Category: Horror

Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 20 February, 2019 by jorielov , , , , 1 Comment

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground” and “Bridge to Burn” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. However, this time round as I switched my subscription from Audible to Scribd, I did not yet have the chance to purchase my copy of “Bridge to Burn” – which I shall be doing eventually as I want to have a full set of all the Kay Hunter installments – I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Bridge to Burn” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Gone to Ground” and why I was itching for the next novel:

Kay’s team has a few growing pains coming to it as with Kay’s recent promotion, the rest of the team remains a bit lopsided. Her first pick to gain a promotion soon after her was Barnes; unfortunately for Kay, Barnes was comfortable in the role he was already employed. She had to respect his choice even if it confused her why he wouldn’t want to rise in the ranks. Barnes was her right hand man on the team, a person she could trust without blinking and know he would have her back.

You can observe her own growth as a person finding traction in front of cameras whereas only a year prior being the lead spokesperson for the unit would have put her in a bit of a tailspin of anxiety. Now, she is shining as a voice for the police and hoped the words she spoke would encourage new leads to come forward after the report went out on the newscast. The case itself was perplexing – they had a clue towards what the crime involved but without ‘more evidence’ they could only speculate which was the one thing they didn’t want anyone to do. It would only lead to heartache for everyone involved.

I was definitely curious about how Larch decided to take early retirement and moved off into the Midlands as a result. This left an open space in the team and unit Kay was now overseeing alongside with the guidance of Sharpe. With Sharper in the overseeing role for the team, you start to see how the new dynamics are forming and keeping each of the team members a tightly knit team who know they can rely on each other. What was lovely though is how Kay is open to having her fellow detectives (including the junior ones) have equal respect in the bull room so to speak – to speak their theories and to explore (as a team) what they feel might be motive and opportunity. Even if they fall a bit short of a solid lead, it helps build their foundation as a team who everyone feels comfortable being an active part of growing into a well-oiled machine of efficiency.

At the morgue we get a keen insight into the gloom and the heart-wrenching cases the ME has to sort through when the caseload becomes unbearingly brutal with cases which are harder to reconcile than usual. I think any case that goes through the morgue which deals with children and youth, has to be the cases they struggle with the most to ‘let go’ once they’ve done all they can to determine the cause of death. Medical examiners don’t get a enough credit for how strong of mind and heart they have to be to constantly do their job and remain emotionally disconnected.

One of my favourite revelations was not even related to the case, it was about Adam’s inheritance, how horses played a keen role in his award and how the friendship he had with an older lady who wanted a guardian for her horses was the key to how Adam and Kay lived rather comfortably.

Outside of focusing on Kay and Adam at home and out about in their community, there were loads of cheeky humour sequences and workplace camaraderie which I love so much in this series! It helps re-affirm who these people are and how they interact with each other. When you listening to different installments of the series and a bit of time goes by – seeing how they react to each other is another way of re-aligning you right back into the dialogue from whence you had left off in the last installment.

Seeing Kay develop her confidence in her new position is a joy – each day she’s on the job, the more she becomes a confident leader. The irony of course, their current case involves team building exercises where their potential victim was spending time – the random joy for Kay is finding that her unit works well without the benefit of an official ‘time away’ from the office to come together as a united front.

When it is known what the title refers to ‘gone to ground’ – everything seemed to make better sense about the structure of this particular case. The key focus on the team and how they interact with each other has become the new standard of the series – as originally, when the series first began we would shift between the detectives and the one(s) they were pursuing – giving us a dual perspective from two different sides of every investigation.

In this particular instance – it proves how frustrating detectives become when they don’t have enough to guide them forward. I was hoping this particular case might have a decidedly brilliant wench in the wheel of the investigation and I must admit, Amphlett definitely gave us one!! It has to do with who you think is the person of interest and who the truer culprit turnt out to be – the curious bit here is how Amphlett constantly brings the sociological side of sleuthing into her stories. She focuses on the psychological and the sociological – of easing you through the hardest bits by re-focusing on the reasons ‘why’ certain behaviours are being explored and why some characters have more guilt within them than others. Sometimes your not even sure where a confession is going to lead you or if the confession your hearing is the right one for the case at hand.

I must admit, the crime(s) involved in this installment are really difficult to get through – although, I do credit Ms Amphlett for not making it worse than it was – she definitely pulls back when I have witnessed other authors who don’t have as much self-control as she does. This is a credit to her for giving us a chillingly suspenseful read but without ensuring we’ll have nightmares afterwards! You want to feel the suspense – similar to watching your favourite Hitchcock film but without feeling as if you can’t properly recover afterwards! Hitchcock and Amphlett both found the sweet spot in Suspense where they can give you chills but allow you the grace to know you can handle where the stories will lead.

-quoted from my review of Gone to Ground

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I can’t believe I’ve been outside this world since last [September]!

After finishing Gone to Ground, I was truly thankful there was a bit of a ‘gap’ between books six and seven as I felt I needed to put some distance between myself and Kay Hunter. This is a series I truly felt captivated to listen to throughout [2018] however, it is a very emotionally jarring series – you don’t realise how attached your going to become to the series until your in the throes of it and by then, your heart is gone. You are so intricately immersed inside this authentically writ world by Ms Amphlett and the heart-pulsing high octane paced narration styling of Ms Campbell – you simply can’t disconnect your ears from listening to the series once you’ve become smitten with the world, the characters and journey Kay Hunter is taking both personally and professionally.

This is why I was thankful the blog tour was in early [2019] as it gave me the distance and the breathier I need from the last installment before I entered the seventh story. I knew a few stories back this series was making a twist of a turn for being a bit more hard-boiled than most Thrillers and Suspense novels I’m reading but at the heart of the series is Kay, her team and the life she shares with Adam. I wrestled with feeling if I could continue to listen to the series and go forward with her on this journey or if I might one day need to back-out as the growing series was expounding on the grim sides of her job whilst it was also tucking us closer into her private world.

There are so many lovely layers of this series, in the end, I opted to ‘stay invested’ in the series and I credit that first and foremost to the author Ms Amphlett for how dedicated she is not to :push: the line too far afield to where I can’t get through the novels and to Ms Campbell for her passionate portrayal of Kay and how she intuitively hugs us back inside Kay’s world. The two of them together is why this increasingly dramatic crime series is dearly beloved by me – it might be on the upper tier of what I can consider reading and/or listening too – but I love the continuity, the layered insight into the life of these characters and the fact that I can trust the author for giving me an edgy read without making me feel as if I couldn’t survive it afterwards.

This is why I was wicked excited about finding the latest audiobook via Scribd as it was coordinated in such a way (ie. released to subscribers) to where I could join the blog tour – continue sharing my ruminations alongside my fellow enthused audiobook readers in the book blogosphere and tuck closer to Kay to see where we are on her personal journey whilst finding myself enchanted once more by Ms Campbell’s approach at giving me a new visitation with the whole cast of characters within the Kay Hunter series! This is definitely one that grabs you rather immediately and before you realise you’ve become addicted to hearing the stories, your already progressing through your seventh volume!

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Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellBridge to Burn
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a mummified body is found in a renovated building, the gruesome discovery leads Detective Kay Hunter and her team into a complex murder investigation.

The subsequent police inquiry exposes corruption, lies and organised crime within the tight-knit community – and Kay’s determination to seek justice for the young murder victim could ruin the reputations of men who will do anything to protect their business interests.

But as Kay closes in on the killer, tragedy strikes closer to home in an event that will send a shockwave through her personal life and make her question everything she values.

Can Kay keep her private and professional life under control while she tries to unravel one of the strangest murder cases of her career?

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 978-1-9993683-3-3

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground


Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Published by Saxon Publishing

on 13th January, 2019

Format: Audiobook | Digital

Length: 6 hours, 39 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Read More

Reading this book contributed to these challenges:

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Posted Wednesday, 20 February, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#HistoricalMondays | Book Review | “The Gift of the Seer” [long awaited sequel to “The Spirit Keeper” (2013)] by K.B. Laugheed

Posted Monday, 11 February, 2019 by jorielov , , , , 0 Comments

#HistoricalMondays blog banner created by Jorie in Canva.

I am launching a new weekly featured concentration of book reviews on Jorie Loves A Story which celebrates my love and passion for the historical past! For those of whom are regular readers and visitors to my blog, you’ll denote a dedicated passion for reading Historical Fiction (and all the lovely segues of thematic therein) – I am a time traveller of the historical past every chance I get to disappear into a new era and/or century of exploration. There isn’t a time period I haven’t enjoyed ruminating over since [2013] and there are a heap of lovely timescapes I’ve yet to encounter.

This feature was inspired by the stories I’ve read, the stories I’ve yet to experience and the beauty of feeling interconnected to History through the representation of the past through the narratives being writ by today’s Historical Fiction authors. It is to those authors I owe a debt of gratitude for enlightening my bookish mind and my readerly heart with realistic characters, illuminating portals of living history and a purposeful intent on giving each of us a strong representation of ‘life’ which should never become dismissed, forgotten or erased.

I am beginning this feature with the sequel to a beloved historical novel I first read in [2013] – it was one of the first ARCs I received and it was the first year I was a book blogger though it was through a connection outside my life as a blogger. I am celebrating K.B. Laugheed’s literature to kick-off this feature and hopefully will inspire my followers to take this new weekly journey with me into the stories which are beckoning to read their narrative depths and find the words in which to express the thoughts I experienced as I read.

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Acquired Book By: In [2013] I was still participating in the Early Reviewer programme via Book Browse wherein I received an ARC for “The Spirit Keeper” – a new Historical Fiction narrative which sought to break boundaries of its genre and which captured me heart and soul as I read it. It was an emotionally gutting read, a historical reckoning of a story and it left me ruminatively curious about what the ‘next’ chapter of this extraordinary character’s life would be in the sequel. 

I decided to write an expanded review on my blog for my own edification after having contributed my Early Reviewer review to Book Browse – it was one of the few times I was able to do this even though there are a few other ARCs I received from Book Browse I’d like to still blog about in the near future which fittingly have more to be said on their behalf from my readerly experience.

Likewise, I also reached out to the author directly shortly after I posted my review in September of 2013; remember dear hearts, I launched my blog live on the 6th of August, 2013 – so this expanded review became one of the first officially celebrated novels of Jorie Loves A Story in the beginning of finding my writerly voice and my bookish presence in the book blogosphere. It pre-dated hosting blog tours and working with publishers, publicists and authors directly.

Although I remained in contact with the author a bit over the years – simply checking the status on the sequel or offering encouraging thoughts on writing it – I don’t consider this a conflict of interest as to be honest, it was not constant contact and we weren’t in contact on a regular basis nor did we touch base each year since 2013.

When I received an email from Ms Laugheed this past December, 2018 – to say I was pleasantly gobsmacked to have heard from her after a long absence of communication is putting it mildly! I was overjoyed – more for her than for me – as she was announcing the sequel was being published! She decided at long last to go the Indie route towards  publication and I was full of joy and happiness for her as this was a very long and dedicated route back to publishing a sequel I believed in as a reader (and there are others like me out there) but of which I wasn’t sure if any of us would get a chance to embrace it in published form.

Thereby, I did not hesitate to respond to her request to accept this new novel for review consideration – the only thing which delayed my entrance into its chapters was my five week Winter virus (from before Christmas to the early weeks of January, 2019) and my three successive migraines (from mid-January to early February). I read this immediately after recovering from my third migraine and was thrilled I could finally attach my mind and heart round the continuing journey of Katie and Hector!

I received a complimentary copy of “The Gift of the Seer” by the author K.B. Laugheed in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Re-visiting “The Spirit Keeper”

My original motivation to read the novel: I wanted to partake in her journey untoward becoming one man’s living vision of ‘a creature of fire and ice’ and to see if they could fulfill each other’s destinies therein. It is such a curious proposition, to be taken by force from one’s own family, and re-positioned into a life, by which, you’re in complete unfamiliar territory, amongst people who speak a different tongue than your own, and by your own wits, have to determine how to survive. I was curious by how she was going to effectively change her life and heart; and to what end she must do so! This felt to me like a piece of Magical Realism wrapped up inside a Historical Fiction, rooted into the conscience of the American Frontier! I was besotted with the plot, and needed to read it to ascertain what the story truly was about! The Spirit Keeper spoke to me, as a book I needed to read rather than merely a book I wanted to read! I listen to my intuition in other words!

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Ms Laugheed advised me to re-read “The Spirit Keeper” ahead of reading “The Gift of the Seer” – what I hadn’t the heart to tell her is my copy of the novel is packed as most of my personal library has been packed for the last four years. I couldn’t sort out which box it is held within if I had a compass as I literally have quite the expansive library being stored right now. This is one key reason why I can’t always re-read the novels I’m reviewing – as I only have a handful of books I’ve reviewed the past few years unpacked and shelved – most of which, are first or seconds in series, awaiting new releases to where I can turn back to and re-read a bit ahead of delving into the next installment. I did have The Spirit Keeper prominently shelved for quite a few years after it was released – it was only recently I had to make the hard choice to pack it away for safe keeping til I can restore my library back to rights.

Therefore, I did what any other book blogger would do in this situation – I borrowed a well-loved copy from my local library and as I re-entered the story, I was quite shocked by what I discovered! I hadn’t forgotten as much as I was expecting, too! I re-read the opening bridge of the novel – re-visiting how Katie was taken from her family, the traumatic transitioning into life with the Spirit Keeper and Hector as much as re-aligning in my mind the era this series is set and the mannerisms of how the story is told. As Ms Laugheed has a very distinctive style of historical story-telling; it is one reason I was hugged so dearly close into the story originally.

Secondly, as I noticed a lot of readerly flashbacks moving through my mind’s eye after that particular re-visitation – I immediately flipped to the last quarter of the novel, resumed as if I hadn’t been absent from this story for :six: long years and re-lived the concluding chapters, as fresh as dew on recently mowed grass. I seriously was re-captured by what was left behind for my eyes and heart to find – thereby, I knew with certainty I was prepared as I ever could be to re-enter Katie and Hector’s world.

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For those of you who might never have had the pleasure of joy reading this novel, let me select a few quotations from my original review – both from what I shared with Book Browse after first reading the ARC and what I expounded upon on Jorie Loves A Story thereafter.

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The inertia of reality that besots you as soon as you enter into the world of The Spirit Keeper, is quite a hard bullet to bite, because before you can wrap your eyes and heart around what your visually aware of, your niched into the story! I credit this to the author, as Laugheed endeavours you to jump straight out of your comfort zone, wholly free-falling into a brutal, raw, and untamed section of the American Frontier in the mid-1700s and take a quest towards unraveling the complexities of building a new life in a foreign land. The thematics that are entrenched in the story parlay an exposition on language, translation, and sense of being. She readily elevates our awareness that our words can draw an impact that is not always aware to us, but like the life paths we are walking, we are not always in charge of their meaning or purpose of use.

I will lament, that if you’re a reader who begs off for lighter faire, you might want to caution yourself, as within Chapter One, the author does not hold back on the grim realities of what it was like in the 1700s when an Indian War Party descended upon a settler’s family.

The beauty of the outside world envelopes you from the jump-start, as the open wilderness is the footing for setting this story outside the reach of our known world. Even for those of us who are akin to the natural environment and the inhabitants therein, there is still so much of that world that is readily just outside our scope, outside our understanding. The Native Americans who are on the forefront of the story, evoke a cultural education into accepting stark differences of living, as much as embracing traditions that hold merit  (such as the menstrual huts for women).

Flickerments of “Medicine Man” (the motion picture) streamed through my mind, as did “Dances with Wolves” (the motion picture), as in each story, those who only spoke English, learnt to adapt and to live amongst the natives by which they found themselves belonging too better than their own kind. I am drawn into stories that attach us to whole new cultures, traditions, religions, and walks of life. Stories that etch into our imaginations a wholly new world, where there are similarities, but otherwise, as we dip into their narratives, we find ourselves in a foreign land, attempting to understand what we cannot yet conceive possible.

An incredible journey of self-preservation, fortitude of spirit, and overwhelming grief: I was not quite prepared for the journey that Katie, Syawa, and Hector embark upon! It wasn’t so much the long distances that they must traverse through rough hewn terrain, but rather, they are each going through a personal, intimate, internal journey concurrent to their outward journey towards the men’s originating homeland! Each is carrying secrets of their own experiences, and in Katie’s instance, her life is muddled and blighted with far more devastation than anyone could ill-afford possible to a seventeen year old young lady!

Her lot in life has been tempered by abuse and misguided notions of love, unto where she has encouraged a naïve sense of the living world, and has grown an ignorance of how right a life can be lived! I grieved for her and bleed emotions with her recollections of past memories,.. memories that were nearly too hard to bare and to ruminatively lay pause upon. It is through Syawa’s gentleness and effective way of easing her out of her shell, that she truly started to see who she was and who she could be. I only wish I could pronounce Syawa’s name, as I feel as guilty she does in her own story, about the misunderstandings that evolve out of not understanding language and meaning of words, phrases, or names outside our own native tongues!

Language & Translation: the Invisible Barriers we never foresee: Laugheed paints a clear window towards our greatest struggle in accepting and understanding each other, as we present ourselves to each other in our conversations! Each inflection of tone, voice, and the words we use to explain ourselves, can lead us down a path of misunderstanding and of misalignment in what we are attempting to represent as our thoughts, hopes, dreams, and passions. Throughout the story, we are seeing the story as a first-hand account of a diary the protagonist is writing to assert her own history back in her life, as she’s amongst those who do not understand the necessity of having a living history or a story to be told of one’s heritage. She values her experiences, her struggles of faith, and the lessons she is ought being taught as she walks forward into her future. She hasn’t had the easiest of lives, but she isn’t going to allow herself to wallow in the situations she could never effectively change, but rather, pull out a strength deep from within her, to carry her through the tribulations that she was certain were still to come.

Whilst she’s (Katie O’ Toole) recounting her days in her diary, I mused about how this differed from the diary of Robinson Crusoe as it contained more of her essence, her internal quagmire of thoughts, and the irrevocable distraught by which she plagued herself with for most of her arduous journey towards Syawa and Hector’s homeland. From the moment I read the opening page, by which the author departed a precognitive knowledge of how the story might transform as you read the words, I was left with a museful pre-occupation of how that would transpire, and further still, of one particular scene that I had presumed was forgotten within the re-writes and draughts, leading up to publication! However, this falls perfectly into this category of observation about ‘language and translation’, about how what we first perceive to be just and truth, can altogether change and alter, either by the different perception we’ve learnt through experience OR through reading a book that is quite unlike another! This book truly lives up to the proportions of what Laugheed mentions at the start gate: the words transcend their own meaning as you etch closer to the ending, the whole of the story is much larger than the sum of the parts as they are revealed!

In this way,  she is giving each of us to turn on our heels, the gross misconception of how we drink in words, knowledge, and observational data. The reader is very much at the heart of this story, and I think, is as central as Katie’s voice in re-telling her own history. What is humbling too, is how as our knowledge expands, the words that were once lost on us, as being completely irreverent suddenly take on new meanings, as they now evoke an ’emotion’, a ‘resolution’, or a ‘truth’ we did not understand previously. An Irish girl cast out into the wilderness of the wild frontier, with two Indian’s as her sole guides and protectors, makes for a curious precept initially, but it’s how they interact with each other, during the everyday hours, that Laugheed excels in not disappointing her reader! She never makes their interactions dull or predictable, because she has woven their personalities into the core of how they interact with each other! You pick up little character traits that come to play a larger part of the story as it threads through its climax, but inside these key portals of frontier life in campsites and canoes, you start to see how its possible to thread a new life together out of the ashes of the old! In this way, I was quietly savouring each exchange between the threesome, curious how they would come to depend on each other, and how they would draw strength by each others’ presence.

The art of story-telling plays a center part of The Spirit Keeper’s heart, but it’s the transformative power of understanding the words that are imparted throughout the story, that turn everything into a new light once the conclusion arrives. What the reader first mistook as a course of events, was truly a resounding precognitive journey that guided two characters forward into a future they would not have been strong enough to embrace otherwise. It’s the redemptive nature of grasping a hold of the essence of those who pass forward and away from our living world that is truly the most remarkable arc of the story! For we all have the ability to be a keeper of a spirit whose touched us deeply and left us remorseful for their presence! We only need the strength to transcend our perception and view our experiences from a different angle to see how the threads stitch together the pattern of our living tapestry!

An environmental conscience: Is cleverly hidden within the context of the story, but is one of the inclusions that I found to be the most illuminating to see!! I oft have found myself the most happiest amongst the trees, rivers, lakes, streams, and out-of-door hideaways that only a person can walk to find! Nature’s door is ever beckoning us to re-enter that sacred space between the natural world and the world by which we live as men. We are drawn towards nature as keenly as we are attached to water as a source of lifeblood, but it isn’t always an easy attachment to maintain, when the hectic nature of our lifestyles can circumvent our efforts to keep our hearts and souls aligned with the seasons and timescape of the natural world just past our windows! Laugheed draws a breath of vitality into the forest, where you can nearly hear the echoings of the trees, the rushing power of the rivers, and the harmonious tickings of the inhabitants therein. I appreciated that the animals that were killed in the book were used for what they could give back to the ones who fell them. I always respected this aspect of Native American beliefs, as they take what they need and only what they can use, at the time they go hunting. It’s a beautiful circle of life, as nothing is wasted and everything is respected. She wants you to see the beauty past what you expect to find whilst out in the deep woods, as the forest plays a fourth character or rather, that of a narrator that has not yet found its voice.

-quoted from my review of The Spirit Keeper

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#HistoricalMondays | Book Review | “The Gift of the Seer” [long awaited sequel to “The Spirit Keeper” (2013)] by K.B. LaugheedThe Gift of the Seer
by K.B. Laugheed
Source: Direct from Author

Katie O' Toole's epic adventure began in "The Spirit Keeper" (Plume 2013) when she was rescued from a 1747 frontier massacre only to find herself chosen as the "Spirit Keeper" of a dying Indian seer. She hesitated to accept this mysterious obligation until she fell in love with the Seer's bodyguard, an Indian man she called Hector.

Much has happened since my last writing,..

In The Gift of the Seer, Katie and Hector continue their journey across the continent, but the more Katie learns about the peculiar ways of her husband's people, the more she dreads arriving at their destination. Will anyone believe she is the Spirit Keeper she pretends to be? Equally troubling, Katie knows the Seer expected her to prove his Vision - a Vision which foretold of infinite Invaders coming to his world - but to prove this prophecy, she must give his people the great Gift he also predicted. The only problem is that Katie has no gift to give.

Years pass as she desperately searches for a way to fulfill her promise to the dead Seer, but when his former rival threatens to expose her as a fraud, Katie finally understands that her life and the life of all the people in her new world hang in the balance. That's when she knows she must give a Gift - she must - before it is too late.

Did you honestly think you could get so much and give nothing in return?

Places to find the book:

Add to LibraryThing

ISBN: 978-1732886216

Genres: Feminist Historical Fiction, Genre-bender, Historical Fiction, Historical Romance, Literary Fiction, Magical Realism, Native American Fiction, Realistic Fiction, Spirituality & Metaphysics, Women's Studies


Published by Self Published Author

on 7th January, 2019

Format: Hardcover Edition

Pages: 372

the spirit keeper duology:

The Spirit keeper & the gift of the seer

This is a Self-Published novel

Available Formats: Hardback, Paperback and Ebook

Converse on Twitter: #GiftOfTheSeer, #TheSpiritKeeper Sequel + #KBLaugheed
as well as #HistNov + #HistoricalFiction or #HistFic

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About K.B. Laugheed

The Gift of the Seer by K.B. Laugheed

K.B. Laugheed is an organic gardener and master naturalist who wrote her first published novel, The Spirit Keeper, as part penance for the sins of her family’s pioneer past, part tribute to all our ancestors, and part grandiose delusion as she hopes to remind modern Americans of the grim price we paid for the glorious life we take for granted today.

But The Spirit Keeper is not a story about guilt. It’s about gratitude.

The Gift of the Seer is officially available worldwide as it was published on the 7th of January, 2019.

To support the author directly, kindly consider purchasing her novels through her online store.

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Reading this book contributed to these challenges:

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Posted Monday, 11 February, 2019 by jorielov in #HistoricalMondays, #JorieLovesIndies, 18th Century, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Book Browse, Book Review (non-blog tour), Brothers and Sisters, Bullies and the Bullied, Colonial America, Coming-Of Age, Content Note, Cultural & Religious Traditions, Cultural Heritage, Death, Sorrow, and Loss, Diary Accountment of Life, Domestic Violence, Early Colonial America, Environmental Conscience, Epistolary Novel | Non-Fiction, Equality In Literature, Family Drama, Family Life, Fathers and Daughters, First Impressions, Flashbacks & Recollective Memories, Folklore, Genre-bender, Grief & Anguish of Guilt, Historical Fiction, Historical Romance, History, Horror-Lite, Indie Author, Kidnapping or Unexplained Disappearances, Life Shift, Literary Fiction, Loss of an unbourne child, Magical Realism, Mental Health, Mental Illness, Midwives & Childbirth, Mother-Daughter Relationships, Motherhood | Parenthood, Multi-cultural Characters and/or Honest Representations of Ethnicity, Multicultural Marriages & Families, Native American Fiction, Native American Spirituality, Old World Arts & Crafts, Philosophical Intuitiveness, Political Narrative & Modern Topics, Prejudicial Bullying & Non-Tolerance, Premonition-Precognitive Visions, Psychological Abuse, PTSD, Realistic Fiction, Self-Published Author, Siblings, Sisterhood friendships, Sisters & the Bond Between Them, Social Change, Spirituality & Metaphysics, Story in Diary-Style Format, Superstitions & Old World Beliefs, Taboo Relationships & Romance, Terminal Illness &/or Cancer, The American Frontier, Trauma | Abuse & Recovery, Unexpected Pregnancy, Vulgarity in Literature, Wilderness Adventures, Women's Health

#SaturdaysAreBookish | feat. @SatBookChat’s 12th January guest author Estella Mirai | Book Review of “The Stars May Rise and Fall” (a re-telling of “Phantom of the Opera” from an m/m romantic POV)

Posted Saturday, 12 January, 2019 by jorielov , , , 0 Comments

#SaturdaysAreBookish created by Jorie in Canva.

After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.

#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!

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Acquired Book By: I’ve been blessed by meeting authors via #bookishTwitter for five years now. I love the #writingcommunity in the twitterverse as the writers who are publishing and/or of whom like me are still on their publishing journey are approachable, relatable and keenly conversational which is wicked brill. When my path crossed with this lovely author what truly humbled my heart and gave me such a lift of joy is the fact she was able to send me an ARC of her novel in printed form. She understood why I couldn’t read an ecopy of the novel and I am the proud owner of a spiral bound ARC!

I received a complimentary spiral bound ARC copy of “The Stars May Rise and Fall” direct from the author Estella Mirai in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Why I was keenly excited about reading this re-telling of ‘Phantom of the Opera’:

You might remember, last year I read “The Phantom’s Apprentice” by Heather Webb which was her self-published re-telling of the same story. She was also who chose to self-publish her novel in lieu of seeking (or being able to seek) traditional publication for her story. It is rather unique I think, a year later I am celebrating the discovery of a second novel based on this Classical story which had to take an Indie route to reach reader’s hands!

I’ve truly have had a love affair with the music of ‘Phantom’ ever since I was a young girl – I grew up with an appreciation of the arts at a very young age. My parents encouraged me to seek out theatre, symphonies and listen to orchestrations via vinyl records at home. I also was actively engaged with programming on PBS as much as I loved the local arts community in my metropolis – not just limited to musical routes of enjoyment but also fine art and other exhibits or old world arts & crafts fairs/festivals. In essence, I was surrounded by the arts across mediums of influence whilst I was musically introduced to such a hearty variety of sounds & soundscapes, it turnt me into a lifelong appreciator of musical compositions.

I loved Classical compositions as much as Contemporary – however, I had a special place in my heart for sound for motion picture and the Broadway Musical scores and soundtracks. There was something rather intimate about Original Cast Recordings when it comes to a Musical – you can feel the intensity of the performance and you can paint the scenes alive in your mind as soon as you hear the music begin. Which is what I was trying to capture last year when I mentioned this ahead of sharing my review of “The Phantom’s Apprentice”:

The music of Phantom – irregardless of which incantation of performance and artistic vision are the songs which lift my soul. The sound of Phantom is individually distinctive and the story within it’s heart is one of gutting emotions surrounding the suspense of what is truly happening to Christine and of what motivates the Phantom himself to pursue her to such an extent of invested interest. It is also part cautionary tale about obsession and misguided love.

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I also went on to mention how long I’ve been connected to ‘Phantom’:

I’ve been a girl whose appreciated Broadway and Musicals since I was old enough to listen to original soundtracks on cassette tape. I used to go to sleep with a tape of Annie – not the stage play version but the original motion picture soundtrack. From there, I graduated into more familiar Musicals – including listening to the Michael Crawford soundtrack for Phantom until it etched itself into my blood.

I continued to follow Phantom – from watching the PBS broadcast of the anniversary production from London to celebrating the motion picture adaptation starring Emmy Rossum. Whilst I was writing my ruminative thoughts on behalf of this novel, I was playing the motion picture soundtrack channel for Phantom via Pandora Radio which showcased all versions of the play and musical.

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In effect, this is a story which is simply a ‘part of me’ and it was an honour to have the chance to see this story & its characters re-imagined into an m/m romantic arc set in Tokyo, Japan. For those who read and visit my blog regularly, you already know of my admiration on behalf of Susan Spann’s Hiro Hattori novels – though set in 16th Century Japan, the point here is the fact I love visiting the country in fiction. In the past, I had several friends who lived in different parts of Japan inasmuch of the fact one of my favourite Winter Olympics were the Nagano Games. My grandparents helped encourage my fascination & love of Japan as they themselves loves the country, through their art (sculpture) and musicians especially.

In essence, it feels like ‘coming home’ whenever I consider reading a story set in Japan – it is a beautifully lovely country full of Mystic roots, humbling traditions and a wonderful cultural heritage.

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#SaturdaysAreBookish | feat. @SatBookChat’s 12th January guest author Estella Mirai | Book Review of “The Stars May Rise and Fall” (a re-telling of “Phantom of the Opera” from an m/m romantic POV)The Stars May Rise and Fall
by Estella Mirai
Source: Direct from Author

Teru came to Tokyo with dreams of making it big in the glam-metal visual kei scene, but three years later, all he has to show for it is a head of hot pink hair and some skill with an eyeliner pencil. He may look the part, but he doesn’t sound it, and constant bickering among his bandmates has him worried about his future. When he finds a mysterious business card in his bag, he’s willing to take any help he can get.

Help comes in the form of Rei, a crippled, disfigured composer whose own career was ended by an accident before it had really begun. With Teru’s voice and looks, and Rei’s money and songwriting skills, both of their dreams seem about to come true – but a forbidden kiss and a late-night confession threaten to tear it all apart. Now Teru, who has spent most of his life denying his attraction to men, and Rei, who vowed long ago never to love again, must reconcile their feelings with their careers – and with their carefully constructed ideas of themselves.

THE STARS MAY RISE AND FALL is an M/M retelling of Phantom of the Opera, set in Tokyo at the turn of the millennium. It comes with a healthy dose of angst and a dollop of nostalgia, as well as an age-difference romance, a physically disabled love interest, and memorable characters who will stay with you long after the pages are closed.

Places to find the book:

Add to LibraryThing

ISBN: 9781684547715

Genres: After Canons, Contemporary (Modern) Fiction (post 1945), Japanese Fiction, LGBTQIA Fiction, Re-telling &/or Sequel, Romance Fiction


Setting: Toyko, Japan


Published by Self Published Author

on 11th December, 2018

Format: Spiral Bound ARC

Pages: 309

Self Published Author

This is a Digital First Release – other formats will be forthcoming such as print

Converse via: #PhantomOfTheOpera retell, #LGBTQ, #Contemporary Romance

About Estella Mirai

Estella Mirai lives just outside of Tokyo with her human family and a very spoiled lap cat. When she isn’t reading or writing, she works in editing and translation—which means that 99% percent of her day is usually words. In her minimal free time, she enjoys watching musicals, cooking (badly), and slaughtering power ballads at karaoke.

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Reading this book contributed to these challenges:

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Posted Saturday, 12 January, 2019 by jorielov in 21st Century, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Compassion & Acceptance of Differences, Composer, Creative Arts, Debut Author, Debut Novel, Equality In Literature, Grief & Anguish of Guilt, Horror-Lite, Inspired By Author OR Book, Inspired by Stories, Japan, LGBTTQPlus Fiction | Non-Fiction, Mental Health, Modern Day, PTSD, Re-Told Tales, Realistic Fiction, Romance Fiction