Category: Hard-Boiled Mystery

Audiobook Series Spotlight and Mini-Review | “Cradle to Grave” (Book Eight: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 6 November, 2019 by jorielov , , , , 0 Comments

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Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground”, “Bridge to Burn” and “Cradle to Grave” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. Eventually as I want to have a full set of all the Kay Hunter installments – I will be purchasing the ones I am missing from Audible to house them all in one place unless I find them available on mp3 CD – until then, I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Cradle to Grave” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Bridge to Burn” and why I was itching for the next novel:

As soon as Kay walked onto the crime scene, I felt like it was old home week again – being treated to seeing another view of her life and to catch-up with the friends I’ve found along the way of peering into her world. In classic Kay Hunter fashion, she quite assessed what was happening with the investigation – whilst her team was close at hand, doing their bit and at the ready to give her the details of what they’d come to understand in the initial analysis of the scene. There were a few changes in their designations – as Kay herself was recently promoted but it was the announcement that Barnes had followed her suit of promoting himself which was quite the lovely news. I still remember how anguished he was over making that choice and why he was hesitating to do it. Seems like between then and now, he’s resolved that this would not only be a good choice for himself but it would allow the close cohesiveness of the team to remain intact. On that level, I was relieved as sometimes if you upset the apple cart, you simply can’t re-establish what you’ve lost.

Harriet never fails to make me smile – then again, I have a soft spot for Medical Examiners and Crime Scene Investigators as that is what originally drew me into NCIS (x3) outside of the fact I simply find Mark Harmon charmingly engaging! She has such a keen sense of self about her and she knows how to keep the scene at hand serious but with a calming bit of levity as well – something I love to see as their lives are stressful enough without having to find some way of alleviating the difficult things they’re having to witness.

Amphlett never fails to knit her continuity tightly anchoured to the previous installments – it is one of the wicked best reasons why I love listening to to this series, as she honestly never lets you forget the moments in her characters’ lives which are intimately important to remember. Herein, when she was having Kay reminisce about her miscarriage you felt immediately drawn back to the installments which discussed this and how it was such an upheaval for Kay and Adam. Of how they drew closer together, how they tried not to let their family try their patience and how putting the pieces together to move forward was one small step at a time. Still, like any tragic loss – her grief lingers, even years on as there are small reminders everywhere about how others can enjoy the blessings of motherhood whilst she cannot. It was a simple inclusion right in the midst of the workday but it was important because it owned the truth of who Kay Hunter is and of how intricately connected this series becomes to her sense of self, her psychological state of mind and how she emotionally processes her job.

It wasn’t until lateron when Adam was brought into scene where we pulled back the layers of Kay’s healing and recovery (as it wasn’t simply a miscarriage which affected her heart, soul and mind) – where we peer into how hard it has been for her to continue to transition beyond what afflicted their lives. They were both emotionally distraught not just to the loss of a child but due to everything during that period of time which not only frayed their nerves but nearly overtook their ability to survive. Adam and Kay have a very strong marriage but even a strong marriage can have a breaking point – Amphlett has never shied away from honing in on the honesty of their marriage and for showing the realistic ways in which a couple comes back from the loss of their child.

If this is the first installment someone wanted to listen to they would be dearly impressed because it held within it a recapture of all the key moments and timeline of the series thus far along. They would find out within one installment why I’ve become so dearly attached to this cast and the drama behind their lives inasmuch as how much they support one another like all families do who work together. I am fond of the ‘family’ knitted together like this – where its a found family story and it speaks to why all the crime dramas I watch on television are of the same kinship of closeness.

What I loved about this installment were the interactions between Kay, Barnes, Sharpe, Gaven and the rest of the team – they keep drawing closer together, re-forming the bonds they share as a ‘found family’ and prove that despite the high risks associated with their job, they truly care about one another. There are lovely details towards exploring this bond they have – such as the pizza party, the breakfast food runs and the ways in which they look out for Kay, understanding her emotional traumas and how as a family unit they never leave anyone behind.

Bridge to Burn also focused more intuitively on Kay’s Mum, Dad and sister – there was a family emergency which took Adam and Kay outside their routines over a weekend to where they had to travel over six hours to reach the family. During this sequence, Amphlett re-highlights the strain Kay has with her mother, the closeness she shares with her sister and how her father gives her unconditional support. A lot of what was fracturing the relationship with Kay and her mother are explored more in-depth as well – a lot of which surprised me, as I never thought Kay’s Mum would be open to meditation but you find out why she came to that new stage of reconciliation as something pushed her towards that goal with Kay. They’re not entirely on solid footing – as they have a chasm as wide as the Grand Canyon between them but ooh! You don’t want to miss their exchanges of dialogue — listening to how Ms Campbell approached their scenes nearly makes you want to reach for the tissues!

-quoted from my review of Bridge to Burn

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Audiobook Series Spotlight and Mini-Review | “Cradle to Grave” (Book Eight: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellCradle to Grave
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a faceless body is found floating in the river on a summer's morning, Detective Kay Hunter and her team are tasked with finding out the man's identity and where he came from.

The investigation takes a sinister turn when an abandoned boat is found, covered in blood stains and containing a child's belongings. Under mounting pressure from a distraught family and an unforgiving media, the police are in a race against time - but they have no leads and no motive for the events that have taken place.

Will Kay be able to find a ruthless killer and a missing child before it's too late?

Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Places to find the book:

Add to LibraryThing

ISBN: 9781916098817

ASIN: B07YZ63BBV

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground, Bridge to Burn, Turn To Dust

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground, Bridge to Burn, Turn To Dust


Published by Saxon Publishing

on 15th October, 2019

Format: Audiobook | Digital

Length: 7 hours, 56 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven (see also Review)
Cradle to Grave | Book Eight

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Reading this book contributed to these challenges:

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Posted Wednesday, 6 November, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host, Book Review (non-blog tour), British Literature, Crime Fiction, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#SpooktasticReads Audiobook Review | “Death on the River” (Book Two: Tara Thorpe Mysteries) by Clare Chase, narrated by Lucy Brownhill [an audiobook I began listening to during #FraterfestRAT 2019]

Posted Wednesday, 23 October, 2019 by jorielov , , , , , 1 Comment

#SpooktasticReads Book Review badge created by Jorie in Canva.

Acquired Audiobook By: In the months since August 2018, I decided to switch memberships to Scribd due to the reduction in cost for a subscription based service for audiobooks – however, I still have an active account on Audible and still use it to listen to audiobooks – either those I’ve purchased (past/ present), the complimentary ones I receive for review and/or the ones I’m either gifted or have won in giveaways. I took a brief hiatus in my subscription services for Scribd – especially from June-October 2019; resuming the service on 24th October during the #SpooktasticReads readathon.

I previously placed a pre-order for the first audiobook in this series “Murder on the Marshes” whilst I submitted a purchase request (for the print edition) at my local library for the third novel “Death Comes to Call”; which they accepted and the book is being added to their card catalogue this Autumn 2019.

I received a complimentary audiobook copy of “Death on the River” direct from the publisher Bookouture in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

It should be noted: I did host an interview with the author, Clare Chase and she provided the Press Materials for this series to use on both the interview and on my review if I elected to share one. She was a guest via my chat on Twitter showcasing Romance & Women’s Fiction (inclusive of all sub-genres) @SatBookChat on the 27th of October, 2018 to discuss this series and her character Tara Thorpe.

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Why I was thankful to begin “Death on the River” during #FraterfestRAT 2019 and how it has become a tradition of mine to read a Claire Chase Thriller:

Unfortunately, due to my health afflictions throughout [2018] and the increased frequencies of my chronic migraines – I had a lot of trouble shifting back into reading and/or listening to the audiobooks I had planned to focus on for review considerations. This is one of the audiobooks I had to push forward until I could give it my full attention. Due to the distance from acquiring it and when I could honestly listen to it – the series has evolved rather quickly! As I noticed each of the individual installments of this series released quite frequently back-to-back without too much delay between them.

Since my review of “Murder on the Marshes” this series has grown and has become a complete set of four stories which are the following: Murder on the Marshes, Death on the River, Death Comes to Call and Murder in the Fens.

One observation did sadden me – I cannot find the release dates for the next two audiobooks as the previous two installments were released shortly after the ebook and paperbacks. I was hoping Ms Brownhill was commissioned to narrate the third and fourth novels given how attached I’ve become in hearing her embrace the characters – giving us a wholly organic evolution of their essences and placing us directly in an emotionally complex series which you honestly don’t want to beg off for sleep! I’ll simply have to remain hopeful further announcements will eventually be made if and when the series resumes to be released into audio.

The reason I was wicked thrilled for a bit of a nudge during #FraterfestRAT 2019 – which has apparently become my ‘tradition’ to read a Clare Chase Thriller during the readathon – now two years strong here on Jorie Loves A Story – is I needed a segue back into reading Thrillers! I have struggled with my focus as foresaid and this readathon gave me the best [block] of time to just re-settle my heart into the stories themselves. I happily populated a *thread of tweets on Twitter and had the most joy in re-discovering where I would be picking up the story-line next to #TaraThorpe!

This is why readathons are a reader’s delight – they allow us the chance to rediscover why we love reading and they tend to take the pressure off the guilt whenever we cannot attach into the series we desire to be reading straight-away!

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Why I am enjoying engaging with Tara Thorpe & her series:

When you first start to listen to Murder on the Marshes, you don’t have too much time to consider what is being disclosed to you – the somberness is there, along with the tension of discovery – but to better understand the scene and what is happening – those moments are placed on hold. You are only giving a short glimpse of what is there – a flickering of an image if this were a film reel before it fades out and the impression of that moment, of that incomplete scene lingers as you enter the next chapter. This was a unique POV to be placed inside right before moving straight into present day – I love a good flashback sequence like the next person but this one felt honestly unique by how Chase gave only “just enough” to keep us curious before moving forward with a keenly taut & tight delivery of current events in Tara and Blake’s timelines.

As we shifted into present day, we arrive inside Tara Thrope’s life where the nightmares of her past are never far outside the shadows lingering outside her residence. Though those shadows were more ominous now – as someone could very well be lying in wait to return and to cause her duress. It was this uncertainty – of sensing something she couldn’t chase down herself which pinned her on edge and gave her the unease of realising she was as vulnerable now as she had been previously; she could not control all situations nor of someone who felt they could harass her into a panic. Part of this was due to how she arrived home but the other half of it stemmed from receiving a parcel in the post – a parcel which held such a curiously normal object but which was sent with malice and not a kindness of heart.

I thoroughly enjoyed observing DI Blake on scene – where Professor Seabrook is first discovered and where his investigation begins – ahead of meeting Tara where he is pulled into investigating how what happened to Tara might or might not interconnect with the Seabrook case. During this scene, there was a lovely piece of juxtaposition where Art History and crime investigation merged into a beautiful symmetry of insight – as Blake started to talk about Millais’s Ophelia. This was also a small gesture of introducing us into the reserved and private DI Blake – a bloke who did not readily disclose bits about himself unless he was in company he trusted.

It was around this time I had already noticed another series was being hinted at in the back of my mind: as the case itself was being discussed, it brought back memories of Scott and Bailey: Season One as this involved a roundtable approach to discussing the details and potential leads. I love Police Procedurals for this one reason – you get to tuck close to different opinions, different attitudes and personalities and different approaches in sleuthing out the truth. Everyone has to work together and everyone has a different role to place in the pursuit of justice. I think this is why I read a lot of mysteries and why I enjoy watching them as well – the percolation of personalities against the background of working together to solve a case.

When it comes to secondary characters and characters of whom I would love to see more often in future installments would be the pathologist Agneta Lawson. The reason Chase’s pathologist held my eye is because she had a unique POV on Blake whilst she was aces at her job; the added benefit truly being the narrator brought her to life, gave her a unique voicing which allowed me to consider her position and her character a bit more than if she hadn’t been presented in this unique way to a reader. This is one reason I love listening to audiobooks as you sometimes find yourself able to discern certain aspects of stories which might be lost or left unseen if your reading a story in print. And, vice versa of course! I also have a personal interest in pathologists as evidenced by the fact I love Abby from NCIS who makes a brill job at highlighting how hard their jobs really are outside of the work of Duckie (from the same series) equally brings forward.

Despite all the advancements Tara and Blake had made towards being a unified front, Tara was a civilian and Blake was having more trouble separating them as a ‘duo’ and respecting the fact she was on the outside. It was becoming especially difficult if you factored in his own personal strife and adversities affecting his mind and heart whilst he was working – as no matter how tough one appears to become for a high risk job where lives were on the line, being human was the one element which left everything subjective and challenging. Blake couldn’t resolve his personal life fast enough in order to have a less stressed professional life. You felt for Blake and you understood why Tara was approaching Blake the way she had been – as this is where it all felt a bit murky where two people who might never have meet were suddenly entwined due to circumstances.

Chase had a segue of interest outside of the main threads of interests wherein we tuck into the personal life of Tara Thrope – where we get to become better acquainted with her mother, an actress and of how Tara’s relationship with her Mum is sometimes a bit rockier than most daughters would prefer. Still, her family might have their quirks and their troubles but they were still approachable which I enjoyed seeing as it meant that they still cared about each other and were still an important part of Tara’s life. I felt from the very beginning her personal life with her family might be strained or close to it due to what originally occurred – referencing here how Kemp entered her life and why. Yet, the curious bit is how her Mum helped her pin down quite a few clues she couldn’t have sorted without her help. I had to smile there – as despite everything, Tara’s Mum held answers she couldn’t have found elsewhere!

One observation I was making was how this is like one giant chess board – where the players you’re not expecting to be the most evasive are in Academia & the ones who surprise you are outside of it; everyone moving towards each other & then away – great drama that! I would imagine it is hard to juggle the backstory against the current day cases whilst giving each equal measure of importance; plus having the believability of solid continuity about the setting (Cambridge) and the protocols associated with both police work and journalism. Nothing was sacrificed to convince you of the other things taking place – uniting you in a lovely puzzle of a crime drama where even the pieces you might feel you should overlook could prove to be the one piece you need to pull the whole picture together!

-quoted from my review of Murder on the Marshes

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A notation about Bookouture & Hachette Books:

In [2016] I created a series of interviews featuring #Bookouture authors: Teresa Driscoll (feat. ‘Last Kiss Goodnight’); Natalie Meg Evans (feat. ‘A Gown of Thorns’); Renita D’ Silva (feat. ‘A Mother’ Secret’); Debbie Rix (feat. ‘Daughters of the Silk Road’); Kerry Fisher (feat. ‘After the Lie’); Helen Pollard (feat. ‘The Little French Guesthouse’) and Tom Bale (feat. ‘See How They Run’). I’ve been striving to collect all of these stories for my personal library whilst intending to share my ruminative thoughts – as I personally love to showcase a guest feature ahead of reading the stories which intrigue my bookish heart! Of this list, as of Thanksgiving 2017 – I have happily acquired the audiobook version of ‘The Little French Guesthouse’ which is a next listen of mine this year! I have more to share about how I acquired this audiobook when I share my ruminations!

Whilst for the past few years I’ve been a book blogger reading INSPY (faith-based) and Motivational stories (of fiction and Non-Fiction) from Hachette Books (USA) imprints: FaithWords and Center Street. At the time of coordinating this interview with Ms Chase, I had missed the fact ‘Bookouture’ was acquired by Hachette UK. This marks my first guest feature and showcased story for Hachette UK : Bookouture! (see also the announcement of the acquisition)

Meanwhile, as per my announcement recently featured on The Sunday Post, No. 6 – I purchased a copy of the digital audiobook version of ‘Murder on the Marshes’ which I am looking forward to listening too. My ruminations are forthcoming on behalf of this first installment of the Tara Thrope series as being this is my own purchase I am not obliged to post my reflections on this novel, I am choosing to showcase my reactions as Ms Chase is an author I personally love reading! (see also my review of ‘You Think You Know Me’)

Previously, you will remember, I crossed paths with Ms Chase through my readings of ChocLitUK (of which I am a reviewer) whilst I have had the pleasure of getting to know her personally through my chat @SatBookChat (previously known as @ChocLitSaturday).

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On my connection to Clare Chase: When I started a chat in [2014] my path crossed with Ms Chase as she was a regular chatter of what is now known as @SatBookChat. Ms Chase and I started to notice our reading habits were aligning with each other, and her conversations were happy editions to my week as I liked finding someone else who liked the same types of stories I was gravitating towards myself. We continued to ‘chat’ about our reading habits even outside of #ChocLitSaturday (the previous name of the chat), which was a blessed joy for me.

I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Ms Chase through our respective love & passion of reading inside the twitterverse whilst I host #SatBookChat and privately as well. I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time or continuing to read their releases as they are available. This also applies to hosting a guest feature by the author I share a connection.

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#SpooktasticReads Audiobook Review | “Death on the River” (Book Two: Tara Thorpe Mysteries) by Clare Chase, narrated by Lucy Brownhill [an audiobook I began listening to during #FraterfestRAT 2019]Death on the River
Subtitle: A gripping and unputdownable English Murder Mystery
by Clare Chase
Source: Direct from Publisher
Narrator: Lucy Brownhill

Meet Tara Thorpe – she’s Cambridge Police’s newest recruit… but her dark past is never far behind her.

When a body is pulled from the dank and dangerous fens on the outskirts of town, everybody assumes it was a tragic accident. But Detective Tara Thorpe, newly joined and determined to prove herself, suspects there’s more to the story.

Tara is desperate to investigate further, but her supervisor Patrick Wilkins has other ideas. He would rather die than let this ambitious upstart show him up – even if it means some digging in Tara’s secret past to keep her under his thumb. After all, it’s not like he can report her – everyone knows that his boss Detective Garstin Blake and Tara have a history…

When another body is found, it becomes clear that there’s a killer on the loose. Could the murders be linked to the secrets that Tara has been keeping from her team… and can she solve the case before another innocent dies?

Genres: Amateur Detective, Crime Fiction, Police Procedural, Thriller


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781786817402

ASIN: B07JFT6DSG

Also by this author: You Think You Know Me

Also in this series: Murder on the Marshes


Published by Bookouture, Hachette UK

on 22nd October, 2018

Format: Audiobook | Digital

Length: 10 hours and 3 minutes (unabridged)

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The Tara Thrope Mysteries:

Published by: Bookouture (@bookouture)

an imprint of HachetteUK (@HachetteUK)

Murder on the Marshes by Clare ChaseDeath on the River by Clare ChaseDeath Comes to Call by Clare ChaseMurder on the Fens by Clare Chase

Murder on the Marshes (book one) | (see also Review)

Death on the River (book two)

Death Comes to Call (book three) ← local library purchased!

Murder on the Fens (book four)

More insights & ruminations forthcoming on this series to Jorie Loves A Story!

Converse via: #TaraThorpe, #Thriller and #Bookouture

About Ms Clare Chase

Clare Chase

Clare Chase writes mysteries set in her home city of Cambridge and is fascinated by the location’s contrasts and contradictions. She’s worked in diverse settings – from the 800-year-old University to one of the local prisons – and lived everywhere from the house of a Lord to a slug-infested flat. The terrace she now occupies presents a good happy medium.

As well as writing, Clare loves family time, art and architecture, cooking, and of course, reading other people’s books. She lives with her husband and teenage children, and currently works at the Royal Society of Chemistry.

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Reading this book contributed to these challenges:

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Posted Wednesday, 23 October, 2019 by jorielov in 21st Century, Amateur Detective, Audiobook, Blog Tour Host, Bookouture, Crime Fiction, England, Hard-Boiled Mystery, Indie Author, Investigative Reporter | Journalist, Modern Day, Psychological Suspense, Vulgarity in Literature

Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison Campbell

Posted Wednesday, 20 February, 2019 by jorielov , , , , 1 Comment

Audiobook Review Badge made by Jorie in Canva.

Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.

Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground” and “Bridge to Burn” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. However, this time round as I switched my subscription from Audible to Scribd, I did not yet have the chance to purchase my copy of “Bridge to Burn” – which I shall be doing eventually as I want to have a full set of all the Kay Hunter installments – I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!

Thereby my copy of “Bridge to Burn” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.

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What held me in the throes of “Gone to Ground” and why I was itching for the next novel:

Kay’s team has a few growing pains coming to it as with Kay’s recent promotion, the rest of the team remains a bit lopsided. Her first pick to gain a promotion soon after her was Barnes; unfortunately for Kay, Barnes was comfortable in the role he was already employed. She had to respect his choice even if it confused her why he wouldn’t want to rise in the ranks. Barnes was her right hand man on the team, a person she could trust without blinking and know he would have her back.

You can observe her own growth as a person finding traction in front of cameras whereas only a year prior being the lead spokesperson for the unit would have put her in a bit of a tailspin of anxiety. Now, she is shining as a voice for the police and hoped the words she spoke would encourage new leads to come forward after the report went out on the newscast. The case itself was perplexing – they had a clue towards what the crime involved but without ‘more evidence’ they could only speculate which was the one thing they didn’t want anyone to do. It would only lead to heartache for everyone involved.

I was definitely curious about how Larch decided to take early retirement and moved off into the Midlands as a result. This left an open space in the team and unit Kay was now overseeing alongside with the guidance of Sharpe. With Sharper in the overseeing role for the team, you start to see how the new dynamics are forming and keeping each of the team members a tightly knit team who know they can rely on each other. What was lovely though is how Kay is open to having her fellow detectives (including the junior ones) have equal respect in the bull room so to speak – to speak their theories and to explore (as a team) what they feel might be motive and opportunity. Even if they fall a bit short of a solid lead, it helps build their foundation as a team who everyone feels comfortable being an active part of growing into a well-oiled machine of efficiency.

At the morgue we get a keen insight into the gloom and the heart-wrenching cases the ME has to sort through when the caseload becomes unbearingly brutal with cases which are harder to reconcile than usual. I think any case that goes through the morgue which deals with children and youth, has to be the cases they struggle with the most to ‘let go’ once they’ve done all they can to determine the cause of death. Medical examiners don’t get a enough credit for how strong of mind and heart they have to be to constantly do their job and remain emotionally disconnected.

One of my favourite revelations was not even related to the case, it was about Adam’s inheritance, how horses played a keen role in his award and how the friendship he had with an older lady who wanted a guardian for her horses was the key to how Adam and Kay lived rather comfortably.

Outside of focusing on Kay and Adam at home and out about in their community, there were loads of cheeky humour sequences and workplace camaraderie which I love so much in this series! It helps re-affirm who these people are and how they interact with each other. When you listening to different installments of the series and a bit of time goes by – seeing how they react to each other is another way of re-aligning you right back into the dialogue from whence you had left off in the last installment.

Seeing Kay develop her confidence in her new position is a joy – each day she’s on the job, the more she becomes a confident leader. The irony of course, their current case involves team building exercises where their potential victim was spending time – the random joy for Kay is finding that her unit works well without the benefit of an official ‘time away’ from the office to come together as a united front.

When it is known what the title refers to ‘gone to ground’ – everything seemed to make better sense about the structure of this particular case. The key focus on the team and how they interact with each other has become the new standard of the series – as originally, when the series first began we would shift between the detectives and the one(s) they were pursuing – giving us a dual perspective from two different sides of every investigation.

In this particular instance – it proves how frustrating detectives become when they don’t have enough to guide them forward. I was hoping this particular case might have a decidedly brilliant wench in the wheel of the investigation and I must admit, Amphlett definitely gave us one!! It has to do with who you think is the person of interest and who the truer culprit turnt out to be – the curious bit here is how Amphlett constantly brings the sociological side of sleuthing into her stories. She focuses on the psychological and the sociological – of easing you through the hardest bits by re-focusing on the reasons ‘why’ certain behaviours are being explored and why some characters have more guilt within them than others. Sometimes your not even sure where a confession is going to lead you or if the confession your hearing is the right one for the case at hand.

I must admit, the crime(s) involved in this installment are really difficult to get through – although, I do credit Ms Amphlett for not making it worse than it was – she definitely pulls back when I have witnessed other authors who don’t have as much self-control as she does. This is a credit to her for giving us a chillingly suspenseful read but without ensuring we’ll have nightmares afterwards! You want to feel the suspense – similar to watching your favourite Hitchcock film but without feeling as if you can’t properly recover afterwards! Hitchcock and Amphlett both found the sweet spot in Suspense where they can give you chills but allow you the grace to know you can handle where the stories will lead.

-quoted from my review of Gone to Ground

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I can’t believe I’ve been outside this world since last [September]!

After finishing Gone to Ground, I was truly thankful there was a bit of a ‘gap’ between books six and seven as I felt I needed to put some distance between myself and Kay Hunter. This is a series I truly felt captivated to listen to throughout [2018] however, it is a very emotionally jarring series – you don’t realise how attached your going to become to the series until your in the throes of it and by then, your heart is gone. You are so intricately immersed inside this authentically writ world by Ms Amphlett and the heart-pulsing high octane paced narration styling of Ms Campbell – you simply can’t disconnect your ears from listening to the series once you’ve become smitten with the world, the characters and journey Kay Hunter is taking both personally and professionally.

This is why I was thankful the blog tour was in early [2019] as it gave me the distance and the breathier I need from the last installment before I entered the seventh story. I knew a few stories back this series was making a twist of a turn for being a bit more hard-boiled than most Thrillers and Suspense novels I’m reading but at the heart of the series is Kay, her team and the life she shares with Adam. I wrestled with feeling if I could continue to listen to the series and go forward with her on this journey or if I might one day need to back-out as the growing series was expounding on the grim sides of her job whilst it was also tucking us closer into her private world.

There are so many lovely layers of this series, in the end, I opted to ‘stay invested’ in the series and I credit that first and foremost to the author Ms Amphlett for how dedicated she is not to :push: the line too far afield to where I can’t get through the novels and to Ms Campbell for her passionate portrayal of Kay and how she intuitively hugs us back inside Kay’s world. The two of them together is why this increasingly dramatic crime series is dearly beloved by me – it might be on the upper tier of what I can consider reading and/or listening too – but I love the continuity, the layered insight into the life of these characters and the fact that I can trust the author for giving me an edgy read without making me feel as if I couldn’t survive it afterwards.

This is why I was wicked excited about finding the latest audiobook via Scribd as it was coordinated in such a way (ie. released to subscribers) to where I could join the blog tour – continue sharing my ruminations alongside my fellow enthused audiobook readers in the book blogosphere and tuck closer to Kay to see where we are on her personal journey whilst finding myself enchanted once more by Ms Campbell’s approach at giving me a new visitation with the whole cast of characters within the Kay Hunter series! This is definitely one that grabs you rather immediately and before you realise you’ve become addicted to hearing the stories, your already progressing through your seventh volume!

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Audiobook Review | “Bridge to Burn” (Book Seven: the Kay Hunter Detective series) by Rachel Amphlett, narrated by Alison CampbellBridge to Burn
Subtitle: A Detective Kay Hunter novel
by Rachel Amphlett
Source: Scribd | Subscription
Narrator: Alison Campbell

When a mummified body is found in a renovated building, the gruesome discovery leads Detective Kay Hunter and her team into a complex murder investigation.

The subsequent police inquiry exposes corruption, lies and organised crime within the tight-knit community – and Kay’s determination to seek justice for the young murder victim could ruin the reputations of men who will do anything to protect their business interests.

But as Kay closes in on the killer, tragedy strikes closer to home in an event that will send a shockwave through her personal life and make her question everything she values.

Can Kay keep her private and professional life under control while she tries to unravel one of the strangest murder cases of her career?

Genres: Crime Fiction, Hard-Boiled Mystery, Police Procedural, Thriller


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 978-1-9993683-3-3

Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground, Cradle to Grave, Turn To Dust

Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground, Cradle to Grave, Turn To Dust


Published by Saxon Publishing

on 13th January, 2019

Format: Audiobook | Digital

Length: 6 hours, 39 minutes (unabridged)

Published by: Saxon Publishing

Audiobooks by: Audiobook Factory (@audiofactoryuk)

Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven

About Rachel Amphlett

Rachel Amphlettt

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

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Reading this book contributed to these challenges:

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Posted Wednesday, 20 February, 2019 by jorielov in #JorieLovesIndies, 21st Century, Audiobook, Audiobookworm Promotions, Bits & Bobbles of Jorie, Blog Tour Host, Book Review (non-blog tour), British Literature, Crime Fiction, Debut Author, Debut Novel, Detective Fiction, England, Good vs. Evil, Hard-Boiled Mystery, Indie Author, Lady Detective Fiction, Mental Health, Modern Day, Post-911 (11th September 2001), Psychological Suspense, Realistic Fiction, Sociological Behavior, True Crime

#SaturdaysAreBookish | Celebrating the first Police Procedural Thriller of this series & my second Autumnal guest author via #SatBookChat: “Murder on the Marshes” (Book One: Tara Thorpe Mysteries) by Clare Chase #SpooktasticReads

Posted Saturday, 27 October, 2018 by jorielov , , , , , 3 Comments

#SaturdaysAreBookish created by Jorie in Canva.

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In keeping with the change of name for my Romance & Women’s Fiction Twitter chat [@SatBookChat previously known as @ChocLitSaturday] – I am announcing a change of features here on Jorie Loves A Story. Since January, 2014 I carved out a niche of focus which I named #ChocLitSaturdays as I have felt the best time to read romantic and dramatic stories are the weekends. This spun into a Twitter chat featuring the authors of ChocLit whilst I supplied weekly topics which would appeal to readers, writers and book bloggers alike. We grew into our own Saturday tribe of chatters – then, somewhere round the time of my father’s stroke in late [2016] and the forthcoming year of [2017] I started to feel less inspired to host the chat.

I had new plans to re-invent the chat in its new incantation as @SatBookChat but I also wanted to re-invent the complimentary showcases on my blog which would reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of #ChocLitSaturday the chat were the stories I was reading which complimented the conversations.

After a difficult year for [personal health & wellness] this 2018, I am beginning anew this Autumn – selecting the stories to resume where I left off featuring the Romance & Women’s Fiction authors I am discovering to read whilst highlighting a story by the author I am chatting with during #SatBookChat. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – for the remaining weeks of October and most of November, I will be featuring special guest authors during #SatBookChat whose stories I have either read, are reading or hope to read in the future if their newer releases. The reviews on Saturdays might inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

Our holiday break for the month of December will find us resuming #SatBookChat the week after New Year’s, 2019 where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction.

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Acquired Audiobook By: This particular audiobook (‘Murder on the Marshes’) marked the first pre-order I placed on Audible.com when I had my membership with Audible. In the months since August, I decided to switch memberships to Scribd for the time being due to the reduction in cost for a subscription based service for audiobooks – however, I still have an active account on Audible and still use it to listen to audiobooks – either those I’ve purchased (past/ present), the complimentary ones I receive for review and/or the ones I’m either gifted or have won in giveaways. As this was an author I had previously read and loved – I happily awaited the publication date to arrive to where I could start listening to ‘Murder on the Marshes’. I am posting my review of this novel for my own edification and for continuing to want to share my readerly life on Jorie Loves A Story. I was not obligated to post an honest review nor did not receive compensation for my opinions or thoughts shared herein.

Previously, I did host an interview with the author, Clare Chase and she provided the Press Materials for this series to use on both the interview and on my review if I elected to share one. She is also a guest via my chat on Twitter showcasing Romance & Women’s Fiction (inclusive of all sub-genres) @SatBookChat on the 27th of October to discuss this series and her character Tara Thrope.

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Why I was excited about listening to ‘Murder on the Marshes’ and why it took me until October to begin listening to the story during #FraterfestRAT!

A lot of times I have the pleasure of joy of #amlistening to a sampler of the audiobook I want to purchase – however, in rare instances, there is an embargo on having those available publication. Ergo, I was wickedly itching to ‘hear’ the narrator, as listening to audiobooks for me is a brilliantly lovely visceral experience to where I feel pulled into the world a writer creates through the fusion of not just their written words which are eloquently interpreted & brought to life by the narrator – but the actual way in which the narrator voices the characters, sets the tone of the story and the ‘experience’ of hearing the story articulated through spoken dialogue – it’s a lovely immersion of bookish delight – so imagine, trying to ascertain ‘how’ this would sound without a guide? My curiosity nearly killed me,…

I’ve disclosed this before – a narrator can quite literally de-motivate me from listening to an author’s collective works even though I technically try to keep the door ajar to re-try another of their stories (similar of course, if I read a story in print, find it wasn’t my cuppa & try to find a different title of theirs to give a whirl of a chance of fitting my bookish wanderings). For me, the narrator makes/breaks the whole experience – I can give narrators a bone if say, the delivery isn’t quite posh or if it feels like their still gaining traction on their narration style – but overall, if their voice grates in my ears, if their approach is less than reasonable or even plausible – I can feel myself ‘pull out’.

Here’s how I reacted to hearing ‘Murder on the Marshes’
for the very first moment I found it available to ‘hear’:

Having become so dearly transfixed by Alison Campbell’s style of embracing Kay Hunter, I was primed for ‘meeting’ Lucy Brownhill! Even though I’ve heard only a smidge of the first Chapter, I already could *feel!* this was the right narrator – her approach into embracing Tara Thrope echoes Campbell’s Hunter. In finding this realisation, I knew my time spent within ‘Murder on the Marshes’ was going to be epic, brilliant & chilling!

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If you had told me back in *August!* my father would have had a health scare wherein we thought he might have a second stroke (due to issues with his hypertension) – I might not have believed you! I was emotionally taxed and stressed for over three weeks within August awaiting to see if everything would right itself again. Somewhere in those weeks, as I felt numb to reading and completely lost in my reading life as a result – I avoided stories like the plague! I couldn’t get focused on hearing audiobooks nor could I focus on reading them either – the whole month is a bit of a blur except for the emotions I felt as a result of the health crisis my Dad went through.

As a result of that – September started off on hard footing as I had my own share of health issues I had to transition through as well. Ergo, August & September were not the best months for me and this is after five months of Spring being especially wrecking for my health & wellness. However, similar to July being the month I reclaimed my reading joy after a hard Spring, so too, has October become a renewing month for me now that Autumn has taken hold!

Even with two low grade migraines these first weeks of October, I am undeterred – as I personally feel better than I had in the previous two months! Thus, my listening of this new story by Ms Chase was placed on ‘hold’ – even knowing the sequel was due out in October, there is only so much you can do when your facing adversity in life and doing the best you can to find your bookish joy again lost inside the stories you love reading. This is why when October started to draw closer, I knew I would want to seek out some readathons and/or reading challenges – fun events to get myself re-inspired into the stories I had to hold off reading or listening whilst life calmed back down again.

This is how I came to find #FraterfestRAT – which celebrates everything under the October moon from ghosts to Thrillers to crime dramas! It truly is an all-encompassing readathon and for me personally, it felt like the best way to get re-charged & re-fuelled to reading the stories I love during this time of year! I might have had a late start (due to the second migraine!) but for me personally, this readathon gave me the little nudge I needed to begin once again inside ‘Murder on the Marshes’!!

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A notation about Bookouture & Hachette Books:

In [2016] I created a series of interviews featuring #Bookouture authors: Teresa Driscoll (feat. ‘Last Kiss Goodnight’); Natalie Meg Evans (feat. ‘A Gown of Thorns’); Renita D’ Silva (feat. ‘A Mother’ Secret’); Debbie Rix (feat. ‘Daughters of the Silk Road’); Kerry Fisher (feat. ‘After the Lie’); Helen Pollard (feat. ‘The Little French Guesthouse’) and Tom Bale (feat. ‘See How They Run’). I’ve been striving to collect all of these stories for my personal library whilst intending to share my ruminative thoughts – as I personally love to showcase a guest feature ahead of reading the stories which intrigue my bookish heart! Of this list, as of Thanksgiving 2017 – I have happily acquired the audiobook version of ‘The Little French Guesthouse’ which is a next listen of mine this year! I have more to share about how I acquired this audiobook when I share my ruminations!

Whilst for the past few years I’ve been a book blogger reading INSPY (faith-based) and Motivational stories (of fiction and Non-Fiction) from Hachette Books (USA) imprints: FaithWords and Center Street. At the time of coordinating this interview with Ms Chase, I had missed the fact ‘Bookouture’ was acquired by Hachette UK. This marks my first guest feature and showcased story for Hachette UK : Bookouture! (see also the announcement of the acquisition)

Meanwhile, as per my announcement recently featured on The Sunday Post, No. 6 – I purchased a copy of the digital audiobook version of ‘Murder on the Marshes’ which I am looking forward to listening too. My ruminations are forthcoming on behalf of this first installment of the Tara Thrope series as being this is my own purchase I am not obliged to post my reflections on this novel, I am choosing to showcase my reactions as Ms Chase is an author I personally love reading! (see also my review of ‘You Think You Know Me’)

Previously, you will remember, I crossed paths with Ms Chase through my readings of ChocLitUK (of which I am a reviewer) whilst I have had the pleasure of getting to know her personally through my bi-monthly chat @SatBookChat (previously known as @ChocLitSaturday).

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On my connection to Clare Chase: When I started a chat in [2014] my path crossed with Ms Chase as she was a regular chatter of what is now known as @SatBookChat. Ms Chase and I started to notice our reading habits were aligning with each other, and her conversations were happy editions to my week as I liked finding someone else who liked the same types of stories I was gravitating towards myself. We continued to ‘chat’ about our reading habits even outside of #ChocLitSaturday (the previous name of the chat), which was a blessed joy for me.

I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Ms Chase through our respective love & passion of reading inside the twitterverse whilst I host #SatBookChat and privately as well. I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time or continuing to read their releases as they are available. This also applies to hosting a guest feature by the author I share a connection.

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#SaturdaysAreBookish | Celebrating the first Police Procedural Thriller of this series & my second Autumnal guest author via #SatBookChat: “Murder on the Marshes” (Book One: Tara Thorpe Mysteries) by Clare Chase #SpooktasticReadsMurder on the Marshes
Subtitle: A gripping murder mystery thriller that will keep you turning the pages
by Clare Chase
Source: Purchased | Personal Library
Narrator: Lucy Brownhill

As the sun rises, a wealthy young woman – Samantha Seabrook – is found drowned in the ornamental fountain of a deserted Cambridge courtyard, the only clue – an antique silver chain wound tightly around her throat.

It’s Tara Thorpe’s job to discover what happened to Miss Seabrook – but the case becomes personal when she learns that Samantha had been receiving death threats… rather like the one that landed on Tara’s doorstep the night the woman died.

Together with Detective Inspector Garstin Blake, Tara tracks the killer to the dank and dangerous fens on the outskirts of the city. But there’s something Tara can’t quite admit to Blake about her past – and it could make all the difference to whether they live... or die.

Genres: Amateur Detective, Crime Fiction, Police Procedural, Thriller


Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781786814319

ASIN: B07FPNP92B

Also by this author: You Think You Know Me

Also in this series: Death on the River


Published by Bookouture, Hachette UK

on 1st August, 2018

Format: Audiobook | Digital

Length: 10 hours and 45 minutes (unabridged)

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The Tara Thrope Mysteries:

Published by: Bookouture (@bookouture)

an imprint of HachetteUK (@HachetteUK)

Murder on the Marshes by Clare ChaseDeath on the River by Clare Chase

Murder on the Marshes (book one)

Death on the River (book two)
celebrated its Pub Day → 17th October, 2018*

*this is a digital first release (ebook)

whilst other formats will follow including an audiobook!

Converse via: #TaraThrope, #Thriller and #Bookouture

About Ms Clare Chase

Clare Chase

Clare Chase writes mysteries set in her home city of Cambridge and is fascinated by the location’s contrasts and contradictions. She’s worked in diverse settings – from the 800-year-old University to one of the local prisons – and lived everywhere from the house of a Lord to a slug-infested flat. The terrace she now occupies presents a good happy medium.

As well as writing, Clare loves family time, art and architecture, cooking, and of course, reading other people’s books. She lives with her husband and teenage children, and currently works at the Royal Society of Chemistry.

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Reading this book contributed to these challenges:

  • #FraterfestRAT 2018
  • #SpooktasticReads 2018
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Posted Saturday, 27 October, 2018 by jorielov in #SaturdaysAreBookish, 21st Century, Amateur Detective, Audiobook, Blog Tour Host, Bookouture, Crime Fiction, England, Equality In Literature, Hard-Boiled Mystery, Indie Author, Investigative Reporter | Journalist, Modern Day, Psychological Suspense, Vulgarity in Literature