solve the mystery of her brother’s disappearance, she discovers a dark secret to the players’ onstage antics. Torn between finding her brother or exposing the truth about the players, could her gifts as a storyteller offer a way to solve Harlequin’s riddle?
Converse via: #HistoricalFantasy, #YAFantasy, #TalesOfTarya
as well as #OdysseyBooks & #WyrdAndWonder
About Rachel Nightingale
Rachel Nightingale has been writing since the age of eight (early works are safely hidden away). Harlequin’s Riddle is her first novel.
Rachel holds a Masters degree and PhD in Creative Writing. Her short stories have been selected several times for exhibition as part of the Cancer Council Arts awards, and winning the Mercury Short Story competition (junior section) at the age of 16 only fuelled her desire to share her stories with the world. One of her plays, No Sequel, won the People’s Choice Award and First Prize at the Eltham Little Theatre’s 10 Minute Play competition in 2014, while another, Crime Fiction, was performed at Short and Sweet Manila in 2016. Her second passion after writing is the theatre, and she has been performing in shows and working backstage for a rather long time. She co-wrote and performed in the 2013-2015 version of the hugely popular Murder on the Puffing Billy Express, a 1920s murder mystery set on the iconic Dandenong Ranges train.
The inspiration for the Tarya trilogy, which begins with Harlequin’s Riddle, began when she read a quote by Broadway actor Alan Cumming about that in-between moment just before you step on stage and enter a different world, and began to wonder what you might find in that place between worlds.
Acquired Audiobook By:I started to listen to audiobooks in  as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring, knitting and playing solitaire agreeable companions to listening to audiobooks, I embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions.
Through hosting for Audiobookworm Promotions, I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods. Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue wherein I can also request new digital audiobooks to become added to their OverDrive selections. Aside from OverDrive I also enjoy having Audible & Scribd memberships as my budget allows. It is a wonderful new journey and one I enjoy sharing – I have been able to expand the percentage of how many audios I listen to per year since 2018.
I received a complimentary audiobook copy of “The Fall of Mrs Parsons” via Audiobookworm Promotions who is working with the author, narrator & the Audiobook Empire (of which Audiobookworm Promotions is affliated) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Hallo, Hallo dear hearts!
I’ve decided to re-focus a few things on Jorie Loves A Story this Summer – starting with #AudiobookMonth this June! I haven’t had the chance to focus on my audiobook reviews which are on my backlogue list nor have I had the chance to properly showcase my ACLs via LibroFM. There is so much wicked good audio out there I’d like to start representing my own interests in this world of audio plays, narrative story and audio performances to help raise a signal flare of readerly joy for all of us who have come under the spell of audiobook narrators and performers.
To kick things off this month, I’ve started with my first selection entitled “The Fall of Mrs Parsons” which clocking in at fifty minutes, I knew was both a short story and a wonderful beginning to my efforts this month to listen harder to the stories and to dive deeper into the audiobooks I’ve selected to listen too. Fifty minutes might not seem like enough space and time to articulate the emotional depth of a story but as you will soon see in my review, it is not only long enough but the breadth of space within this story is a mark of literary gold. Bond surely knew what he was doing when he crafted the life of Mrs Parsons and the narrator, Jenn Lee brilliantly brought Mrs Parson’s to life in her narration.
This #AudiobookMonth, you’ll be seeing a few carry-overs from #WyrdAndWonder wherein I’ll be spending time soaking into fantastical worlds of enlightenment, whilst you’ll also see me exploring narrative Non-Fiction, short story and a hodgepodge of genres thereafter. Some will be selections I’ve personally earmarked to read and listen too (via my local and/or regional libraries – CloudLibrary & OverDrive) – others will be more backlogue titles from NetGalley or LibroFM; whilst others might be from my personal shelves on Audible. Whichever way the audiobooks were brought into my life – this month is one month I shall look forward to endeavouring to share my journey into the heart of the stories themselves whilst discussing how and why the narrators left the impressions they did as I listened to them narrate the stories.
Without further, adieu, I give you my reactions to The Fall of Mrs Parsons!
Mrs. Parsons lives a quiet life in a small cottage in the woods on the outskirts of town, having woken next to her husband Lloyd, and has gone about with her normal routine every day for the past 50+ years. But on this most extraordinary day, she will venture out into the world, reclaiming her place in it and, in so doing so, rediscover herself.
In this lush, romantic short tale from Phil Geoffrey Bond, the simple life is revealed as not so simple at all.
Converse via: #WomensFiction, #Literary or #audiobook, #loveaudiobooks and #audioreads
as well as #AudiobookwormPromotions OR #TheAudiobookEmpire
+ #AudiobookMonth & #JIAM
About Phil Geoffrey Bond
PHIL GEOFFREY BOND is an award-winning author, best known for his collection of short pieces, All the Sad Young Men, and the celebrated picture book, My Friend, the Cat, based on the popular stage show.
Often mixing dramatic prose with live theatre, his original pieces My Queer Youth, The Disney Diaries, My Friend, the Cat, My Roaring Twenties and Small Town Confessions have been embraced by a wide range of off-Broadway audiences. As a playwright, Phil has developed work at The Sundance Theatre Lab (The Citadel), and many regional theatres throughout the states. A fixture on the NYC nightlife scene, he is a seven-time MAC (Manhattan Association of Cabarets), two-time Bistro and one-time Nightlife Award-winner.
Currently, he is the writer/producer/host of Sondheim Unplugged, now enjoying it's 6th year at Manhattan nightspot Feinstein's/54 Below. 2016 will see the release of his debut novel, The Last Year at Low Tide (Chess Books). In 1993, he was awarded the Presidential Medallion from President Clinton on behalf of his work as a young playwright.
I have been hosting for Poetic Book Tours for a few years now, where I am finding myself encouraged to seek out collections of poetry or incredible fiction being published through Small Trade publishers and presses. I have an Indie spirit and mentality as a writer and I appreciate finding authors who are writing creative works through Indie resources as I find Indies have a special spirit about them. It is a joy to work with Poetic Book Tours for their resilience in seeking out voices in Literature which others might overlook and thereby, increasing my own awareness of these beautiful lyrical voices in the craft.
I received a complimentary copy of “Who’s Your Daddy” direct from the publisher Augury Books in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Re-visiting what I loved about reading Arisa White’s poetry:
As you disappear into the mind of Ms White – you see how raw and visually acute she leaves behind her impressions of not only sexuality but of life – of the differences between cultures and the mindfulness of sensing what is not yet spoken aloud. She has a way of intuiting what is meant to be understood out of the recesses of memory whilst augmenting her own experiences against that of what is perceived by others of being a truth they could accept by their own observations. She tucks into the hearty topics of our world – whilst owning the rawer bits that are not always spoken about – in poetry or in everyday conversations.
White etches out her own authentic truth and the truth of everyone seeking to find love, compassion, acceptance and beauty in their life. She humbling approaches her poetry with the intrinsically of a woman who breathes a lifeblood of passion for living and the joy of embracing each new day as one full of possibility. Some of the poems are hard to read due to their emotional conviction and others, are a bit more sublime in how they can articulate the moment of life being captured within their poetic home. There is an umbrage of living narrative running throughout the collection that celebrates how life is lived and deeply felt whilst granting us a view of a passage of life different from our own.
A lyrical, genre-bending coming-of-age tale featuring a queer, Black, Guyanese American woman who, while seeking to define her own place in the world, negotiates an estranged relationship with her father.
Arisa White is a Cave Canem fellow and an assistant professor of creative writing at Colby College. She is the author of four books, including the poetry collection You’re the Most Beautiful Thing That Happened, and coauthor of Biddy Mason Speaks Up, winner of the Maine Literary Book Award for Young People’s Literature and the Nautilus Book Award Gold Medal for Middle Grade Nonfiction. She serves on the board of directors for Foglifter and Nomadic Press.
In  I launched a new weekly featured concentration of book reviews on Jorie Loves A Story which celebrates my love and passion for the historical past! For those of whom are regular readers and visitors to my blog, you’ll denote a dedicated passion for reading Historical Fiction (and all the lovely segues of thematic therein) – I am a time traveller of the historical past every chance I get to disappear into a new era and/or century of exploration. There isn’t a time period I haven’t enjoyed ruminating over since  and there are a heap of lovely timescapes I’ve yet to encounter.
This feature was inspired by the stories I’ve read, the stories I’ve yet to experience and the beauty of feeling interconnected to History through the representation of the past through the narratives being writ by today’s Historical Fiction authors. It is to those authors I owe a debt of gratitude for enlightening my bookish mind and my readerly heart with realistic characters, illuminating portals of living history and a purposeful intent on giving each of us a strong representation of ‘life’ which should never become dismissed, forgotten or erased.
I began this feature with the sequel to a beloved historical novel I first read in  – it was one of the first ARCs I received and it was the first year I was a book blogger though it was through a connection outside my life as a blogger. I celebrated K.B. Laugheed’s literature to kick-off this feature and hopefully will inspire my followers to take this new weekly journey with me into the stories which are beckoning to read their narrative depths and find the words in which to express the thoughts I experienced as I read.
Acquired Book By:I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring. It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
My path first crossed with Kathleen Shoop in  whilst I was participating in a summer reading challenge by BookSparks. I was also a reviewer and blog tour hostess with the publicity firm whilst I was joining the SRC reading challenge they were quite infamous of hosting for the very first time. My experiences that summer were less than gratifying as I lost traction with the challenge itself and only posted a few reviews out of the ones I was meant to be posting. Ms Shoop and I crossed paths that year due to her latest Letter series release “The Road Home” which was part of the SRC challenge for . During that summer I also received a #bookmail parcel from the author which include a variety of her stories for me to start reading. They were not for review consideration but if I was inspired to blog about them after I read them that was up to my own discretion and choice. I had a feeling I might be leaning in that direction as just by browsing through the stories and where they could be taking me, I felt they would be the #nextreads I would most enjoy experiencing.
Life and health afflictions (especially my chronic migraines) conflicted with my start/stop attempts to read the books themselves until I felt re-inspired to re-attempt to read one of the novels – “After the Fog” [Spring 2019] which I had no idea was being anchoured to a sequel “The Strongman and the Mermaid” which was also going to be featured on a blog tour with Historical Fiction Virtual Book Tours [Spring 2019]. Thereby, it felt like the timing was aligning properly for me to start to read her canon of stories and with my newfound inspiration I couldn’t wait to begin my journey into her collective works.
A bit over a year lateron, I am still struggling to get focused onto the stories on my backlogue due to various reasons where my IRL adversities in health and the health crises of my parents (we’ve been in the ER 6x times since November 2019; the last of which was this past Saturday!) to where I’ve effectively experience a lot of start/stops in my progress to read the stories on my shelves. When I saw this blog tour adverted I thought, there’s a novella prequel to the Letter series? Hmm. I took that as a sign of entrance into a series I have wanted to be reading for so many years now.
I received a complimentary copy of “The River Jewel” direct from the author Kathleen Shoop in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
My reactions to readingKathleen Shoop:
You can hardly draw a breath as you enter into Rose’s life as a nurse in a small industrial towne which barely has enough medical practitioners that it needs to be medically sound in a place where emergencies were commonplace. In this instance, Shoop begins on a sombering note – of a mother and child who both exited the world the same night as the child’s arrival. It was difficult on Rose – a nurse who grieved for her patients as readily as the doctor she served, but what was one nurse to do with a patient whose birth went sideways as soon as it began? The house she was birthing inside was less than ideal – the light was missing but the effects of the hard birth were not lost on Rose. In many ways, this Rose reminded me of the Rose from Charton Minster (the historical series I loved reading by Margaret James) as both are nurses who go above and beyond their calls of duty.
We also get a firm overview of the towne – of how Donora is co-dependent on her industries and how those industries are co-dependent on each other. Situated below Pittsburgh, its location is on the opposite end of the state than I am familiar though I have passed through the Amish area north of Pittsburgh; it is one city I never had the proper chance to visit. The fact this story is rooted in the steel industry was not a surprise – though like most industrial stories, I found this one refreshing as I haven’t learnt as much about the Industrial Revolution as I ought to have before I graduated. Interestingly enough, no one was ever interested in talking about History after the Civil War or outside of the war eras of the early 20th Century. You have to rally together the missing pieces of history on your own and through reading Historical Fiction these past six years I’ve filled in the gaps far easier than all the years I was in school (which is telling in of its own).
Shoop writes with historical realism – the descriptive details you’d nearly expect out of a Historical narrative but also with a grittiness you might not be fully prepared for reading. Rather than gloss over certain aspects of the novel’s period history, Shoop delves into the gritty depictions of what this kind of life can lead to observing as you live through the era in which it is written about – from the visuals of what Rose must endure as a nurse to the ways in which the lives within the novel are spoken about or referenced. This is a historical novel that tucks you close to the edges – where you can peer at these people’s lives with a rawness as if they were going about their hours without realising someone was taking notes about how they were living, what they were doing or how they occupied their hours. It is an examination on a sociological layer of insight but it is also a gut-punch reality of how people lived through a particular jarring era in history where personal health and the environmental toxicity in their air was assaulting their lungs – “After the Fog” – is a cautionary story about how a disaster in the past can be a foreshadow to the future.
A grandfather in his nineties takes a moment to sit with his granddaughter and his great-grandson to tell them about the fabled Strongman and Mermaid – at least this is our reckoning, as the story of who they had been has nearly become lost in time itself had he not held strong to the book which started to unravel his hidden memories of the past. For her sake, you could tell the strain was affecting her – she simply wanted to do right by her grandfather, where his mind was not allowing himself to remain independent and how the effects of his condition were not just growing worse but they were allowing her to think about the issues which would soon arise if she didn’t force the issue of his relocation. Anyone whose had elder relations knows the position she was in and knows it well; for circumventing problems before they arise in families is one of the hardest obstacles you can transition through outside of resolving the grief which stems from the loss of the relatives who’ve gone on into the next life.
It was here – in a kitchen, you find his voice is still viable enough to piece together the words which compose the story – of how someone’s parents were the better part of a story long since told and that is how we find ourselves time shifting back into 1910 – leaving 2019 with a fresh perspective about Donora about to flicker through our mind as we re-shift back into this sooty dusty mill towne which has a grip of a grasp on everyone whose once lived there.
Mary is a girl ahead of her years – in charge of rallying her siblings to rights before she heads off to work – they were bound for school but she needed to put in a day’s wage and help her family earn the keep which would enable them to stay afloat. You could see her industrious nature in how she attended to the fuel her family needed – not one to shy away from hard work or the arduous litany of chores most girls’ her age might not be as willing to do – you gathered Mary was a forward-thinking kind of girl which was a refreshing change out of her generation. She didn’t see herself limited by means nor in ownership of her future based on her present circumstances; she chose to look towards something positive rather than give into the fact her life could be a repetitious pattern of the hours she currently spent. You felt for Mary – for her courage but also her willingness to see the lighter side to life – where joy and happiness reside.
You immediately get lost inside The Strongman and the Mermaid – not just because the story is part legend and lore; of the personalities and personas people believe in despite the appearances of their composites in reality but because of how Shoop crafted the story. We find our vehicle in the presence of Patryk – a grandfather who simply wants to re-live the olden days if only to give the next generation pause to think about how their ancestors carved out the future they are currently enjoying to live. Part of his joy also stemmed from a deeply felt sense of honour and admiration for Mary and Lukasz – for their story was what had given him the most hope for his own situation. If he could hold onto the stories – keeping the memories close in mind as much as in heart, I believed Patryk felt he wasn’t going to completely remove himself from his own past. He was still a part of the stories being passed down and those living histories meant everything to him.
The more you disappear into the lives of Mary and Lukasz, the more you realise how hard they both were struggling against their own conventions. Their towne had a society of obligation about it – where old school philosophies hadn’t quite become exchanged for the new world mentality where a man and a woman could afford their own choices in their lives. Mary was expected to do the bidding of her parents – irregardless of what she personally wanted for herself, she was needed to work in order to provide whatever they needed based off her pay. This proved to be an exhausting commitment but also a sad one, too as she truly enjoyed her time spent with Mrs Dunn. Dunn was the kind of woman who appreciated Mary’s assistance but knew she couldn’t provide everything she needed – in many ways Dunn was the surrogate mother Mary needed in her life – guiding her with inspiration, encouraging her to think outside the required box her parents wished for her to feel security inside and giving her a chance to breathe a dream of her own choosing.
I truly liked how the story was paced – how you feel emotionally connected to both lead characters and how the towne itself feels a bit more alive somehow – it has its own pace of delivering its presence, not just due to the way work is scheduled but how the people live there. It is a fitting testament to this towne’s history but also as a nod towards the people who forged a life out of an area that was a hard-won place to carve out a living. All of this created the best atmosphere in which to soak inside the historical backdrop Shoop gave us and fittingly, it felt like a better place to begin the series rather than as a sophomore installment.
The novella, The River Jewel, takes readers of the bestselling Letter Series novels back in time, before there was a last letter, before the Arthurs lost everything, before they knew a girl named Pearl.
Meet Tilly Rabel, a proud oyster-woman, and Landon Lockwood, the troubled son of one of the wealthiest men in America. The two could not be less suited for love. But when an old legend draws Landon to a hidden river cove, Tilly and he find each other, are lured by growing attraction, and repelled by competing desires to control Tilly’s waters. The hidden pool is replete with valuable mussel beds and the source of everything that makes Tilly who she is. Landon sees the illustrious treasure as the path to proving to his parents he is worth their love and worthy of the Lockwood name. Can Tilly trust Landon with her heart, with her beloved mussel beds? Can Landon trust that he has truly changed and doesn’t need his parents approval to live the life he wants?
Heartbreak, triumph, and a very special baby weave a tale sure to please readers who’ve read the entire Letter Series and those who are just starting the journey.
The River Jewel & The River Promise (series novellas) (prequel duology)
The Last Letter (book one)
The Road Home (book two)
The Kitchen Mistress (book three)
The Thief’s Heart (book four)
Formats Available: Trade Paperback, Audiobook and ebook
About Kathleen Shoop
Bestselling author, Kathleen Shoop, holds a PhD in reading education and has more than 20 years of experience in the classroom. She writes historical fiction, women’s fiction and romance. Shoop’s novels have garnered various awards in the Independent Publisher Book Awards, Eric Hoffer Book Awards, Indie Excellence Awards, Next Generation Indie Book Awards and the San Francisco Book Festival. Kathleen has been featured in USA Today and the Writer’s Guide to 2013. Her work has appeared in The Tribune-Review, four Chicken Soup for the Soul books and Pittsburgh Parent magazine. She lives in Oakmont, Pennsylvania with her husband and two children.
I have a wonderfully wicked surprise for you! This morning, I am featuring an author I was meant to read when this novel first published – as the publisher sent me an ARC copy of the novel. However, due to health afflictions & life as it evolved that particular year, I unfortunately never had the chance to finish reading it! Shifting forward – I put in a request for the audiobook at my regional library which was accepted and for this lovely blog tour, I not only resumed whence I had left off with the story *but!* I also listened to the audiobook version my library thankfully purchased for me!
Mind – the audiobook is quite popular and I had to wait for it to come back round to me in order to complete it for this tour, as well! I am thankful I originally knew about it via the publisher as it made accepting hosting this blog tour for Historical Fiction Virtual Book Tours quite a bit easier!
The reason reading ”The Lost History of Dreams” appealled to me:
After reading “Once Upon A River”, I felt I have a good knowledge of the direction this Gothic tale might spin and it is such a unique premise, I felt it would be an interesting and captivating read. I wish there had been a Discussion Guide or Author Interview attached to this page for the book as I thoroughly enjoyed reading those for the former title. However, what was revealled seemed to fit my reading tastes as best as I could tell.
Being an appreciator of Forensic stories – either through medical examiner dramas on television such as Quincy, M.E.; Crossing Jordan; Murdoch Mysteries; NCIS & NCIS: NOLA or through narrative fiction such as the Lady Darby series by Anna Lee Huber – I am drawn into stories which centre round the examination of the dead. This is one of two stories I found by #newtomeauthors this year – the second, is “The Undertaker’s Assistant” by Amanda Skenandore – whilst I look forward to continuing my readings of the Lady Darby series as well.
This particular story offered an interesting approach to the context of the subject being explored – as it is not through the lens of the ME we’re focusing through but rather the photographer of the dead instead. Quite a curious leap I felt, as I knew there were photographs of the 19th Century which parlayed into this particular field – of where families wanted an after death reminder of the person they loved – the photographs in this instance are not for the examination of a crime or the cause of the deceased’s demise but rather a fitting tribute to the person who once lived.
In this instance, I felt Waldherr had a wickedly original plot and I was most compelled to seek it out to read! I was very grateful to be amongst the book bloggers who received this novel and I couldn’t wait to uncover the mysterious answers to the unique questions which would become alive as I read the story!
When famed Byronesque poet Hugh de Bonne is discovered dead of a heart attack in his bath one morning, his cousin Robert Highstead, a historian turned post-mortem photographer, is charged with a simple task: transport Hugh’s remains for burial in a chapel. This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.
However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.
As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.
Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.
Converse via: #LostHistoryOfDreams, #HistNov and #HistFic
+ #Gothic #HistoricalMystery or #GothicSuspense Available Formats: Hardcover, Audiobook & Ebook
About Kris Waldherr
Kris Waldherr is an award-winning author, illustrator, and designer. She is a member of the Historical Novel Society, and her fiction has been awarded with fellowships by the Virginia Center of the Creative Arts and a reading grant by Poets & Writers. Kris Waldherr works and lives in Brooklyn in a Victorian-era house with her husband, the anthropologist-curator Thomas Ross Miller, and their young daughter.