Acquired Digital Audiobook by: I am a new blog tour hostess with Audiobookworm Promotions wherein I have the opportunity to receive audiobooks for review or adoption (reviews outside of organised blog tours) and host guest features on behalf of authors and narrators alike. I started hosting for Audiobookworm Promotions at the end of [2016] during “The Cryptic Lines” tour wherein I became quite happily surprised how much I am now keen on listening to books in lieu of reading them in print. My journey into audiobooks was prompted by a return of my chronic migraines wherein I want to offset my readings with listening to the audio versions.
I received a complimentary audiobook copy of “Halfway Bitten” via the publicist at Audiobookworm Promotions (of whom was working directly with the author Terry Maggert) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I am so wicked thrilled to be reading this YA #Paranormal series:
In case you’ve missed my full ruminations on behalf of the first novel in this wonderfully witchy series, please direct your mouse to Halfway Dead!
You immediately warm to Carlie – her charm is her forthright attitude where conjectured insight into her hometown and the area in which she calls home is slightly more ‘quirky’ than she is herself! For instance, your senses overtake the setting on sight – this is a cold (by temperature) environ which could be seen as ‘off-putting’ to others but to Carlie, it’s more than just the place she’s chosen to lay her hat, it’s her ‘home’. Home to Carlie isn’t just where you feel comfortable or where you can score a wicked awesome job at the local diner a stone’s throw from your residence (not only saving on petrol but medically speaking, her digits are never in danger of frost bite!) wherein you never quite feel as if the stark contrast of the natural world is inhibiting your prospects. Not that Carlie is shy when it comes to nature; if anything, she finds solace inside the hidden realms of where forest and stream meet the sky and cast untold amounts of wisdom into the whispering quiet hum of the natural order bubbling to life all round her whilst crossing her path with a lightness not found amongst urbanites.
Her open honesty about her unconventional life is refreshingly brilliant to see captured in a Young Adult story with a heroine who embraces her moxie and chooses to find a stitching of nonchalant monologue where she encourages you to listen to her tale(s) with an open mind and an imagination to knit out the rounding of the fantastical which just happen to be her mainstay of peculiar ‘happenings’. -part of my reactions to Halfway Dead
Can we talk about aesthetics & cover art designs!?
One thing I consistently talk about here on Jorie Loves A Story is how if a story doesn’t pull me into it’s orbit & theshold – the art on the cover or inside it’s interior becomes art to appreciate rather than a part of the experience of the story itself. When I find a story or a series such as Halfway Witchy, I find myself over the moon thrilled to bits to exclaim my bookish glee in finding cheekily clever cover art sporting a fiercely Indie YA Paranormal series with the aplomb appeal of announcing itself as one part quirky and a heaping spoonful of eclectically wicked! Case in point!?
I *love!* my cuppa tea | chai | Americano Miso / Espresso Lattes – but to take the tea cup itself and direct your eye to how it dangles on a finger whilst evoking a tattoo-vibe of book titles with the quirky eclectic artsy style of a White Witch you begin to soak into the aesthetics of the series your reading (or listening too, as is the case with me!). Each of the designs evoke something extraordinarily ordinary about Carlie and her witchy spirit of mind. It’s part of the appeal to her character’s personality but also, it’s a telling visual aide when you’re already attached to a character & her world.
They also dimensionally differ from one another on a score of layers of intrigue & the deepening reality of Carlie’s life. The first cover started off on the footing of innocence & familial pride; the second shows the conflictions of a witch and the third – wells, it proves this horror on the side of cosy I can handle is going to pull out the punches to keep me firmly on the border between straight-up Horror and Cosy Horror (the realm in which I can traverse without nightmares!).
I think it also shows character growth and the building of Carlie’s internal and external worlds colliding into a singular experience only she can voice and tell. I caught a wink of a nod towards a FOURTH! novel in this series being written and I can only hope the momentum that is building thus far along will not only continue in the series but lead us to itch to devour the next installments with the same zest of bookish anticipation for the continuity & the conflict of drama intermixed with the realities of small towne life, white magic and the supportive arm of family & friends.
And, maybe just a smidge of that Cosy Horror cheeky humour I’ve come to love so much, too! I mean,… it *is!* definitively a stand-out in it’s genre for proving how well-timed comedic moments and a spunky heroine can make you sit into a smile whilst bracing yourself for what comes into your view on the next page turn,…
As much as I lamented this about the author who penned the tale:
The way in which Mr Maggert approaches all of this is with sensitivity and compassion; he presents both sides and let’s the reader make up their own mind about what they want to takeaway from the novel. Like most Young Adult novelists I have come to appreciate finding (and he is now amongst them!) – they stitch into the fabric of their stories life lessons, cautionary insight and a global conscience of time-sensitive realities to help ensure that all future and current generations are armed with knowledge and insight into what could theoretically impact their daily lives. Either on a quasi personal level or on an intuitively observational level – however which the reader chooses to consume the information provided, it will be a stepping stone towards unveiling the larger picture.
In many ways, this is why Children’s Lit across the spectrum (i.e. Picture Books, Chapter Books, Juvenile Fiction and YA) play such an important role in endeavouring to give children and teens a measure of a breath of what is currently affecting our world. It leads to empathy but also to understanding; if the conversations are not broached at home or in school, there are stories that can encourage a mind to open to a concept not yet introduced. In this, Maggert excells and it was a true pleasure to watch how he enticed young readers who are mature enough to embrace a slightly Upper YA Paranormal Suspense novel to broaden their horizons whilst everything is cast into a fantasy world where the supernatural and current events collide.
Halfway Bitten Subtitle: Take a bite out of evil
The circus came to Halfway, and they brought the weird. When clowns, vampires, and corpses start piling up in town, Carlie has to break away from her boyfriend, Wulfric, to bring her witchy skills to the table- or grill, as the case may be. When the body of a young woman washes up in the lake, it unleashes a spiral of mystery that will bring Carlie, Gran, and Wulfric into a storm of magical warfare.
Spells will fly. Curses will rain. Amidst it all, Carlie will make waffles, protect her town, and find out if a man from the distant past can join her in happy ever after. With love and honor at stake, Carlie has no peer.
Digital composite of Wooden table with library background. Halfway Witchy book series collage provided by Audiobookworm Promotions; used with permission.
About Terry Maggert
Left-handed. Father of an apparent nudist. Husband to a half-Norwegian. Herder of cats and dogs. Lover of pie. I write books. I've had an unhealthy fascination with dragons since the age of-- well, for a while. Native Floridian. Current Tennessean. Location subject to change based on insurrection, upheaval, or availability of coffee. Nine books and counting, with no end in sight. You've been warned.
Acquired Digital Audiobook by: I am a new blog tour hostess with Audiobookworm Promotions wherein I have the opportunity to receive audiobooks for review or adoption (reviews outside of organised blog tours) and host guest features on behalf of authors and narrators alike. I started hosting for Audiobookworm Promotions at the end of [2016] during “The Cryptic Lines” tour wherein I became quite happily surprised how much I am now keen on listening to books in lieu of reading them in print. My journey into audiobooks was prompted by a return of my chronic migraines wherein I want to offset my readings with listening to the audio versions.
I received a complimentary audiobook copy of “Halfway Dead” via the publicist at Audiobookworm Promotions (of whom was working directly with the author Terry Maggert) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I am so wicked happy about tucking into a Paranormal Suspense:
I have the tendency to appreciate certain Paranormal Suspense, Mystery and Thrillers which are just this side of Cosy Horror but occasionally push the envelope to take me straight out of my personal comfort zones. This began when I was a teenager who would try to blink away the grittier scenes attached to The X-Files, smiled at the irony of enjoying Buffy the Vampire Slayer and happily enjoyed most of the Charmed series before the serial took off into a tangent of nonsense that truly was utterly pointless.
As a reader, it’s quite a hard needle to thread – which Paranormal novelists are curating stories I can handle or even find pleasure in reading when my bookish heart is quite sensitive to most overtly horrific and grisly scenes too oft found inside the genre itself!? This is why I have the tendency to lean more towards PNR (or Paranormal Romance) but even then, I am quite particularly particular; seeking out the stories where the relationships and the paranormal elements can walk hand in hand without giving me that jolt of something quite horrific or a nightmaric ghoulish feast that would leave me wrecked for dreamscapes afterwards.
The balance of course, is one part world-building to where setting, texture and sound of a narrative can fully immerse me into an ‘other place’ for the spell I send inside it but not overtly dark or without light, because I am not entirely the kind of reader who can cosy up into a Dystopian-esque world either. I like sophisticated layers and humour that is not in the gutter whilst the scenes where something quite fowl takes place can have the ability to pull-back and off-set the reality of that moment with either compassion, mercy or a somberness that befits the scene. Strong characters and a cheeky inclusion of wit or banterment would be most ideal; but I also, happen to love the ‘unexpected’. The moments you cannot foresee coming ahead of time and how the psychological suspenseful bits also can encourage you to get properly lost in the story.
Whatever it is I’m seeking as it depends on the sub-genre, the premise and the overall conjecture of what a story could elude to including – I like to seek out unique voices in fiction. I prefer to find the writers who have something intrinsically their own and a way of crafting a story that is both informative (for whichever sub-focus they include) and wicked entertaining on the other end! I like to rally behind characters who are in the middle of their journey and of whom interact with an eclectic supporting cast of people or creatures you might never suspect would become such a crucial point of the story itself.
Thus, I decided to take a chance on the Halfway Witchy series; as the author originally found me on Twitter whilst he was promoting another novel of his (Heartborn) which I was on the fence about for nearly the duration of it’s blog tour. It was only after following the tour route and reading a few incredibly personal reviews of it’s contents, I realised I was most intrigued by this author! I ended up adopting a copy of the audiobook (of which I will be featuring in a few short weeks) for review consideration and found myself pulled into the orbit of this universe – the Witchy world of Carlie.
I originally began listening to this audiobook soon after I received it and a few moments whilst my Dad was first brought home recovering from his stroke. As I mentioned on Twitter to the author, finding this series was a lovely blessing of joy; and as I move through the series, I look forward to exploring what I like about this curious section of literature which continues to draw my eye. As sometimes what appeals to me to read (or listen too) isn’t quite what you might think would be on my palette of stories but has something contained within it’s chapters that is wholly original and happily consumed. Sometimes we all have to embrace our quirky natures and as readers, I think we’re naturally quirky!
Carlie McEwan loves many things. She loves being a witch. She loves her town of Halfway, NY - a tourist destination nestled on the shores of an Adirondack lake. Carlie loves her enormous familiar, Gus, who is 25 pounds of judgmental Maine Coon cat, and she positively worships her grandmother, a witch of incredible power and wisdom. Carlie spends her days cooking at the finest - and only - real diner in town, and her life is a balance between magic and the mundane, just as she likes it.
When a blond stranger sits at the diner counter and calls her by name, that balance is gone. Major Pickford asks Carlie to lead him into the deepest shadows of the forest to find a mythical circle of chestnut trees, thought lost to forever to mankind. There are ghosts in the forest, and one of them cries out to Carlie across the years. Come find me.
Danger, like the shadowed pools of the forest, can run deep. The danger is real, but Carlie's magic is born of a pure spirit. With the help of Gus, and Gran, and a rugged cop who really does want to save the world, she'll fight to bring a ghost home, and deliver justice to a murderer who hides in the cool, mysterious green of a forest gone mad with magic.
Left-handed. Father of an apparent nudist. Husband to a half-Norwegian. Herder of cats and dogs. Lover of pie. I write books. I've had an unhealthy fascination with dragons since the age of-- well, for a while. Native Floridian. Current Tennessean. Location subject to change based on insurrection, upheaval, or availability of coffee. Nine books and counting, with no end in sight. You've been warned.
Acquired Book By: I was selected to be a part of the blog tour for The Breedling & the City in the Garden hosted by iRead Book Tours. I was blessed to be able to receive a print copy of this novel in order to review it for the blog tour as I cannot read digital copies of novels due to chronic migraines; I do offset my reading ques now with audiobooks which is working brilliantly towards lessening the onset of them. This was a surprise for me – to be able to read and review the novel, as I originally thought I could only interview the author. Truly blessed by the author’s kindness. Secondly, I am thankful for the author’s grace in understanding why I had to push my review forward and why reading whilst blogging took a backseat in my life since Black Friday. iReads was one of the touring companies I work with who was able to accommodate a change of schedule last minute, for which I was full of gratitude as well.
I received a complimentary copy of “The Breedling & the City in the Garden” direct from the author Kimberlee Ann Bastian in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
I am drawn to curiously curious genre-benders of a certain variety:
Three stories came immediately to mind whilst I was setting my sights on participating on this particular blog tour – they were as follows: To Live Forever: An Afterlife Journey of Merriweather Lewis by Andra Watkins (see Review); The Golem and the Jinni by Helene Wecker (see Review); and Angel of Losses by Stephanie Feldman (see Review). They are united in their individuality and their unique literary voicing of both their characterisations and of the layers of world-building their writers spun into their pages. They also happen to be three of the books I loved reading (despite my indifference to which ‘category’ of literature Angel of Losses was classified) which did not quite as ring as wicked brilliant to other readers – they were either a big hit or a bit of a miss with readers I’ve encountered of late – with the exception of Wecker’s novel, which seemed to gain the most traction overall. I’m one of the few readers whose anxiously awaiting her ‘next chapter’ of the Jinni in 2018!
I love finding stories which etch out their own niche in literature whilst curating an experience within an adventure which truth be told are set to their own wicked beat of literary exploration. There are other stories I’ve read (some I’ve even blogged about!) which fit within this nifty niche of stories, too – however, these three percolated in my memory because of how interestingly unique they were imagined and how their writers craftly write Speculative stories within quasi-mainstream genres or at least, which were recognisd by quasi-mainstream genres! lol I personally love different designations of genres in literature – not so much as a be all / end all route of where I will go visually through literature as my mind expands itself around the sphere of a story but rather, a bit of a road map of where I’d like to travel at any given point of time in my reading life. I love sorting out the different variances of how genre can become bent (in theory, you already know dedicated readers how much I love seeing how ‘time’ is bent: i.e. time shift, time travel and time slip are all readily explored on my blog!) whilst seeing how wickedly inventive writers are at curating their own spin on an established genre by re-creating what is plausible within it’s folds.
I think it has a lot to do with how I personally write my own fiction (something I explored in an essay via Priya’s blog [originally written in 2015] wherein I talked about being a ‘writer’ whose moonlighting as a book blogger) – I like to see where my muse can lead me and how the stories ‘talk’ to us as we’re creating the words to paint the palette of where our stories are guiding us to traverse.
It also speaks to my bookish heart firmly attached to Speculative Fiction – as first and foremost, the very first manuscript I dreamt into existence was Science Fiction based on Science Fact. I lean towards what is futuristically possible by what could be considered improbably impossible today – whilst keenly invested in the imaginative innovation of where our creativity can take us through the written vortex of worlds spun out our imaginations daring to ask the questions of ‘what if’ and chart new horizons where readers can continue to travel with us on this journey through stories.
This is one reason why I love participating in Sci-Fi November and the Sci-Fi Experience – even if my participation can get off-track due to illness or life’s unexpected emergencies – the joy I have for the Speculative heart of fiction is hardcore. I love finding the dreamspinners of inverted and invented genres who provide an unknown niche of literature by how their stories transcend through the needle of time in proportion to character driven literature. This is simply my ‘next find’ in a lifelong pursuit of originality and bookish joy in discovering the niche makers.
These were the laws that once governed Bartholomew, an immortal soulcatcher, until one ill-fated night when he was forced to make a choice: rebel against his masters or reveal an ancient, dangerous secret.
He chose defiance.
Imprisoned for centuries as punishment for his decision, Bartholomew wastes away—until he creates an opportunity to escape. By a stroke of chance, Bartholomew finds himself in the human world and soon learns that breaking his bonds does not come without a price. Cut off from the grace that once ruled him, he must discover a new magic in 1930s Chicago.
Armed with only a cryptic message to give him direction, Bartholomew desperately tries to resume the mission he had started so long ago. Relying on the unlikely guidance of the streetwise orphan Charlie Reese, Bartholomew must navigate the depressed streets of the City in the Garden. But in order to solve this riddle, he must first discover if choice and fate are one in the same.
Quite fittingly, I started 2016 by reading ‘Becoming George Washington’ by this publisher and I am now featuring a second title by them in the closing chapter of December. How wicked is that!?
Available Formats: Paperback and Ebook
About Kimberlee Ann Bastian
Kimberlee Ann Bastian has a love affair with American nostalgia, mythology, and endless possibilities. When she is not in her writer's room or consuming other literary worlds, she enjoys hiking and cycling around the bluffs of her Southeastern MN home and catching up on her favorite pop culture. The Breedling and the City in the Garden is her debut novel.
Acquired Book By: Winning the bookaway attached to #HistoricalFix (see Info) when we talked about Cosy Horror & Historical Fiction stories – of which Haunted was one of the featured stories! The chat took place on 20th of October, 2015 and yielded a HUGE List of Next Reads suggested by everyone who took part in the chat itself! Cat Winters and Katherine Howe also attended giving me such a wicked awesome chat to participate inside as I have been wanting to read Howe & Winters for awhile! Ms Carthage and I enjoyed meeting up as well, due to our like-minded interests. The books given away during the chat are part of the fun and are always unexpected as they are essay-based where you have to respond to Questions; best replies win.
I did not receive compensation for my opinions or thoughts shared herein nor was I obligated to post a review on behalf of “Haunted”. I am posting this review for my own personal edification after having enjoyed reading the story.
A bit of a backstory:
Originally, when I first caught sight of the Haunted blog tour being adverted as an upcoming event this Spring 2015, there was a strong draw for me to want to participate on it! After all, I have shared my first review on reading ghost stories (The Ghost Stories of Edith Wharton), joined my first Horror October, expressed why I’m a Cosy Horror Girl, shared my top favourite Classic Horror Motion Pictures, and compiled a list of book series which are definitely bent towards the paranormal! As you will see from those previous blog posts I’ve written, there are aspects of the Horror genre I never quite realised I was enthralled with myself, as I always felt I was living outside the genre completely! Sometimes it takes an event like Horror October hosted by the girls @ Oh, the Books! to set your mind straight! Laughs.
Instinctively, I hopped on Twitter to see if Ms Carthage was online (not that instant, but in general!), as I have come to appreciate finding authors I am keen on reading are participating in reader to author connections via Twitter; as it allows the readers (such as I) to ask pertinent questions which might arise out of reading a book synopsis or an excerpt (if one is available). What followed was a happenstance conversation, where a reader enjoyed getting to know an author outside the scope of being able to read the novel! I asked a few direct questions, as I was a bit on the fence as whether or not I could read this novel as it might take me too far outside my comfort zones along the lines of what is seen or unseen in the novel itself.
I’m definitely *the Cosy Horror Girl* at heart, as I have to weigh what I want to read with what I can handle as I have a sensitive heart. Always feeling being honest about this upfront is best, I did share my concerns, and as we talked a bit more about Haunted and our personal likes in books, I decided I truly felt I would love to interview Ms Carthage in lieu of reading the book for her blog tour! The elements of the paranormal within the series is still keenly intriguing to me, and there was a heap about the setting and atmosphere she stitched into it which lit my imagination aflame with curiosity!
The book cover art alone has all the lovely bits I appreciate about what can be considered an epic Gothic suspense, as you have the house barely seen through the misty fog, the young protagonist’s field of vision not focused on what is in front of her but what is unseen to the side, and the colour dimensions give it a purely haunting feel, encouraging your will to want to read this in order to see where the layers enfold and retreat from what is visually representative in the art itself!
Therefore, I am quite happy to bring to you, dear hearts, the conversation I pulled together out of inspiration from our original twitterverse convo intermixed with bits and bobbles I discovered about her book series whilst composing my thoughts on this interview! I hope you enjoy the conversation!
However, this wasn’t the end of my connection with the book, the series or the author! We honestly liked talking to each other, not just in the interview but in the twitterverse, too! As the moons aligned, guess what happened?! We both found ourselves happily engaged inside the #HistoricalFix chats hosted by Ms McCabe (of the novel I Shall Shall Be Near to You) wherein we were participating in a chat that felt like it was primed to be exactly set for readers like us who love cosing up to a wicked Gothic story where hauntings, the supernatural and everything that makes you feel spooky are par for course!
I should say, the #HistoricalFix chats have become my tribe of like-minded bookish souls who hunger for captivating next reads, challenging historical fiction and stories that will tuck themselves into our hearts. We chat as if we’ve known each other for centuries rather than a mere year or so, where we only gather each quarter to chat up our latest reads, decipher the latest releases that have charmed our curiosities and exchange all the bookish delights you’d find at a book club!
Snippets of last October’s #HistoricalFix are captured below, along with the convo I had with Ms Carthage about her novel and Cosy Horror in general! ENJOY!
(tweets to return soon)
Something quite wicked happened during that particular #HistoricalFix – I changed my opinion about not reading HAUNTED and dearly wanted to read it afterall! This is why I participated in the essay-based bookaway challenge to see if I could add my hat to the mix! I was truly overjoyed and quite shocked I had won – it was one of the happiest moments truly, as it was such a lovely capstone to the chat! I had wanted to read the book soon after I had found it in my postbox, however, time and tides had a way of working against me last year – to where I took great care to make sure HAUNTED was part of my #HalloweenReads in 2016!
Lest I mention, the author enscribed a note to me in the book on Halloween, 2015!? The very day one year later I pick it up to read having forgotten she had done that!? SPOOKY!
Notation on Cover Art Design: I immediately loved what the cover evoked about the setting, the Gothic nature of the tale and the way in which you can be haunted in a hauntingly ethereal setting! I also started to notice the girl on the cover was being featured on other books as well; something I had mentioned to the author. Apparently others had noticed too, which is why there was a big celebration of sorts about this girl and her hair recently that drew attention not only to HAUNTED but two other novels who featured her. One thing I liked even more than the exterior design is the interior mirror that graces the chapter pages! There is something about that design and the way in which it presents itself that just felt ‘authentic’ to this story!
Haunted Subtitle: The Arnaud Legacy
Sixteen-year-old Phoebe Irving has traded life in San Francisco for her stepfather’s ancestral mansion in rural England. It’s supposed to be the new start her family needs. But from the moment she crosses the threshold into the ancient estate, Phoebe senses something ominous. Then again, she’s a little sensitive lately—not surprising when her parents are oblivious to her, her old life is six thousand miles away, and the only guy around is completely gorgeous but giving her mixed messages.
But at least Miles doesn’t laugh at Phoebe’s growing fears. And she can trust him…maybe. The locals whisper about the manor’s infamous original owner, Madame Arnaud, and tell grim stories of missing children and vengeful spirits. Phoebe is determined to protect her loved ones—especially her little sister, Tabby. But even amidst the manor’s dark shadows, the deepest mysteries may involve Phoebe herself…
Lynn Carthage is a novelist living in Sacramento, California, near where the Gold Rush launched. Under her real name, she was a Bram Stoker Award finalist. Born in Vermont, Lynn has lived in Maine, Ireland, and Arizona. She reads voraciously, loves anything French, gets “itchy feet” to travel on a regular basis, and finds peace in the woods, in meadows, in nature. She has always been fascinated by how history allows us to imagine how people of the past lived and breathed and felt.
HAUNTED is her first young adult novel, and will be followed by the next two books in the Arnaud Legacy trilogy.
Acquired Book by:Did you ever grow curious about a new publisher who produces science fiction, fantasy, and horror genre selections in both novel length and short stories? Did you ever decide to enquire with the publisher you’ve found to see if they were open to book blogger requests to read and review their selections!? This is the situation I found myself in as I was quite mystified by the offerings of World Weaver Press! Such a delightful discovery on my behalf [in 2015] with a website full of inspiring reads across SFF!
Since I started reviewing with World Weaver Press [one year ago in August, 2015] there has been a changing of the guard behind-the-scenes where there is a new owner & publicity team. I am wicked happy to see the legacy and tradition of WWP has been carried forward by this lovely new team! I am honoured to work with them continuing to showcase World Weaver Press through reviewing their titles and hosting future guest features by their authors! The current four reviews I’m posting on their behalf (i.e. The Falling of the Moon, Scarecrow, Frozen Fairy Tales and Far Orbit: Apogee) were selected before the company changed hands. Moving forward after these reviews, I am hoping my next review will be for “Murder in the Generative Kitchen” of which I thoroughly enjoyed highlighting recently! Although I do hope to continue reading the anthologies Ms Parrish is making as SIRENS released recently, too!
I received a complimentary copy of “Scarecrow” direct from the publisher World Weaver Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I am wicked excited to read SCARECROW:
You simply know going into reading one of the anthologies by Ms Parrish that your in for a wickedly delightful reading! In this particular case, I was so deeply attached to the stories in CORVIDAE (coming out of reading FAE), I was wicked enthused to begin reading SCARECROW! It’s the type of anthologist whose instincts to pull together writers & their stories that you cannot help but celebrate because her instincts give you such a palette of choices to read! It’s quite incredible, honestly – because each time I step inside the vortex of the Magical Menageries I feel as if I’ve travelled to so many wondrously illuminated places all within the pages of one singular anthology!
I happen to love reading stories of Cosy Horror in the Autumn months – as this time of the year is anchoured to Halloween! I’ve been a long-time appreciator of Halloween as I love celebrating the holiday with all the festivities that pull together it’s light-hearted core of joy whilst embracing all the quirks that go along with it, too! I haven’t had the chance to see a lot of scarecrows in fields but I grew up loving the Wizard of Oz like most children, and therefore, had a strong impression of a fantastical scarecrow!
I like being introduced to new windows of Speculative Fiction – which is one reason I am attracted to the collective works of World Weaver Press! Each time I pick up their anthologies, I find a new world to alight inside, a new writer to champion and an incredible depth of layered story-telling within the framework of a ‘short story’! It’s wicked good fiction but I appreciate the new realms I’m discovering too, which broker into Cosy Horror!
The past two months notwithstanding, as my migraines returned and I had to take a small hiatus from blogging – what motivates me to read SCARECROW is for that experience of the unknown to once again re-align in my imagination & the hauntingly epic feeling that despite reading a scary story every now or then, I truly love embracing this new branch of literature that gives me so much joy to read!
I love to just *dive!* into a Rhonda Parrish anthology
and see what she’s given me to devour!
Scarecrow
Hay-men, mommets, tattie bogles, kakashi, tao-tao—whether formed of straw or other materials, the tradition of scarecrows is pervasive in farming cultures around the world. The scarecrow serves as decoy, proxy, and effigy—human but not human. We create them in our image and ask them to protect our crops and by extension our very survival, but we refrain from giving them the things a creation might crave—souls, brains, free-will, love.
In Scarecrow, fifteen authors of speculative fiction explore what such creatures might do to gain the things they need or, more dangerously, think they want.
Within these pages, ancient enemies join together to destroy a mad mommet, a scarecrow who is a crow protects solar fields and stores long-lost family secrets, a woman falls in love with a scarecrow, and another becomes one. Encounter scarecrows made of straw, imagination, memory, and robotics while being spirited to Oz, mythological Japan, other planets, and a neighbor’s back garden. After experiencing this book, you’ll never look at a hay-man the same.
Featuring all new work by Jane Yolen, Andrew Bud Adams, Laura Blackwood, Amanda Block, Scott Burtness, Virginia Carraway Stark, Amanda C. Davis, Megan Fennell, Kim Goldberg, Katherine Marzinsky, Craig Pay, Sara Puls, Holly Schofield, Laura VanArendonk Baugh, and Kristina Wojtaszek.
Halfway Bitten
Halfway Dead
The Breedling and the City in the Garden
Haunted
![Book Review | “SCARECROW: an #anthology of shorts” [edited by] Rhonda Parrish published by #IndiePub World Weaver Press](https://i0.wp.com/jorielovesastory.com/wp-content/uploads/sites/73/2016/10/Scarecrow-Anthology-by-World-Weaver-Press.jpg?fit=682%2C1024&ssl=1 "Book Review | “SCARECROW: an #anthology of shorts” [edited by] Rhonda Parrish published by #IndiePub World Weaver Press")
Scarecrow