Proposed Topic: How did your immersion into Chinese culture and tradition as a textile business owner lead you to uncover an unknown portal into the Chinese Jazz Age? Especially this particular story which would captivate those of us who are only starting to uncover the American Jazz Age and the ripple effects the era had in both music and literature? What did you find in your research that not only spark the genesis of the story but the overlaps in both countries musical movements?
I am honoured to welcome Ms. Nicole Mones to Jorie Loves A Story today, as I was completely captivated by the premise of her novel, Night in Shanghai! I have briefly mentioned my love and zeal of reading a biographical fiction of Ms. Zelda Fitzgerald last year (Z: a Novel of Zelda Fitzgerald by Therese Anne Fowler) previously on my blog and also in the bookish blogosphere. I had participated in reading the book for discussion on Book Browse which allowed me the grace of becoming entranced with the Jazz Age through the lives and eyes of the Fitzgeralds. So much so, that by the time “The Great Gatsby” was released to the silver screen, I could not help but become quite eager to see the motion picture in June 2013! I felt as though I had spent half of the year entrenched with the Fitzgeralds’ in some ways, as Zelda’s voice was vivid and real to me, as if the author had harkened me back to their everyday world with the flick of her pen. My readings of this novel re-instilled my love and passion for the world of jazz music and the Roaring Twenties, as I had previously not sought out books set during the era. A bit of a misstep on my behalf, as whilst studying History in school I had a penchant for the era and for the riveting tales of Flappers and Jazz musicians who dared to live a life on their own terms! This is perhaps why the mystery series out of Australia “Miss Fisher’s Murder Mysteries” appeals to my heart as much as it does as well! And, of course who could forget the epic and encompassing “The House Of Elliott” by the BBC? An entire series set in a fashion house in England on the verge of a new time for designers and women wanting to express themselves a bit more freely? You can see, I have a long history in appreciating the 1920s, which is why when I saw “Night in Shanghai” arrive on Historical Fiction Virtual Book Tours I was quite intrigued to become a part of the virtual tour!
I must confess, I had not known there was a Chinese Jazz Age, as somewhere in the threads of time this bit of information was not readily known to me or to my classmates. There always appears to be a lot of hidden history within the timescope of our knowledge of what happened in the early 20th Century. I oft find the most riveting stories are gathered out of obscurity by those writers who have the intuitive nature of seeking a story where the history recovered would become beneficial for the wider audience. I felt as I had read about “Night in Shanghai” that this is one of those stories that needed to be told and illuminated. It is with great honour that I welcome Ms. Mones to my blog and give her the breadth needed to explain her impetus of writing the story.
}: Book Synopsis :{
In 1936, classical pianist Thomas Greene is recruited to Shanghai to lead a jazz orchestra of fellow African-American expats. From being flat broke in segregated Baltimore to living in a mansion with servants of his own, he becomes the toast of a city obsessed with music, money, pleasure and power, even as it ignores the rising winds of war.
Song Yuhua is refined, educated, and bonded since age eighteen to Shanghai’s most powerful crime boss in payment for her father’s gambling debts. Outwardly submissive, she burns with rage and risks her life spying on her master for the Communist Party.
Only when Shanghai is shattered by the Japanese invasion do Song and Thomas find their way to each other. Though their union is forbidden, neither can back down from it in the turbulent years of occupation and resistance that follow. Torn between music and survival, freedom and commitment, love and world war, they are borne on an irresistible riff of melody and improvisation to Night in Shanghai’s final, impossible choice.
In this impressively researched novel, Nicole Mones not only tells the forgotten story of black musicians in the Chinese Jazz age, but also weaves in a stunning true tale of Holocaust heroism little-known in the West.
}: The Impetus of Inspiration
behind Night in Shanghai :{
When I signed my first contract with the state-owned corporation in charge of Shanghai’s textile mills in 1977, it was only six weeks after the government had declared a formal end to the Cultural Revolution. The city in those years was quiet, cautious, a ghost of a once-great city—and yet, physically,little changed from its jazz age heyday. Many of the historic buildings and neighborhoods were still standing, though re-purposed to other, more acceptable uses. The Great World, for example, an infamous center for all manner of pleasure and unspeakable vice, had been reborn as Shanghai’s “Youth Palace”—how funny is that? Now, of course, it is once again the Great World, pleasure and vice center, but in the 70s and 80s you had to peel back the socialist layers to find the history, and that’s what I did. It was years before I would start to understand Shanghai, but I took to exploring it anyway, local history books in hand. I scoped out the haunts of gangsters and jazz men; the Canidrome’s dog track, for example, served as Shanghai’s municipal flower market for some years before it was finally torn down, and I loved wandering among the spectator stands, which still had their original wrought iron rails and lamps to remind me of the jazz world that once had been. This was decades before I even conceived of writing Night in Shanghai; I was just young, clueless, trying to figure out how to make a living in the China trade, and fascinated by the city’s past. Even then old Shanghai had me in its spell.
Still, with thirty-seven years’ personal and professional experience across China, and therefore such a broad range of possible stories for a novel, I never expected to write a Shanghai historical. It seemed to have been “done”. The second I stumbled on the startling and totally forgotten story of black American musicians in the Chinese jazz age, however, I changed my mind. These American musicians were part of modernizing China through this revolutionary sound they brought, called jazz—a sound that challenged hearts and minds as well as ears. Their story, their struggle to survive the war, and their contribution to making a new China has been forgotten and overlooked until now. As soon as I began researching, I found to my joy that their vanished world had in fact been documented, since memoirs, interviews, and photos were left behind by musicians (such as trumpeter Buck Clayton), who did not want their experiences in China to be forgotten.
But the one moment that really sparked me, prompted me, forced me to write Night in Shanghai? It was coming across Langston Hughes’ lengthy account of black musicians in Shanghai, told in his autobiography. Hughes starts by describing how his ship docked in Shanghai on a hot July day in the mid-thirties, whereupon he stepped onto the Bund and raised his hand for a conveyance which was encapsulated inside of a quotation from Langston Hughes’s autobiography “I Wonder As I Wander”. As the author graciously had included this quotation to give you an insight into her inspiration of writing her novel, however, I was unfortunately unable to include it due to not being able to find permissions on the publisher’s website.
That was the portal for me, the door at the back of the wardrobe, the sudden light that illuminated Night in Shanghai in my mind. It took years to research and write the book, but from the instant I read Hughes’ lines, I knew I would have to follow that man into the crowd on the Bund, revive his lost world, and bring you his story. Here it is: Night in Shanghai, the jazz age, recreated. I hope you enjoy it!
*Note: I only opened the novel to read this evening and discovered that the author had permission of Hill and Wang, a division of Farrar, Straus and Giroux, LLC. to reprint the full quotation of Langston Hughes. Therefore, when you pick up a copy of “Night in Shanghai” you can read the quotation in full on the page directly after the Dedication! Thank you for your understanding in why I could not gather the same permissions to post it on my blog. I had gone directly to the publisher’s website(s) and knew it would take extra legwork to achieve as I did not have enough hours to accomplish this in order to post by Monday!
Read an Excerpt of the Novel: {including the quotation by Langston Hughes!}
Author Connections: Nicole Mones website
Converse on Twitter: #NightInShanghaiTour & #NightInShanghai OR #NicoleMones
I am not sure when I was more excited to read Night in Shanghai, the moment I first read about it going on tour OR the very moment Ms. Mone’s guest post arrived by email! I had proposed the topic due to the overwhelming spark of curiosity that had ignited inside me when I first read a snippet of the excerpt and felt myself drifting backwards into the folds of time to see if I could draw together an image which would help me hinge my hat to Shanghai in the 1920s. The realisation that my foray into seeking literature set during such a revolutionary era of history was not lost on me. And, I have a feeling that my inclinations towards seeking more stories set in the Jazz Age have only just begun, because my curiosity is as piqued as my interest in Revolutionary France!
There are some authors who have the instinctive drive to unearth a story where a blueprint to find the undercurrent research is not readily known, and as I read Ms. Mone’s descriptions of how she found Night in Shanghai holds this truth in her hand. I could nearly envision her walking around the city, sensing whilst exploring and being guided by an unknown desire to learn more and more until the point where the knowledge would bubble up and boil over into a manuscript not yet written. The impetus for all writers to create their stories is always such a vivid veiling of how inspiration guides a writer’s heart, and within each back-story of inspiration I find myself drawn closer to understanding how creativity and writing walk the line of intuition and inspiration. For without an inclining nod of curiosity, the spark of inspiration might fall flat, and then, we would be at the disadvantage as the stories which are able to lift the veils of history backwards to a time where African-American musicians left America in order to carve out a musical revolution in Shanghai might never have seen the light of day. And, how sad would that have been!? To not realise that the American Jazz Age was only half the story of the full scope of the Jazz Age!? I cannot wait to dig into the pages of the novel and watch as history intersected with war and how musicians set the course of cultural discovery in a place I would not have suspected to have embraced jazz.
Watch the Night in Shanghai Book Trailer via NicoleMones.com
Read an Excerpt of the Novel
Return on Wednesday when I review “Night in Shanghai”!
Blog Book Tour Stop, courtesy of Historical Fiction Virtual Book Tours:
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and mark your calendars!
Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.
{SOURCES: Night in Shanghai Book Cover, synopsis, tour badge, author photograph and HFVBT badge were provided by Historical Fiction Virtual Book Tours and were used by permission. I requested an Author Guest Post from Ms. Mones via Amy Bruno of HFVBT, by suggesting a topic and receiving the response from Ms. Mones via Ms. Bruno. Guest Post badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets embedded by codes provided by Twitter.}
Copyright © Jorie Loves A Story, 2014.
Beverley Eikli wrote her first romance when she was seventeen. However, drowning the heroine on the last page was, she discovered, not in the spirit of the genre so her romance-writing career ground to a halt and she became a journalist.
After throwing in her secure job on South Australia’s metropolitan daily, The Advertiser, to manage a luxury safari lodge in the Okavango Delta, in Botswana, Beverley discovered a new world of romance and adventure in a thatched cottage in the middle of a mopane forest with the handsome Norwegian bush pilot she met around a camp fire.
Eighteen years later, after exploring the world in the back of Cessna 404s and CASA 212s as an airborne geophysical survey operator during low-level sorties over the French Guyanese jungle and Greenland’s ice cap, Beverley is back in Australia living a more conventional life with her husband and two daughters in a pretty country town an hour north of Melbourne.
