Category: Detective Fiction

A special #HistoricalMondays Guest Post | feat. the Countess of Harleigh Mysteries by Dianne Freeman

Posted Monday, 17 August, 2020 by jorielov , , , , , , 2 Comments

Guest Contributor and/or Reviewer of JLAS banner created by Jorie in Canva.

Hallo, Hallo dear hearts!

I was hoping to share my ruminations about the third Countess of Harleigh novel with you today, however, the truth of it is I have been reading at a far slower pace recently due to having 3x migraines in 3 weeks and nearly succumbing to a fourth this past weekend. It takes quite a bit out of me to transition out of these more severe migraines (what I refer to as supernovas) and despite my earnest intentions to read on the schedules of my blog tours, sometimes I fall a bit short, which is why I’m going to be featuring a lovely Guest Post by Ms Freeman today and share my review with you about this delightful third novel during my latest #CrimeFicFridays review on the 21st which is the final day of the tour.

I should also mention, I originally was going to interview Ms Freeman about this latest release and tie it back together with the previous two installments as I had previously interviewed her during the first blog tour I hosted of hers wherein I discovered this most charmingly intriguing character and found a wicked new Cosy Historical Mystery series in which to love devouring! I loved this series so dearly much that I also had her as a guest author on my chat @SatBookChat!

However, after having a clustering of severe migraines I simply ran out of time to gather my thoughts and put forth a conversation which would honour the series. I was thankful Ms Freeman didn’t mind switching to a guest post and this topic was one of her choosing. When I read the essay I was quite charmed and think you will be too because it discusses the curious manners of ‘house parties’ and what was keenly interesting is how *structured!* and *regulated!* they were despite the illusion that it was a causal get together amongst friends!

I look forward to sharing more with you at the close of the week but for now, if this is your first introduction to the series, I hope it will whet a thirst of interest to begin reading the stories!

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On why I love reading this series:

A Lady's Guide to Gossip and Murder by Dianne Freeman

Rather immediately, I found myself drawn into the life of Frances – not just because her husband was a cad and a louse of a husband but because of how Ms Freeman endeared us to champion her cause as a woman exiting her mourning period and getting on with her life! It was quite horrid for women in the 19th Century – still attached to that tradition of wearing dearly depressing hues of black and grey (in different increments which were rather strictly enforced!) for at least a year after becoming widowed. It was only then, where she could ‘re-emerge’ into her colours and start to make her presence more widely known in society. How those women managed it, I’ll never know not – as in the case of Frances, it most have truly become a chore knowing her her husband departed his life! Oyy, vie such a rat!

Her in-laws were quite typical – only out for themselves, more concerned with the affairs relating to their estate and less enthused to even entertain a thought of concern over Frances. For her benefit, she was made of stronger stock than they would have believed and she took her daughter (Rose) and herself off to the city to carve out their future elsewhere from the throes of the Harleigh family and the responsibilities therein. Freeman gave you such a hearty and joyful introduction to her character – part of her antics reminded me of why I have such cheeky joy in reading the Anna Blanc series and part of the exchanges also reminded me of my recent over the Discreet Detective Agency – there is something to be said for well-timed satire and humour in the Cosy Historical Mysteries your reading! The appeal of course is being able to burst into giggles alongside the allure of moving deeper into the context of the building mystery!

Of course, not all is ill for Frances – she has enough resources within her means to purchase a least outright for a house which still has eighty years to be lived inside! Imagine? She might have sparse furnishings and staff but something told me her and Rose would thrive here rather than having stayed on with the relatives at the estate. One of my favourite moments is when she bribes one of the maids not to spoilt her news by giving her the chance to make haste and away with her once she moves out. It was a ploy to cover-up the fact she had a bit of a rebellious nature inside her to where she did not like to leave things to fate if there was a loophole round the unknown! Smartly written, Freeman keeps you entertained from one chapter to the next to where it is just a delight to overhear what Frances will say next and what her next actions might be which become the new concerns of the family she’s left behind!

As fate continued to give Frances more headaches than smiles, you had to give it to her – she chose to set her attitude on the positive and despite the arduous circumstances alighting towards her at an alarming speed of haste from her brother-in-law, Frances wouldn’t let her resolve falter. There was much more at stake than inconvenient delays in the normality of her life – no, she simply turnt her chin up with a strength she might not have entirely felt but one which would see her through with the kindness of her friends. This was another instance where you could see how lovely it was for her to have Fiona in her life – the kind of huckleberry friend everyone needs and is blessed to have found.

Part of the joy of reading this series are the layers of etiquette permeating into the fabric of the story-line – fitting for this debut of the series itself as it lends a certain view of the absurdity of tradition these lords and ladies were put through when their era was in its heyday! All the confining points of societal regulations and the fact, you couldn’t just remove yourself from the obligations as that would be lent to scandal and gossip; Freeman takes you through the motions of how frivolous the ton can be and how determined you must become to outwit them all the same! Frances shows this by her unwavering belief that if you lead with strength and a resolve to overcome whatever befalls you, society will either a) move on to the next lead story or b) forget you completely; which I felt was her preference. Frances wasn’t the kind who welcomed notoriety – quite the opposite, I believed she wanted to live a more ordinary life without all the pops and poms of the elevated class.

I was endeared to the plot long before I caught-on to the mysterious events happening in the background – for me, this series is wickedly driven by its characters – specifically everyone related into the  personal orbit and sphere of Frances! You can’t help but feel caught inside her life – seeing how even the most ordinary of lives can suddenly become a feast of trouble yet with a sturdy circle of friends and family; any obstacle can surely become defeated! I must admit, by the time I unearthed the actual crime and the person behind it – I was quite somber! I hadn’t expected the villain in the story to be whom they were as I was expecting it be someone else completely! The way in which Freeman related those finer details of the whys and hows lead me to believe the rest of this series is going to be as charmingly cosy to read as its debut!

-quoted from my review of A Lady’s Guide to Gossip and Murder

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A special #HistoricalMondays Guest Post | feat. the Countess of Harleigh Mysteries by Dianne FreemanA Lady's Guide to Mischief and Murder
Subtitle: A Countess of Harleigh Mystery
by Dianne Freeman
Source: Author via Historical Fiction Virtual Book Tours

In Dianne Freeman’s charming Victorian-era mystery series, Frances Wynn, the American-born Countess of Harleigh, finds her sister’s wedding threatened by a vow of vengeance.

London is known for its bustle and intrigues, but the sedate English countryside can host—or hide—any number of secrets. Frances, the widowed Countess of Harleigh, needs a venue for her sister Lily’s imminent wedding, away from prying eyes. Risings, George Hazleton’s family estate in Hampshire, is a perfect choice, and soon Frances, her beloved George, and other guests have gathered to enjoy the usual country pursuits—shooting, horse riding, and romantic interludes in secluded gardens.

But the bucolic setting harbors a menace, and it’s not simply the arrival of Frances’s socially ambitious mother. Above and below stairs, mysterious accidents befall guests and staff alike. Before long, Frances suspects these “accidents” are deliberate, and fears that the intended victim is Lily’s fiancé, Leo. Frances’s mother is unimpressed by Lily’s groom-to-be and would much prefer that Lily find an aristocratic husband, just as Frances did. But now that Frances has found happiness with George—a man who loves her for much more than her dowry—she heartily approves of Lily’s choice. If she can just keep the couple safe from villains and meddling mamas.

As Frances and George search for the culprit among the assembled family, friends, and servants, more victims fall prey to the mayhem. Mishaps become full-blooded murder, and it seems that no one is safe. And unless Frances can quickly flush out the culprit, the peal of wedding bells may give way to another funeral toll…

Genres: Historical Fiction, Cosy Historical Mystery, Amateur Detective


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781496716934

Also by this author: A Lady's Guide to Gossip and Murder, A Lady's Guide to Etiquette and Murder, A Lady's Guide to Gossip and Murder (Author Interview)

Also in this series: A Lady's Guide to Gossip and Murder, A Lady's Guide to Etiquette and Murder


Published by Kensington Books

on 28th July, 2020

Format: Paperback ARC

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The Countess of Harleigh Mysteries:

A Lady's Guide to Gossip and Murder by Dianne FreemanA Lady's Guide to Etiquette and Murder by Dianne FreemanA Lady's Guide to Mischief and Murder by Dianne Freeman

A Lady’s Guide to Gossip & Murder (book one) | see also review

A Lady’s Guide to Etiquette & Murder (book two) | see also review

A Lady’s Guide to Mischief & Murder (book three)

Published by: Kensington Books (@KensingtonBooks)

Converse via: #CosyMystery OR #Cosy #HistoricalMystery
and #CountessOfHarleighMystery

Available Formats: Paperback, Audiobook and Ebook

For those on Scribd: Happily the first two audiobooks of this series are available!

About Dianne Freeman

Dianne Freeman

Dianne Freeman is a life-long book lover who left the world of corporate finance to pursue her passion for writing. After co-authoring the non-fiction book, Haunted Highway, The Spirits of Route 66, she realized her true love was fiction, historical mystery in particular. She also realized she didn’t like winter very much so now she and her husband pursue the endless summer by splitting their time between Michigan and Arizona. She’s been nominated for an Agatha and the prestigious Mary Higgins Clark Award, and won the 2019 Lefty Award for Best Debut Mystery.

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Posted Monday, 17 August, 2020 by jorielov in 19th Century, Amateur Detective, Author Guest Post (their topic), Bits & Bobbles of Jorie, Blog Tour Host, Cosy Historical Mystery, Crime Fiction, England, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Jorie Loves A Story Features, Lady Detective Fiction, London, Scribd, the Victorian era

Audiobook Series Spotlight and Mini-Review | “Cradle to Grave” (Book Eight: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 6 November, 2019 by jorielov , , , , 0 Comments

Audiobook Spotlight banner created by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground”, “Bridge to Burn” and “Cradle to Grave” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. Eventually as I want to have a full set of all the Kay Hunter installments – I will be purchasing the ones I am missing from Audible to house them all in one place unless I find them available on mp3 CD – until then, I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Cradle to Grave” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Bridge to Burn” and why I was itching for the next novel:

As soon as Kay walked onto the crime scene, I felt like it was old home week again – being treated to seeing another view of her life and to catch-up with the friends I’ve found along the way of peering into her world. In classic Kay Hunter fashion, she quite assessed what was happening with the investigation – whilst her team was close at hand, doing their bit and at the ready to give her the details of what they’d come to understand in the initial analysis of the scene. There were a few changes in their designations – as Kay herself was recently promoted but it was the announcement that Barnes had followed her suit of promoting himself which was quite the lovely news. I still remember how anguished he was over making that choice and why he was hesitating to do it. Seems like between then and now, he’s resolved that this would not only be a good choice for himself but it would allow the close cohesiveness of the team to remain intact. On that level, I was relieved as sometimes if you upset the apple cart, you simply can’t re-establish what you’ve lost.

Harriet never fails to make me smile – then again, I have a soft spot for Medical Examiners and Crime Scene Investigators as that is what originally drew me into NCIS (x3) outside of the fact I simply find Mark Harmon charmingly engaging! She has such a keen sense of self about her and she knows how to keep the scene at hand serious but with a calming bit of levity as well – something I love to see as their lives are stressful enough without having to find some way of alleviating the difficult things they’re having to witness.

Amphlett never fails to knit her continuity tightly anchoured to the previous installments – it is one of the wicked best reasons why I love listening to to this series, as she honestly never lets you forget the moments in her characters’ lives which are intimately important to remember. Herein, when she was having Kay reminisce about her miscarriage you felt immediately drawn back to the installments which discussed this and how it was such an upheaval for Kay and Adam. Of how they drew closer together, how they tried not to let their family try their patience and how putting the pieces together to move forward was one small step at a time. Still, like any tragic loss – her grief lingers, even years on as there are small reminders everywhere about how others can enjoy the blessings of motherhood whilst she cannot. It was a simple inclusion right in the midst of the workday but it was important because it owned the truth of who Kay Hunter is and of how intricately connected this series becomes to her sense of self, her psychological state of mind and how she emotionally processes her job.

It wasn’t until lateron when Adam was brought into scene where we pulled back the layers of Kay’s healing and recovery (as it wasn’t simply a miscarriage which affected her heart, soul and mind) – where we peer into how hard it has been for her to continue to transition beyond what afflicted their lives. They were both emotionally distraught not just to the loss of a child but due to everything during that period of time which not only frayed their nerves but nearly overtook their ability to survive. Adam and Kay have a very strong marriage but even a strong marriage can have a breaking point – Amphlett has never shied away from honing in on the honesty of their marriage and for showing the realistic ways in which a couple comes back from the loss of their child.

If this is the first installment someone wanted to listen to they would be dearly impressed because it held within it a recapture of all the key moments and timeline of the series thus far along. They would find out within one installment why I’ve become so dearly attached to this cast and the drama behind their lives inasmuch as how much they support one another like all families do who work together. I am fond of the ‘family’ knitted together like this – where its a found family story and it speaks to why all the crime dramas I watch on television are of the same kinship of closeness.

What I loved about this installment were the interactions between Kay, Barnes, Sharpe, Gaven and the rest of the team – they keep drawing closer together, re-forming the bonds they share as a ‘found family’ and prove that despite the high risks associated with their job, they truly care about one another. There are lovely details towards exploring this bond they have – such as the pizza party, the breakfast food runs and the ways in which they look out for Kay, understanding her emotional traumas and how as a family unit they never leave anyone behind.

Bridge to Burn also focused more intuitively on Kay’s Mum, Dad and sister – there was a family emergency which took Adam and Kay outside their routines over a weekend to where they had to travel over six hours to reach the family. During this sequence, Amphlett re-highlights the strain Kay has with her mother, the closeness she shares with her sister and how her father gives her unconditional support. A lot of what was fracturing the relationship with Kay and her mother are explored more in-depth as well – a lot of which surprised me, as I never thought Kay’s Mum would be open to meditation but you find out why she came to that new stage of reconciliation as something pushed her towards that goal with Kay. They’re not entirely on solid footing – as they have a chasm as wide as the Grand Canyon between them but ooh! You don’t want to miss their exchanges of dialogue — listening to how Ms Campbell approached their scenes nearly makes you want to reach for the tissues!

-quoted from my review of Bridge to Burn

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Audiobook Series Spotlight and Mini-Review | “Cradle to Grave” (Book Eight: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellCradle to Grave
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a faceless body is found floating in the river on a summer's morning, Detective Kay Hunter and her team are tasked with finding out the man's identity and where he came from.

The investigation takes a sinister turn when an abandoned boat is found, covered in blood stains and containing a child's belongings. Under mounting pressure from a distraught family and an unforgiving media, the police are in a race against time - but they have no leads and no motive for the events that have taken place.

Will Kay be able to find a ruthless killer and a missing child before it's too late?

Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Places to find the book:

Add to LibraryThing

ISBN: 9781916098817

ASIN: B07YZ63BBV

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground, Bridge to Burn, Turn To Dust

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground, Bridge to Burn, Turn To Dust


Published by Saxon Publishing

on 15th October, 2019

Format: Audiobook | Digital

Length: 7 hours, 56 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven (see also Review)
Cradle to Grave | Book Eight

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Reading this book contributed to these challenges:

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Posted Wednesday, 6 November, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host, Book Review (non-blog tour), British Literature, Crime Fiction, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#SpooktasticReads Audiobook Review | “Death on the River” (Book Two: Tara Thorpe Mysteries) by Clare Chase, narrated by Lucy Brownhill [an audiobook I began listening to during #FraterfestRAT 2019]

Posted Wednesday, 23 October, 2019 by jorielov , , , , , 1 Comment

#SpooktasticReads Book Review badge created by Jorie in Canva.

Acquired Audiobook By: In the months since August 2018, I decided to switch memberships to Scribd due to the reduction in cost for a subscription based service for audiobooks – however, I still have an active account on Audible and still use it to listen to audiobooks – either those I’ve purchased (past/ present), the complimentary ones I receive for review and/or the ones I’m either gifted or have won in giveaways. I took a brief hiatus in my subscription services for Scribd – especially from June-October 2019; resuming the service on 24th October during the #SpooktasticReads readathon.

I previously placed a pre-order for the first audiobook in this series “Murder on the Marshes” whilst I submitted a purchase request (for the print edition) at my local library for the third novel “Death Comes to Call”; which they accepted and the book is being added to their card catalogue this Autumn 2019.

I received a complimentary audiobook copy of “Death on the River” direct from the publisher Bookouture in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

It should be noted: I did host an interview with the author, Clare Chase and she provided the Press Materials for this series to use on both the interview and on my review if I elected to share one. She was a guest via my chat on Twitter showcasing Romance & Women’s Fiction (inclusive of all sub-genres) @SatBookChat on the 27th of October, 2018 to discuss this series and her character Tara Thorpe.

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Why I was thankful to begin “Death on the River” during #FraterfestRAT 2019 and how it has become a tradition of mine to read a Claire Chase Thriller:

Unfortunately, due to my health afflictions throughout [2018] and the increased frequencies of my chronic migraines – I had a lot of trouble shifting back into reading and/or listening to the audiobooks I had planned to focus on for review considerations. This is one of the audiobooks I had to push forward until I could give it my full attention. Due to the distance from acquiring it and when I could honestly listen to it – the series has evolved rather quickly! As I noticed each of the individual installments of this series released quite frequently back-to-back without too much delay between them.

Since my review of “Murder on the Marshes” this series has grown and has become a complete set of four stories which are the following: Murder on the Marshes, Death on the River, Death Comes to Call and Murder in the Fens.

One observation did sadden me – I cannot find the release dates for the next two audiobooks as the previous two installments were released shortly after the ebook and paperbacks. I was hoping Ms Brownhill was commissioned to narrate the third and fourth novels given how attached I’ve become in hearing her embrace the characters – giving us a wholly organic evolution of their essences and placing us directly in an emotionally complex series which you honestly don’t want to beg off for sleep! I’ll simply have to remain hopeful further announcements will eventually be made if and when the series resumes to be released into audio.

The reason I was wicked thrilled for a bit of a nudge during #FraterfestRAT 2019 – which has apparently become my ‘tradition’ to read a Clare Chase Thriller during the readathon – now two years strong here on Jorie Loves A Story – is I needed a segue back into reading Thrillers! I have struggled with my focus as foresaid and this readathon gave me the best [block] of time to just re-settle my heart into the stories themselves. I happily populated a *thread of tweets on Twitter and had the most joy in re-discovering where I would be picking up the story-line next to #TaraThorpe!

This is why readathons are a reader’s delight – they allow us the chance to rediscover why we love reading and they tend to take the pressure off the guilt whenever we cannot attach into the series we desire to be reading straight-away!

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Why I am enjoying engaging with Tara Thorpe & her series:

When you first start to listen to Murder on the Marshes, you don’t have too much time to consider what is being disclosed to you – the somberness is there, along with the tension of discovery – but to better understand the scene and what is happening – those moments are placed on hold. You are only giving a short glimpse of what is there – a flickering of an image if this were a film reel before it fades out and the impression of that moment, of that incomplete scene lingers as you enter the next chapter. This was a unique POV to be placed inside right before moving straight into present day – I love a good flashback sequence like the next person but this one felt honestly unique by how Chase gave only “just enough” to keep us curious before moving forward with a keenly taut & tight delivery of current events in Tara and Blake’s timelines.

As we shifted into present day, we arrive inside Tara Thrope’s life where the nightmares of her past are never far outside the shadows lingering outside her residence. Though those shadows were more ominous now – as someone could very well be lying in wait to return and to cause her duress. It was this uncertainty – of sensing something she couldn’t chase down herself which pinned her on edge and gave her the unease of realising she was as vulnerable now as she had been previously; she could not control all situations nor of someone who felt they could harass her into a panic. Part of this was due to how she arrived home but the other half of it stemmed from receiving a parcel in the post – a parcel which held such a curiously normal object but which was sent with malice and not a kindness of heart.

I thoroughly enjoyed observing DI Blake on scene – where Professor Seabrook is first discovered and where his investigation begins – ahead of meeting Tara where he is pulled into investigating how what happened to Tara might or might not interconnect with the Seabrook case. During this scene, there was a lovely piece of juxtaposition where Art History and crime investigation merged into a beautiful symmetry of insight – as Blake started to talk about Millais’s Ophelia. This was also a small gesture of introducing us into the reserved and private DI Blake – a bloke who did not readily disclose bits about himself unless he was in company he trusted.

It was around this time I had already noticed another series was being hinted at in the back of my mind: as the case itself was being discussed, it brought back memories of Scott and Bailey: Season One as this involved a roundtable approach to discussing the details and potential leads. I love Police Procedurals for this one reason – you get to tuck close to different opinions, different attitudes and personalities and different approaches in sleuthing out the truth. Everyone has to work together and everyone has a different role to place in the pursuit of justice. I think this is why I read a lot of mysteries and why I enjoy watching them as well – the percolation of personalities against the background of working together to solve a case.

When it comes to secondary characters and characters of whom I would love to see more often in future installments would be the pathologist Agneta Lawson. The reason Chase’s pathologist held my eye is because she had a unique POV on Blake whilst she was aces at her job; the added benefit truly being the narrator brought her to life, gave her a unique voicing which allowed me to consider her position and her character a bit more than if she hadn’t been presented in this unique way to a reader. This is one reason I love listening to audiobooks as you sometimes find yourself able to discern certain aspects of stories which might be lost or left unseen if your reading a story in print. And, vice versa of course! I also have a personal interest in pathologists as evidenced by the fact I love Abby from NCIS who makes a brill job at highlighting how hard their jobs really are outside of the work of Duckie (from the same series) equally brings forward.

Despite all the advancements Tara and Blake had made towards being a unified front, Tara was a civilian and Blake was having more trouble separating them as a ‘duo’ and respecting the fact she was on the outside. It was becoming especially difficult if you factored in his own personal strife and adversities affecting his mind and heart whilst he was working – as no matter how tough one appears to become for a high risk job where lives were on the line, being human was the one element which left everything subjective and challenging. Blake couldn’t resolve his personal life fast enough in order to have a less stressed professional life. You felt for Blake and you understood why Tara was approaching Blake the way she had been – as this is where it all felt a bit murky where two people who might never have meet were suddenly entwined due to circumstances.

Chase had a segue of interest outside of the main threads of interests wherein we tuck into the personal life of Tara Thrope – where we get to become better acquainted with her mother, an actress and of how Tara’s relationship with her Mum is sometimes a bit rockier than most daughters would prefer. Still, her family might have their quirks and their troubles but they were still approachable which I enjoyed seeing as it meant that they still cared about each other and were still an important part of Tara’s life. I felt from the very beginning her personal life with her family might be strained or close to it due to what originally occurred – referencing here how Kemp entered her life and why. Yet, the curious bit is how her Mum helped her pin down quite a few clues she couldn’t have sorted without her help. I had to smile there – as despite everything, Tara’s Mum held answers she couldn’t have found elsewhere!

One observation I was making was how this is like one giant chess board – where the players you’re not expecting to be the most evasive are in Academia & the ones who surprise you are outside of it; everyone moving towards each other & then away – great drama that! I would imagine it is hard to juggle the backstory against the current day cases whilst giving each equal measure of importance; plus having the believability of solid continuity about the setting (Cambridge) and the protocols associated with both police work and journalism. Nothing was sacrificed to convince you of the other things taking place – uniting you in a lovely puzzle of a crime drama where even the pieces you might feel you should overlook could prove to be the one piece you need to pull the whole picture together!

-quoted from my review of Murder on the Marshes

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A notation about Bookouture & Hachette Books:

In [2016] I created a series of interviews featuring #Bookouture authors: Teresa Driscoll (feat. ‘Last Kiss Goodnight’); Natalie Meg Evans (feat. ‘A Gown of Thorns’); Renita D’ Silva (feat. ‘A Mother’ Secret’); Debbie Rix (feat. ‘Daughters of the Silk Road’); Kerry Fisher (feat. ‘After the Lie’); Helen Pollard (feat. ‘The Little French Guesthouse’) and Tom Bale (feat. ‘See How They Run’). I’ve been striving to collect all of these stories for my personal library whilst intending to share my ruminative thoughts – as I personally love to showcase a guest feature ahead of reading the stories which intrigue my bookish heart! Of this list, as of Thanksgiving 2017 – I have happily acquired the audiobook version of ‘The Little French Guesthouse’ which is a next listen of mine this year! I have more to share about how I acquired this audiobook when I share my ruminations!

Whilst for the past few years I’ve been a book blogger reading INSPY (faith-based) and Motivational stories (of fiction and Non-Fiction) from Hachette Books (USA) imprints: FaithWords and Center Street. At the time of coordinating this interview with Ms Chase, I had missed the fact ‘Bookouture’ was acquired by Hachette UK. This marks my first guest feature and showcased story for Hachette UK : Bookouture! (see also the announcement of the acquisition)

Meanwhile, as per my announcement recently featured on The Sunday Post, No. 6 – I purchased a copy of the digital audiobook version of ‘Murder on the Marshes’ which I am looking forward to listening too. My ruminations are forthcoming on behalf of this first installment of the Tara Thrope series as being this is my own purchase I am not obliged to post my reflections on this novel, I am choosing to showcase my reactions as Ms Chase is an author I personally love reading! (see also my review of ‘You Think You Know Me’)

Previously, you will remember, I crossed paths with Ms Chase through my readings of ChocLitUK (of which I am a reviewer) whilst I have had the pleasure of getting to know her personally through my chat @SatBookChat (previously known as @ChocLitSaturday).

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On my connection to Clare Chase: When I started a chat in [2014] my path crossed with Ms Chase as she was a regular chatter of what is now known as @SatBookChat. Ms Chase and I started to notice our reading habits were aligning with each other, and her conversations were happy editions to my week as I liked finding someone else who liked the same types of stories I was gravitating towards myself. We continued to ‘chat’ about our reading habits even outside of #ChocLitSaturday (the previous name of the chat), which was a blessed joy for me.

I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Ms Chase through our respective love & passion of reading inside the twitterverse whilst I host #SatBookChat and privately as well. I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time or continuing to read their releases as they are available. This also applies to hosting a guest feature by the author I share a connection.

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#SpooktasticReads Audiobook Review | “Death on the River” (Book Two: Tara Thorpe Mysteries) by Clare Chase, narrated by Lucy Brownhill [an audiobook I began listening to during #FraterfestRAT 2019]Death on the River
Subtitle: A gripping and unputdownable English Murder Mystery
by Clare Chase
Source: Direct from Publisher
Narrator: Lucy Brownhill

Meet Tara Thorpe – she’s Cambridge Police’s newest recruit… but her dark past is never far behind her.

When a body is pulled from the dank and dangerous fens on the outskirts of town, everybody assumes it was a tragic accident. But Detective Tara Thorpe, newly joined and determined to prove herself, suspects there’s more to the story.

Tara is desperate to investigate further, but her supervisor Patrick Wilkins has other ideas. He would rather die than let this ambitious upstart show him up – even if it means some digging in Tara’s secret past to keep her under his thumb. After all, it’s not like he can report her – everyone knows that his boss Detective Garstin Blake and Tara have a history…

When another body is found, it becomes clear that there’s a killer on the loose. Could the murders be linked to the secrets that Tara has been keeping from her team… and can she solve the case before another innocent dies?

Genres: Amateur Detective, Crime Fiction, Police Procedural, Thriller


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781786817402

ASIN: B07JFT6DSG

Also by this author: You Think You Know Me

Also in this series: Murder on the Marshes


Published by Bookouture, Hachette UK

on 22nd October, 2018

Format: Audiobook | Digital

Length: 10 hours and 3 minutes (unabridged)

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The Tara Thrope Mysteries:

Published by: Bookouture (@bookouture)

an imprint of HachetteUK (@HachetteUK)

Murder on the Marshes by Clare ChaseDeath on the River by Clare ChaseDeath Comes to Call by Clare ChaseMurder on the Fens by Clare Chase

Murder on the Marshes (book one) | (see also Review)

Death on the River (book two)

Death Comes to Call (book three) ← local library purchased!

Murder on the Fens (book four)

More insights & ruminations forthcoming on this series to Jorie Loves A Story!

Converse via: #TaraThorpe, #Thriller and #Bookouture

About Ms Clare Chase

Clare Chase

Clare Chase writes mysteries set in her home city of Cambridge and is fascinated by the location’s contrasts and contradictions. She’s worked in diverse settings – from the 800-year-old University to one of the local prisons – and lived everywhere from the house of a Lord to a slug-infested flat. The terrace she now occupies presents a good happy medium.

As well as writing, Clare loves family time, art and architecture, cooking, and of course, reading other people’s books. She lives with her husband and teenage children, and currently works at the Royal Society of Chemistry.

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Reading this book contributed to these challenges:

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Posted Wednesday, 23 October, 2019 by jorielov in 21st Century, Amateur Detective, Audiobook, Blog Tour Host, Bookouture, Crime Fiction, England, Hard-Boiled Mystery, Indie Author, Investigative Reporter | Journalist, Modern Day, Psychological Suspense, Vulgarity in Literature