Hallo, Hallo dear hearts!
I have an exciting interview to share with you today, as the author and I myself are both passionately dedicated to reading Shakespeare! I have appreciated the Bard since I was quite young though it wasn’t until a freshman in high school where I started taking more of an earnest interest in discerning what I was interpreting out of his stories; thus taking on a new role in my life as a Shakespearan reader. From that year til this one, I’ve been dancing through the plays in different formats of exploration – from the plays themselves, of course, but also through adaptations in film, after canon novels and the re-tellings which are re-shaping how we think, feel and understand the original canon of Shakespeare.
What truly implored me towards reading “The Fire of Winter” is wanting to re-step through a lens of insight into both MacBeth and the origin story surrounding Lady MacBeth. It was a play that has been a curiosity for me since I was sixteen and I felt Marley just might be the author who would give me a version of this story which would resolve some of my own questions and curiosities therein whilst giving me a heap of fodder to chew over as a book blogger. I was not wrong on all counts.
This interview is a follow-up to the review I’ve previously disclosed – wherein, you’ll notice through my observations and my readerly takeaways why the writings Marley is giving us are not just wicked good fiction but they are accountable and authentic towards a better understanding of why Shakespeare wrote his stories. She pulls you back into the context of his vision but also, re-represents that vision in a way that you can re-visit the themes, the characters and the settings in a wholly original examinations of those founding stories. For me, it was a way of re-stepping into a door of literature I have loved and finding a refreshing new spin on what I rememered having read.
If you want to settle your reader into the heart of the scene rather immediately after she opens your novel, I think when it comes to opening paragraphs DK Marley takes the ultimate star award for dramatic entrances! Not only do you gather the emotional rooting of this scene – partially built against the purity of rage and anger; as clearly the woman whose allowing men to die by flame and fire isn’t concerned with their dangerous demise but rather, the freedom (or so it appears) their death shall yield to her as a result of their premature deaths. This doesn’t outright surprise me because raids, unexpected coups and power re-alignments were quite common during this particular century as those who wished for power didn’t go about it diplomatically; rather, they plundered it off the lands of others, stole it outright or found ways to circumvent the ethical divides between the ruling class and pirating your destiny out of a world rife with war.
Gruah is a woman caught in a circumstance not of her own choosing – if you follow that thread you’d find she was ready to embrace a life with a man she desired to be with rather than one she was forced to remain enchained. The interesting bit here though is how Marley handles the scene as she doesn’t let us see the remorse of her character (not that I felt she had any to yield) nor does she give her time to apologise for her impulsive actions (again, I didn’t feel that was plausible!) – no, instead, she presents her just as she were – her faults surfacing with malice whilst carrying a gleaming glow of self-satisfaction. This was a woman who knew what she wanted, how she would achieve it and dare anyone to tell her differently. She leaves her mark and her mark is by fire and sword.
As Gruah grows in her hatred towards her newly wed husband forced on her by her father – an exchange of alliance and power; nothing more – she begins to emerge as Lady MacBeth. The woman who would turn her heart to stone if it meant finding her own internal power to eradicate the ills done against her – as you find her plotting her revenges even as she takes her first steps into her new marriage. Of course, she is already “MacBeth” in both honour and declared love; married to Lord MacBeth in secret and yet, secreted from that truth due to the alignment of strife to overtake her father’s and the King’s wishes on her behalf. I was curious about what changed the woman’s right to choose her own spouse – as it was mentioned briefly that they used to be able to make those choices outside the purview of the men; where their own destiny was once their own and not owned by others who did as they willed whether or not it was consented or accepted. In that regard, there are a lot of contemporary issues for women’s rights penetrating through MacBeth’s struggle to find the right action to fuse with her words; as her wrath was always spoken but its the actions she needs to take which take longer to formulate.
Marley has written an historical novel rife with conflict and the secrets which never stay in the past but which re-rise in the future when they are meant to be known. Her Lady MacBeth is a woman who is attempting to right the wrongs against her by taking action as an adult when she couldn’t act as a child. It is a story of redemption but also, of self-sacrifice as in this version of MacBeth you understand better what anchoured her to the darker roots of her faith and how the Earthen Spirituality she shared with her Mum was the only grounding foundation she had to battle against the horrors of her youth.
Marley also broaches the current topics of women’s rights, domestic violence against women and the suffering hours of being victims of sexual violence as children. She moves instinctively through the actions of the present and counters it with the recollected memories of the past to where you can overlay the past with the present and understand how everyone is on this collision course to where fate, life and death are interchanging their roles. It is a story that is fuelled by revenge but it is also a story of injustice and the purity of true love which seeks to rise through the ashes and lay claim to the purity of how love when it is freely given is a freedom of its own.
It is a hard novel to read in many regards because of how it descends and rises through the pacing of the play – including the fall of madness in Lord MacBeth. There is violence yes, as these are not people who opt for diplomacy to solve their problems, they’d rather take to the sword and see who is the better of combatants than to use talk to diffuse their differences. There are scenes which are hard to read just due to what they involve but at the heart of the novel is the life of MacBeth; both the husband and the wife. You get to re-examine what motivated them, what sparked the love between them and what ultimately drove them apart – you see those moments they shared together and how they perceived of their future by secret plotting.
The most powerful part of the story is the conclusion – where Lady MacBeth has a final say about what is meant to be remembered about herself. In that confession, you peer close to her soul and her heart; you see into her the truthfulness of her actions and the ways in which she felt she had to act in order to secure her own destiny. The difficulties of those choices however had consequences that do not wait to rest on a mind hardened by the actions of a woman who was aflame with murderous intentions to accomplish the deeds she first felt would define her and secure her future. You had to contemplate if she had the option to re-live it, what would she choose and what would she change; if anything? Or was it all pre-destined and her life lived out just as it was meant?
-quoted from my review of The Fire of Winter
As you embark on reading this conversation, be sure to have brewed your favourite cuppa and get ready to get your Shakespeare on as we discuss the components of this re-telling of MacBeth whilst also discussing why Marley has a firm passion for re-visiting other plays and how she is re-envisioning the canon of Shakespeare as a whole! I hope you enjoy where our convo led us and perhaps, you’ll find a renewal of interest in these stories as much as I have myself!
The Fire of Winter (Interview)
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours
She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?
Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.
Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?
The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.
“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)
Places to find the book:
Also by this author: The Fire of Winter
Published by White Rabbit Publishing
on 1st June, 2019
Published by: White Rabbit Publishing
Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth
Available Formats: Hardcover, Trade paperback, Audiobook and Ebook
As “The Fire of Winter” goes into the heart of who Lord and Lady MacBeth were as their lives were being lived – what was your inspiration towards wanting to use the play and their story as a catalyst to explore the fuller background of this century through the drama of what their lives became?
Marley responds: I am a true Shakespeare-lover! Since the time I was eleven and my grandmother gave me her college textbook “The Complete Works of Shakespeare”, I was hooked. I am currently attempting to adapt all the plays into historical fiction novels, so Macbeth was the second on my list. My first adaptation is “Prince of Sorrows” which is Hamlet set in 9th-century Denmark. Read More