Category: Anthology Collection of Stories

Audiobook Blog Tour especially for #Janeites & #Austenites | A mini Review and a Conversation about “Elizabeth: Obstinate Headstrong Girl” (Vol.5: the Quill Collective, series) narrated by Elizabeth Grace

Posted Saturday, 5 September, 2020 by jorielov , , , , , 17 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm Promotion I expanded my knowledge of authors who are producing audio versions of their stories whilst finding my own traction into audiobooks and the way in which storytelling took on a deeper layer of immersion for me as a listerner. Meanwhile, I started to curate my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue as well as a regional library who uses CloudLibrary; I offset borrowing audiobooks through libraries with an active subscription to Scribd (for audiobooks). I batch my membership months with Audible to several months per year and purchase a few audiobooks whilst I have it active as well as enjoying selecting free Audible Original audiobooks.

This is the long history of how I entered into becoming an audiobook reviewer – it was through hosting for Audiobookworm Promotions I originally crossed paths with Ms Christina Boyd with The Quill Collective (via the ‘Rational Creatures’ audio blog tour) and thereby have enjoyed keeping in the loop with their after canon stories connected to Jane Austen. This is how I came to know ‘Yuletide’ and now ‘Elizabeth: Obstinate Headstrong Girl’ of whom is my favourite character from ‘Pride and Prejudice’; my favourite canon novel of Austen’s.

I received a complimentary audiobook copy of “Elizabeth: Headstrong Girl” via Christina Boyd @ The Quill Collective in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Being a Janeite,

I have a fierce appreciation for The Quill Collective:

I’ve been a Janeite for a very long time – during #AustenInAugust [2017], I had the joyful pleasure of submitting a guest essay to commemorate how Austen has been moving in and out of my life over the years which ran on a featured day on Roof Beam Reader’s blog. It is in of itself a quite all-inclusive look at how Jane Austen has left a strong impression on my life. Do read it if you have a chance to peer into how Austen and her stories have given me a lifetime of reflective rumination & joy.

And, ever since my essay was published I have made fervent attempts of re-establishing myself into my Classics Club TBR – to source and seek out works of Classical Lit I’ve earmarked to be read and for the vast majority of those pursuits, it is the canon of Jane Austen I desire most to focus upon. I have the canon in print in several editions but most of those are packed save three and it is those three which I am in pursuit of finishing first whilst continuing to seek out after canon novelists and short story writers who are giving me a well of presence within those worlds that not only honour Austen’s own words but allow us to carry forward into the worlds themselves.

Whilst I was working on this featured post for the blog tour – I had an unexpected discovery – Audible now offers a more friendly budget price for listeners who are not in a hurry to purchase audiobooks (as choosing one per month was enough anxiety for me to last lifetimes) but rather would love to listen to an unlimited amount of them which are provided within the catalogue of the new listen and return service. Similar truly to why I am a lover of Scribd’s services for audiobooks.

Guess what the vast majority of those ‘free to listen in unlimited amounts’ per month include!? *Classics!* Including a fair amount of Jane Austen!!! I even found Rosamunde Pike’s “Pride and Prejudice” and Emma Thompson’s “Emma”!! Imagine?! I was truly taken aback and gobsmacked — another reason I am blessed to have a tablet now for listening to audiobooks & music – as it allowed me to accept a 30 day trial right now and remain within the grip of the Classics!

That news aside, what I LOVE about the Quill Collective is how they honour Jane Austen and how they remain wholly passionate about publishing stories which celebrates the canon but allows the writers they publish to re-envision those characters in such a refreshingly new way as to give each of us a new reason to seek Austen and to seek after canon stories of her collective works. These are the stories by a publisher who understands why we are such discerning readers of Classical Lit and the after canon retellings and sequels which allow us to ruminate further on those worlds… they give us the same passionate response in story as we personally give ourselves over to ponder whenever we pick up a story of Austen. And, for me – the highest praise indeed is their propensity of producing quality over quantity and giving all of us such a wonderful catalogue of stories I truly believe Austen herself would be wicked giddy over seeing published.

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An informative conversation with Elizabeth Grace:

Conversations with the Bookish badge created by Jorie in Canva. Updated version July 2020.

the questions were ones I provided and I delighted in her responses!

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As you’re narrating an audiobook with a collection of stories inspired by Jane Austen – I was curious, what first drew your eye to the project and what do you personally love about the voice, style and legacy of Ms Austen?

Grace responds: I was drawn to this project by an author I had started working with called Elizabeth Adams who wrote “Something Like Regret” for the anthology. I was just finishing up with her novel, “Green Card” and was looking for a new project. She recommended me to Christina Boyd who then asked me to audition for OHG. I hadn’t narrated an anthology before but I loved it.

Each story has such personality and a style that is at once individual to the author yet also completely in keeping with Austen’s original characters and wit. I think that is my favourite thing about her writing, how well it translates. It makes me realise how recent her writing was in the grand history of time and that while we think their society and thoughts are vastly different to ours, we haven’t really changed all that much.

I believe that is the best singular truth of insight into Jane Austen’s writings I’ve ever heard – how continuously relatable she is due to how we’ve become such an unchanged society. For all the progresses and all the developments of how live has shifted forward per generation, there are still telling truths about how she wrote about society and the pressures of how life can sometimes become too measured by what society believes it can dictate out of a life. I love the serendipitous nature of how you became attached to OHG; I tend to think those are the better moments of our lives – how we cross paths with people who have an important reason of being in our life at any particular point in time. It speaks to how we’re all connected. Whilst at the same time – how some stories ‘find us’ rather than how we presume to believe ‘we find them’.

Of all the stories of Austen, my first introduction to her stories was through “Pride and Prejudice” and thus, Elizabeth has been my favourite Austen heroine ever since the adaptation featuring Keira Knightley was released (as it coincided with my first readings). As you were reading the stories you’ve brought to life – what did you intuit out of them about Elizabeth and about her nature as one of our leading ladies who has withstood time to affect us on such a personal level of appreciation?

Grace responds: I have been asked similar questions before and I am always brought back to Tessa Dare’s wonderful foreword from the anthology. She talks about why Elizabeth is such a popular character and why we continue to relate to her so well and she says it is because “Elizabeth is just like me – but awesome”. I think that is so true, because she is extremely human and altogether female. She is clever and yet judgemental, witty and at times cutting, self-aware and often a little self-deprecating. You can feel her battling with the same traits that we battle with today and she does so with this beautiful honesty and vulnerability which allows her to accept when she is wrong but also speak out against her better judgement when she needs to defend herself, her family or her opinion.

I have so much Elizabeth Bennett inside me (as well as Jane Eyre and Jo March, and lest I forget Anne Shirley) that it isn’t too remarkable to me to realise why I haven’t found myself attached to another novel by Jane Austen (as of yet – ‘Persuasion’ has a new audiobook narration waiting in the wings for me via NetGalley) inasmuch as my absolute admiration, dedication and passion for ‘Pride and Prejudice’; singularly it is hard to discern, is it strictly due to Lizzie or is it equally split between her and Mr Darcy – of whom I’ve previously disclosed is my first and only (thus far into my fourth decade) book boyfriend! I believe that’s the key draw really – seeing someone who is not shy about speaking her mind, bluntly so at moments and honestly evoking a reaction out of others in order for her voice to be heard when it infers an importance to her to be said. In defence of family and self – there are no truer moments for which we all need to remember to listen to our intuition and feel confidence in our voice.

Isn’t that the mark of true classically perennial stories? Where you can revisit them and still see why you originally loved them but then find these extra layers of genius within how they were writ? I felt that way when I first started watching “Anne with an E” via NetFlix and when I was listening to the audiobooks for the first three “Anne of Green Gables” stories via Post Hypnotic Press – wherein I was seeing Marilla in a whole new ray of light wherein previously (per my younger visitation into this world) I was finding myself only drawn to Anne.

Did you have a favourite story in the collection?
And if so, what was it about it that drew you in as deeply as it had?

Grace responds: I really enjoyed each of the stories for different reasons. I recently did a reading of “Atmospheric Disturbances” by Christina Morland for the book tour and I loved that one because I really enjoy narrating arguments! I am not sure why, but I think its because of the fast pace and the high stakes.

Other memorable stories are “Love in the Limelight” by Beau North because of the amazing backdrop of Hollywood’s golden age. The one that moved me the most during my narration was “A Mate for Life” by Christina Boyd, I am sure you can hear my voice crack towards the end. There is something so nostalgic and tender about Elizabeth as an elderly woman reflecting on a life well lived while watching her grand-daughter begin her own journey into adulthood that is so touching.

OOh! I love when a narrator has to go head to head – character on character and walk us through the paces of a full-on row! It gives such a realistic edge to the story and such a believable measure of time for seeing the characters move through their lives – likewise, between the rows and the emotional anguish sequences – I daresay, I credit a lot to the stamina and the performances by narrators who can take us tenfold into their journey by voicing stories with such beautiful dimension! Those are dearly my favourite moments – where you can really hear and sense the ’emotions’ behind a narrator’s voice and how through their performance you can feel intuitively closer to when they had originally sat to read the audio play. As to me, audiobooks bring back why live radio theatre used to be as popular as it had been – audiobooks are the new variant of those radio plays – where it is all vocalised and it etches into your heart, encompasses your imagination and gives you this immersive depth that you cannot get otherwise by print or screen. It is very interpersonal and I love the effect of it.

I oft wonder how narrators approach their performances – did you do any prep work for narrating this series of stories and/or how did you approach getting into the head and heart of Elizabeth through the different incantations that were presented therein?

Grace responds: I would love to tell you that I prepped for weeks to get into Elizabeth’s mind and understand her inside out but the truth is I learned more about her during the process than beforehand.

Working with such talented authors as those featured in OHG, they set up the circumstances so perfectly you are given all you need to know to get stuck straight in. Like you, I was familiar with Elizabeth from reading “Pride and Prejudice“, watching the films and TV adaptations and (as a girl called Elizabeth) being likened to her for a lot of my life! I had a good grounding on what she stands for and who she is. It helps that she is super relatable so it is easy to put some of  myself into her which is really what we, as actors do. Rather than thinking so much on the lines of “what would my character do?”, I try to think, given everything I know about my character, if I was in this situation what would I do/how would I react?

OOh no standing on airs here – I love getting the ‘behind-the-book’ trivia bits about how stories are writ and performed – whatever inks out of being the truthful accounting of how a story was either first created or thus after performed are the right answers to give to my readers. I oft wonder though – isn’t that similarly true for regular performances as well? To best get into the headspace of a character you first have to take that fuller immersion into performing them – rooting out their essence and getting a niche of a feel for how they ought to be portrayed? At least, that is what I gather from afar?

I also love the personal touches you etch into this performance – as you said, you took it to a personal heart to heart level and inverted it to being a reflection of your own reactions and responses rather than simply leaning on ‘what Elizabeth Bennett might have done herself’. I think that’s champion and the best route into how to have obtained the right balance in your performance; as said, I have noted things from afar (from loving theatre, radio, television and film) but I never knew if any of those observations had merit as I haven’t yet worked in theatre.

Were there any secondary characters in this collection of stories you felt stood out to you the most?

Grace responds: Darcy can’t not stand out in the anthology, he plays such a significant role. Again, harping back to Tessa Dare’s foreword, I love her line about loving Darcy because he is smart enough to love Elizabeth. While all the other men are fawning over Jane, he is drawn to Elizabeth for all the reasons we love her.

In each of these stories we really see his tenderness towards Elizabeth shine. This is really prominent for me in “Resistive Currents” by Karen M Cox where he really displays this kindness and loyalty we don’t always get to see. I think I realised that while he is often played as being super stoic and harsh, it is really important to also portray his nervousness and protectiveness. Again, these are traits we would all have to some degree given his experiences and what he has been through.

I was immediately thinking about Peter Calpaldi as ‘Doctor Who’ – who apparently became one of the most unrelatable Doctors (according to those I’ve spoken with) and yet, he was so endeared to me for reasons you’ve broached about Darcy. It goes back to the layers of a character’s soul and the artfulness approach in how through their story and the stories after those initial ones which reveal more of those hidden layers that might oft go overlooked or become discarded in favour of presumptive prejudgements on their character. For me, Calpaldi brought a richness to the role – the emotional unresolved angst of an immortal person who could no longer live with the guilt and conscience of what he had done, whom he could not save and the weight of how the universe constantly pulled him into circumstances to act in impossible situations to resolve whatever wrong needed righted. In essence, he was portraying another situation that Dr Beckett found himself in perpetually in ‘Quantum Leap’.

I believe Darcy fits into this bracket as well – people have such strong reactions to Darcy – to his manners and to his speech that they sometimes fail to see the ‘real’ Darcy behind the gruffiness of his personality and to peer into what is motivating him to act and speak in the ways in which he is presenting himself to his peers and neighbours. As you said – more layers there, we just have to be open to finding them, understanding them and accepting Darcy on his own terms – very much like Lizzie had herself.

What is more challenging – tackling a character as renown as Elizabeth Bennett (or any Classical character) or having to give life and voice to a character fresh out of an author’s imagination?

Grace responds: There are real advantages and disadvantages to both, as you can imagine. Taking on characters that are well know, you are faced with other peoples’ preconceived notions of how they believe the character should sound or behave. However, it also means so much more when they tell you afterwards how much they feel you encapsulated that character for them. I do love creating them for myself, having the time to really understand someone new and be able to guide an audiences perception but when I do this, I am always also working with author who gave birth to them and also has a view on how they should sound so it’s not so different in that respect.

What are your favourite takeaways from this collection as a whole and what did you feel was the greatest message that would impact listeners and readers alike?

Grace responds: I think for me, the fact that each story is set in either a different time period or a different scenario really brings back the idea of Jane Austen’s initial writing being so incredibly modern. That we can pick these characters up and transport them this way while maintaining their original character traits and even literally their words in some cases just goes to show how revolutionary and natural her writing was. I think the anthology is very pertinent for women at the moment during this feminist wave where we support each other, we have opinions and we speak our minds and ultimately, we strive to be obstinate and headstrong.

What do you feel are harder to narrate? Short stories or novels and why?

Grace responds: I think novels are trickier, simply due to the length of them. Short stories tend to be very dynamic and fast paced as they try to fit in a fair amount of drama into a relatively short amount of time. They are also less complex with regards to dramatic reading in terms of chronology and subtext. Usually we find the characters in short stories have very clear needs and obstacles from the outset which for a narrator requires a little less planning. Novels are longer and so you need to be more conscious of maintaining the momentum of the story throughout and you need to really consider the characters motives at each point – what do they know, what don’t they know, what is the immediate need and what’s the end game for them etc. However, I do love novels for this complexity too, it’s often more challenging and you can get really stuck into the story, whereas with anthologies, I can feel like I am on a roll, then the story concludes and I am on to the next.

How did your impression of Elizabeth change from “Pride and Prejudice” to “Elizabeth: Obstinate Headstrong Girl”? What do you think became reflected through these new stories that perhaps Austen left out of disclosing herself on her behalf? As much as how did it feel to voice such a literary heroine as Elizabeth and share her name?

Grace responds: From a purely feminist perspective, when I look back on Elizabeth in “Pride and Prejudice” with all the knowledge I have now, it feels like she could have done more. Please don’t misunderstand me, I wouldn’t want the story to change but after reading of her in OHG doing all these amazing things, I feel bad that ultimately, by accident in a way, she ends up bending to societies’ expectations.

In “The House Party” by Janetta James, Elizabeth is surrounded by the suffragette movement and while she supports these women and their fight, she doesn’t get stuck in herself. It took me a moment to realise how very “Elizabeth” that is. And I am the same. I wonder what adrenaline and desperation Emily Davison felt before she flung herself in front of the King’s horse, but I will likely never know.

Like Elizabeth Bennet, I am woman of relative means, I have always lived a comfortable enough life to see the other side not so far away and to support and sympathise, say the right words but not necessarily feel that desperation to join the physical fight. Not everyone can feel like that, otherwise everyday would be a revolution I suppose, but did Jane Austen not feel desperate as a female writer in the early 1800s?

I wonder if it crossed her mind to make Elizabeth more revolutionary, but if she feared that it would make her a lot less likable at the time. I imagine she would be proud to see her heroine become one of the only female engineering students at Fordyce University, or sticking up for her sister to a big movie executive in Hollywood. We have the amazing ability to make Elizabeth’s options in life limitless. As a fellow Elizabeth, I thank women like Jane Austen for giving us a heroine that does withstand the passage of time and allows fantastic, modern authors to give new direction to her and inspire the next generation.

When you’re not narrating and performing what renews your spirit?

Grace responds: I love to travel which is why lockdown has been so hard for me. I am real social butterfly and love nothing more than seeing new places and being close to people – 2 meters just isn’t near enough! I have found solace however in my work, meeting some amazing, creative people in these authors and working with them to create something special. I write this from a hotel on an island in the Canaries called Lanzarote. It’s a little 10-day getaway that I will be paying for in isolation for 2 weeks on my return but will hopefully feel refreshed and renewed!

I am a traveller myself and fully respect the angst! Even though we, as a family have grown to love our car picnics and takeaway meals – there is something to be said for real sit down meals out of the house – which thankfully we did do the night prior to when this post runs on Jorie Loves A Story as we were craving an evening out where we could do something pre-pandemic normal and learnt our local pub was at half capacity and had an available table. I cannot express how comforting it was to order our favourite Friday night meal (ie. sloppy joes with fries) and try a new dark lager beer with a toasted after note! Even our server was thankful we were there and it was wonderful to see her after such a long absence! It was only the second time we’ve gone back to eat out – the first was during an epic storm ahead of a 12 hour shift for Mum and that was only a quick grab and go meal in a takeaway restaurant with no one else round. No, last night it felt more like we had captured a dose of normalcy and it felt brilliant!

Like you, I find solace in how I can adapt to what life brings to our path and how we can remain in contact with people in however they enter our lives. My blog is a labour of love and a saving grace which allows me to focus outside my personal adversities and give back to book world as much as it is a journalled collection of my readerly adventures and the curious thoughts which stories inspire me to share with fellow bookish geeks who seek out book blogs to read to find new inspiration in their own bookish lives. As bookish joy shared is tenfold better than never to have shared it at all.

I pray your holiday gives you what you are hoping it shall reveal and I definitely understand how it is worth the inconvenience of self-isolation on return because of what it will give you once you’ve arrived. We are all finding our way in this new situation and finding that if we keep ourselves adaptive and bendable we’ll make it through just fine.

Many blessings to you, Ms Grace and thank you for blessing me with this lovely conversation! Some of your replies I left as they were as I hadn’t had the chance to listen to the fuller contents of the audiobook prior to this being shared on my blog. I enjoyed your revelations and cannot wait to peer into those sections and re-visit your takeaways and comments.

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Audiobook Blog Tour especially for #Janeites & #Austenites | A mini Review and a Conversation about “Elizabeth: Obstinate Headstrong Girl” (Vol.5: the Quill Collective, series) narrated by Elizabeth GraceElizabeth
Subtitle: Obstinate Headstrong Girl
by (Editor) Christina Boyd
Source: Direct from Publisher
Narrator: Elizabeth Grace

With timeless verve, the heroine of Pride and Prejudice, Elizabeth Bennet, bares her intimate thoughts while offering biting social commentary through a collection of romantic re-imaginings, sequels, and prequels, set in the Regency to present day by ten popular Austenesque authors.

Foreword by NY Times & USA Today bestselling author Tessa Dare. “I think her as delightful a character as ever appeared in print…” wrote Jane Austen in a letter, January 1813―and we think so too!

Stories by Amy D’Orazio, Jenetta James, Christina Morland, Beau North, Joana Starnes, Karen M Cox, Elizabeth Adams, Leigh Dreyer, J. Marie Croft, and Christina Boyd.

Genres: After Canons, Anthology Collection of Short Stories and/or Essays, Classical Literature, Feminist Historical Fiction, Historical Fiction, Re-telling &/or Sequel


Places to find the book:

Add to LibraryThing

ASIN: B08FCSJ33D

Also by this author: Rational Creatures

Also in this series: Rational Creatures


Published by The Quill Collective LLC

on 31st August, 2020

Format: Audiobook | Digital

Length: 10 hours and 41 minutes (unabridged)

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Reading this book contributed to these challenges:

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Posted Saturday, 5 September, 2020 by jorielov in After the Canon, Anthology Collection of Stories, Audiobookworm Promotions, Blog Tour Host, Classical Literature, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jane Austen Sequel, Short Stories or Essays

A Non-Fiction Audiobook Review | “My Life in Plants” (Flowers I’ve Loved, Herbs I’ve Grown, and Houseplants I’ve Killed on the Way to Finding Myself) by Katie Vaz, narrated by Taylor Meskimen courtesy of #NetGalley

Posted Thursday, 3 September, 2020 by jorielov , , , 0 Comments

#AudioReads banner created by Jorie in Canva. Unsplash Photography (Creative Commons Zero) Photo Credit: Alice Moore

Acquired Book By: Earlier this year, in late Winter (February) I joined NetGalley for the first time as they finally announced they were going to be offering full-length audiobooks for reviewers. I was never able to join NetGalley due to having chronic migraines and being unable to read ebooks. I started requesting audiobooks to review as soon as they opened their audiobook catalogue in July, 2020. I am an eclectic reader and thereby, you will see all genres in Fiction explored from both markets of interest: mainstream and INSPY as well as from Major Trade, Indie Publishers & Press and other routes of publication, too. There might be the occasional Non-Fiction title appearing in my NetGalley queue of reviews as well. This marks a new adventure for me seeking stories for review consideration and I look forward to seeing where the stories lead me to venture.

I received a complimentary digital and temporary audiobook copy of “My Life in Plants” direct from the publisher Andrews McMeel Publishing via NetGalley in exchange for an honest review. All audiobooks via NetGalley are able to be heard via the NetGalley Shelf which is why I was thankful to be gifted an android tablet by my parents to celebrate my 7th Blog Birthday on Jorie Loves A Story. I did not receive compensation for my opinions or thoughts shared herein.

NOTE: As a new reviewer on NetGalley, I’m sorting out how to get the Press Materials for each of the audiobooks I’m reviewing when I share them on my blog Jorie Loves A Story. When I contacted NetGalley Support they informed me if a separate Press Kit is not included on the audiobook’s book page we’re allowed as reviewers to use the book cover and synopsis provided when we go to share our review of that audiobook on our blogs; as long as we give attribution as I have done at the bottom of this review in “Sources”. Those materials are provided with permission of the publishers to be used by reviewers via NetGalley.

Rainbow Digital Clip Art Washi Tape made by The Paper Pegasus. Purchased on Etsy by Jorie and used with permission.

Why I was intrigued to listen to
“My Life in Plants”:

What first drew me into wanting to hear this story about one woman’s life centred round the plants which populated her memories was the fact I needed a segue story to resume my current reading queue as the world’s news headlines were getting to me this week. We all have our level of tolerances for how much news we can sustainably read before it all becomes a bit too much to filter and this week, my tolerances simply vacated.

I decided to see if I could find a short audiobook about something completely outside my own purview as a reader and as an audiobook listener to where it would be a dynamic shift outside my current wanderings as much as be a story I could get behind because of its own authentic voice to tell its own story. What I found was a curiously titled Memoir about a woman who stored her memories from the seeds and experiences she had with plants. To me that was a wholly original concept and I wanted to follow in her stead!

What I found was a thought-inducing Memoir which helps you think about your own life as your listening to her adventures whilst finding inspiration along the way. The only downside for me (despite how much I loved this book!) is that some of the chapters and snippets of her life are quite on the shortened end of the spectrum – so don’t be too surprised if you’re hugged into one of her memories and suddenly that chapter ends!Rainbow Digital Clip Art Washi Tape made by The Paper Pegasus. Purchased on Etsy by Jorie and used with permission.

A Non-Fiction Audiobook Review | “My Life in Plants” (Flowers I’ve Loved, Herbs I’ve Grown, and Houseplants I’ve Killed on the Way to Finding Myself) by Katie Vaz, narrated by Taylor Meskimen courtesy of #NetGalleyMy Life in Plants
Subtitle: Flowers I've Loved, Herbs I've Grown, and Houseplants I've Killed on the Way to Finding Myself
by Katie Vaz
Illustrator/Cover Designer: Katie Vaz
Source: Audiobook Direct from Publisher via NetGalley
Narrator: Taylor Meskimen

From stumpy potted houseplants to intricate and delicate flower arrangements, My Life in Plants is a heartfelt, honest memoir that intertwines the complex nature of houseplants with a journey of self-discovery.

From Katie Vaz, author of Don’t Worry, Eat Cake, the beloved Make Yourself Cozy, and The Escape Manual for Introverts, comes My Life in Plants. Her newest book tells the story of her life through the thirty-nine plants that have played both leading and supporting roles, from her childhood to her wedding day. Plants include a homegrown wildflower bouquet wrapped in duct tape that she carried on stage at age three, to a fragrant basil plant that brought her and her kitchen back to life after grief. The stories are personal, poignant, heartwarming, and relatable, and will prompt readers to recall plants of their own that have been witness to both the amazing moments of life and the ordinary ones. This illustrated memoir covers the simplicity of home, the sharpness of loss, the lesson of learning to be present, and the journey of finding your way.

Genres: Biography / Autobiography, Botany, Horticulture, Memoir, Non-Fiction, Self-Improvement & Self-Actualisation


Places to find the book:

Add to LibraryThing

ISBN: 9781524864019

ASIN: B08FJFKJDC

Published by Andrews McMeel Audio, Andrews McMeel Publishing

on 1st September, 2020

Format: Audiobook | Digital Review Copy (NetGalley)

Length: 1 Hour, 36 Minutes, 58 Seconds (unabridged)

Published By: Andrews McMeel Audio
an imprint of Andrews McMeel Publishing (@AndrewsMcMeel)

Genre(s) of Interest: Non-Fiction, Biographies & Memoirs, Self-Help and Botany
as well as Gardening & Horticulture and Foodie centric memories

Formats Available: Hardback, Audiobook and Ebook

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Enjoy a preview of the artwork in the book!:

Rainbow Digital Clip Art Washi Tape made by The Paper Pegasus. Purchased on Etsy by Jorie and used with permission.

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Reading this book contributed to these challenges:

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Posted Thursday, 3 September, 2020 by jorielov in 21st Century, Animals in Fiction & Non-Fiction, Anthology Collection of Stories, Audiobook, Autobiographical Fiction & Non-Fiction, Bits & Bobbles of Jorie, Book Review (non-blog tour), Botany, Diary Accountment of Life, Epistolary Novel | Non-Fiction, Horticulture, Indie Author, Journal, Memoir, Modern Day, NetGalley, Non-Fiction, Philosophical Intuitiveness, Short Stories or Essays, Vignettes of Real Life

Blog Book Tour | #FuellYourSciFi as #JorieReads “The Hidden Girl” (and other stories) by Ken Liu

Posted Tuesday, 3 March, 2020 by jorielov , , 0 Comments

Book Review banner created by Jorie in Canva.

Acquired Book By: I’ve been enjoying hosting blog tours for the UK Indie publisher Head of Zeus as I feel blessed to work with them as a book blogger being that I love celebrating authors from the UK and the stories they are telling through the different genres Head of Zeus is publishing. These blog tours have been encouraging my bookish and readerly wanderings into Crime Dramas, Historical Fiction and Historical Sagas whilst also engaging into my passionate love of Speculative Fiction which encompasses Science Fiction and Fantasy. I am thankful to be hosting tours for the publisher directly and with their publicity team at Midas PR.

I received a complimentary copy of “The Hidden Girl” direct from the publisher Head of Zeus in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Why I felt blessed to read “The Hidden Girl”:

I definitely have a soft spot in my heart for Speculative Fiction – readers of Jorie Loves A Story might take note of the fact I regularly participate in two annual book blogosphere events: Sci Fi November (@SciFiMonth) & Wyrd And Wonder (@WyrdAndWonder) – the latter of which I helped co-develop and co-host every May with our supplemental fortnight event every October.

I immediately connected with the author’s vision vision of [The Hidden Girl] – not just from the concept behind his creation of Silkpunk but through what he put on his website as a short extract of what we’d find inside. It was a theory of thought I have oft shared myself on my own blog – about how without a reader a story is not yet ready for its debut because it takes a reader to complete a path the writer has placed in front of them. In essence all stories need readers because the writer can only take the story ‘thus far’ before a reader needs to complete it. I love writers who are thought-provoking about their craft inasmuch as they are engaging through their style of story.

Silkpunk is such a new and dynamic concept for me!

I love Susan Spann’s Hiro Hattori novels for rooting me in 16th Century Japan for similar reasons – between the heritage & cultural notations to the aesthetic of how she uses the setting of Japan itself as a narrative guide. I also felt emotionally moved by The Ghost Bride by Yengsze Choo – the visuals and the speculative intersection of the story against the cultural beliefs of where the ghost brides enter into the storyline – simply evocatively beautiful. I love Asian Literature – I try to seek out more whenever I can which is why I still want to finish A Mortal Song by Megan Crewe as I felt so dearly connected to the world she created within the scope of the novel.

This idea of “Silkpunk” is what truly captured my thirst of curiosity to read The Hidden Girl as I love finding new sub-niches of genres I regularly read – they give new credence to how inventive writers are and how wickedly delightful it is to disappear into a story which is going to take us elsewhere from whence we’ve travelled previously. Similar to why I like the ‘other’  punk sub-niches in Speculative Fiction, Silkpunk to me felt like a wicked good ‘next’ fit!

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Blog Book Tour | #FuellYourSciFi as #JorieReads “The Hidden Girl” (and other stories) by Ken LiuThe Hidden Girl
Subtitle: And Other Stories
by Ken Liu
Source: Direct from Publicist

From a Tang Dynasty legend of a young girl trained as an assassin with the ability to skip between dimensions on a secluded mountain sanctuary to a space colony called Nova Pacifica that reflects on a post-apocalyptic world of the American Empire and ‘Moonwalker’ Neil Armstrong, award-winning author Ken Liu’s writings are laced with depictions of silkpunk fantasy, Sci-Fi and old Chinese folklore, wrapped up in a mesmerising genre-bending collection of short stories.

Ken Liu is one of the most lauded short story writers of our time. This much anticipated collection includes a selection of his latest science fi ction and fantasy stories over the last fi ve years – sixteen of his best – plus a new novelette. In addition to these seventeen selections, The Hidden Girl and Other Stories also features an excerpt from book three in the Dandelion Dynasty series, The Veiled Throne.

Genres: Anthology Collection of Short Stories and/or Essays, Science Fiction, Short Story or Novella, Space Opera


Places to find the book:

Add to LibraryThing

ISBN: 978-1982134037

Published by Head of Zeus

on 25th February, 2020

Format: Hardcover Edition

Pages: 432

Published By: Head of Zeus (@HoZ_Books)

For those who are new to reading Silkpunk,
I found a lovely article which the author explains the genre
and what constitues a Silkpunk style of narrative as its a genre-bent of Sci Fi & Fantasy.

Genre(s): Science Fiction | Speculative | Silkpunk

Short Story | Space Opera | Folklore | Hard Science Fiction

Converse via: #TheHiddenGirl, #KenLiu with #Silkpunk

as well as #ScienceFiction and #SpeculativeFiction

Available Formats: Hardcover, Audiobook & Ebook

About Ken Liu

Ken Liu

Ken Liu is an American Speculative Fiction writer and the winner of the Nebula, Hugo, Locus, World Fantasy, Sidewise, and Science Fiction & Fantasy Translation Awards. The son of a pharmaceutical chemist and a computer engineer, Ken emigrated to the US with his mother and father at the age of 11. He graduated from Harvard with a degree in English Literature and Computer Science and later attended Harvard Law School.

Prior to becoming a full-time writer, Ken worked as a software engineer, corporate lawyer, and litigation consultant. His debut novel, The Grace of Kings, is the first volume in a Silkpunk Epic Fantasy series, The Dandelion Dynasty, in which engineers play the role of wizards.

His debut collection, The Paper Menagerie and Other Stories, has been published in more than a dozen language and his short story Good Hunting was adapted for an episode for Netflix’s science fiction web series Love, Death and Robots.

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Reading this book contributed to these challenges:

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Posted Tuesday, 3 March, 2020 by jorielov in Anthology Collection of Stories, Bits & Bobbles of Jorie, Blog Tour Host, England, Hard Science Fiction, Head of Zeus, Novellas or Short Stories, Science Fiction, Silkpunk, Space Opera, Speculative Fiction

Audiobook Blog Tour especially for #Janeites & #Austenites | “Rational Creatures: Stirrings of Feminism in the Hearts of Jane Austen’s Fine Ladies (Vol.3: the Quill Collective, series)” narrated by Victoria Riley

Posted Thursday, 12 September, 2019 by jorielov , , , , , 4 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

I received a complimentary audiobook copy of “Rational Creatures” via Audiobookworm Promotions in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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From one Janeite to another, this felt like it was hand-picked for us,…

I’ve been a Janeite for a very long time – during #AustenInAugust [2017], I had the joyful pleasure of submitting a guest essay to commemorate how Austen has been moving in and out of my life over the years which ran on a featured day on Roof Beam Reader’s blog. It is in of itself a quite all-inclusive look at how Jane Austen has left a strong impression on my life.

As soon as I first learnt of this blog tour, I had an intuitive reaction to the premise and the sampler I listened to for the collection. It simply felt like it was hand-tailored to those of us who are consistently in awe and love for all stories inter-related to our beloved canon of Jane Austen! There is such a wide field of choices – it is hard to pin down whom to read first, which series play off the original characters so well as it give you goosebumps as you read their new stories as they are so accurately portrayed and which collections of anthologies best hug back into the style of Jane Austen as well.

It isn’t enough to write a variation, sequel, re-telling or experiment with a unique portal of insight which can flourish in the after canon realms – for me, it has to play homage to the original author, the original novel & maintain a sense of loyalty for how Jane Austen herself presented her characters to us. For me, that is a hard rule and one I won’t break as I pick up new stories to read. This is one reason being able to read the Miss Jane Austen series by Collins Hemingway has been such an enjoyable journey (see also my reviews).

Imagine my joy to find this collection on the foot-heels of celebrating the third Miss Jane Austen novel going on a blog tour this October. I am thankful for those writers who are re-experimenting with these characters and re-settling us into their lives as if they are still vibrantly alive and living new adventures to be shared with us all.

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An informative conversation with Victoria Riley:

Rational Creatures stories banner by The Quill Collective

the questions were provided by Audiobookworm Promotions wherein Ms Riley was able to select the 10 questions she preferred to respond to directly.

Generally speaking, I do provide my own interview & guest post topics for authors I am featuring on Jorie Loves A Story – however, due to how chaotic my Summer became, I must admit, I lost sight of a few of the blog tours along the way. Including being able to submit my own questions for Ms Riley. However, I’ve read over her responses in this conversation and love her candor and her willingness to share a personal glimpse into being a narrator, why she personally is passionate about Jane Austen and how adaptive you have to be to get the narrations recorded! I felt this would be a delight of joy to share with my readers – especially as she picked the questions to respond to (as there was quite the long list!) – this felt like a very organic convo to promote.

I also found another interview by Ms Riley you might enjoy reading which was featured during this year’s #AustenInAugust!

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When did you know you wanted to be an audiobook narrator?

Riley responds: Well, I’ve always said that I’d be happy to just sit in a cupboard all day reading books. I didn’t know that I could actually do that and get paid for it. Dreams do come true, folks.

How did you wind up narrating audiobooks? Was it always your goal or was it something you stumbled into by chance?

Riley responds: I’m actually a classically trained actress and was originally interested in theatre. When I started out, audiobooks weren’t really a big thing and it didn’t occur to me as a career. I gradually veered into voiceover and my first audiobook was through my VO agent. I then set up my own studio at home and audiobooks are just one of the things I work on.

A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career?

Riley responds: I wouldn’t say it’s essential, but it really, really helps. We’ve been trained to analyse scripts and characters, to convey nuance and emotion. With audiobooks, you have to do it all with your voice, though, so it is an added skill. However, I do think that some people are natural storytellers. My Mum worked as a primary school teacher and I still remember the way she read books to me before bed.

What about this title compelled you to audition as narrator?

Riley responds: I LOVE Jane Austen. I love her female characters with their fire and intelligence. To have such strong minds, but be so restricted with their options in life. For marriage to be your only way forward when you have so much to offer the world. It makes me feel claustrophobic just thinking about it. From a working perspective, this is also my first collection of short stories. Short stories are a real art form. You have to draw the reader (or listener!) into the tale very quickly and make them care about the characters without the luxury of a whole novel in which to do it. I really enjoyed each one being a separate little project, so I had a sense of closure and achievement after each one.

What types of things are harmful to your voice?

Riley responds: I wouldn’t say I’m that careful with it to be honest. I’ve had vocal training drummed into me for decades, so I think it really comes naturally to me to support my voice well and to speak from the diaphragm. I’ve been trained to project to the back of a theatre, without a microphone, night after night after night. Some narrators get tired voices, but you can’t shut me up!

Who are your “accent inspirations”?

Riley responds: Absolutely everybody! I love accents. I have a broad Lancashire accent myself. I hope you can’t tell from ‘Rational Creatures’! If I hear a good accent, someone on TV or in real life, I’ll be there mouthing the words, fascinated by how they’re forming the sounds. Penelope Keith is a good one for very upper class ladies. Pam Ayres for West Country. Some elude me, though. My Cockney wanders all over the place, though you get a snippet of it in ‘Rational Creatures’. My boyfriend has a London accent and sometimes he helps me with pronunciations. I’ll be texting him asking things like ‘Transport or traaaahnsport??’.

How did you decide how each character should sound in this title?

Riley responds: Well, a lot of the characters are very well-known anyway, which helps. I didn’t feel as though I was creating them from scratch. Most of them just jump off the page too. There are simple things like class to consider. Also character traits, like arrogance, pomposity, shyness or humility, which affect voice and delivery. I love a character that you can really embody. When it’s so obvious how they should sound that you don’t even really have to think about it.

How does audiobook narration differ from other types of voiceover work you’ve done?

Riley responds: It takes a REALLY long time, especially if you’re fully producing the work yourself. It takes around six hours to produce one hour of finished audio, sometimes longer. That doesn’t even include all the prep work you have to do first, reading the work in full, researching characters and pronunciations, deciding on voices. Editing takes forever, combing through the recording, editing out little sounds like mouth clicks or any particular noisy breaths. I also regularly do radio jingles, which is a good comparison, because it takes no time at all! Audiobooks are not for the faint-hearted.

If you could narrate one book from your youth what would it be and why?

Riley responds: Apart from absolutely everything by Jane Austen? I have so many author heroes! However, if it’s from my youth, then I’m going to plump for Roald Dahl’s ‘The Witches’. His stories are so evocative and he doesn’t shy away from darker themes. I was born in Pendle Witch country, so this one struck a particular chord with me.

Any funny anecdotes from inside the recording studio?

Riley responds: We’ve all done silly things. Giving an Oscar-worthy performance, then realising you haven’t pressed record. Stuffing a cushion up your jumper to stop tummy rumbles reaching the mic. Gradually getting more naked as you stifle in the booth in summer. We’ve all done it.

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Audiobook Blog Tour especially for #Janeites & #Austenites | “Rational Creatures: Stirrings of Feminism in the Hearts of Jane Austen’s Fine Ladies (Vol.3: the Quill Collective, series)” narrated by Victoria RileyRational Creatures
Subtitle: Stirrings of Feminism in the Hearts of Jane Austen's Fine Ladies
by (Editor) Christina Boyd
Source: Audiobook via Audiobookworm Promotions
Narrator: Victoria Riley

“But I hate to hear you talking so, like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days.” (Persuasion, Jane Austen)

Jane Austen: True romantic or rational creature? Her novels transport us back to the Regency, a time when well-mannered gentlemen and finely-bred ladies fell in love as they danced at balls and rode in carriages. Yet her heroines, such as Elizabeth Bennet, Anne Elliot, and Elinor Dashwood, were no swooning, fainthearted damsels in distress. Austen’s novels are timeless classics because of their biting wit, honest social commentary - because she wrote of strong women who were ahead of their day. True to their principles and beliefs, they fought through hypocrisy and broke social boundaries to find their happily-ever-after.

In the third romance anthology of The Quill Collective series, 16 celebrated Austenesque authors write the untold histories of Austen’s heroines, brave adventuresses, shy maidens, talkative spinsters, and naughty matrons. Peek around the curtain and discover what made Lady Susan so wicked, Mary Crawford so capricious, and Hettie Bates so in need of Emma Woodhouse’s pity.

Rational Creatures is a collection of humorous, poignant, and engaging short stories set in Georgian England that complement and pay homage to Austen’s great works and great ladies who were, perhaps, the first feminists in an era that was not quite ready for feminism.

“Make women rational creatures, and free citizens, and they will become good wives; - that is, if men do not neglect the duties of husbands and fathers.” (Mary Wollstonecraft)

Stories by: Elizabeth Adams, Nicole Clarkston, Karen M Cox, J. Marie Croft, Amy D’Orazio, Jenetta James, Jessie Lewis, KaraLynne Mackrory, Lona Manning, Christina Morland, Beau North, Sophia Rose, Anngela Schroeder, Joana Starnes, Brooke West, and Caitlin Williams

Genres: After Canons, Anthology Collection of Short Stories and/or Essays, Classical Literature, Feminist Historical Fiction, Historical Fiction, Re-telling &/or Sequel


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ASIN: B07VCH37LL

Also by this author: Elizabeth

Also in this series: Elizabeth


Published by The Quill Collective LLC

on 18th July, 2019

Format: Audiobook | Digital

Length: 18 hours and 3 minutes (unabridged)

The stories & authors of “Rational Creatures”:
as well as noting which characters are featured per story

Christina Morland “Self Composed”
Eleanor Dashwood from Sense and Sensibility

Nicole Clarkson “Every Past Affliction”
Marianne Dashwood from Sense and Sensibility

Amy D’Orazio “Happiness in Marriage”
Elizabeth Bennett from Pride and Prejudice

Joana Starnes “Charlotte’s Comfort”
Charlotte Lucas Collins from Pride and Prejudice

Anngela Schroeder “Knightley Discourses”
Emma Woodhouse from Emma

J. Marie Croft “The Simple Things”
Miss Hetty Bates from Emma
Previously, I’ve read Love At First Sight by Ms Croft.

Caitlin Williams “In Good Hands”
Harriet Smith from Emma

Brooke West “The Meaning of Wife”
Fanny Price from Mansfield Park

Jenetta James “What Strange Creatures”
Mary Crawford from Mansfield Park

Elizabeth Adams “An Unnatural Beginning”
Anne Elliot from Persuasion

Karalynne Mackrory “Where the Sky Touches the Sea”
Sophia Croft from Persuasion

Lona Manning “The Art of Pleasing”
Penelope Clay from Persuasion

Beau North “Louisa by the Sea”
Louisa Musgrove from Persuasion

Sophia Rose “The Strength of their Attachment”
Catherine Moreland from Northanger Abbey

Karen M. Cox “A Nominal Mistress”
Eleanor Tilney from Northanger Abbey

Jessie Lewis “The Edification of Lady Susan”
Lady Susan from Lady Susan

Published by: The Quill Collective (@xtnaboyd)

Most of the collection installments are available in audio,
the few which are not are noted below for easy reference.
I hope one day they all will include an audio release.

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The Quill Collective series:

(read about the series on their site)

The Darcy Monologues (volume one)

Dangerous to Know:
Jane Austen’s Rakes & Gentlemen Rogues (volume two)
(*this one is not in audiobook)

Rational Creatures (volume three)

Yuletide: A Jane Austen-inspired Collection of Stories (volume four)
(*this one is not in audiobook)

Converse via: #RationalCreatures & #QuillCollective + #AudioReads

OR #loveaudiobooks, #JaneAusten and #Janeite or #Austenites

About (Editor) Christina Boyd

Christina Boyd

CHRISTINA BOYD wears many hats as she is an editor under her own banner, The Quill Ink, a contributor to Austenprose, and a commercial ceramicist. A life member of Jane Austen Society of North America, Christina lives in the wilds of the Pacific Northwest with her dear Mr. B, two busy teenagers, and a retriever named BiBi. Visiting Jane Austen’s England was made possible by actor Henry Cavill when she won the Omaze experience to meet him in the spring of 2017 on the London Eye. True story. You can Google it.

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Reading this book contributed to these challenges:

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Posted Thursday, 12 September, 2019 by jorielov in After the Canon, Anthology Collection of Stories, Audiobookworm Promotions, Blog Tour Host, Classical Literature, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jane Austen Sequel, Short Stories or Essays

Non-Fiction Book Review | “Looking to the Stars from Old Algiers and Other Long Stories Short” by Jan Risher

Posted Saturday, 29 December, 2018 by jorielov , , , , 0 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book By: I was selected to be a part of the blog tour for this unique collection of stories hosted by iRead Book Tours. I haven’t been reviewing or hosting iRead authors in quite a long while – for most of the year, outside of the fact I did host the Marilyn Wilson blog tour as it was her second release. I couldn’t find stories which excited me to read and/or there were a heap which I felt would fit other readers better than they would my own readerly inclinations. When I came across ‘Old Algiers’ I thought it was such an interesting collection of personal history, experience, reflective insight and philosophical enquiry – it was something I was keenly looking forward to reading.

I received a complimentary copy of Looking to the Stars from Old Algiers direct from the author Jan Risher in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

On why I was eager for this book & how life interfered with my plans in

reading ‘Looking to the Stars from Old Algiers’:

When I first learnt about this collection of stories – I thought it would be wicked interesting to read which is why I was excited about signing on for the blog tour! I had wanted to read the stories and curate a conversation with the author to coincide with my review, however, a few things ended up derailing all my lovely plans for this blog tour – which is in effect, why I am posting off-tour instead. In fact, I’ve been attempting to get this review put to order since a week ago Friday, except to say, my physical unwellness has been a bit extreme these past three weeks ever since I came down with a beast of a Winter virus. Secondly, my father had a medical emergency where we spent 4+ hours in the ER which rattled my nerves and my emotions never did quite settle down that particular week until the start of the next one. My father, is fine – thankfully, the fall was not serious but we had to ensure it was nothing major as Thanksgiving weekend marked his 2nd year past his stroke.

To return back into reading, I had to wait til a) my health was less stricken and b) my mind could re-attach into reading and blogging. It wasn’t until Sunday (last weekend) where I felt well enough to resume where I had left off with a lot of different stories but my return has been slow going which is why my posts are populating at a bit of an odd rate of progression. This review is one I wanted to finish earlier in the week, but I’ve literally been plagued with health issues and honestly, it took extra time to compose.

Having said that, I decided to make my journey into this book a bit uniquely different than most readers might have approached it. I knew in my heart I couldn’t traditionally read this start to finish, as I just didn’t have the capacity to do that right now – therefore, I hope you’ll enjoy the notes, ruminative reflections and takeaways I am sharing on behalf of Old Algiers!

Likewise, I am hoping my note of apology reached the author – somehow, for whichever reason, life became a bit of a determining factor of how I was unable to release this review in step with the blog tour itself whilst I had to realise also, the conversation would have to remain unknown as just to get this featured before the New Year I felt was more priority after having missed the blog tour.

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Non-Fiction Book Review | “Looking to the Stars from Old Algiers and Other Long Stories Short” by Jan RisherLooking to the Stars from Old Algiers
Subtitle: And Other Long Stories Short
by Jan Risher
Source: Author via iRead Book Tours

Jan Risher took the long way to get from Mississippi to Louisiana with stops in between in Slovakia, Mexica, China, Burkina Faso and more than 40 other countries. Since moving to Louisiana, she has been a Sunday columnist for The Daily Advertiser and has written a column every single Sunday since 2002.

Looking to the Stars from Old Algiers and Other Long Stories Short is the collection of columns written over 15 years. Arranged in chronological order, the collection creates a narrative of one woman's aim to build her family, build up her community and weave the stories and lessons learned from the past into the present.

From her family's move to Louisiana, adoption of a daughter from China, covering Hurricane Katrina, travels near and far, author Jan Risher attempts, sometimes failing and sometimes succeeding, to do her small part to make the world a better place.

Genres: Anthology Collection of Short Stories and/or Essays, Biography / Autobiography, Non-Fiction, Short Story or Novella


Places to find the book:

Add to LibraryThing

ISBN: 9781946160331

Published by Lafayette Press, Sans Souci Books, University of Louisiana

on 11th September, 2018

Format: Trade Paperback

Pages: 312

Published by: Sans Souci Books

an imprint of the University of Louisiana at Lafayette Press

Formats Available: Paperback and Ebook

Converse via: #NonFiction & #ShortStories

About Jan Risher

Jan Risher

Jan Risher is an award-winning journalist and investigative reporter. She was managing editor of The Times of Acadiana. Before and after her time as a full-time journalist, she was an English teacher. She has taught English near and far, in its most basic and most lyrical forms. She continues her career as a freelance writer and now owns Shift Key, a content marketing and public relations firm. She, her husband and their two daughters have made their home on the banks of the Vermilion River.

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Posted Saturday, 29 December, 2018 by jorielov in Anthology Collection of Stories, Bits & Bobbles of Jorie, Blog Tour Host, Daily Devotions of Inspiration from Life, Equality In Literature, Indie Author, iRead Book Tours, Memoir, Mother-Daughter Relationships, Motherhood | Parenthood, Non-Fiction, Orphans & Guardians, Philosophical Intuitiveness, Publishing Industry & Trade, Short Stories or Essays, Sociological Behavior, Sociology, Stories of Adoption, Travelogue, Vignettes of Real Life