Hallo, Hallo my dear hearted Classical Shakespearean bookish mates!
(yes, this is a s/o to my lovely #theclassicsclub geeks!)
Says the girl whose all but suffered an EPIC FAIL for her first journey into said Classics Club whilst still attempting to right the stars on her fate of being seriously the most under-read of all clubbers in the Classical stacks! I appear, on the surface of things – wickedly in LOVE with Classical Lit but in the bare bones of trying to *read!* Classical stories – I seem to have opted for the after canons & re-tellings moreso than the original canons – naughty, Jorie! Except, I will soon be making enroads towards fixing this as I have a happy *surprise!* to share with my dear hearted readers of Jorie Loves A Story.. you’ll have to keep a keen eye for my latest #BookishNotBookish post,… that’s all I can disclose at this time!
When it comes to the Bard, I fell hard for his style of Literature as a frustrated freshman (in h.s. you guys, let’s just get that out of the way!) – it was refreshingly brilliant. I was seeking harder lit at the time, having graduated out of my childhood authors & shifting forward straight into a swirling pot of stories from contemporaries such as Clancy (Jack Ryan – OM sweet ghouls, right?); Crichton (the bloke who left hardly a hair on me head from the terror of his thrillers! yet, inspired my LOVE for Science & all things Ian Malcolm! Let’s face it – between the Genetic codes & Chaos Theory I was swooning!) and Grisham (who crushed my soul every single time!) – I was ready for a cosmic shift in my literary choices.
Similar to my lifelong appreciation on behalf of *Jane Austen!* prior to reading her stories – I had a fever of excitement over William Shakespeare. Let’s face – the *language!* and mannerisms of his choices in words & wordplay is enough to convince my younger self his stories would one day touch my heart with fierce admiration. I wasn’t wrong either – except it wasn’t the traditional love affair for Romeo which swooned my heart – instead it was the politico intrigue inside Julius Caesar & the dramatic undertone of Macbeth.
Mind you, I *devoured!* Caesar’s story & I helped the seniors ace their final exams for the latter – without reading the whole play, I only had a single layout (two pages) of the text in which I examined the context & eloquently explained it. I just tapped into the soul of Macbeth – ever since then, I’ve kept the play at an arm’s length. Mostly as whenever you feel so deeply connected to a story or a character – do you dare re-visit it?! I’ve had mixed feelings about this as I’ve previously re-examined stories from the past,..
I leapt into this blog tour before I fully examined the construction of the series Mr Hartley was building because I was wicked impressed by the components he was pulling together – so much so, this was my first reaction after finding out about the tour itself:
I pray I’m in time to join this blog tour — two words: Shakespeare & Macbeth overtures are right up my alley plus this is meant to be an introduction to the Bard for younger readers?! Ooh, my yes! It mentioned there are paperbacks to review on this tour, does that extend to the States?! If so, I’d love to join for a *review!* and a guest feature – I just finished reading “The Seven Sisters” – I sat down at six thirty last night and it’s now nearly 9am…
I love how he’s bringing each play to life through a boarding school setting,…
Shortly hereafter, my paths crossed with Mr Hartley in the twitterverse, however, that particular story will be saved for a latter date! As this post is meant to give him the chance to explain what inspired him to re-direct his own museful creativity into the collective works of the Bard we all know, trust & love as much as readers have for half a millennia. I simply wanted to give a bit of a back-story into how I came to *love!* the Bard myself and why this particular tour held such a strong appeal for becoming a part of as a book blogger.
Find a cosy comfortable place to alight, sip your favourite cuppa tea or java & ENJOY this essay – about a writer who found inspiration within the text & symbolism of MACBETTH.
The Invisible Hand
Subtitle: Shakespeare's Moon : Act 1
by James Hartley
The Invisible Hand is about a boy, Sam, who has just started life at a boarding school and finds himself able to travel back in time to medieval Scotland. There he meets a girl, Leana, who can travel to the future, and the two of them become wrapped up in events in Macbeth, the Shakespeare play, and in the daily life of the school.
The book is the first part of a series called Shakespeare´s Moon. Each book is set in the same boarding school but focuses on a different Shakespeare play.
Places to find the book:
ISBN: 9781785354984
Also by this author: The Invisible Hand
on 27th February, 2017
Published By: Lodestone Books (@JHPChildren)
an imprint of John Hunt Publishing (@JHPFiction)
The series thus far along :
Hartley’s Shakespearean 5 act Quintet (after canon) series ‘Shakespeare’s Moon’
Heart of Winter | prequel to ‘The Invisible Hand’ (Synopsis) → previously an audiobook
The Invisible Hand | inspired by ‘MacBeth’
PlayFight | a short story within the series | Read via Wattpad
Cold Fire | inspired by ‘Romeo & Juliet’ (Synopsis) → #PubDay is 31.Aug.18
Converse via: #Shakespeare #Macbeth & #theclassicsclub
Find out why Mr Hartley claims to have been ‘betwitched’
by the muse behind ‘An Invisible Hand’ + ‘Heart of Winter’.
Topic I Proposed to Mr Hartley:
How did you develop your hauntingly ethereal Gothic style of re-interpreting Shakespearean plays? As your stories hone in on the elemental and atmospheric aspects of psychological suspense – what were your inspirations for writing these kinds of after canon sequels on behalf of the Bard? Likewise, is there one of his stories which stands out as being your ultimate favourite?