Category: Biographical Fiction & Non-Fiction

#HistoricalMondays Book Review | “Death In A Desert Land” (Book Three: The Agatha Christie series) by Andrew Wilson

Posted Monday, 8 July, 2019 by jorielov , , , , , 0 Comments

#HistoricalMondays blog banner created by Jorie in Canva.

Acquired Book(s) By: I have been hosting blog tours and reviews for Simon & Schuster off and on for nearly a year now. I’ve had the joy of discovering their stories through Contemporary and Historical narratives whilst happily finding a lot of their authors are writing the kinds of stories which keep me engaged and rooted in their narratives.

This time round – it was a Historical Suspense novel and series which whet a thirst of interest to be reading as it is rooted in my love of Agatha Christie – this series puts Dame Christie in the driving seat of the sleuth rather than one of her characters and I have a propensity for seeking out these kinds of mysteries. Previously, I gave the Jane Austen mysteries my attention and there have been a few others over the years where living persons are the ‘sleuths’ who tuck us into their worlds. I find it a bit fascinating how living history is now a foundation for Mysteries, Suspense & Thrillers – as it extends my love of Biographical Historical Fiction.

I received a complimentary copy of “Death in a Desert Land” from the publisher Atria Books (an imprint of Simon & Schuster) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Ahead of reading “Death in a Desert Land” I also borrowed copies of the first two novels in this series: “A Talent for Murder” and “A Different Kind of Evil” from my local library which I happily shared ruminations about on this post for my personal edification and for continuing to share my bookish life with my readers. I was not obligated to do so in other words and felt it was beneficial to sharing my joy of the series.

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Why I didn’t cosy into A Talent for Murder:

I do appreciate following the vision of a series from the beginning of how an author pens the stories – however, in this particular case, I didn’t find an easy entrance into A Talent for Murder – in effect, I found it hard to adjust to the writing style and find a compelling reason to read it. It was written in a rather brisk fashion and although the premise was a curious one – how Agatha Christie would go from writing to sleuthing was a strong component of why I wanted to read the story as a precursor to reading the second volume of the series and then, the recently released third Death in a Desert Land – I mused, perhaps this series might follow suit of a previously read Historical Romance series.

I am finding recently there are certain series which benefit from skipping over the first few volumes in exchange for the latest release. This did not used to be the case for me – I would generally find myself smitten by the first novel of a series in-progress and have a lot of good folly to follow through with the installments leading into the newest one being released – until, I’ve found that sometimes series grow more appealling with age than they do with their first entries into the rhythm of their stories.

Two series prior to this one worked this way for me recently – as soon as I picked up Death in a Desert Land, I found a different voice within it. A different method of delivery in the narrative and because of that – I found myself about to cosy into this story far easier than my first attempts within A Talent for Murder. Thereby, despite my personal preferences to read series in sequential order, there are apparently a few series out there which benefit me to skip round and find the installments which suit me best to be reading. You might have noted I borrowed the second novel in this series but opted instead to read the third.

This suited me as what initially had drawn my interest into reading the Agatha Christie series is by having a life-long pursuit of the author’s collective works. My favourite stories are those of Miss Marple even if in recent years I’ve had a glimpse of Poirot and have taken a firm liking to his quirky ways of sleuthing – there is still a stronghold of appreciation on my behalf for Marple. I dearly had hoped to find entrance into this series as I was most keen to discover how Christie would be presented as an independent sleuth and how that would counter to the image and impression I had of her previously.

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#HistoricalMondays Book Review | “Death In A Desert Land” (Book Three: The Agatha Christie series) by Andrew WilsonDeath in Desert Land
by Andrew Wilson
Source: Direct from Publisher

Fresh from solving the gruesome murder of a British agent in the Canary Islands, mystery writer Agatha Christie receives a letter from a family who believes their late daughter met with foul play. Before Gertrude Bell overdosed on sleeping medication, she was a prominent archaeologist, recovering ancient treasures in the Middle East. Found near her body was a letter claiming that Bell was being followed and to complicate things further, Bell was competing with another archeologist, Mrs. Woolley, for the rights to artifacts of immense value.

Christie travels to far-off Persia, where she meets the enigmatic Mrs. Woolley as she is working on a big and potentially valuable discovery. Temperamental but brilliant, Mrs. Woolley quickly charms Christie but when she does not hide her disdain for the recently deceased Miss Bell, Christie doesn’t know whether to trust her—or if Bell’s killer is just clever enough to hide in plain sight.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781501197451

Genres: Amateur Detective, Biographical Fiction, Crime Fiction, Hard-Boiled Mystery, Historical Fiction


Published by Atria Books, Washington Square Press

on 9th July, 2019

Format: Trade Paperback

Pages: 352

Published by: Washington Square Press | Atria Books (@AtriaBooks)
{imprints of} Simon & Schuster ()

The Agatha Christie series:

A Talent for Murder by Andrew WilsonA Different Kind of Murder by Andrew WilsonDeath in a Desert Land by Andrew Wilson

A Talent for Murder – book one

A Different Kind of Evil – book two

Death in a Desert Land – book three

Converse via: #AgathaChristieMysteries, #AgathaChristie + #HistMys

as well as #HistoricalMystery + #HistFic #Mysteries

About Andrew Wilson

Andrew Wilson Photo Credit Johnny Ring_Location Courtesy of Royal Institute of British Architecture

Andrew Wilson is an award-winning journalist and author. His work has appeared in a wide variety of publications including the Guardian, the Washington Post, the Sunday Times, and the Smithsonian Magazine. He is the author of four acclaimed biographies, a book about the survivors of the Titanic, and the novels, The Lying Tongue, A Talent for Murder, A Different Kind of Evil, Death in a Desert Land.

Photo Credit: Johnny Ring

Location Courtesy of Royal Institute of British Architecture

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Reading this book contributed to these challenges:

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Posted Monday, 8 July, 2019 by jorielov in 19th Century, Amateur Detective, Biographical Fiction & Non-Fiction, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Crime Fiction, Historical Mystery, Lady Detective Fiction

Book Review on behalf of an Edgar Awards nominee for 2019 | “A Knife in the Fog” (Margaret Harkness and Arthur Conan Doyle series, Book One) by Bradley Harper

Posted Friday, 26 April, 2019 by jorielov , , , , , , , , , 1 Comment

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book By: Last year, ahead of “A Knife in the Fog” being released I came across the author on Twitter – as Bradley Harper started following me. It was at this exact moment where I was starting to research new and upcoming book releases from one of my favourite publishers of dramatic Crime Fiction – Seventh Street Books – finding amongst the releases, there was a new author of after canon stories featuring a narrative styling similar to Sherlock Holmes but uniquely its own variant within the canon of interest as this new series was featuring Conan Doyle rather than Holmes himself. The uniqueness of the approach is also by bridging in the character Professor Bell which would also draw an eye towards a crafty nod to the traditional Holmes/Watson partnership.

I had originally requested this title for review consideration however, I hadn’t realised Seventh Street Books was about to undergo a sale and reacquistation by Smart Publishing; of whom has taken on this imprint and Pyr both of which were once under Prometheus Books. I came to know the imprints by being a reviewer for the parent publishing company of Prometheus Books wherein I request and review books throughout an eclectic subject focus within the branches of Science and Mathematics which interest me to research for personal enrichment as well as the pursuit of knowledge within those fields.

Thereby, earlier this year [2019] I submitted a purchase request for a paperback copy of “A Knife in the Fog” whilst I concurrently attempted to listen to the audiobook version. As I had some hiccups in my listening rotations through my Scribd subscription, I did a free trial of Libro.FM (for seeking audiobooks by giving Indie bookshoppes credit for those purchases – where I listed Powells (Portland, Oregon) as my bookshoppe of choice) allowing me to download a copy of “A Knife in the Fog” on MP3. I began listening to “A Knife in the Fog” on audiobook in-line with developing questions to ask Mr Harper during a phone interview (which I conducted in late March, 2019) wherein I discovered I loved his approach to writing this series.

Ahead of posting my review on behalf of the story, I wanted to read the print edition of “A Knife in the Fog” which had recently come into my library as my purchase request was not only accepted but fulfilled. There were some key parts of the story I wanted to re-read over and I also wanted to dig into the written aspects of the story-line outside of the scope of the audiobook.

Although my main interest was to seek out an interview with Mr Harper based on my readings and listening hours of “A Knife in the Fog” my ruminations on behalf of the audiobook and print edition are being shared for my own edification and to help introduce my readers to the series overall whilst sharing my own journey in its discovery. I did not receive compensation for my opinions or thoughts shared herein. The Press Materials I received by Mr Harper’s virtual authorly assistant Stephanie @ Paste Creative are being used with permission on both this review and on my forthcoming interview with Mr Harper as dual showcase of the story, the series and the writer’s approach to the craft of Crime Fiction.

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Why reading after canons about Sherlock Holmes and/or Conan Doyle appeal to me as a reader inasmuch as why I love Historical Mysteries, Suspense & Thrillers:

I personally feel as if Crime Fiction has a soft spot in my heart and mind; for as long as I can remember I’ve been claiming Mysteries, Suspense and Thrillers as being my most keenly interested section of television teleplays and dramas of interest. Counter to that pursuit, are the novels – spilt between the Cosies I personally adore and have a deep affection for devouring and the more intriguingly brilliant and layered Cosy Historical Mysteries which have passionately become a favourite pursuit of my readerly life since I became a book blogger.

Adjacent to those inclinations, I am also most intrigued with the Historical Suspense and/or Thriller – there are a few of my interests in these kinds of stories which are on the ‘outer edge’ of my tolerance levels for visuals and/or inclusive scenes which are relevant to the story/series itself. Those I happily refer and reference as “Hard Boiled” entries for a point of reference here on my blog as well as a marker of interest in my own pursuit of the stories themselves.

When it comes to chasing down television dramas in Crime Fiction as much as Fictional series of the same nature, I have a profound affection for those writers who give keen insight into Forensic Science, Forensic Pathology and Forensic Investigative Techniques or the Psychology of the Crime through Forensic applications on the psyche.  What is interesting about studying Forensics through Fiction is how crafty writers have to become to keep us not only invested in their stories but for giving us a truism of realism within the boundaries of their stories. When they go to infer a step into their worlds – a world they are illuminating to become the mainstay of interest for a series in development for the new reader whose found their words – they are giving us a prime example of what is become expected of their collective works in future volumes.

This is why if a writer of Crime Fiction can capture me straight out of the gate – by their voice, their style or their world – over and beyond their lead character(s), supporting cast and the delivery of the suspenseful bits interwoven into the back-stories – they will have found a loyal reader in me for the life of their series*. (*) co-dependent on the fact they do not disappoint my palette of interest in future installments.

When it comes to Sherlock Holmes and the after canons of his stories – I have a very, short list of interest – at which you will find the Mary Russell stories at the very top as Laurie R. King was the first author I had discovered in 2009 who was writing a level of intuitive intention regarding Holmes which felt naturally intrinsic of the character I had remembered. Enola Holmes by Nancy Springer arrived a bit lateron but was a bit of a harder sell for me being that Enola’s story-lines were slightly a hit/miss for me but the character of Enola was intriguing enough to where I wanted to read more of her adventures. With Mary Russell – I was immediately smitten by her and Holmes at this junction in his life and thereby, wooed immediately into the world King had set out for us to discover.

I am quite critical about after canons, stories inspired by classical novelists and sequel authors – notwithstanding my interests in Conan Doyle, there are my inquisitive pursuits of chasing down stories of this nature within the embodiment of Jane Austen and the re-tellings of Jane Eyre.

What I am constantly seeking out is a certain layer of conveyance of presence, of loyalty to the authentic voice of the inspirational character in question and a purposeful dedication of not just honouring the past but of elevating the tone of the new incantation against the old. I love finding authors who have their own unique approach to re-writing a familiar character and giving us a newfound way of appreciating them through their new variant of interest in the here and now. Thus, what captured my attention with the Margaret Harkness and Arthur Conan Doyle Mysteries was simply this – how a pathologist was motivated to write these stories based on his own interest in Holmes and the writer behind Holmes (Conan Doyle) led him into a portal which granted us an immersive look at how Doyle himself might have approached investigative interests which re-lead us to appreciate how he created Holmes and Watson.

Overall, what I love most about Holmes and Watson in the traditional sense is the camaraderie of their relationship – their zest for intellectual dissection of the facts and their pursuit of uncovering the sociological implications of what is fuelling the crimes in which they investigate. They are uniquely timeless in how they inter-relate to one another but also how they approached their techniques – leaning on the intellect and the divisiveness of their research talents, they uncovered the criminology of their cases because of how they approached their ability to sleuth.

My hopes for this novel and the subsequent series ranked high – I was dearly hoping this would become another ‘beloved’ entry in my pursuit of Seventh Street Books and their Crime Fiction stories – whilst my love and appreciation for Holmes and Watson was inspiring me to take a chance on this new entry into a Holmesian niche of after canon story-lines. Not that this is a traditional after canon in the sense that there is an influence of Holmesian styling but it is not effectively a re-telling or a reincarnation of that canon per se but as you read or listen to A Knife in the Fog you’ll find Holmes and Watson have materalised anew in a different vehicle of interest altogether.

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Book Review on behalf of an Edgar Awards nominee for 2019 | “A Knife in the Fog” (Margaret Harkness and Arthur Conan Doyle series, Book One) by Bradley HarperA Knife in the Fog
Subtitle: A Mystery Featuring Margaret Harkness and Arthur Conan Doyle
by Bradley Harper
Source: Purchase REQ | local library, Purchased | Personal Library, Scribd | Audiobook Subscription
Narrator: Matthew Lloyd Davies

September 1888. A twenty-nine-year-old Arthur Conan Doyle practices medicine by day and writes at night. His first Sherlock Holmes story, A Study in Scarlet, although gaining critical and popular success, has only netted him twenty-five pounds. Embittered by the experience, he vows never to write another "crime story." Then a messenger arrives with a mysterious summons from former Prime Minister William Gladstone, asking him to come to London immediately.

Once there, he is offered one month's employment to assist the Metropolitan Police as a "consultant" in their hunt for the serial killer soon to be known as Jack the Ripper. Doyle agrees on the stipulation his old professor of surgery, Professor Joseph Bell--Doyle's inspiration for Sherlock Holmes--agrees to work with him. Bell agrees, and soon the two are joined by Miss Margaret Harkness, an author residing in the East End who knows how to use a Derringer and serves as their guide and companion.

Pursuing leads through the dank alleys and courtyards of Whitechapel, they come upon the body of a savagely murdered fifth victim. Soon it becomes clear that the hunters have become the hunted when a knife-wielding figure approaches.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781633884861

ASIN: B07HKJ71X5

Genres: After Canons, Amateur Detective, Classic Detective, Cosy Historical Mystery, Crime Fiction, Historical Fiction, Suspense


Setting: London, England, UK


Published by Seventh Street Books

on 2nd October, 2018

Format: Audiobook | mp3, Trade Paperback

Pages: 288

Length: 8 hours and 40 minutes (unabridged)

A Knife in the Fog by Bradley HarperA Knife in the Fog (audiobook) by Bradley Harper

Published By: Seventh Street Books (@SeventhStBooks)

As an aside, despite the fact Seventh Street Books has been bought out by Smart Publishing – all links to their website and social accounts have remained active and use the same urls. The new publisher has maintained all their sites and thereby, the transition was seamless for readers who wanted to keep in touch with the authors and the series they come to love by Seventh Street Books & Pyr!

Converse via: #AKnifeInTheFog, #HistNov and #HistFic OR #HistoricalMystery
Available Formats: Trade Paperback, Audiobook & Ebook

A Knife in the Fog was nominated for
an Edgar Award in 2019 for “Best First Novel”

Initially, I was going to do this review ‘ahead’ of the Edgars announcing their winners, as I wanted to help re-highlight the novel to an audience of Mystery appreciators who might be seeking their next wicked good Historical Suspense – however, due to everything going on the past month and a half, I’ve been a bit behind in my readings and in my reviews. As a result, I shifted this review forward a bit to where I could await the announcements – per the author’s suggestion to run this instead on Friday after the winner’s were officially declared. Although, Mr Harper did not win the Edgar I felt it befitted the nomination and blessedly showcased a publisher I personally love for dramatic Crime Fiction! Harper is amongst a list of novelists I turn to whenever I want to read a crime narrative by this publisher – Susan Spann, Larry D. Sweazy, Jennifer Kincheloe and Terry Shames round out the list (thus far known as I am going to be reading new authors this year to see which of them whet my thirst of joy for Mysteries).

On that note, I am thankful to announce I’m discovering the Cosy Spice Shop Mysteries this late Spring/early Summer by Leslie Budewitz – whilst I am eagerly in wait for the seventh Hiro Hattori novel “Ghost of the Bamboo Road” by Susan Spann; the third Anna Blanc Mystery “The Body in Griffith Park” by Jennifer Kincheloe and the sequel to “A Knife in the Fog” – “The Queen’s Gambit” by Bradley Harper.

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About Bradley Harper

Bradley Harper

Bradley Harper is a retired US Army Pathologist with over thirty-seven years of worldwide military/medical experience, ultimately serving as a Colonel/Physician in the Pentagon. During his Army career, Harper performed some two hundred autopsies, twenty of which were forensic.

Upon retiring from the Army, Harper earned an Associate's Degree in Creative Writing from Full Sail University. He has been published in The Strand Magazine, Flash Fiction Magazine, The Sherlock Holmes Mystery Magazine and a short story he wrote involving Professor Moriarty in the Holmes tale of The Red Headed League (entitled The Red Herring League) won Honorable Mention in an international short fiction contest. A member of the Mystery Writers of America, Authors Guild, and Sisters in Crime, Harper is a regular contributor to the Sisters in Crime bi-monthly newsletter.

Harper’s first novel, A Knife in the Fog, involves a young Arthur Conan Doyle joining in the hunt for Jack the Ripper, and has been nominated for an 2019 Edgar Award by the Mystery Writers of America for Best First Novel by an American Author.

Read More

Reading this book contributed to these challenges:

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Posted Friday, 26 April, 2019 by jorielov in 19th Century, After the Canon, Amateur Detective, Arthur Conan Doyle, Biographical Fiction & Non-Fiction, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Book Review (non-blog tour), Crime Fiction, Detective Fiction, England, Historical Fiction, Historical Thriller Suspense, Inspired By Author OR Book, Inspired by Stories, Margaret Harkness, Paste Creative, Realistic Fiction, the Victorian era

#SaturdaysAreBookish | “The Moon Sister” (Book No. 5 of the Seven Sisters series) by Lucinda Riley

Posted Saturday, 23 February, 2019 by jorielov , , , , 2 Comments

#SaturdaysAreBookish created by Jorie in Canva.

After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.

#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!

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Acquired Book By: Last year, I had the chance to become introduced to the Seven Sisters book series by Lucinda Riley – the experience became one of my *favourite!* reading experiences for the year – happily I was invited to join the blog tour celebrating the fifth release this February, 2019 – for “The Moon Sister”. I was simply overjoyed and humbled I could continue to champion this author and her series which I have found emotionally convicting and soul lifting with a delightfully lush narrative which is wicked brilliant for its continuity.

Ahead of reading the fourth release “The Pearl Sister” last year, I decided to back-read the entire series – which is why I have felt so dearly connected to this series ever since and why I applaud the brilliant continuity running through the series.

I received a complimentary ARC copy of “The Moon Sister” direct from the publisher Atria Books in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On how I felt after I read the fourth installment of the series:

CeCe had felt Star pulling away from her even before Star knew how to articulate the reasons why she was seeking a life outside of being with CeCe; this made her feel unwanted in such an extreme way, she felt the only way to rectify her emotions was to make a radical change. Boarding a flight for Thailand – the one place she considered her respite in the world before taking the last leg of her journey to Australia (as this is where her clues led her to travel) felt right somehow. What was interesting is that you oft felt CeCe held all the confidence in the world – she never came across as being especially vulnerable, she seemed quite the opposite: like a bear to take-on the world and be the protector of Star. In reality, both sisters were equally vulnerable and had yielded to life being lived side by side rather than separately; until now, of course, when they both felt it was time to simply sort out how to live independently.

One critical thing CeCe shared is how the opinions of others can destroy your well-being and break your spirit. The kind of criticism which doesn’t seek to aide you on your journey towards being a creative artist (as she leans towards industrial art and found art installations; whilst sorting out what kind of paintings she likes to create) but rather to dissuade you from the pursuit itself. No one should have to endure that kind of judgement and for whichever reason, I found CeCe didn’t confide in her Ma or in Star (although, perhaps she felt she wouldn’t have cared) – one thing which helped me the most in life is being able to turn to my parents. Sadly, I think the confidante in her life was Pa Salt and without him nearby, she felt like she’d lost her anchour; and rightly so!

I loved how she felt Buddhism was her most comfortable religion to feel attracted to practicing because of how she felt the inner peace of what it provides to us all. CeCe was quite the deep thinker and spiritualist without realising any of this about herself. She also held back her fears, the nightmares and the questions of sanity from her family; she had a lot moving through her mind, things which you would have thought she’d want to openly discuss if only to disallow them from festering further afield. Yet, CeCe was a very private individual such was a trend of her sisters – each of them thinking they could take-on whatever they needed to face alone.

Some of my favourite moments of watching one of the seasons of The Amazing Race (in the early days) was observing the larger than life Buddha statues found throughout the South Pacific and the Pacific Rim! I was in absolute awe – due to the high definition of the cameras being used, you didn’t need to hop a plane to see them either – they seemed like they had somehow come straight through your television to where you felt as if you were standing right ‘next to them’ yourself! I thought of this as I read about how CeCe felt calm near the Buddha she was mediating near as she went to her favourite spiritual spot for a bit of solitude and causal companionship with others doing the same. Causal here referring to the fact although they were in the same place at the same time everyone was internalising their own thoughts without saying a word aloud. This close proximity to others allowed CeCea respite from feeling she was entirely alone and cast out into the world without knowing how to land on solid ground again.

The beauty of CeCe’s story is how like Star, she started to reach outside her zone of comfort, trusting people, letting them into her internal world. She might not have felt she was a good judge of character due to the fall-out with her relationship with Ace (as throughout her trip in Australia the headlines and newsprint articles were growing worse!) but with Chrissie and others she was trusting, she was finding true friends. Each of them were helping her on her journey towards positive self-growth and a deepening awareness of her roots; where her origins were only the first part of her foundation as Pa Salt helped her find herself since she left her home country. By returning back to Australia she was finding the symmetry necessary to meet her future with a balanced sense of place and self – as so much is tied to how we self-identify ourselves. For CeCe, she didn’t have a positive impression about being dyslexic as it wasn’t something she could compensate for like I could, rather it was her lifetime ‘fly in the ointment’; she couldn’t shake it if she tried. She also didn’t see it as a gift but a slight curse because she only saw how it affected her from doing things others took for granted.

In Australia, she was finding her muse again – of what inspired her to create her art and how her art was an expression of herself in a way which left her raw and vulnerable. She created artwork which spoke to her on a soul level of heightened intuition – her art was not like other people’s and that’s the way it should be for each artist has a new vision of the world around them. She simply had forgotten to trust in the process of creating and to be comfortable as a an artist who didn’t use words to share a portion of herself but she used visual media.

The best message of CeCe’s story is that in order to live free you have to be honest about who you are – in every facet of your life because if you start to hide who you are from everyone, you can literally disappear from your own spirit too. CeCe was encouraged by Pa Salt to be who she was no matter who she realised she was at the core of her being but knowing she was accepted by her father and understanding who she was on those levels of awareness were two very different things. Her sexuality was part of her identity she never addressed, it wasn’t on her radar to even look at it from an angle of enlightenment because she had a lot of fears to overcome in general. She was a woman who was afraid to live by most counts but this journey she was taking towards her past was what truly gave her the inspiration to finally see herself and face herself for the first time in the mirror. The best takeaway for me was watching her blossom into being the artist Pa Salt knew she was destined to become; as he truly saw his daughters true essence and wanted them to see themselves the way in which he did all along.

-quoted from my review of The Pearl Sister

Fun Stuff for Your Blog via pureimaginationblog.com#SaturdaysAreBookish | “The Moon Sister” (Book No. 5 of the Seven Sisters series) by Lucinda RileyThe Moon Sister
by Lucinda Riley
Source: Direct from Publisher, Scribd | Subscription
Narrator: Imogen Wilde

Tiggy D’Aplièse spends her days experiencing the raw beauty of the Scottish Highlands doing a job she loves at a deer sanctuary. But when the sanctuary is forced to close, she is offered a job as a wildlife consultant on the vast and isolated estate of the elusive and troubled laird, Charlie Kinnaird. She has no idea that the move will not only irrevocably alter her future, but also bring her face-to-face with her past.

At the estate, she meets Chilly, an elderly Romani man who fled from Spain seventy years before. He tells her that not only does she possess a sixth sense passed down from her ancestors, but it was foretold long ago that he would be the one to send her back home…

In 1912, in the poor Romani community outside the city walls of Granada, Lucía Amaya-Albaycin is born. Destined to be the greatest flamenco dancer of her generation—and named La Candela, due to the inner flame that burns through her when she dances— Lucía is whisked away by her ambitious and talented guitarist father at the tender age of ten to dance in the flamenco bars of Barcelona. Her mother is devastated by the loss of her daughter and as civil war threatens in Spain, tragedy strikes the rest of her family. Now in Madrid, Lucía and her troupe of dancers are forced to flee for their lives, their journey taking them far across the water to South America and eventually, to North America and New York—Lucía’s long-held dream. But to pursue it, she must choose between her passion for her career and the man she adores.

THE MOON SISTER follows these two women bound across time and distance on their journey to discover their true futures—but at the risk of potentially losing the men they had hoped to build futures with.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781982110611

ASIN: B07GS4SYDB

Also by this author: The Seven Sisters, The Storm Sister, The Shadow Sister, The Pearl Sister

Also in this series: The Seven Sisters, The Storm Sister, The Shadow Sister, The Pearl Sister


Genres: Adoption & Foster Care, Biographical Fiction, Contemporary (Modern) Fiction (post 1945), Epistolary | Letters & Correspondences, Genre-bender, Historical Fiction, LGBTQIA Fiction, Time Slip and/or Time Shift, Women's Fiction


Published by Atria Books

on 19th February, 2019

Format: Paperback ARC

Pages: 544

Length: 19 hours and 53 minutes (unabridged)

 Published By: Atria ()
{imprint of} Simon & Schuster (

I *love!* finding videos by authors who love to engage with readers about the inspiration behind their stories – this truly is a wonderful way to find yourself immersed even further into the settings as by catching small glimpses of the characters your reading about – you start to re-align what you’ve read with what they are seeing with their own eyes whilst feeling thankful the author took a very immersive path into the heart of this book series!

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The Seven Sisters Series: of whom are Maia, Ally (Alcyone), Star (Asterope), CeCe (Celeano), Tiggy (Taygete), Electra and Merope – the series is based on the mythology of the Seven Sisters of the Pleiades – interestingly enough, this is a constellation in close proximity to Orion*.

The Seven Sisters : Maia’s Story (Book One) | (see also Review)

The Storm Sister : Ally’s Story (Book Two) | (see also Review)

The Shadow Sister : Star’s Story (Book Three) | (see also Review)

The Pearl Sister : CeCe’s Story (Book Four) | (see also Review)

The Moon Sister : Tiggy’s Story (Book Five)

Available Formats: Hardcover, Audiobook, Paperback and Ebook

Converse via: #SevenSistersSeries

#whoispasalt ← I advise not visiting the second tag on Twitter as it tends to reveal a few things ahead of reading the stories themselves.

About Lucinda Riley

Lucinda Riley Photo Credit: Boris Breuer

Lucinda Riley is the #1 internationally bestselling author of sixteen novels, including Hothouse Flower and The Seven Sisters. Her books have sold more than ten million copies in over 30 languages. Lucinda divides her time between West Cork, Ireland, and Norfolk, England with her husband and four children.

Photo Credit: Boris Breuer

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Posted Saturday, 23 February, 2019 by jorielov in 21st Century, A Father's Heart, Adoption, Ancestry & Genealogy, Animals in Fiction & Non-Fiction, Biographical Fiction & Non-Fiction, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Bookish Films, Coming-Of Age, Compassion & Acceptance of Differences, Epistolary Novel | Non-Fiction, Equality In Literature, Family Drama, Family Life, Father-Daughter Relationships, Fathers and Daughters, Genre-bender, Historical Fiction, History, Inheritance & Identity, Inspiring Video Related to Content, Life Shift, Modern Day, Orphans & Guardians, Passionate Researcher, Post-911 (11th September 2001), Single Fathers, Sisterhood friendships, Time Shift, Unexpected Inheritance, Vulgarity in Literature, Women's Fiction, Wordsmiths & Palettes of Sage