Acquired Book By:I was invited to join the Head of Zeus blog tour for the Time Shift Historical Drama “The Boy with Blue Trousers” which I felt an immediate connection too. I was overjoyed to have this opportunity to read this novel as there was something rather wickedly interesting about the premise and how it felt it was going to be told by the author. I haven’t been hosting for this publisher for very long and each blog tour I am able to host I feel blessed as I love celebrating authors from the UK and the stories they are telling through the different genres Head of Zeus is publishing which encourages my bookish and readerly wanderings into Crime Dramas, Historical Fiction and Historical Sagas as well as other genres I’ve keenly become intrigued by over the years as I’ve been blogging.
I received a complimentary copy of “The Boy with Blue Trousers” direct from the publisher Head of Zeus in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
How I came to be reading “The Boy with Blue Trousers”:
The story sounds convictingly emotional – especially as it has a duality perspective as two women try to change their stars and reclaim their lives. I also liked the multi-cultural aspects of it as well. I do not oft get to read a novel set in Australia and I love the cultural heritage and diverse population of the country whilst I enjoy finding Historical set in a country I’ve loved having friends from over the years as I’ve had the chance to get to know a bit about Australia in the process of our friendships.
This will mark my first Historical Time Shift read from a Head of Zeus novelist whilst at the same time it is the first time I’ve had the pleasure of reading and discovering the Historical styling of Carol Jones. I love disappearing into the historical past on quite the regular basis – this one felt alive in a different kind of place set during a portion of history I haven’t previously read and happily gave me an entry point into a new cornerstone of History to explore.
Whenever this happens it’s a bookish celebration as I love *Historical Fiction!* for giving me a time traveller’s glimpse into the past; especially as the writers themselves are not just deepening the experience we have within their stories through research but they are giving us compellingly realistic characters to tuck close to in order to better understand their section of ‘history’.
Happily part of my showcase for this beautiful blog tour is being able to ask a few pertinent questions on behalf of the story to coincide with my featured review today. I’m going to be sharing the first three questions ahead of my review and you can happily read the conclusion of our conversation after I share my ruminative thoughts on behalf of The Boy with Blue Trousers. I am truly blessed and thankful to Ms Tavella for scheduling this Q&A.
For my regular readers, visitors & followers alike – you’ll already know how much I appreciate interviewing the authors I am reading and reviewing here on Jorie Loves A Story. If this is a first time visit via this blog tour to my blog – you’ll quickly see how much I love discussing Historical Fiction and the elements of what make this particular story rather uniquely nuanced in the genre I am dearly passionate about reading!
A key part of your novel is about a woman who is trying to escape her circumstances by disguising herself as a ‘boy in blue trousers’ – how did you conceive of the disguise and how did hiding her gender have a greater effect on her, outside of attempting to keep her safe?
Jones responds: There is a long tradition in Chinese literature of female characters who disguise themselves as men. The story of Mulan is well known outside of China courtesy of Disney, but there are many other examples in plays, stories and opera.
In creating the character of Little Cat I was borrowing from a longstanding literary tradition. Besides, if I wanted to write an authentic story about a Chinese woman joining the rush for gold in Australia in the mid-nineteenth century, the only feasible way for her to arrive was dressed as a boy.
At least 16,000 Chinese immigrants landed on the shores of Robe, South Australia in 1856 and 1857 to make the trek to the goldfields, and only one was a woman. Chinese women rarely left China at this time. The disguise allowed her to make the journey, it helped keep her safe, but it also allowed her a greater freedom. And as the novel progresses, she begins to learn that with that greater freedom also comes greater responsibility. With more choice, she has more room for error. I think she also begins to appreciate the more feminine aspects of her character that she previously regretted.
Both Little Cat and Violet are women who are trying to re-direct their lives on their own terms – how important was it to focus on their determined spirit to not allow circumstances to be a determining factor in the path their future would hold?
Jones responds: Oh, it was essential. I think everybody faces limitations placed upon them by family and society, but both Little Cat and Violet have been totally hemmed in by their circumstances. Yet both characters are determined not to let those circumstances define them or dictate their lives, and consequently they get themselves into a great deal of trouble.
Australia, or New Gold Mountain as the Chinese miners called it, represents an opportunity for both to remake their lives. And although they choose very different methods, neither woman will let little things like gossip, poverty, hardship or danger, stop them.
Of all the characters within this novel – who was the most challenging to bring forward into the scope of where you wanted readers to emotionally feel conflicted by their presence?
Jones responds: I anticipate that readers will feel conflicted, and indeed I intend them to feel conflicted about two characters. Violet, although quite charming at times, is also a very self-centred woman who is often careless of others. I know that some readers will dislike her, but I hope they will also appreciate that her actions are a survival mechanism at a time when a single woman, especially one from the ‘genteel’ classes, had few options for supporting herself. I also hope that they will admire her indomitable spirit in not accepting her society’s strictures about how a woman should behave.
Young Wu is the other character, who I am fairly sure will be disliked initially, as he espouses opinions that are probably an anathema to many readers, opinions that are a product of the era and his society. However, as the story progresses I think the reader’s view of him might change. I can’t say more without spoilers!
Notation on Cover Art: The art of embroidery has a reason of being highlighted on the cover for this novel and when you hold this UK edition up close and personal you get to see the finer details of how this art form was used in the design for the cover. I personally loved the choices the publisher made with designing this cover as it eluded towards key passages, sequences and scenes within the novel but without voicing to whom they belonged or why it was important to reference them. It is rather stunning seeing the hues combine in person and to see dimensionally how this fits into the story itself.
On the goldfields of 19th Century Australia, two very different girls are trying to escape their past.
English governess Violet Hartley has fled from England after a scandalous liaison. Now she is angling for a rich husband and a new life. Little Cat is fleeing from her home in Southern China after killing the powerful old man who tried to abuse her. Disguised as a boy, she joins the huge Chinese workforce on the goldfields of Victoria. But the son of the murdered man is on her trail, intent on vengeance. Violet Hartley becomes first suspicious, then jealous of the delicate looking Chinese boy. Love, sexual desire, violence and financial ambition entwine in this mesmerising saga.
Born in Brisbane, Australia, Carol Jones taught English and Drama at secondary schools before working as an editor of children’s magazines. She is the author of several young adult novels as well as children’s non-fiction.
After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout  will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Book By:I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary ARC copy of “We Shall See The Sky Sparkling” direct from the publisher Kensington Books in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
On why this novel appealled to me:
A good portion of the story is hinged on ancestral sleuthing and of keeping the living histories of our families alive for each new generation who has the chance to hear them told. Being one half of the Ancestry Sleuth team in my own family, I can attest to how the preservation and the exploration of one’s family line can become quite a wicked adventure! Especially if you only have subtle clues towards researching past your maternal and paternal great-grandparents or know the names of at least a few of your great-greats going back from there – genealogy is a pursuit of joy for both my Mum and I.
I keep missing the #HistFicChat’s on Thursdays as my hours during the chat are unfortunately taken elsewhere now to where I can’t chat with fellow enthused readers and the writers of Historical Fiction as I had been free to do the previous year. It was only this Friday where I realised this past Thursday the featured guest was Ms Aikin and as I read a part of the feeds for the chat, I soon unearthed that part of this story was inspired by her own ancestral lineage! In fact, she had an actress in her family (see this tweet) whilst she also was heavily read in pre-revolutionary Russian Lit which also inspired the story itself (see also this tweet).
I’m hopeful I can start to return to the chat – as Rachel Brimble is returning to speak about a sequel to her Pennington novel – of which I enjoyed discussing when it first published and Soraya Lane is going to be featured the following week for her latest release The Spitfire Girls which I enjoyed talking to her a bit about on Twitter previously during the last year. I purchased one of Soraya Lane’s past novels on audiobook via Audible and I placed a request for The Mistress of Pennington’s which was accepted by my local library. The paperback is on hand to be read and the audiobook is one I have slated to be listened to this Spring whilst I endeavour to read, listen and focus on Historical Fiction selections during my #HistoricalMondays showcases.
I decided to feature this during my #SaturdaysAreBookish feature as to me it spoke to me as being a Historical Women’s Fiction narrative – whereby, the main threads of the author’s muse were interconnected to her grandaunt and the legacy of the life she had lived. It is a particular lens into how one woman dared to live a different life – go to different places in the world and to curate her own path from her era’s conventions. To me that is at the heart of why Women’s Fiction is relevant today as it doesn’t matter if the stories are Contemporary or Historical in nature if they are focused on telling a woman’s journey – towards her own destiny on terms she determined herself or how she overcame adversity or tragedy and still found a way to move forward in the aftermath. These kinds of stories always interest me and are part of the inspiration behind both the feature and the the redirection of my chat @SatBookChat.
Thereby, you can see – I predominately focus on reading the historic past and attempt to find new voices in Historical Fiction every year, such as Ms Aikin!
Notation on Cover Art:I could honestly envision Lily is on the cover – letter-writing was dearly important to her as it was a method of keeping in touch with her brother and sister. Her letters are a featured pause in the narrative arc and I, personally, loved how they were included in the chapters. Therefore, whomever designed this cover truly tapped into the heart of Lily and gave her a cover where you could almost see her coming in from a hectic day where she simply wanted to ink out her thoughts and draft a new letter to post! Even the outfit here reminds me of Lily from Ms Aikin’s pen!
Set in London and Russia at the turn of the century, Susana Aikin’s debut introduces a vibrant young woman determined to defy convention and shape an extraordinary future.
Like other well-bred young women in Edwardian England, Lily Throop is expected to think of little beyond marriage and motherhood. Passionate about the stage, Lily has very different ambitions. To her father’s dismay, she secures an apprenticeship at London’s famous Imperial Theatre. Soon, her talent and beauty bring coveted roles and devoted admirers. Yet to most of society, the line between actress and harlot is whisper-thin. With her reputation threatened by her mentor’s vicious betrayal, Lily flees to St. Petersburg with an acting troupe–leaving her first love behind.
Life in Russia is as exhilarating as it is difficult. The streets rumble with talk of revolution, and Lily is drawn into an affair with Sergei, a Count with fervent revolutionary ideals. Following Sergei when he is banished to Vladivostok, Lily struggles to find her role in an increasingly dangerous world. And as Russian tensions with Japan erupt into war, only fortitude and single-mindedness can steer her to freedom and safety at last.
With its sweeping backdrop and evocative details, We Shall See the Sky Sparkling explores a fascinating period in history through the eyes of a strong-willed, singular heroine, in a moving story of love and resilience.
Born in Spain of an English father and a Spanish mother, Susana Aikin is a writer and a filmmaker who has lived and worked in New York City since 1982. She was educated in both England and Spain; studied law at the University of Madrid, and later Creative Writing at Manchester Metropolitan University, UK.
In 1986 she started her own independent film production company, Starfish Productions, producing and directing documentary films that won her multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. She started writing fiction full time in 2010. She has two sons and now lives between Brooklyn and the mountains north of Madrid.
I am launching a new weekly featured concentration of book reviews on Jorie Loves A Story which celebrates my love and passion for the historical past! For those of whom are regular readers and visitors to my blog, you’ll denote a dedicated passion for reading Historical Fiction (and all the lovely segues of thematic therein) – I am a time traveller of the historical past every chance I get to disappear into a new era and/or century of exploration. There isn’t a time period I haven’t enjoyed ruminating over since  and there are a heap of lovely timescapes I’ve yet to encounter.
This feature was inspired by the stories I’ve read, the stories I’ve yet to experience and the beauty of feeling interconnected to History through the representation of the past through the narratives being writ by today’s Historical Fiction authors. It is to those authors I owe a debt of gratitude for enlightening my bookish mind and my readerly heart with realistic characters, illuminating portals of living history and a purposeful intent on giving each of us a strong representation of ‘life’ which should never become dismissed, forgotten or erased.
I am beginning this feature with the sequel to a beloved historical novel I first read in  – it was one of the first ARCs I received and it was the first year I was a book blogger though it was through a connection outside my life as a blogger. I am celebrating K.B. Laugheed’s literature to kick-off this feature and hopefully will inspire my followers to take this new weekly journey with me into the stories which are beckoning to read their narrative depths and find the words in which to express the thoughts I experienced as I read.
Acquired Book By: In  I was still participating in the Early Reviewer programme via Book Browse wherein I received an ARC for “The Spirit Keeper” – a new Historical Fiction narrative which sought to break boundaries of its genre and which captured me heart and soul as I read it. It was an emotionally gutting read, a historical reckoning of a story and it left me ruminatively curious about what the ‘next’ chapter of this extraordinary character’s life would be in the sequel.
I decided to write an expanded review on my blog for my own edification after having contributed my Early Reviewer review to Book Browse – it was one of the few times I was able to do this even though there are a few other ARCs I received from Book Browse I’d like to still blog about in the near future which fittingly have more to be said on their behalf from my readerly experience.
Likewise, I also reached out to the author directly shortly after I posted my review in September of 2013; remember dear hearts, I launched my blog live on the 6th of August, 2013 – so this expanded review became one of the first officially celebrated novels of Jorie Loves A Story in the beginning of finding my writerly voice and my bookish presence in the book blogosphere. It pre-dated hosting blog tours and working with publishers, publicists and authors directly.
Although I remained in contact with the author a bit over the years – simply checking the status on the sequel or offering encouraging thoughts on writing it – I don’t consider this a conflict of interest as to be honest, it was not constant contact and we weren’t in contact on a regular basis nor did we touch base each year since 2013.
When I received an email from Ms Laugheed this past December, 2018 – to say I was pleasantly gobsmacked to have heard from her after a long absence of communication is putting it mildly! I was overjoyed – more for her than for me – as she was announcing the sequel was being published! She decided at long last to go the Indie route towards publication and I was full of joy and happiness for her as this was a very long and dedicated route back to publishing a sequel I believed in as a reader (and there are others like me out there) but of which I wasn’t sure if any of us would get a chance to embrace it in published form.
Thereby, I did not hesitate to respond to her request to accept this new novel for review consideration – the only thing which delayed my entrance into its chapters was my five week Winter virus (from before Christmas to the early weeks of January, 2019) and my three successive migraines (from mid-January to early February). I read this immediately after recovering from my third migraine and was thrilled I could finally attach my mind and heart round the continuing journey of Katie and Hector!
I received a complimentary copy of “The Gift of the Seer” by the author K.B. Laugheed in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Re-visiting “The Spirit Keeper”
My original motivation to read the novel: I wanted to partake in her journey untoward becoming one man’s living vision of ‘a creature of fire and ice’ and to see if they could fulfill each other’s destinies therein. It is such a curious proposition, to be taken by force from one’s own family, and re-positioned into a life, by which, you’re in complete unfamiliar territory, amongst people who speak a different tongue than your own, and by your own wits, have to determine how to survive. I was curious by how she was going to effectively change her life and heart; and to what end she must do so! This felt to me like a piece of Magical Realism wrapped up inside a Historical Fiction, rooted into the conscience of the American Frontier! I was besotted with the plot, and needed to read it to ascertain what the story truly was about! The Spirit Keeper spoke to me, as a book I needed to read rather than merely a book I wanted to read! I listen to my intuition in other words!
Ms Laugheed advised me to re-read “The Spirit Keeper” ahead of reading “The Gift of the Seer” – what I hadn’t the heart to tell her is my copy of the novel is packed as most of my personal library has been packed for the last four years. I couldn’t sort out which box it is held within if I had a compass as I literally have quite the expansive library being stored right now. This is one key reason why I can’t always re-read the novels I’m reviewing – as I only have a handful of books I’ve reviewed the past few years unpacked and shelved – most of which, are first or seconds in series, awaiting new releases to where I can turn back to and re-read a bit ahead of delving into the next installment. I did have The Spirit Keeper prominently shelved for quite a few years after it was released – it was only recently I had to make the hard choice to pack it away for safe keeping til I can restore my library back to rights.
Therefore, I did what any other book blogger would do in this situation – I borrowed a well-loved copy from my local library and as I re-entered the story, I was quite shocked by what I discovered! I hadn’t forgotten as much as I was expecting, too! I re-read the opening bridge of the novel – re-visiting how Katie was taken from her family, the traumatic transitioning into life with the Spirit Keeper and Hector as much as re-aligning in my mind the era this series is set and the mannerisms of how the story is told. As Ms Laugheed has a very distinctive style of historical story-telling; it is one reason I was hugged so dearly close into the story originally.
Secondly, as I noticed a lot of readerly flashbacks moving through my mind’s eye after that particular re-visitation – I immediately flipped to the last quarter of the novel, resumed as if I hadn’t been absent from this story for :six: long years and re-lived the concluding chapters, as fresh as dew on recently mowed grass. I seriously was re-captured by what was left behind for my eyes and heart to find – thereby, I knew with certainty I was prepared as I ever could be to re-enter Katie and Hector’s world.
For those of you who might never have had the pleasure of joy reading this novel, let me select a few quotations from my original review – both from what I shared with Book Browse after first reading the ARC and what I expounded upon on Jorie Loves A Story thereafter.
The inertia of reality that besots you as soon as you enter into the world of The Spirit Keeper, is quite a hard bullet to bite, because before you can wrap your eyes and heart around what your visually aware of, your niched into the story! I credit this to the author, as Laugheed endeavours you to jump straight out of your comfort zone, wholly free-falling into a brutal, raw, and untamed section of the American Frontier in the mid-1700s and take a quest towards unraveling the complexities of building a new life in a foreign land. The thematics that are entrenched in the story parlay an exposition on language, translation, and sense of being. She readily elevates our awareness that our words can draw an impact that is not always aware to us, but like the life paths we are walking, we are not always in charge of their meaning or purpose of use.
I will lament, that if you’re a reader who begs off for lighter faire, you might want to caution yourself, as within Chapter One, the author does not hold back on the grim realities of what it was like in the 1700s when an Indian War Party descended upon a settler’s family.
The beauty of the outside world envelopes you from the jump-start, as the open wilderness is the footing for setting this story outside the reach of our known world. Even for those of us who are akin to the natural environment and the inhabitants therein, there is still so much of that world that is readily just outside our scope, outside our understanding. The Native Americans who are on the forefront of the story, evoke a cultural education into accepting stark differences of living, as much as embracing traditions that hold merit (such as the menstrual huts for women).
Flickerments of “Medicine Man” (the motion picture) streamed through my mind, as did “Dances with Wolves” (the motion picture), as in each story, those who only spoke English, learnt to adapt and to live amongst the natives by which they found themselves belonging too better than their own kind. I am drawn into stories that attach us to whole new cultures, traditions, religions, and walks of life. Stories that etch into our imaginations a wholly new world, where there are similarities, but otherwise, as we dip into their narratives, we find ourselves in a foreign land, attempting to understand what we cannot yet conceive possible.
An incredible journey of self-preservation, fortitude of spirit, and overwhelming grief: I was not quite prepared for the journey that Katie, Syawa, and Hector embark upon! It wasn’t so much the long distances that they must traverse through rough hewn terrain, but rather, they are each going through a personal, intimate, internal journey concurrent to their outward journey towards the men’s originating homeland! Each is carrying secrets of their own experiences, and in Katie’s instance, her life is muddled and blighted with far more devastation than anyone could ill-afford possible to a seventeen year old young lady!
Her lot in life has been tempered by abuse and misguided notions of love, unto where she has encouraged a naïve sense of the living world, and has grown an ignorance of how right a life can be lived! I grieved for her and bleed emotions with her recollections of past memories,.. memories that were nearly too hard to bare and to ruminatively lay pause upon. It is through Syawa’s gentleness and effective way of easing her out of her shell, that she truly started to see who she was and who she could be. I only wish I could pronounce Syawa’s name, as I feel as guilty she does in her own story, about the misunderstandings that evolve out of not understanding language and meaning of words, phrases, or names outside our own native tongues!
Language & Translation: the Invisible Barriers we never foresee: Laugheed paints a clear window towards our greatest struggle in accepting and understanding each other, as we present ourselves to each other in our conversations! Each inflection of tone, voice, and the words we use to explain ourselves, can lead us down a path of misunderstanding and of misalignment in what we are attempting to represent as our thoughts, hopes, dreams, and passions. Throughout the story, we are seeing the story as a first-hand account of a diary the protagonist is writing to assert her own history back in her life, as she’s amongst those who do not understand the necessity of having a living history or a story to be told of one’s heritage. She values her experiences, her struggles of faith, and the lessons she is ought being taught as she walks forward into her future. She hasn’t had the easiest of lives, but she isn’t going to allow herself to wallow in the situations she could never effectively change, but rather, pull out a strength deep from within her, to carry her through the tribulations that she was certain were still to come.
Whilst she’s (Katie O’ Toole) recounting her days in her diary, I mused about how this differed from the diary of Robinson Crusoe as it contained more of her essence, her internal quagmire of thoughts, and the irrevocable distraught by which she plagued herself with for most of her arduous journey towards Syawa and Hector’s homeland. From the moment I read the opening page, by which the author departed a precognitive knowledge of how the story might transform as you read the words, I was left with a museful pre-occupation of how that would transpire, and further still, of one particular scene that I had presumed was forgotten within the re-writes and draughts, leading up to publication! However, this falls perfectly into this category of observation about ‘language and translation’, about how what we first perceive to be just and truth, can altogether change and alter, either by the different perception we’ve learnt through experience OR through reading a book that is quite unlike another! This book truly lives up to the proportions of what Laugheed mentions at the start gate: the words transcend their own meaning as you etch closer to the ending, the whole of the story is much larger than the sum of the parts as they are revealed!
In this way, she is giving each of us to turn on our heels, the gross misconception of how we drink in words, knowledge, and observational data. The reader is very much at the heart of this story, and I think, is as central as Katie’s voice in re-telling her own history. What is humbling too, is how as our knowledge expands, the words that were once lost on us, as being completely irreverent suddenly take on new meanings, as they now evoke an ’emotion’, a ‘resolution’, or a ‘truth’ we did not understand previously. An Irish girl cast out into the wilderness of the wild frontier, with two Indian’s as her sole guides and protectors, makes for a curious precept initially, but it’s how they interact with each other, during the everyday hours, that Laugheed excels in not disappointing her reader! She never makes their interactions dull or predictable, because she has woven their personalities into the core of how they interact with each other! You pick up little character traits that come to play a larger part of the story as it threads through its climax, but inside these key portals of frontier life in campsites and canoes, you start to see how its possible to thread a new life together out of the ashes of the old! In this way, I was quietly savouring each exchange between the threesome, curious how they would come to depend on each other, and how they would draw strength by each others’ presence.
The art of story-telling plays a center part of The Spirit Keeper’s heart, but it’s the transformative power of understanding the words that are imparted throughout the story, that turn everything into a new light once the conclusion arrives. What the reader first mistook as a course of events, was truly a resounding precognitive journey that guided two characters forward into a future they would not have been strong enough to embrace otherwise. It’s the redemptive nature of grasping a hold of the essence of those who pass forward and away from our living world that is truly the most remarkable arc of the story! For we all have the ability to be a keeper of a spirit whose touched us deeply and left us remorseful for their presence! We only need the strength to transcend our perception and view our experiences from a different angle to see how the threads stitch together the pattern of our living tapestry!
An environmental conscience: Is cleverly hidden within the context of the story, but is one of the inclusions that I found to be the most illuminating to see!! I oft have found myself the most happiest amongst the trees, rivers, lakes, streams, and out-of-door hideaways that only a person can walk to find! Nature’s door is ever beckoning us to re-enter that sacred space between the natural world and the world by which we live as men. We are drawn towards nature as keenly as we are attached to water as a source of lifeblood, but it isn’t always an easy attachment to maintain, when the hectic nature of our lifestyles can circumvent our efforts to keep our hearts and souls aligned with the seasons and timescape of the natural world just past our windows! Laugheed draws a breath of vitality into the forest, where you can nearly hear the echoings of the trees, the rushing power of the rivers, and the harmonious tickings of the inhabitants therein. I appreciated that the animals that were killed in the book were used for what they could give back to the ones who fell them. I always respected this aspect of Native American beliefs, as they take what they need and only what they can use, at the time they go hunting. It’s a beautiful circle of life, as nothing is wasted and everything is respected. She wants you to see the beauty past what you expect to find whilst out in the deep woods, as the forest plays a fourth character or rather, that of a narrator that has not yet found its voice.
Katie O' Toole's epic adventure began in "The Spirit Keeper" (Plume 2013) when she was rescued from a 1747 frontier massacre only to find herself chosen as the "Spirit Keeper" of a dying Indian seer. She hesitated to accept this mysterious obligation until she fell in love with the Seer's bodyguard, an Indian man she called Hector.
Much has happened since my last writing,..
In The Gift of the Seer, Katie and Hector continue their journey across the continent, but the more Katie learns about the peculiar ways of her husband's people, the more she dreads arriving at their destination. Will anyone believe she is the Spirit Keeper she pretends to be? Equally troubling, Katie knows the Seer expected her to prove his Vision - a Vision which foretold of infinite Invaders coming to his world - but to prove this prophecy, she must give his people the great Gift he also predicted. The only problem is that Katie has no gift to give.
Years pass as she desperately searches for a way to fulfill her promise to the dead Seer, but when his former rival threatens to expose her as a fraud, Katie finally understands that her life and the life of all the people in her new world hang in the balance. That's when she knows she must give a Gift - she must - before it is too late.
Did you honestly think you could get so much and give nothing in return?
Converse on Twitter: #GiftOfTheSeer, #TheSpiritKeeper Sequel + #KBLaugheed
as well as #HistNov + #HistoricalFiction or #HistFic
About K.B. Laugheed
K.B. Laugheed is an organic gardener and master naturalist who wrote her first published novel, The Spirit Keeper, as part penance for the sins of her family’s pioneer past, part tribute to all our ancestors, and part grandiose delusion as she hopes to remind modern Americans of the grim price we paid for the glorious life we take for granted today.
But The Spirit Keeper is not a story about guilt. It’s about gratitude.
The Gift of the Seer is officially available worldwide as it was published on the 7th of January, 2019.
To support the author directly, kindly consider purchasing her novels through her online store.
Acquired Book By:I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary copy of “Mistress of Legend” direct from the author Nicole Evelina in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I appreciate reading Nicole Evelina’s Guinevere Tale series:
Evelina has taken us into the heart of Guinevere and her girlhood peers, as we walk inside those hours she spent on Avalon honing her talent and learning about the world from a point of view not concurrent to her parents or ancestral home. Evelina re-develops the image of Guinevere and the back-story therein, allowing us the grace to re-examine what we think we know of the characters being brought back to life inside this trilogy. It’s a curious undertaking, because although it’s rooted in a canonical history of literature, mythos and lore; there is a new attempt at re-developing a story whose depths are grounded by the character’s will of heart and spirit of passage through their growing years.
The complexity and the authentic voice inter-combine to bring a scope of realism to Guinevere and to the back-story of her life. It’s a wholly original complex origin story where even if you are as under-read as I am about Camelot and Arthurian Legend, you can curl inside this novel due to how well-told Evelina evoked it’s heart out of the pages she lent us to read!
Mythology, fable and lore can feel disconnected at times to an actuary world if the conception of their perimeters are not fully fleshed out and brought to such a high level of vision by their writers. This is where Nicole Evelina excels as her vision of the story is portrayed in such a convicting manner as to etch your heart directly into the lifeblood of her characters; you feel everything they are sensing and appreciate the direct connection in order to best understand their world. Definitely a harbinger of emotionally writ historical fiction centred on known persons who have inspired many but of whom feel more three dimensional inside this story as they are presented with equal fragility as their contemporary peerage.
The research Evelina put into this work of a trilogy is evidenced by how she chose to tell the story, first through direct sight of Guinevere approaching hard choices and managing her emotions in the thick of it and secondly, through enlivening the background with such scope of depth as to embrace the mystical and mythology of how Camelot exists. She even kept the continuity alive by bringing together the origins of those who call Avalon home with their familial heritages and beliefs; such as I celebrated in seeing Guinevere’s Rhiannon and Lugh arriving in time for her ascension to Priestess of Avalon. The fundamentals of religion and ancestry are inter-woven to the core of who Guinevere is and what she stood for thereby granting the reader a more grounded vision of the woman Guinevere became latter in life.
Legend says Guinevere spent her final days in penance in a convent, but that is far from the truth.
Having escaped death at the stake, Guinevere longs to live a peaceful life in Brittany with Lancelot, but the threat of Arthur’s wrath quickly separates the lovers. Guinevere finds herself back in Camelot, but it is not the peaceful capital she once knew; the loyalty of the people is divided over Arthur’s role in her death sentence. When war draws Arthur away from Britain, Mordred is named acting king. With Morgan at his side and a Saxon in his bed, Mordred’s thirst for power becomes his undoing and the cause of Guinevere’s greatest heartache.
In the wake of the deadly battle that leaves the country in civil war, Guinevere’s power as the former queen is sought by everyone who seeks to ascend the throne. Heartbroken and refusing to take sides in the conflict, she flees north to her mother’s Votadini homeland, where she is at long last reunited with Lancelot. The quiet life she desires is just beginning when warring tribal factions once again thrust her into an unexpected position of power. Now charged with ending an invasion that could bring an end to the Votadini tribe and put the whole island in the hands of the Saxons, Guinevere must draw upon decades of experience to try to save the people she loves and is sworn to protect.
Now available: A box set containing Daughter of Destiny,
Camelot’s Queen, and Mistress of Legend
Guinevere is remembered for her role as King Arthur’s wife and for her adulterous affair with Lancelot. But there is so much more to her story…
Priestess. Queen. Warrior. Experience the world of King Arthur through Guinevere’s eyes as she matures from a young priestess who never dreamed of becoming queen to the stalwart defender of a nation and a mistress whose sin would go down in history. Throughout it all, Guinevere she faces threats from both foreign powers and within her own court that lead her to place her very life on the line to protect the dream of Camelot and save her people.
This compendium of Nicole Evelina’s two-time Book of the Year award-winning trilogy – Daughter of Destiny, Camelot’s Queen, and Mistress of Legend – gives fresh life to an age-old tale by adding historical context and emotional depth. Spanning more than three decades, it presents Guinevere as an equal to the famous men she is remembered for loving, while providing context for her controversial decisions and visiting little-known aspects of her life before and after her marriage to King Arthur.
Nicole Evelina is an award-winning historical fiction and romantic comedy writer. Her current novel, Been Searching for You, a romantic comedy, won the 2015 Romance Writers of America (RWA) Great Expectations and Golden Rose contests.
She also writes historical fiction. Her debut novel, Daughter of Destiny, the first book of an Arthurian legend trilogy that tells Guinevere’s life story from her point of view, took first place in the legend/legacy category of the 2015 Chatelaine Awards for Women’s Fiction/Romance, and was short-listed for the Chaucer Award for Historical Fiction. Later this year (2016), she will release Madame Presidentess (July 25), a historical novel about Victoria Woodhull, America's first female Presidential candidate, which was the first place winner in the Women’s US History category of the 2015 Chaucer Awards for Historical Fiction.
Nicole is one of only six authors who completed a week-long writing intensive taught by #1 New York Times bestselling author Deborah Harkness. Nicole has traveled to England twice to research the Guinevere’s Tale trilogy, where she consulted with internationally acclaimed author and historian Geoffrey Ashe, as well as Arthurian/Glastonbury expert Jaime George, the man who helped Marion Zimmer Bradley research The Mists of Avalon.
Nicole is a member of and book reviewer for the The Historical Novel Society, and Sirens (a group supporting female fantasy authors), as well as a member of the Historical Writers of America, Women’s Fiction Writers Association, Romance Writers of America, the St. Louis Writer’s Guild, Women Writing the West, Broad Universe (promoting women in fantasy, science fiction and horror), Alliance of Independent Authors and the Independent Book Publishers Association.