Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary copy of “Lady of Thousand Treasures” direct from the publisher Tyndale House Publishers in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
My favourite takeaways from my first reading of a Sandra Byrd novel:
I had noticed the quick-fire cross-references being mentioned throughout this blog tour on behalf of Mist of Midnight to lay a correlated thought of insight to the story if readers were familiar with Jane Eyre. I believe this is a bit of a misstep, as despite my fanciment for Gothic Lit intermixed into Historical Fiction, even I can appreciate how diversely eclectic and unique the offerings are within the genre-benders. It is a bit as to say that every Classic Psychological Suspense (i.e. Classic Horror) motion picture is going to be a cardinal carbon copy of the previous release. Although there are inherent similarities to Eyre or any novel within this subset of literature, there is a striking originality to Byrd’s narrative voice, and the way in which she stirs the setting to alight in your mind’s eye.
I did not hear any footfall or echo of Eyre’s voice in the character of Rebecca Ravenshaw, as instead, I heard Rebecca’s voice quite clearly on her own grounds. She’s a full-bodied character not a composite of a previous incarnation of a previous era’s most beloved heroine. The misstep for me is the presumption on what the story entails, as this isn’t a Governess tale, no, this is an inheritance and right of identity tale which pushes far past where Eyre ventured. Atmospherically I do agree, there are certain hidden clues and nudges to elude to where Eyre resided, but again, this isn’t a novel I’d cross-compare Byrd’s narrative, as it would deceive the readers who are wanting to soak inside it unless there is a definitive explanation about ‘what’ directly refers to setting and what is ‘different’ altogether in the story’s arc.
I found more crumbs of cognisant triggers of familiarity stemming out of Mists of Midnight to previous novels I’ve read by ChocLitUK and several via HFVBTs. More readily I would say the styling of how Bryd has writ her new series for the Daughters of Hampshire is a beautiful compliment to how ethereally and historically stimulating I’m finding the Lady Darby series by Anna Lee Huber. Wordsmiths who breathe a stability of place, time, character depth and arc of journey will always leave me perpetually museful for their discovery. Byrd is amongst my top favourites for giving us a story which transcends straight out of where we’ve planted our seat to hold the pages, which as they are turnt, lead us into the murky shadows of where truth and light are sometimes cast in gray.
Each Gothic Lit Historical Narrative is wholly original into itself, as the creator who inked the words alighted upon the premise by a different series of avenues before committing pen to creation. The die is cast so to speak with a uniqueness that is not quite like another story, but whose individual elements can bewitch you with their cosy comfortness of relating a particular sensory experience you had whilst reading other novels within the genre.
I only took sparse pauses away from this novel, as I have the tendency to want to devour a text such as this, save for slumber and a quick nosh; devouring it’s elegant world-building, as it’s secondary characters who alight on the page as if their histories were being writ as they lived. I love seeing secondary cast members as fully true in their bones as their lead counterparts. There is a realism in having this underwrit into a novel, and I must say, Byrd has excelled.
– as disclosed on my review of Mist of Midnight,
Daughters of Hampshire, Book One
Lady of a Thousand Treasures
by Sandra Byrd
Source: Publisher via Historical Fiction Virtual Book Tours
Miss Eleanor Sheffield is a talented evaluator of antiquities, trained to know the difference between a genuine artifact and a fraud. But with her father’s passing and her uncle’s decline into dementia, the family business is at risk. In the Victorian era, unmarried Eleanor cannot run Sheffield Brothers alone.
The death of a longtime client, Baron Lydney, offers an unexpected complication when Eleanor is appointed the temporary trustee of the baron’s legendary collection. She must choose whether to donate the priceless treasures to a museum or allow them to pass to the baron’s only living son, Harry—the man who broke Eleanor’s heart.
Eleanor distrusts the baron’s motives and her own ability to be unbiased regarding Harry’s future. Harry claims to still love her and Eleanor yearns to believe him, but his mysterious comments and actions fuel her doubts. When she learns an Italian beauty accompanied him on his return to England, her lingering hope for a future with Harry dims.
With the threat of debtor’s prison closing in, Eleanor knows that donating the baron’s collection would win her favor among potential clients, saving Sheffield Brothers. But the more time she spends with Harry, the more her faith in him grows. Might Harry be worthy of his inheritance, and her heart, after all? As pressures mount and time runs out, Eleanor must decide whom she can trust—who in her life is false or true, brass or gold—and what is meant to be treasured.
Places to find the book:
Also by this author: Mist of Midnight
Published by Tyndale House Publishers
on 9th October, 2018
Format: Trade Paperback
Formats Available: Trade paperback, ebook and audiobook
Converse via: #SandraByrd, #VictorianLadies + #HistRom or #HistFic
Reading this book contributed to these challenges: