Borrowed Book By: Wickedly as soon as I read the premise for “Kate in Waiting” I knew I wanted to read it – and yet, I wasn’t sure if I could as most of #TheWriteReads blog tours feature novels which are a bit delayed reaching publication here stateside. Sometimes, like this particular blog tour, I was able to get a bit lucky and the pub dates were mutually beneficial for UK/Europe and American book bloggers – thereby, as I wasn’t sure which library of mine would be carrying the book itself – as I hadn’t yet connected the dots about the author’s previous canon of novels – I happily found it on order via my local library! I ended up first in the queue to receive it – but *five days!* from my tour date, I was growing worried. Would it arrive in time? Thereby I checked my regional library and *blessedly!* guess who bought the audiobook and the ebook? Mind you, I can’t read the ebook but I borrowed the audiobook immediately!!!
Therefore I borrowed the audiobook edition for “Kate in Waiting” via my regional library and was not required to post a review on behalf of the story or the audiobook version of the novel. In fact, I had to modify my tour stop as with three weeks of health afflictions (ie. extreme pollen allergies and a difficult bout of migraines) this April – I was just thankful I could find some joy in reading again by the weekend of the 23rd! The following spotlight review is being shared with my readers and the tour visitors for my own edification in continuing to share my readerly life on Jorie Loves A Story. Whilst I did not receive compensation for my opinions or thoughts shared herein.
Hallo, Hallo dear hearts!
I love being part of the community of #TheWriteReads and I hope in future to continue hosting the authors on their blog tours – I keep an eye out on the stories I most desire to be reading in order to host a guest feature as print copies are a bit rare for these tours to request. I love hosting the conversations because it helps me feel a bit more rooted in the stories and I hope you’ll have the same takeaway yourself. Although when a conversation isn’t available to host, I like featuring the stories themselves to help give them a signal boost in case one of my readers and followers hasn’t yet discovered the story (or series) which has caught my bookish eye!
When I realised my local library purchased the print edition & my regional library had the audiobook – you could say I was wicked tickled silly! I mean, I could *finally!* read and/or listen to a novel everyone else was planning to read themselves — I’ve been a part of #TheWriteReads community for a few years now – however, I am not always able to host the blog tours.
I also have a lot to shoulder IRL between health & life as it evolves (as we all do!) – I don’t oft get the chance to visit the posts being featured on the Twitter feeds for the community – which is why if you’re part of #TheWriteReads community and your stopping by my review today – first off, bless you & thank you! (leave a note in my comments so I can visit your post if your on the same tour!) – this is why you might not see me sharing a lot of posts in the community. The past few years especially have been difficult off/on for health reasons and with my father’s recovery from his stroke in late 2016. This year, as ever, I am trying to be mindful of sharing content of others – whilst also finding time to visit with the book bloggers I regularly follow.
I had originally planned to host a respun Top Ten Tuesday today — but unfortunately for me, my mind wasn’t feeling creative this April as it battled through those health afflictions and I was more comfortable sharing a review than trying to put together a post worthy of one of my respun meme features! I hope you all won’t mind I deviated a bit from what I previously planned as I gave the story a bit of a go and decided to spotlight this novel instead of writing a full review as it turnt out it wasn’t my cuppa of tea as a reader.
From bestselling YA Rom-Com queen Becky Albertalli (author of Love, Simon) comes a new novel about daring to step out of the shadows and into the spotlight in love, life and theatre.
[PRINCIPAL CAST LIST]
Best friends, and contrary to popular belief, not co-dependent. Examples:
Carpooling to and from theatre rehearsals? Environmentally sound and efficient.
Consulting each other on every single life decision? Basic good judgment.
Pining for the same guys from afar? Shared crushes are more fun anyway.
But when Kate and Andy's latest long-distance crush shows up at their school, everything goes off-script.
Enter Stage Left: Matt Olsson
He is talented and sweet, and Kate likes him. She really likes him. The only problem? So does Anderson.
Turns out, communal crushes aren't so fun when real feelings are involved. This one might even bring the curtains down on Kate and Anderson's friendship...
NOTE: I would definitely consider this an Upper YA or New Adult novel.
Available Formats: Hardback, Trade Paperback, Audiobook and Ebook
Converse via: #Contemporary #UpperYA as well as #TheWriteReads & #KateInWaiting
About Becky Albertalli
Becky Albertalli is the author of the acclaimed novels Simon vs. the Homo Sapiens Agenda (film: Love, Simon), The Upside of Unrequited, and Leah on the Offbeat. She is also the co-author of What If It's Us with Adam Silvera. A former clinical psychologist who specialized in working with children and teens, Becky lives with her family in Atlanta.
I have been showcasing quite a few Swoon Reads authors since I started hosting for Xpresso Book Tours – this is wicked lovely as I first came to recognise Swoon Reads when a fellow book blogger first told me about her appreciation for reading their stories. She’s since left the book blogosphere and opted to return to University; however, it always struck me that at some point in my readerly life, I ought to start to pick up the stories being published by Swoon Reads. Hence why you’ve seen an influx of authors by this publisher arriving on Jorie Loves A Story via guest author features like today’s interview with Ms Vale!
There were a few quirkily clever things about this particular YA Contemporary Romance which intrigued my eye towards wanting to a) read it and b) feature the novelist: it was set in a small coastal towne in Maine (for a girl who likes New England, that was a bit of a no-brainer! Go Sox!), it has a pro-positive LGBTQ+ narrative and it is a Contemporary Rom. The latter being the icing on the cake for me as Contemporary Romances are hit/miss with me as you well know if you’ve been spending time digging round my archives and/or have been a long-time reader of my blog. I vacillate between reading mainstream & INSPY Contemporaries these days – however, I always manage to find quite a few Contemporaries in mainstream which make me ‘swoon’ after them; thus I am wicked happy to say I am *celebrating!* this lovely new YA Contemporary on its #PubDay!
In truth – the author mentioned she doesn’t consider this a YA Contemporary Rom inasmuch as a straight-up coming-of age Contemporary YA – I am thrilled either way, as finding strong stories which have convicting plots and a strong balance of contemporary life & issues is something to celebrate as much as finding a contemporary set story-line which seeks to represent a realistic impression of a girl coming-of age in our modern world.
Give a hearty welcome to debut novelist Lillie Vale & let’s tuck close to this convo where we explore not only the setting and the characters of “Small Town Hearts” but her writerly process to bring this story to life! If you’ve already earmarked this one to read OR were one of the lucky few who read it as an ARC – I’d love to hear your thoughts & comments in the threads below this interview!
Likewise, if this is your first visit to my blog – guest features & convos are best accompanied with your favourite cuppa & brew – where you can settle in, enjoy the feature and stay a spell visiting with me and my guest author. May this new release have a plotting which will tempt your readerly heart as much as it has mine.
Small Town Hearts Subtitle: Rule #1 Never Fall for a Summer Boy by Lillie Vale
Rule #1 – Never fall for a summer boy.
Fresh out of high school, Babe Vogel should be thrilled to have the whole summer at her fingertips. She loves living in her lighthouse home in the sleepy Maine beach town of Oar’s Rest and being a barista at the Busy Bean, but she’s totally freaking out about how her life will change when her two best friends go to college in the fall. And when a reckless kiss causes all three of them to break up, she may lose them a lot sooner. On top of that, her ex-girlfriend is back in town, bringing with her a slew of memories, both good and bad.
And then there’s Levi Keller, the cute artist who’s spending all his free time at the coffee shop where she works. Levi’s from out of town, and even though Babe knows better than to fall for a tourist who will leave when summer ends, she can’t stop herself from wanting to know him. Can Babe keep her distance, or will she break the one rule she’s always had – to never fall for a summer boy?
Converse on Twitter via: #YALit & #Contemporary with #Novel19s
as well as #SmallTownHearts + #LilliVale with #LGBT or #LGBTQ Contemporary
About Lillie Vale
Lillie Vale, upon discovering she could not be one of Santa’s elves or attend Hogwarts, decided to become a writer to create a little magic of her own. Enjoying the romantic and eerie in equal measure, she’s probably always writing a book where the main characters kiss or kill.
Born in Mumbai, she has lived in many U.S. states, and now resides in an Indiana college town where the corn whispers and no one has a clue that she is actually the long-lost caps lock queen. She can be reached on Twitter and Instagram (which are linked in this bio). Small Town Hearts is her debut novel.
I definitely love reading a wide variety of stories – however, at the heart of them – you might notice quite a heap involve plots centred round ‘coming-of age’ tales, wherein we get to take the journey with the character whose about to undertake a pivotal part of their journey towards maturity, adulthood & along the way finding the voice and wings needed in order to fly into their own tomorrow on their own terms. The kinds of stories you really can rally inside and gather behind because they have *something!* relatable inside them about the process of growing up and of finding out about who you are whilst your reading someone else’s tale.
These are the stories which help us re-examine our own lives and our own life’s choices – whilst giving us the benefit of reading a wide variety of lives & lifestyles. I love the coming-of age niche in literature because it strikes such a lovely balance between reading stories for younger readers & the stories we will be seeking out as adults. Sometimes even, you’ll find the coming-of age section is such a wholly full section to read you might not long for another type of story for quite a long while! I tend to read these in batches and groupings of interest – this particular title stood out to me as Rose is endeavouring to segue away from the path her family has chosen to live. Rose wants more for herself and she wants to seek an independence outside her family’s dynamic.
Before sharing this spotlighted post about Rose, I saw a YT video about the author behind “Educated” which was featured on #EllenTube. She also grew up in a family who was living outside the regular realms of society and she also, in turn decide to make what they felt was a radical choice to live outside that chosen lifestyle. What is interesting is how whether the story is told from a living perspective or from a fictional one – there is something to be said for the stories which champion the independence of the soul & the fortitude of strength it takes to carve out your own future when there is so much uncertainty about how to go about doing it.
I find these kinds of stories wicked inspiring – which is why I wanted to be a part of the blitz to celebrate & champion this story. I selected the extract from this story which I felt resonated with me the most about the kind of person Rose is and the woman she is daring herself to become. I’d love to hear from you about what you felt about this extract and if you’ve earmarked this story to read yourself. I am definitely going to be sourcing this through my local library this Spring & eventually I’ll be purchasing my own copy as I think it has a solid premise which needs to be read.
Rose is unsettled, curious, and bored. Life in a hippie commune is her parent’s dream come true, not hers. She doesn’t share their passion for living off the land, nor does she enjoy the isolation that is thrust upon her. When she convinces them to send her to public school in the nearby town, a new world opens up to her.
As she pursues her education, Rose chooses a different path, leaving her parents heartbroken at her insistence they are hiding something from her. She’s convinced her father isn’t the man her mother married.
Although she finds love far away from her roots and upbringing, her wounds only deepen as she keeps her family at arm’s length. What she loses during those years can only be retrieved with her understanding that “a Rose by any other name is still a Rose.”
Formats Available: Trade Paperback, Hardback and Ebook
Converse on Twitter via: #YALit OR #Contemporary #YoungAdult
About Alexa Kingaard
Alexa Kingaard was born in San Diego, CA and has lived most of her life in the area. She currently resides in Carlsbad and is the mother of an adult son and daughter who continue to be her biggest fans and cheerleaders. A realtor for fifteen years, she remains involved with her profession and praises her brokers and clients for giving her the nod to be creative.
She gives all the credit for completing her debut novel, KEEP FOREVER, to her inspiration and late ex-husband, Jeff, who battled the residual effects of the Vietnam War for decades after his return.
Her second novel, MY NAME IS ROSE, will be released through Acorn Publishing March 15, 2019.
Acquired Book By: I was selected to be a stop on the “Dream of the Navigator” blog tour from Seventh Star Press. The tour is hosted by Tomorrow Comes Media who does the publicity and blog tours for Seventh Star Press and other Indie and/or Self Published authors. I am a regular blog tour host with Tomorrow Comes Media and whilst I haven’t read all of Mr Zimmer’s collective works, I did previously enjoy his anthology collection of shorts out of one of his universe’s of interest: Ave. I have oft contemplated whether or not I could find a niche of interest in Dystopian stories and this one felt uniquely different and I decided to give it a go! This is interesting because the first time I read one of his stories I was a 1st Year Book Blogger and as I am celebrating my 5th Blog Birthday (this August), I am reading my second story of Zimmer’s.
I received a complimentary copy of “Dream of the Navigator” direct from the publisher Seventh Star Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
A bit of a reflective look at Jorie’s views on Dystopian Lit:
I must confess, I have been avoiding reading books that fall under this sub-heading across all genres for such a long time because I still have issues with certain books I read whilst in school! Writers like Steinbeck and Orwell did not paint my future well for appreciating Dystopian stories! Nor did I feel very inclined to read them on my own inclination due to the heavy amount of violence and dark undertones that seemed to be all the rage inside the stories that were being produced for the genre overall. Which is why I decided to undertake this challenge (originally) during SFN (Sci-Fi November aka #RRSciFiMonth). To approach the genre as a skeptic, but perhaps emerge after a month of readings as an appreciator?
This is how I began an essay about why I’ve been a reluctant reader of Dystopian Lit for the entirety of my reading life! I had meant to pull the stories off the mini-list of #mustreads I had pooled together that particular year – though as luck would have had it, something derailed my efforts and I hadn’t quite accomplished what I had set out to do! This was my 1st year as a Book Blogger and my first foray as a participant into the now infamous phenomenon knowing as Sci-Fi Month and/or Sci Fi November which was happily founded by Rinn of Rinn Reads (she’s since moved on to co-blogging).
A note on ‘dystopian’ literature:
Being that I am not as well versed in this particular genre, my understanding of its place in literature and the key components that make it vital to be read, will evolve as I seek out more titles to read. However, I started to expound on what I am reading through The Boxcar Baby, and have drawn one curious conclusion: dystopian stories have the tendency to bring out the warts of our exterior worlds and environments, and seek to convey a critical thought or forewarning that would then, either indirectly or directly shift the perspective of those who can bring about the most change in our own lives. Its a method of story-telling to bring to the readers’ attention certain aspects of modern life that are effectively in need of change OR give a cautionary tale of ‘what could be’ if humans do not tread lightly on a path that could lead them to a future of ill-regret. Again, I could be completely mistaken, but this is a newcomer’s perspective of what the genre is seeking to reveal and assert. To put it another way, one must endeavour to walk through a desolate and despairing dystopia in order to emerge into a utopia of balanced proportion.
→ The Path (Tag series, Book One) by Peter Riva (DNF)
→ Watcher (Watcher series, Book One) by AJ Eversley*
→ Carbon (Watcher series, Book Two) by AJ Eversley (DNF)
*NOTE: Eversley’s series in  was my ill-fated attempt to re-address a curiosity of mine about Dystopian Lit and to see if I could finally find a singular author who could not only entice me into their world-building but give me the kind of Dystopian story I was seeking.
As you can see, Zimmer’s Dream of the Navigator is my eighth attempt at reading Dystopian narratives over the score of the five years I’ve been a book blogger! I started reading this particular one *after!* my fifth blog’s birthday (6th of August, 2018) – marking it officially the one story I felt in five years which would become the ‘exception to the rule’ and the kind of Dystopian story I’ve been seeking all these years whilst wandering round a genre which has failed to garnish my full heart & appreciation!
There have been keen moments of where I’ve tucked inside a writer’s vision for their world-building which has befit what I felt would resound well as a ‘Dystopian Futuristic impression’ of where any particular world could be cast afield to such a such a time in ‘the future’ of where certain attributes of its society led it down a particular path and thereby led to a certain outcome. You can see this in the motion pictures “Wall-E” (one of the best representations of a society that is too ‘connected’ to see the truth in the pudding round them!) and “Final Fantasy: The Spirits Within” (where the sole pursuit of ‘life’ is found in a decidedly ‘altered’ future). Ironically, finding those films seemed to be an easier pursuit than finding a writer who knew how to write a Dystopian world which not only had the chops to hold my attention but to write a sophisticated narrative which has teeth to stand out from the pack!
And, then there was that particular infamous (in my mind) #SciFiExperience where I was wicked excited about reading Kate Elliott’s Icepunk series (Spiritwalker) whilst contemplating her ‘Court of Fives’ novel. I am still curious about these stories – I had to table my goals that year as well. There have been a lot of ups/downs over the years in my reading life & endeavours but occasionally when the stars aligned, I was able to read a few Dystopians despite the angst of having to postpone the other reads I was most curious to explore!
I drew together further insights into why I have this love/hate relationship with Dystopian Lit when I tried to settle into the first installment of the Blue series by Mr Hancock.
I think the main issue I find with Dystopian Lit is the fact everything is a bit cock-eyed; meaning, where you can observe what is wrong it isn’t enough to evoke change; you have to prove change needs to happen and oft-times that means putting your own life at risk. There is a clear wave of bullying between the different caste systems in the story, and the boy who caused Bruno to become painted is the classic bully whose connections protect him yet he is allowed to manipulate events without consequences. Bruno starts to unravell the underpinning principles of his world, whilst noting not everything on the Blue side is effectively the same elsewhere. For the Greens and those whose fire are reflective of blended hues (which points to the fact they ‘painted’ or blended their fire with someone else; either by force or compliant) getting through their lives is not quite the same as what Bruno had whilst he was a purebred Blue. The Blues are more elite in this world, as they are given opportunities the others are not privy to receiving themselves; even if by opportunity they are controlled. There is an imbalance between individual freedoms and the internal workings of the government who seek to control every aspect of their choices and how they act on their free will can determine their fates.
It wasn’t the writing that bothered me it was the structure of the story itself and how powerless everyone in Telesphore City truly were as perception on events trumped the truth of them; reducing any ability for justice. As I turnt around in my mind everything I had read up until this point, I realised why I struggle so much with Dystopian Lit and why I have been the last to admit it simply might not be for me at all. Its the disparity of it all. The overwhelming anguish of having the world painted black (here this refers to an intense thickening of darkness not a coloured variant of a word) to the brink where the light has barely any wick to shine. This is what bothers me a bit about Young Adult novels in general, but in regards specifically to Dystopian, I think I struggle with letting go of my optimistic spirit whilst I am reading them.
I love conflict and adversity in the books I am reading, but when it comes to Dystopian story-lines, I find myself uncomfortably displaced and a quickening sense of how fast everything can change. It is a bit like trying to sort out where you’ve gone wrong with a map written in a language you do not speak. I have read two Dystopian novels now, wells, technically I read a portion of this one and I struggled to finish the other one (The Boxcar Baby), giving me pause for realising sometimes what your curious about isn’t always worth uncovering. I just cannot give my heart to Dystopian Lit no matter how much I try to think there is a writer or a story within these worlds that will appeal to me.
Hancock makes interesting choices to steer the reader away from using strong language as a method of expressing what is being felt during the height of intense emotional moments; yet he cleverly uses colour as a way to not only explain the world but how colour itself can express the darkest shades of emotion. He makes clear definitions between what is considered right, wrong, and questionable (the in-between) yet personally I struggle to tuck inside a story whose undercurrent of tone is backlit with such heaviness; which is becoming the way I can express Dystopian story-lines. The uneasiness quickened a bit whilst seeing how callous some of the characters were towards each other and how the guards in the story were equally so towards everyone.
Hancock I believe has given a strong presence for YA Dystopian Lit for those who understand how these worlds are underlit and written as a whole. For an outside perspective, I didn’t find it a good fit for me personally but those other book bloggers I am thinking of tonight (including the girls of “Oh the Books” who co-hosted Sci Fi November this year!), I think they might tuck inside this and enjoy what he gave to the genre. For me, I checked out when a boy was killed simply for helping his best friend get out of a locked down campus — the manner in which he was killed just wrecked me on a lot of levels and the unnecessary force was just too disturbing. In light of recent current events, I respect a need to show different points of view and a clarity of conscience but in the end, the novel just broke my heart once too many times.
Where Hancock erred in keeping me rooted in his vision of his Dystopian world, Zimmer has excelled. The key differences of course is purpose & intent – there is an undertone which remains firmly oblique and darkening in Hancock’s world whereas there is a presence of Light & Hopefulness in Zimmer’s.
Moreso, I simply enjoyed the back-stories and the background of Zimmer’s Faraway Saga moreso than Hancock’s as to me, the world in which Hancock created would let down a lot of readers for how desolate it truly became. You never felt you could gain traction of change inside his world – everything was operating against rebellion and personal freedoms. Even the powers he conceived were at first uniquely interesting to observe but then, I felt he worked against that power and kept altering the potential outcome to something rather more nefarious than I was willing to see through.
A lot of the issues I had in ‘An Uncommon Blue’ were never observed in ‘Dream of the Navigator’ in fact, in many ways – I felt Zimmer’s series was built on a stronger foundation. He had a stronger vision for his world to where you never felt the world itself was ‘changing against it’s type’. He projected their motivations clearly and even the components of the structure and order of the world doesn’t alter from it’s own non-ethical protocols; they are what they are – which is beneficial to feeling you can trust Zimmer’s world of being exactly as it represents itself without a wench in the wheel throwing you out of its dimension.
Similar to my readings on behalf of Antiphony, Riva has begun his on discourse on society, technology, religion and our place inside the world itself – how we view our living reality and how our living reality is altered by what is never completely in our control. He has written a challenging text because like the other author, he wants you to ponder the deeper meanings and take the Tag series to an awareness of recognising what could be unnoticed right before our eyes. The only key difference between the two, is Antiphony was a pursuit to understand a higher plane of existence outside of our limited sensory understanding of ‘reality’ which broached spirituality and other ideals of thought. Within the Tag series, Riva has augmented a society removed from any religious or spiritual pursuits, as the controlling rule is specifically geared towards putting humanity through a vise and only allowing humans to live a life deemed beneficial to the whole rather than the limited few.
In other words, nothing about living is determined by the individual but is rather systematically fused to an ordering rule (i.e. the government in this case; of which I can only presume is similar to The Hunger Games world based on the notes my friends have given me on it’s behalf). I think it’s safe to say my preference is always to have a level of spirituality kept inside a world – even if the world is futuristic, I’m not a particular fan of dissolving all thoughts and beliefs of a higher power; hence why I never read Phillip Pullman’s series beginning with The Golden Compass.
Spirituality and Metaphysics are aptly explored in Zimmer’s Faraway Saga but rather than removing the precepts of religious thought & belief completely – to where it no longer has a place of origin or purpose, Zimmer found a way to ask intellectually stimulating questions of his characters – to where he desires them to recapture their own free will of mind & thought – to let them make the choices on behalf of what they believe or don’t believe without those choices being made for them.
He also approaches the context of this section of his world with an open mind – he let’s his characters walk a muddled path towards self-enlightenment due to how their world has repressed a lot of knowledge & information for the sake of population control and a future disconnected from personal growth. They want their citizens to remain in stasis intellectually as that would allow them to rule over them without conflict or disagreement.
Of the two, I prefer the approach Zimmer took – as it allows the door to remain open – for his world, his characters and the reader who is approaching his Dystopian viewpoint(s).
One thing I appreciate most about how Eversley has approached writing this novel is how she fuses bits and bobbles of what you can conceptionalise against what could be a living reality not too far forward into the future. It’s a unique balance – to insert readers into a world with a Dystopian bent and a world which brings up hard philosophical questions about humanity, the pursuit of living authentically and the greater purpose behind life itself or even the art of survival if things go dangerously wrong.
Eversley has tapped into a niche of Dystopian where you can play with the genre – you can add not only depth of the world through the layers in which we entreat inside it’s boundaries but by how this world is stitched together – from the origins of their beliefs (hinted at) to the constructs of how they believe their rights as sentient beings should be maintained (similar to us) whilst enlarging the scope to have a dual presence of foe against foe – each fighting for the right to be the champion and each not honestly seeing how they could bridge their differences (if that’s even a plausible possibility) as war takes it’s toll. It’s not just the losses of life – it’s the wear and tear on the psyche and on morale of those who are fighting everyday to live one more day towards the ‘end goal’. For the Carbons and the Watchers, they are each moving towards a collision of sorts – at least, from what I can gather – if this debut is the introduction into the Watchers as a collective, than the second novel in the series surely picks up the momentum begun here through the point-of-view of the Carbons; to give a buoyancy between good and evil or what is perceived as good vs evil. It could all be an experiment gone wrong – or rather, an experiment which outgrew it’s purpose and turnt into something else completely.
If anything, there is so much your thinking about – trying to root out Eversley’s motivating inspiration and uncovering what is driving the story forward whilst trying to respect the world and pull back it’s layers to see what is really being set for you to see.
You might be curious why I decided to take you back down this particular readerly rabbit hole – of why I felt it necessary to re-visit the past Dystopian Reads in order to better augment my reasons for preferring Zimmer’s vision for his own. The reason, dear hearts, is quite simple – if you didn’t fully understand where I had traversed in the past – through these worlds the prior seven story-tellers had crafted for me to find, you might not fully understand how hard it has been to seek out writers’ who are crafting the kinds of Dystopian stories I am seeking.
For the most part, there have been positives and negatives across the board – hence, why I chose to add the quotations and to re-empathsis what worked for me and what did not ahead of revealling my ruminative thoughts on behalf of ‘Dream of the Navigator’ which at first glimpse brought back memories of ‘Flight of the Navigator’ (a motion picture) – a personal favourite of my childhood. I am unsure if the title has any cogitation of reference to the film, however, it had one for me.
Despite being a particularly particular reader of specific genres and thematics of literature – I remain optimistic I can find a niche of interest even in the most unapproachable literary arenas I find rather arduous to step inside. This is why I’ve continuously tried to read different Dystopian works of literature – finding a few qualms overall (four DNFs out of eight is telling in its own right!) and yet, I haven’t reached the plateau of lost hope!
I also want to share – I reverted back to my days of being able to read ‘chapter samplers’ to decide it ‘Dream of the Navigator’ would be a good ‘fit’ for me – those were the days where I could read a whole chapter digitally ahead of sourcing a print copy to read in full – back before my clustering chronic migraines were not occupying so many dear hours of my life and wrecking a lot of readerly hours off the clock as well. Prior to requesting a place on this tour, I happily found a sampler for this novel wherein despite the limitations I have nowadays with digital samplers, I gleamed enough to ‘wish to turn the pages!’ and find out what was going to happen next!
This isn’t the reaction I was expecting – I thought it would take me a bit longer than mere paragraphs to feel attached to the story-line – after all, this was a *Dystopian world!* – though, I admit, my readings of Julie E. Czerneda’s #TheClanChronicles has opened my eyes to worlds on shaky ground and where disparity can threaten to overrule.
Of all the stories I read in the past within this genre – ‘Watcher’ was the closest I felt towards finding a writer who could write a Dystopian world in a manner of approach I could appreciate. There were issues of course after I read ‘Watcher’ – as the series had to go on without me as a reader, as there were key choices I felt which worked against the plotting established in the first book – but this time round – I felt much more confident about the Faraway Saga than I had with Watcher – and that simply boils down to individual choices on behalf of the story-crafters who gave them to us.
On my connection to Stephen Zimmer:
Over the past five years, Mr Zimmer has given me a lot of opportunities to engage with Speculative Lit authors – both through my readings of their stories (by the blog tours he’s hosted via Tomorrow Comes Media or through Seventh Star Press directly) and by letting me visit the radio frequencies by guest appearances on the Star Chamber Show (a blogtalkradio podcast). In Autumn of  Zimmer was one of the first publicity and blog touring companies to give me a chance at being a ‘tour hostess’ and I am quite grateful he added me to his Blogger Team! I have spent 5 years appreciating the journey into Speculative Fiction – deepening my understanding of the genre and of sourcing out the writers who are writing the stories I love to be reading!
I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Mr Zimmer through the twitterverse or whilst I host for Tomorrow Comes Media and Seventh Star Press and/or privately as well. I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time or continuing to read their releases as they are available.
Notation on Cover Art Design: As soon as I saw the cover art for this novel – the genre it resides started to shift in front of my eyes! I loved how much ‘light vs dark’ is playing in the design – how the splintered and mirrored images are playing off each other – whilst hinting towards ‘more’ – almost of a pinnacle to reach vs where the state of things currently lie. Even the rainbow (the symbol of hope) was aptly placed and the lush world ‘above’ counterbalances the darker shades of a technate driven world. I was beyond impressed!! I have long held the cover artists with Seventh Star Press in high esteem and this is another one which left me in ‘awe’ admiring it! Of course, the premise and the chapter sampler worked together to tempt me to read the chapters behind this art – but for the sake of art and illustration, this cover is wickedly impressive!!
Cities have been replaced by technates. It is a world of soaring apartments, hundreds of stories high, where technology measures, monitors and rations to meet the needs of the greater populace. It is a world of drones, in the air and on the ground, and advanced robotic beings who carry out much of the harder labor, security, and even pleasure assignments.
Those discontent, or who resist, are taken to Rehabilitation Centers, established after the embrace of the Greater Good Doctrine.
For most, virtual realms, substances, and entertainment provide escapes, but for Haven, Cayden, Jaelynn, and Salvador, growing up in Technate 6 is a restless existence.
A hunger for something more gnaws inside each of them. Discoveries await that open the gates to transcend time and space, and even new planes of existence. Nothing in their universe, or others, is impossible to explore.
What was once reality, now seems like an illusion in a deepening experience.
Begin the journey to Faraway, in Dream of the Navigator, the first book of the Faraway Saga!
Converse on Twitter: #FarawaySaga, #DreamOfTheNavigator & #7thStar
What I previously loved about Stephen Zimmer’s style:
You get the firm sense that Zimmer is a voracious reader who dips into a bit of everything that yields to his personal curiosity and allows his mind to wander through the gate of his imagination to deposit into a reader’s hands a wholly encased world whose dimensions are ever expanding into larger scales of tales yet to be told! Except for the few shorts, where I think he opted instead for traditional heroic bloodshed story-telling! This might draw a close eye towards the fact he appreciates the horror genre, and bits of that seep into this side of his fantasy worlds. It’s his passion for research that I applaud first and foremost, as not every writer goes to the length as he does and I always celebrate a writer I find who carries out research on this level! Secondly, he endeavours you to amplify his words into motion by the words he uses to provoke a visual response, in which backs up something he said in an interview I heard of his (whilst researching which questions I wanted to ask him in my own interview!) where he acclaimed his novels are set to embody a motion picture medium rather than the printed world of the book! This is a claim he rightly deserves to make!
He is one of the writers that I would genuinely be delighted to seek out (if it had not been for Tomorrow Comes Media!), as he parlays his fervent passion for research by interspersing what he uncovers into the tapestry by which Ave is threaded against! It’s a world that encompasses as many distinctively unique cultures, traditions, spirituality’s, and languages as our own living counterpart, and yet, it has something to give back to us as well!
The care he takes to diminish the force of the violence inside by counter-balancing it with a life lesson is absolute genius, because your not as apt to focus on the brief encounters of evil, but rather, on the benefits of what each short attempts to draw out of the character he’s chosen to hone in on instead! These characters, I perceive to be secondary ones in the larger stories (novels), yet, they have a specific life-path in Ave that cross-sects with the intervening entities or events that bring about the most metamorphose of growth! You can use me as a barometer in knowing that if I can handle these stories, you can as well! I have an intolerance for violence, but I cherish the soulful stories such as these that grant the reader a ruminative conclusion of what they’ve read!
Stephen Zimmer is an award-winning author and filmmaker based out of Lexington Kentucky. His works include the Rayden Valkyrie novels and novellas (Sword and Sorcery), the Rising Dawn Saga (Cross Genre), the Fires in Eden Series (Epic Fantasy), the Hellscapes short story collections (Horror), the Chronicles of Ave short story collections (Fantasy), the Harvey and Solomon Tales (Steampunk), the Ragnar Stormbringer Tales (Sword and Sorcery), and the forthcoming Faraway Saga (YA Dystopian/Cross-Genre).
Stephen’s visual work includes the feature film Shadows Light, shorts films such as The Sirens and Swordbearer, and the forthcoming Rayden Valkyrie: Saga of a Lionheart TV Pilot.
Stephen is a proud Kentucky Colonel who also enjoys the realms of music, martial arts, good bourbons, and spending time with family.