An unexpected encounter after #IndieChat with an Indie Novelist whose book series has been pitched and accepted into motion picture adaptation, led me on a bit of an unexpected foray into a series that is both challenging (as it is outside my comfort levels on one score) as it is empowering (as it is told from the point of view of a female warrior); thus I stumbled into the world of “Imago” by Lorna Suzuki.
Acquired Samplers By:
Chapter Samplers for her Imago Novels provided for free download by the author, Lorna Suzuki via her Smashwords Author’s Page. The samplers are complimentary of the author, Ms. Suzuki to encourage readers to become familiar with her writing style, character, and the breadth of where her fantasy novels will lead a reader to journey ahead of purchase. I was not obligated to post a review nor share my opinions of the chapter samplers I downloaded; as I elected to do this for my own edification. I did not receive compensation for my opinions or thoughts shared herein.
Why my curiosity was piqued:
When I noted the series was referred to as being similar in style and voice as “Lord of the Rings” I knew it was quite the epic story; a High Fantasy with a compelling arc of narrative and driven by character. Character driven stories are my absolute delight to read, however, being that the lead protagonist is a warrior I was quite prepared to encounter a woman with an arduous past rife with potentially intense trauma and recovery; psychologically speaking, I knew most characters writ inside stories of this nature have an uphill climb to recover from what they were afflicted by in their lives.
Mind you the mash-up of saying this was a LOTR + 300 equates out to The Last Samurai; half of me wondered what honestly appealed to me personally as I would run in the complete opposite direction of the 300 film series even if I happily watched the first three Lord of the Rings per release month! (including a *midnight!* release!) There were sequences within the Trilogy (LOTR) films that were a bit mind-numbing (i.e. the battle scenes, for starters) but it was the overall journey of the characters that left me speechless and hungry for each new installment. My heart shattered at the conclusion, as despite knowing where Frodo and Gandalf would end their journey, it still uncorked my emotional heart’s ability to spilt out tears as the credits rolled.
No, what I think drew me to becoming curious about this series was the author’s approach to inspire a reader’s attention, which quite ironically has left her in a sea of controversial feedback! ?? I seriously do not understand the reading public at times. I am a firm believer in ‘more information upfront’ when it comes to stories and the contents of novels. A quick blurb or a shorter showcase (a traditional book review) isn’t going to sway me one way or another because the bones of the story are left to your imagination; that’s a dicey slope! How do you know if you are going to soak inside the story and/or appreciate the tone of the writer’s voice? What if the undertone is underlit too dark? What if there isn’t enough light to hold you into their vision?
I often lament IRL (and as the occasion arises virtually) the reason I was drawn to being a book blogger is because I wanted to blog my heart out about the stories that soak inside my imagination. I want to write down the bones and flesh out the pulse of what inspired me to ‘stay within’ the writer’s world. To cultivate an open conversation about what moved me, what staid with me, but most of all, how I was left impressed by the characters, the arc of the character’s journey, and what was left within me once the story was put down. (or you could read what I said on my Introduction Post!)
If something takes me ‘out of the story’ or if the pace and/or flow of the narrative itself is disrupted by an oppressively heavy amount of vulgarity (read my Review Policy) or there are choices where the level of (graphic) violence sickens me to my stomach rather than curates a plausible reason for inclusion (clarified: violence in moderation for sake of action/trauma/plot point/back-story etc; not explicit for explicitness sake!); then I will equally be as open about these ruminations as I am gushing about why the story left me with pieces of it’s essence firmly etched into my memory.
Like most readers, I have my own barometer — I have stumbled across stories that on the surface contradict what I wrote inside my Review Policy; as there are ‘exceptions’ to this rule of mine, as most will find they have their own exceptions to the general advisory of which stories they will accept whilst reading and which stories they cannot read, irregardless of the story’s best intentions to capture your interest. I attempt to keep an open-mind on which stories alight on my path, either due to the ‘timing’ of their discovery and/or the storyline itself; there are numerous inter-connections between one story to the next, to see the path of our reading lives intersecting with our path at a moment where a story was meant to be read or put down for another time. It is a mindfulness to become aware of stories giving us this tangible connection to the world’s creative conscience inasmuch as the art of the craft behind how the stories are written and revealed to us. Read More
Somewhere Beyond the Sea
Fade to Black
