Category: Horror

#SaturdaysAreBookish | Celebrating the first Police Procedural Thriller of this series & my second Autumnal guest author via #SatBookChat: “Murder on the Marshes” (Book One: Tara Thorpe Mysteries) by Clare Chase #SpooktasticReads

Posted Saturday, 27 October, 2018 by jorielov , , , , , , 3 Comments

#SaturdaysAreBookish created by Jorie in Canva.

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In keeping with the change of name for my Romance & Women’s Fiction Twitter chat [@SatBookChat previously known as @ChocLitSaturday] – I am announcing a change of features here on Jorie Loves A Story. Since January, 2014 I carved out a niche of focus which I named #ChocLitSaturdays as I have felt the best time to read romantic and dramatic stories are the weekends. This spun into a Twitter chat featuring the authors of ChocLit whilst I supplied weekly topics which would appeal to readers, writers and book bloggers alike. We grew into our own Saturday tribe of chatters – then, somewhere round the time of my father’s stroke in late [2016] and the forthcoming year of [2017] I started to feel less inspired to host the chat.

I had new plans to re-invent the chat in its new incantation as @SatBookChat but I also wanted to re-invent the complimentary showcases on my blog which would reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of #ChocLitSaturday the chat were the stories I was reading which complimented the conversations.

After a difficult year for [personal health & wellness] this 2018, I am beginning anew this Autumn – selecting the stories to resume where I left off featuring the Romance & Women’s Fiction authors I am discovering to read whilst highlighting a story by the author I am chatting with during #SatBookChat. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – for the remaining weeks of October and most of November, I will be featuring special guest authors during #SatBookChat whose stories I have either read, are reading or hope to read in the future if their newer releases. The reviews on Saturdays might inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

Our holiday break for the month of December will find us resuming #SatBookChat the week after New Year’s, 2019 where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction.

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Acquired Audiobook By: This particular audiobook (‘Murder on the Marshes’) marked the first pre-order I placed on Audible.com when I had my membership with Audible. In the months since August, I decided to switch memberships to Scribd for the time being due to the reduction in cost for a subscription based service for audiobooks – however, I still have an active account on Audible and still use it to listen to audiobooks – either those I’ve purchased (past/ present), the complimentary ones I receive for review and/or the ones I’m either gifted or have won in giveaways. As this was an author I had previously read and loved – I happily awaited the publication date to arrive to where I could start listening to ‘Murder on the Marshes’. I am posting my review of this novel for my own edification and for continuing to want to share my readerly life on Jorie Loves A Story. I was not obligated to post an honest review nor did not receive compensation for my opinions or thoughts shared herein.

Previously, I did host an interview with the author, Clare Chase and she provided the Press Materials for this series to use on both the interview and on my review if I elected to share one. She is also a guest via my chat on Twitter showcasing Romance & Women’s Fiction (inclusive of all sub-genres) @SatBookChat on the 27th of October to discuss this series and her character Tara Thrope.

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Why I was excited about listening to ‘Murder on the Marshes’ and why it took me until October to begin listening to the story during #FraterfestRAT!

A lot of times I have the pleasure of joy of #amlistening to a sampler of the audiobook I want to purchase – however, in rare instances, there is an embargo on having those available publication. Ergo, I was wickedly itching to ‘hear’ the narrator, as listening to audiobooks for me is a brilliantly lovely visceral experience to where I feel pulled into the world a writer creates through the fusion of not just their written words which are eloquently interpreted & brought to life by the narrator – but the actual way in which the narrator voices the characters, sets the tone of the story and the ‘experience’ of hearing the story articulated through spoken dialogue – it’s a lovely immersion of bookish delight – so imagine, trying to ascertain ‘how’ this would sound without a guide? My curiosity nearly killed me,…

I’ve disclosed this before – a narrator can quite literally de-motivate me from listening to an author’s collective works even though I technically try to keep the door ajar to re-try another of their stories (similar of course, if I read a story in print, find it wasn’t my cuppa & try to find a different title of theirs to give a whirl of a chance of fitting my bookish wanderings). For me, the narrator makes/breaks the whole experience – I can give narrators a bone if say, the delivery isn’t quite posh or if it feels like their still gaining traction on their narration style – but overall, if their voice grates in my ears, if their approach is less than reasonable or even plausible – I can feel myself ‘pull out’.

Here’s how I reacted to hearing ‘Murder on the Marshes’
for the very first moment I found it available to ‘hear’:

Having become so dearly transfixed by Alison Campbell’s style of embracing Kay Hunter, I was primed for ‘meeting’ Lucy Brownhill! Even though I’ve heard only a smidge of the first Chapter, I already could *feel!* this was the right narrator – her approach into embracing Tara Thrope echoes Campbell’s Hunter. In finding this realisation, I knew my time spent within ‘Murder on the Marshes’ was going to be epic, brilliant & chilling!

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If you had told me back in *August!* my father would have had a health scare wherein we thought he might have a second stroke (due to issues with his hypertension) – I might not have believed you! I was emotionally taxed and stressed for over three weeks within August awaiting to see if everything would right itself again. Somewhere in those weeks, as I felt numb to reading and completely lost in my reading life as a result – I avoided stories like the plague! I couldn’t get focused on hearing audiobooks nor could I focus on reading them either – the whole month is a bit of a blur except for the emotions I felt as a result of the health crisis my Dad went through.

As a result of that – September started off on hard footing as I had my own share of health issues I had to transition through as well. Ergo, August & September were not the best months for me and this is after five months of Spring being especially wrecking for my health & wellness. However, similar to July being the month I reclaimed my reading joy after a hard Spring, so too, has October become a renewing month for me now that Autumn has taken hold!

Even with two low grade migraines these first weeks of October, I am undeterred – as I personally feel better than I had in the previous two months! Thus, my listening of this new story by Ms Chase was placed on ‘hold’ – even knowing the sequel was due out in October, there is only so much you can do when your facing adversity in life and doing the best you can to find your bookish joy again lost inside the stories you love reading. This is why when October started to draw closer, I knew I would want to seek out some readathons and/or reading challenges – fun events to get myself re-inspired into the stories I had to hold off reading or listening whilst life calmed back down again.

This is how I came to find #FraterfestRAT – which celebrates everything under the October moon from ghosts to Thrillers to crime dramas! It truly is an all-encompassing readathon and for me personally, it felt like the best way to get re-charged & re-fuelled to reading the stories I love during this time of year! I might have had a late start (due to the second migraine!) but for me personally, this readathon gave me the little nudge I needed to begin once again inside ‘Murder on the Marshes’!!

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A notation about Bookouture & Hachette Books:

In [2016] I created a series of interviews featuring #Bookouture authors: Teresa Driscoll (feat. ‘Last Kiss Goodnight’); Natalie Meg Evans (feat. ‘A Gown of Thorns’); Renita D’ Silva (feat. ‘A Mother’ Secret’); Debbie Rix (feat. ‘Daughters of the Silk Road’); Kerry Fisher (feat. ‘After the Lie’); Helen Pollard (feat. ‘The Little French Guesthouse’) and Tom Bale (feat. ‘See How They Run’). I’ve been striving to collect all of these stories for my personal library whilst intending to share my ruminative thoughts – as I personally love to showcase a guest feature ahead of reading the stories which intrigue my bookish heart! Of this list, as of Thanksgiving 2017 – I have happily acquired the audiobook version of ‘The Little French Guesthouse’ which is a next listen of mine this year! I have more to share about how I acquired this audiobook when I share my ruminations!

Whilst for the past few years I’ve been a book blogger reading INSPY (faith-based) and Motivational stories (of fiction and Non-Fiction) from Hachette Books (USA) imprints: FaithWords and Center Street. At the time of coordinating this interview with Ms Chase, I had missed the fact ‘Bookouture’ was acquired by Hachette UK. This marks my first guest feature and showcased story for Hachette UK : Bookouture! (see also the announcement of the acquisition)

Meanwhile, as per my announcement recently featured on The Sunday Post, No. 6 – I purchased a copy of the digital audiobook version of ‘Murder on the Marshes’ which I am looking forward to listening too. My ruminations are forthcoming on behalf of this first installment of the Tara Thrope series as being this is my own purchase I am not obliged to post my reflections on this novel, I am choosing to showcase my reactions as Ms Chase is an author I personally love reading! (see also my review of ‘You Think You Know Me’)

Previously, you will remember, I crossed paths with Ms Chase through my readings of ChocLitUK (of which I am a reviewer) whilst I have had the pleasure of getting to know her personally through my bi-monthly chat @SatBookChat (previously known as @ChocLitSaturday).

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On my connection to Clare Chase: When I started a chat in [2014] my path crossed with Ms Chase as she was a regular chatter of what is now known as @SatBookChat. Ms Chase and I started to notice our reading habits were aligning with each other, and her conversations were happy editions to my week as I liked finding someone else who liked the same types of stories I was gravitating towards myself. We continued to ‘chat’ about our reading habits even outside of #ChocLitSaturday (the previous name of the chat), which was a blessed joy for me.

I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Ms Chase through our respective love & passion of reading inside the twitterverse whilst I host #SatBookChat and privately as well. I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time or continuing to read their releases as they are available. This also applies to hosting a guest feature by the author I share a connection.

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#SaturdaysAreBookish | Celebrating the first Police Procedural Thriller of this series & my second Autumnal guest author via #SatBookChat: “Murder on the Marshes” (Book One: Tara Thorpe Mysteries) by Clare Chase #SpooktasticReadsMurder on the Marshes
Subtitle: A gripping murder mystery thriller that will keep you turning the pages
by Clare Chase
Source: Purchased | Personal Library
Narrator: Lucy Brownhill

As the sun rises, a wealthy young woman – Samantha Seabrook – is found drowned in the ornamental fountain of a deserted Cambridge courtyard, the only clue – an antique silver chain wound tightly around her throat.

It’s Tara Thorpe’s job to discover what happened to Miss Seabrook – but the case becomes personal when she learns that Samantha had been receiving death threats… rather like the one that landed on Tara’s doorstep the night the woman died.

Together with Detective Inspector Garstin Blake, Tara tracks the killer to the dank and dangerous fens on the outskirts of the city. But there’s something Tara can’t quite admit to Blake about her past – and it could make all the difference to whether they live... or die.

Genres: Crime Fiction, Amateur Detective, Police Procedural, Thriller



Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781786814319

ASIN: B07FPNP92B

Also by this author: You Think You Know Me, Death on the River

Published by Bookouture, Hachette UK

on 1st August, 2018

Format: Audiobook | Digital

Length: 10 hours and 45 minutes (unabridged)

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The Tara Thrope Mysteries:

Published by: Bookouture (@bookouture)

an imprint of HachetteUK (@HachetteUK)

Murder on the Marshes by Clare ChaseDeath on the River by Clare Chase

Murder on the Marshes (book one)

Death on the River (book two)
celebrated its Pub Day → 17th October, 2018*

*this is a digital first release (ebook)

whilst other formats will follow including an audiobook!

Converse via: #TaraThrope, #Thriller and #Bookouture

About Clare Chase

Clare Chase

Clare writes fast-paced romantic mysteries, using London and Cambridge as settings. Her influences include JD Robb, Janet Evanovich, Mary Stewart and Sue Grafton.

Brought up in the Midlands, she went on to read English at London University, then worked in book and author promotion in venues as diverse as schools, pubs and prisons. More recently she’s exercised her creative writing muscles in the world of PR, and also worked for the University of Cambridge. Her current day job is at the Royal Society of Chemistry.

Her writing is inspired by what makes people tick, and how strong emotions can occasionally turn everyday incidents into the stuff of crime novels. It would be impossible not to mix these topics with romance and relationships; they’re central to life and drive all forms of drama.

When she’s not reading or writing, Clare enjoys drawing, cooking and trips to the Lake District. Closer to home, she loves wandering round the pubs, restaurants and galleries of Cambridge, where she lives with her husband and two teenage daughters.

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Reading this book contributed to these challenges:

  • #FraterfestRAT 2018
  • #SpooktasticReads 2018
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Posted Saturday, 27 October, 2018 by jorielov in #SaturdaysAreBookish, 21st Century, Amateur Detective, Audiobook, Blog Tour Host, Bookouture, Crime Fiction, England, Equality In Literature, Hard-Boiled Mystery, Indie Author, Investigative Reporter | Journalist, Modern Day, Psychological Suspense, Vulgarity in Literature

Audiobook Review | “Gone to Ground” (Book Six: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Friday, 7 September, 2018 by jorielov , , , , 2 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

I jumped at the chance to become a part of the sixth audiobook tour featuring the #KayHunter series by Rachel Amphlett so quickly, I had overlooked a critical piece of the blog tour: the copies for review on this tour were not going to be provided through Audible! Having an extra credit I hadn’t had the chance to use I purchased my own copy of “Gone to Ground” rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Call to Arms” and why I was itching for the next novel:

One of the things I enjoy most about Ms Amphlett’s style of detective novels is how she gives you a seemingly one dimensional plot point and expounds upon it to encompass more layers of intrigue than you would originally feel could be pinned to a situation which by all fronts, appeared to be routine or having nothing more serious than the surface details of what was noted or observed. This is what I love about the series, because even as your keeping your toes at there ready to hear something which will be need to be re-pulled forward further inside the installment – you don’t always know which details are most pertinent to remember and which ones might not be as keenly important in the end.

This installment turnt back to the situational bantering between Kay and her colleagues – where we get to be observing their work hours closely – the funny bit is how they like to work off each other – they each compliment the other quite well, but due to the long hours and the winding ways in which a case can unnerve the detectives, they have to re-group themselves somehow and humour is one of the best equalisers! When they weren’t rubbing my funny-bone, I enjoyed listening to how they worked out their theories – each of them making suggestions and following where the evidence and interviews were yielding them to head next in an attempt to resolve the case at long last!

Kay Hunter follows her instincts to pursue a case she knew in her heart was important to solve – however, she never would have suspected how close it would come to affecting her relationship with Sharpe nor of how the case itself would become insidious in regards to the callus nature of someone who could only be referred to as self-conceited past the point of reason! Adam definitely understands his wife to such a degree it’s heart-warming whereas Kay sometimes struggles with the confidence of embracing her truer nature as a cop. She seems to be seeking approval at different intervals to where her internal sense of self falters against the tides of where her job takes her in a neverending battle for personal sanity.

Amphlett keeps us grounded on the personal journey of Kay Hunter – through all facets of her life, from what she’s feeling, thinking and how she sorts through every choice she makes both personally and professionally. One kind thing for her is having a husband (Adam) who not only believes in his wife but allows her the leeway she needs to make hard choices at times where an easier route might have been his preference. He also encourages her to do things she at first might feel she wants to recoil from accepting – such as her recent temporary elevation in status. Adam has a calming sense of knowing just what to say to help Kay settle her thoughts – all of this is part of the foundation of the series I have loved watching built. As Amphlett doesn’t sacrifice Kay’s personal life for the profession – it’s a healthy way of seeing how detectives must decide how to live a well-balanced life, without allowing the job to supersede their own humanity. All of which is vocalised by the impressively brilliant narrator Alison Campbell who immerses us directly into the heart of Kay!

-quoted from my review of Call to Arms

At the time I had finished listening to Call to Arms – I almost felt I needed to take a proper break from listening to the next installment. Each story in the series becomes increasingly difficult to listen to due to the increasing Suspense Ms Amphlett knits into the background of the stories. Not to mention the crimes themselves are on the upper edge of what I can handle listening to as they are rather difficult to read on that note.

I hadn’t foreseen another blog tour this year, as I was so dearly thankful to be a part of the first five novels which went on blog tours – finding out Gone to Ground was available to listen to after Summer, felt rather fitting – as this would be the story-line which was fully removed from the anguish Kay had gone through at work and the grief she had shared with Adam. I was definitely keen on seeing where the story would continue to shift forward and how Kay would handle moving forward after such a strong sea of adversity which had sought to undo her sanity.

When I first read the premise, however, I wasn’t quite sure if I was going to be able to get into the story itself as it is a rather gruesome plotting. The only thing I was holding onto is the fact that Ms Campbell’s narration in combination with Ms Amphlett’s muse – might be the best partnership to where I could handle a story-line like this one as otherwise, had it been another series altogether I simply would have bypassed it.

I also knew, having heard the five books prior to this sixth one – Amphlett spends a lot of time developing her characters, of inserting her readers & listeners into the background of her world – giving us a proper threading of what is going on in the lives of her lead and supporting characters whilst their fully committed to solving the case at hand. It is due to this structure of how she pulls us back into the Kay Hunter series, I had a strong feeling I could get through this installment, as I knew the main focus points were not on the crimes but rather on the people who solve them.

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Audiobook Review | “Gone to Ground” (Book Six: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellGone to Ground
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Audible | Subscription
Narrator: Alison Campbell

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery.

The victim has been brutally cut to pieces, his identity unknown.

When more body parts start turning up in the Kentish countryside, Kay realises the disturbing truth – a serial killer is at large and must be stopped at all costs.

With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media.

When a third victim is found, her investigation grows even more complicated.

As she begins to expose a dark underbelly to the county town, Kay and her team are pulled into a web of jealousy and intrigue that, if left unchecked, will soon claim another life.

Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller



Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ASIN: B07F7FHYTT

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Bridge to Burn, Cradle to Grave, Turn To Dust

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Bridge to Burn, Cradle to Grave, Turn To Dust


Published by Saxon Publishing

on 8th July, 2018

Format: Audiobook | Digital

Length: 6 hours, 36 minutes (unabridged)

Published by: Saxon Publishing

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Posted Friday, 7 September, 2018 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#WyrdAndWonder Book Review | “Frozen Fairy Tales” (anthology) edited by Kate Wolford (by World Weaver Press)

Posted Wednesday, 30 May, 2018 by jorielov , , , , , , , , , , , 0 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book by: Did you ever grow curious about a new publisher who produces science fiction, fantasy, and horror genre selections in both novel length and short stories? Did you ever decide to enquire with the publisher you’ve found to see if they were open to book blogger requests to read and review their selections!? This is the situation I found myself in as I was quite mystified by the offerings of World Weaver Press! Such a delightful discovery on my behalf [in 2015] with a website full of inspiring reads across SFF!

Since I started reviewing with World Weaver Press [three years ago in August, 2015] there has been a changing of the guard behind-the-scenes where there is a new owner & publicity team. I am wicked happy to see the legacy and tradition of WWP has been carried forward by this lovely new team! I am honoured to work with them continuing to showcase World Weaver Press through reviewing their titles and hosting future guest features by their authors!

I received a complimentary copy of “Frozen Fairy Tales” direct from the publisher World Weaver Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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Why I have been excited to re-focus my readings on titles by this publisher for #WyrdAndWonder:

Immediately after receiving my first anthology from *World Weaver Press*, I knew I had found a SpecLit publisher I could happily tuck inside for ‘life’ without feeling as if I needed to seek elsewhere for the kind of fictionally fantastical stories I was hoping to find peppering through anthologies! The ways in which the editors of this publisher curate their stories within their selected anthologies are bang-on brilliant, as they not only thread together to such a degree of clarity but they honestly speak to the elemental reasons why we *love!* reading Speculative Literature!

The past few years, were especially harder hitting on my family to where my reading life suffered greatly – I had trouble re-aligning within SpecFic for the most part, as despite being one of my favourite genres of interest, I couldn’t get my head and heart to re-align within the worlds being created. Slowly but surely, I’ve re-entered these stories – finding my footing during #RRSciFiMonth within the novella Murder in the Generative Kitchen whilst finding during #WyrdAndWonder, I want to re-shift into their Fantasy releases such as this lovely anthology by an editor I haven’t yet had the pleasure of becoming introduced: Kate Wolford!

There is something appealing about the ‘frozen’ aspect of this anthological thematic – of when the world is bent inside Winter and everything has this altered state of being – Winter itself is daunting and hauntingly ripe for fantastical stories due to the nature of the Season but also, how quirkily this Season attracts Fantasy plots and creatures! It is oft the setting for stories within the genre and happily, I have found a lot of writers have a deep well of creative spirit to get us to reside within their visions!

I keep a ready eye on the anthology releases by this lovely publisher, as the previous serial anthology releases by Rhonda Parrish (mentioned below) are my *absolute favourites* by far, but they have new frontiers of interest which are equally percolating my eye of notice, such as their incredible undertaking of translating the anthology Solarpunk: Ecological and Fantastical Stories in a Sustainable World by writers hailing from Brazil and Portugal. Solarpunk itself is a sub-genre interest of my own – I have a healthy appetite for SpecLit which focuses on environmental concerns with a prime focus of renewing energy, green lifestyle practices and a way ‘forward’ rather than ‘backwards’ where we do less harm to our biosphere than we have in the past.

This is what is said on behalf of this anthology:

Imagine a sustainable world, run on clean and renewable energies that are less aggressive to the environment. Now imagine humanity under the impact of these changes. This is the premise Brazilian editor Gerson Lodi-Ribeiro proposed, and these authors took the challenge to envision hopeful futures and alternate histories. The stories in this anthology explore terrorism against green corporations, large space ships propelled by the pressure of solar radiation, the advent of photosynthetic humans, and how different society might be if we had switched to renewable energies much earlier in history. Originally published in Brazil and translated for the first time from the Portuguese by Fábio Fernandes, this anthology of optimistic science fiction features nine authors from Brazil and Portugal including Carlos Orsi, Telmo Marçal, Romeu Martins, Antonio Luiz M. Costa, Gabriel Cantareira, Daniel I. Dutra, André S. Silva, Roberta Spindler, and Gerson Lodi-Ribeiro.

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Likewise, World Weaver Press has also put together their own release: Glass and Gardens: Solarpunk Summers which has me equally excited!

If you feel equally tempted by a pro-positive approach to the ‘future’ here is what is being expressed on behalf of this riveting new anthology which could serve as a lovely companion to the Solarpunk in-translation which released prior to this title:

The seventeen stories in this volume are not boring utopias—they grapple with real issues such as the future and ethics of our food sources, the connection or disconnection between technology and nature, and the interpersonal conflicts that arise no matter how peaceful the world is. In these pages you’ll find a guerilla art installation in Milan, a murder mystery set in a weather manipulation facility, and a world where you are judged by the glow of your solar nanite implants. From an opal mine in Australia to the seed vault at Svalbard, from a wheat farm in Kansas to a crocodile ranch in Malaysia, these are stories of adaptation, ingenuity, and optimism for the future of our world and others. For readers who are tired of dystopias and apocalypses, these visions of a brighter future will be a breath of fresh air.

In a nutshell – the stories being curated by World Weaver Press literally do leave me feeling more appreciative for the positive undertones they are seeking to etch into their anthologies – as even across the board within the Rhonda Parrish anthologies, I am finding the same to be true of her curated stories! This is why during #WyrdAndWonder, I wanted to take a proper moment to highlight their efforts for continuing to seek out and publish the fantastical stories we all adore discovering whilst giving us a heady read to contemplate harder thematics and the underscored realities of our contemporary world!

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#WyrdAndWonder Book Review | “Frozen Fairy Tales” (anthology) edited by Kate Wolford (by World Weaver Press)Frozen Fairy Tales

Winter is not coming. Winter is here. As unique and beautifully formed as a snowflake, each of these fifteen stories spins a brand new tale or offers a fresh take on an old favorite like Jack Frost, The Snow Queen, or The Frog King. From a drafty castle to a blustery Japanese village, from a snow-packed road to the cozy hearth of a farmhouse, from an empty coffee house in Buffalo, New York, to a cold night outside a university library, these stories fully explore the perils and possibilities of the snow, wind, ice, and bone-chilling cold that traditional fairy tale characters seldom encounter.

In the bleak midwinter, heed the irresistible call of fairy tales. Just open these pages, snuggle down, and wait for an icy blast of fantasy to carry you away. With all new stories of love, adventure, sorrow, and triumph by Tina Anton, Amanda Bergloff, Gavin Bradley, L.A. Christensen, Steven Grimm, Christina Ruth Johnson, Rowan Lindstrom, Alison McBain, Aimee Ogden, J. Patrick Pazdziora, Lissa Marie Redmond, Anna Salonen, Lissa Sloan, Charity Tahmaseb, and David Turnbull to help you dream through the cold days and nights of this most dreaded season.

Published by World Weaver Press in association with Enchanted Conversation: A Fairy Tale Magazine.


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ISBN: 978-0692576076

on 10th November, 2015

Pages: 243

Published By: World Weaver Press (@WorldWeaver_wwp)

Available Formats: Trade Paperback, Ebook

Genre(s): Speculative | Fantasy | Folklore

Fairy Tale | Mythology | Cosy and not so Cosy Horror

Anthologies I’ve happily read by World Weaver Press:

FAE edited by Rhonda ParrishCORVIDAE anthology edited by Rhonda ParrishScarecrow Anthology edited by Rhonda Parrish

FAE (see also Review)

CORVIDAE (see also Review)

SCARECROW (see also Review)

→ (forthcoming review) Far Orbit: Apogee | Synopsis

→ Rhonda Parrish anthologies I am itching to read next: SIRENS (Synopsis) + EQUUS (Synopsis)

→ For audiobook lovers who appreciate the art of colouring as they are listening to their audiobooks, I was happily surprised to learn there is a companion *colouring!* book for this series!

About Kate Wolford

Kate Wolford is a university lecturer and anthologist living in the Midwest. Fairy tales are her specialty. Previous books include Beyond the Glass Slipper: Ten Neglected Fairy Tales to Fall in Love With and Krampusnacht: Twelve Nights of Krampus, both published by World Weaver Press. She maintains a blogazine, Enchanted Conversation: A Fairy Tale Magazine, at fairytalemagazine.com.

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Posted Wednesday, 30 May, 2018 by jorielov in #WyrdAndWonder, After the Canon, Bits & Bobbles of Jorie, Blog Tour Host, Bookish Discussions, Cosy Horror, Earthen Magic, Fairy Tale Fiction, Fantasy Fiction, Folklore, Folklore and Mythology, Futuristic Fantasy, Greek Mythology, High Fantasy, Indie Author, Inspired by Stories, Re-Told Tales, Speculative Fiction, Twitterland & Twitterverse Event, World Weaver Press

Audiobook Review | “Call to Arms” (Book Five: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Sunday, 27 May, 2018 by jorielov , , , , 2 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

I received a complimentary audiobook copy of “Call to Arms” via Audiobookworm Promotions who is working directly with the author Rachel Amphlett in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Hell to Pay” and why I was itching for the next novel:

One nod of appreciation I have for Ms Amphlett is how she builds the tension and the back-story of this series – she tempts you at first with little nuggets of interest which start to paint the fuller picture behind Kay Hunter but then, she focuses on her days at work; how she interacts with her team and how they in turn perceive her whilst never giving us too many details about the purpose behind the series until you reach the fourth installment – where all the loose threads start to pool together, forming a tapestry of insight all of their own.

I was pushed so far outside my zone of comfort for a ‘hard-boiled Thriller’, I nearly did not know what to do to make my way through this installment – except, I remembered how Ms Amphlett would only take me ‘this far’ into the gritty bits before a ‘full stop’ would occur and a re-direction would happen to where I would either be blessedly back round in the team bantering out the case from all points of perspective or we’d happily enter one of the segue sequences where a lighter part of either Kay or one of the other members of her team would give us the pause we needed to reclaim the breath we’d forgotten to release!

I fell hard for this series from day one – from Scared to Death, thereby realising I would be a goner long before the series would end. In this, I knew I might hit sequences of the stories where I’d feel emotionally taxed and gutted as Kay – feeling as if I’d lived her life as dearly omnipresent as Alison Campbell and feel blessed by the pen of Ms Amphlett for taking me on this journey with Kay Hunter – as this is a series which pushes you, challenges you and gives you a reason to find a door of empathetic compassion to feel attached to the characters, the author and the narrator in one beautiful circle.

I might need to take a short break from disappearing into Call to Arms, the fifth installment and I am aware the sixth installment is already being written. The hardest part to resolve of course is how cleverly written the darker bits are constructed – of how everything pulls together in a believable execution of where you don’t feel short-changed but rather full of shock as much as Kay. Amphlett has a true gift for this kind of story-telling and I am blessed to have been introduced to her style on this blog tour.

-quoted from my review of Hell to Pay

Emotionally I was shattered, dear hearts after finishing Hell to Pay – I had this seriously emotional reaction to the end of the audiobook – being I was listening to it at a public library notwithstanding, when I finally hit the stop button and took full stock of my bearings, I was a muddled mess of emotions – finding myself surrounded by other patrons, who either were listening to audiobooks themselves, music or playing games – as everyone either had their own set of earphones plugged in, readily engaged with their own computers or the library’s and quite a number of them had a book in hand as well! To feel the kind of immersive experience I had felt in that kind of public environment is a true credit to both the author and the narrator – as I quite literally was hugged so dearly close to #KayHunter, I did not even realise the time nor hour or anything going on at the library itself!

As I pulled away my thoughts to contemplate what I had heard and the realisations of those revelations soaking in to the full measure of what they implied, I knew I had to take a brief hiatus before retreating back inside Call to Arms. Of course, mother nature would love to enthrall me with a delayed Spring (ie. a horrid burst of pollen season after a delightfully extended Winter) where rainshowers and thunderstorms alternated themselves for more than a fortnight – proving that sometimes even when your ready to soak into a beloved audiobook series, patience is a virtue you’ve mastered in order to await what is next in line for your bookish heart!

I hadn’t sorted out the timeline of my re-entrance either – which is why I was dearly surprised and happily reunited with Kay Hunter on this fifth blog tour – technically ‘second’ as the first four novels were in a combo-tour but I always felt they were four separate tours, as they were equally focusing on each of the novels in turn rather than in a mix-match of the stories out of sequence wherein happily all the bloggers taking part focused on the series in order of sequence rather than referencing them out of turn. It is quite lovely how the Audiobookworm organises her audiobook tours, in other words – especially for those of us keen on serial fiction!

With the time decided for me, I only had to set my heart and mind to re-enter into Kay Hunter’s shoes – something I almost fought at first, as so much was still hanging in the wind for our dear heroine – the one thing I did hope for her though, is a proper turning of tides – she puts her heart and soul into her job, loves her husband with a fierce protective passion and deserves a bit of goodwill coming her way to where her adversities could surely take a hiatus of their own!

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Audiobook Review | “Call to Arms” (Book Five: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellCall to Arms
Subtitle: A Detective Kay Hunter novel

Loyalty has a price.

Kay Hunter has survived a vicious attack at the hands of one of the country’s most evil serial killers.

Returning to work after an enforced absence to recover, she discovers she wasn’t the only victim of that investigation.

DI Devon Sharp remains suspended from duties, and the team is in turmoil.

Determined to prove herself once more and clear his name, Kay undertakes to solve a cold case that links Sharp to his accuser.

But, as she gets closer to the truth, she realises her enquiries could do more harm than good.

Torn between protecting her mentor and finding out the truth, the consequences of Kay’s enquiries will reach far beyond her new role…

Call to Arms is a gripping murder mystery, and the fifth in the Detective Kay Hunter series:

1. SCARED TO DEATH
2. WILL TO LIVE
3. ONE TO WATCH
4. HELL TO PAY
5. CALL TO ARMS

A page-turning murder mystery for fans of Peter Robinson, David Baldacci and Harlen Coben.


Places to find the book:

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ASIN: B07B75S6TJ

on 5th March, 2018

Length: 6 hours, 28 minutes (unabridged)

Published by: Saxon Publishing

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Posted Sunday, 27 May, 2018 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

Audiobook Review | “Hell to Pay” (Book Four: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell As this is the fourth and final Kay Hunter audio I have, there is an ache in my heart for having to leave on such a wrenching note as this but have a resolve of hope for what shall meet me in ‘Call to Arms’,…

Posted Thursday, 19 April, 2018 by jorielov , , , , 0 Comments

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

I received a complimentary audiobook copy of “Hell to Pay” via Audiobookworm Promotions who is working directly with the author Rachel Amphlett in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Fun Stuff for Your Blog via pureimaginationblog.com

What held me in the throes of “One to Watch” and why I was itching for the next novel:

I enjoyed watching Barnes and Kay sleuth together – they have a working partnership which aides them well on the job. Their bantering keeps the grim bits of their jobs at bay but it’s quite telling how comfortable they are with each other by how they work together to not just interview people interlinked to their investigations but how they brainstorm what they learn could lead their team towards understanding what went wrong in regards to the person who died. They each yield to each others’ strengths and make their hours go by easier for the understanding they share together. Their scenes have become some of my favourites, which worries me in some regards – as true to the nature of these kinds of stories, once you start to favour certain characters – their either the ones who are placed in danger or the ones who can become the ones you never should have trusted to begin with – ergo, I cautioned myself not to let anyone go overlooked as Kay continues to sort out who is conspiring against her; even Barnes!

There is so much anger percolating round the edges of One to Watch – where the parents are voicing their concerns with the kind of angered responses you’d expect them to have due to the circumstances but what was a bit muddling for Kay and her team to sort out who was involved and why this particular party was clouded over by a darkness of murder.

Larch isn’t my favourite character by half – not just because of his insistence of making Kay’s life harder through her continued persecution but because of his mannerisms and personality. He isn’t a team player, he likes to micromanage his team and you never feel he has trust in anyone under him. It leads to an uneasy tension between the detectives but also, for Kay to find her way forward when she’s constantly feeling she’s under the knife of his suspicious mind.

We gain more leverage into understanding Kay and Adam’s close relationship in their marriage by seeing his kindness for fixing the grave of their child. As this is a death they hadn’t prepared for happening and it was one which was somberly difficult to transition past, especially with the hangover effect of what Kay is facing at the precinct. Even after they decide to donate the clothes, you can feel the weight of their loss still being present in everything they do. They are allowing themselves the time to negotiate their grief, but as life rarely allows us to ‘take time off’ from everything else – it is in the background and foreground of all their hours.

The interesting bit for me was watching how this story developed mostly out of the investigation bits – of having to follow alongside the detectives as they did the grunt work, tried out leads which might have made sense in the moment of discovery but perhaps did not quite align in the end with the narrative of the crime. It is here, we start to see how Amphlett is building her world around Kay Hunter but also, of how due to her personal research, how she is opening up the components of being a detective like Kay Hunter is regulated through the proper order of how to investigate and what goes into following through with an investigation hinged to trace and forensic evidence.

She also only reveals ‘so much’ in regards to the furthering compounding conspiracy behind who is trying to destroy Kay Hunter – you aren’t sure what their motives are except that nothing is off the table for what they are willing to do in order to seek out new ways in which to give her a headache of adversity.

As you pull into this part of the series, you have to remain patient as it’s an overlay of the whole series – meaning, each installment draws both Kay Hunter and the reader one step closer to understanding the back-story of what is happening, but it’s the who, why and how which is being left open until what I presume is the conclusion of the series. I was slightly hoping it wouldn’t conclude the series – but perhaps offer a new arc of suspense to follow in it’s wake, or a redirection of purpose for all the characters involved. Similar to what they did after Rizzoli and Isles resolved their individual narrative arcs within Rizzoli & Isles.

Either way – these audiobooks narrated by Alison Campbell, truly are a reflection of the author’s agility in creating a believable world in which Kay Hunter is walking a tightrope between her civic duty as a detective and the vows she is committed to upholding to Adam. Somehow, I have a feeling she is going to have to make a choice between the two – the job or her husband, before someone else makes a choice she isn’t willing to make on her own. In this, Amphlett holds your attention to see how everything will come back round to centre, including how the supporting cast will either shock us or keep the traction we’re all presuming to be the course they are set to walk.

-quoted from my review of One to Watch

By the end of ‘One to Watch’, I was quite certain I was going to be moving into the harder bits of the character arc surrounding Kay Hunter. Everything was leading into this sequence of pulling back the layers of the conspiracy against her – whilst anchouring us directly into her working relationships with her team. It was there, I realised – depending upon how ‘Hell to Pay’ played out – I was either going to find myself treading water or finding myself able to swim.

There are portions of this series which are dearly beloved – especially in regards to adaptation on behalf of the work by Alison Campbell. Combined with the taut and authentic writing styling by Ms Amphlett – this series hugs close to it’s roots in a police procedural drama where an investigative team becomes an endearing part of your life during the hours in which you are following alongside their investigations. Yet, there are moments where you feel if you are quite prepared to go through all of their cases – as the darker shades of humanity are aptly explored, revealled and tackled from multiple points of view.

The key difference from the first novels in the series and the latter two I’ve been listening to is the absence of switching perspectives in tandem between Kay and her current ‘unknown’ villain. The focus is honed more into her team and the ways in which the team finds their rhythm with working with each other on the cases which make them feel restless in their off hours. These are the kinds of cases that are hard to shift out of one’s conscience and the hardest to resolve, even if you’re able to close the case.

I was hoping the bits of what I loved about the series would swing back into the central thread of the upcoming stories – where though terrifying gutting her job is there is a hopefulness about it as well – of how she is choosing to serve the dead and honour the lives lost. I was hopeful on the back half of the series – perhaps, even after the main obstacle is overturned (in regards to who is forcing Kay to remain on high alert) Kay can either make peace with the job itself or find a new path to pursue adjacent to being a detective. Perhaps a new beginning for her and Adam but still able to give her life in dedication in helping others overcome the worst bits of their lives?

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Audiobook Review | “Hell to Pay” (Book Four: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell As this is the fourth and final Kay Hunter audio I have, there is an ache in my heart for having to leave on such a wrenching note as this but have a resolve of hope for what shall meet me in ‘Call to Arms’,…Hell to Pay

When a road traffic accident on a dark autumn night uncovers a disturbing conspiracy, Detective Sergeant Kay Hunter's investigation exposes a ruthless serial killer exploiting vulnerable young women.

With her enemies unmasked and her career spiraling out of control, Kay's determination to seek vengeance for the victims brings her dangerously close to those who want to silence her.

Undeterred, she uncovers the real reason behind a plot to destroy her career and sets in motion a terrifying chain of events.


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

Find on Book Browse

ASIN: B079HQNK1Y

on 1st January, 2018

Length: 7 hours, 14 minutes (unabridged)

Published by: Saxon Publishing

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four
Call to Arms | Book Five | Synopsis

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

Fun Stuff for Your Blog via pureimaginationblog.com

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Posted Thursday, 19 April, 2018 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host, Book Review (non-blog tour), British Literature, Crime Fiction, Death, Sorrow, and Loss, Debut Author, Debut Novel, Detective Fiction, England, Flashbacks & Recollective Memories, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Mental Illness, Modern Day, Mother-Son Relationships, Post-911 (11th September 2001), Psychological Suspense, PTSD, Realistic Fiction, Sociological Behavior, Trauma | Abuse & Recovery, True Crime