Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary copy of “Death Sits Down to Dinner” direct from the publisher Minotaur (an imprint of St. Martin’s Press) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Edwardian delight and a note about ‘series in progress’:
Quite a well known fact, I’m mindful of dipping inside a series ‘in-progress’, as I much prefer at the very least read the ‘first story’ in sequence rather than miss the entrance of a lead character outright; however, as fate would have it – this time, my dear local library had a few too many eager readers who were all quite itching to read Death of a Dishonourable Gentleman at the *very same!* hour I was seeking it myself! Remember that ill-fated migraine of mine, from March? Oy. Yes, wells, a bit less than a fortnight before I succumbed to it, I double-checked to see if this title was available and/or if I would need to ILL (inter-library loan) a copy; finding there were no active holds on the title, I smiled and knew I had plenty of time to fetch it.
Never ever second guess when a good time to place a hold on a book – I learnt this lesson – as guess what happened after I recovered from said migraine?! A smidge shy of a dozen readers were all scrambling to read the book, and although I went down to placeholder No.1 it was already too late for me as I was 48 hours away from posting my review! *le sigh* Lesson being? If you find a wicked sweet copy of a book you know you will potentially need to read within the score of a month’s time, throw your name on it! Don’t wait! And, if case your curious – I cast my queue hold to the next in line!
Ergo, similar to how I’ve entered series previously either accidentally or without a time window to fetch the previous books by my library’s services, I shall entertain myself with the ‘second Lady Montfort mystery’ as if I were fashionably late and entering into her parlour with a smashing tale about missing my train and injuring my heel in a vain attempt to catch it before it left the station!
As far as the Edwardian era is concerned, I’ve become properly smitten by it, as you might have curiously peeked a glimpse over whilst reading my thoughts on behalf of Margaret Kaine’s Dangerous Decisions or noticed my outcry of displeasure at the turning of plots on behalf of Downton Abbey via my feeds on Twitter. I was so distraught by Matthew’s death and Anna’s violent attack (sorry if this spoilts it for you, but seriously, how else to explain?) I had to take a long sabbatical from viewing the latter two serials which conclude the saga. I’ve wandered inside the Edwardian years on a few occasions, finding my heart is aflutter for more of this unique era set at the start of the new century, where technology and society were each vying for independence and equal attention.
Technically, one of the Cosy Historical Mystery series I aim to snuggle back inside before year’s end (as I’m planning a bit of a wicked slice of cosy devourment this Summer) is the Lady Emily series by Tasha Alexander which happily resides on the verge of this era, as it’s set during the last bits of the 19th Century! (see this intriguing interview!) How this series has swelled to include novellas and eleven! novels, I know naught! A handful of years ago when I first set my eyes upon it, only four were published! And, the Lady Darby series I fancy quite equally to Lady Emily are set further ahead of the Edwardian era – which proves I’ve been dancing around the era for quite a long while! Further joy is realising there are going to be five Lady Darby mysteries awaiting my heart soon!
Notation about Cover Art Design: The moxie it takes to self-assert such a title as ‘death sits down to dinner’ is what drew me into the hive of excitement to read this offering – in combination with the plot, as remember, titles & cover art aside if the plot holds not a wither of a curiosity it’s all art and words at that point! I love the how the designer used the typography to direct your attention the ‘action of the hour’ whilst giving you a fevering glimpse of the locale! This novel begs to be read!
Death Sits Down to Dinner
Filled with deceptions both real and imagined, Death Sits Down to Dinner is a delightful Edwardian mystery set in London.
Lady Montfort is thrilled to receive an invitation to a dinner party hosted by her close friend Hermione Kingsley, the patroness of England’s largest charity. Hermione has pulled together a select gathering to celebrate Winston Churchill’s 39th birthday. Some of the oldest families in the country have gathered to toast the dangerously ambitious and utterly charming First Lord of the Admiralty. But when the dinner ends, one of the gentlemen remains seated at the table, head down among the walnut shells littering the cloth and a knife between his ribs.
Summoned from Iyntwood, Mrs. Jackson helps her mistress trace the steps of suspects both upstairs and downstairs as Hermione’s household prepares to host a highly anticipated charity event. Determined to get to the bottom of things, Lady Montfort and Mrs. Jackson unravel the web of secrecy surrounding the bright whirlwind of London society, investigating the rich, well-connected and seeming do-gooders in a race against time to stop the murderer from striking again.
TESSA ARLEN, the daughter of a British diplomat, had lived in or visited her parents in Singapore, Cairo, Berlin, the Persian Gulf, Beijing, Delhi and Warsaw by the time she was sixteen.
She came to the U.S. in 1980 and worked as an H.R. recruiter for the Los Angeles Olympic Organizing Committee for the 1984 Olympic Games, where she interviewed her future husband for a job.
DEATH OF A DISHONORABLE GENTLEMAN is Tessa’s first novel. She lives in Bainbridge Island, Washington.
Acquired Book By:I was selected to be a tour stop on the “Avelynn” virtual book tour through HFVBT: Historical Fiction Virtual Book Tours. I received a complimentary ARC copy of the book direct from the publisher St. Martin’s Press, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
There is something about the Vikings:
Ever since I was a young girl who enjoyed her history lessons in grammar school, you could say I had a healthy fascination with the Vikings. They were painted quite the brogue and rough turnt bunch of warriors of whom you wouldn’t seek to cross if you had any sense of mind about your well being; yet within those whim-some chapters of text about who they were and who they weren’t (as let’s be honest, textbooks rarely were the tell-all place to find truth out of history) a curiosity of mind developed.
I yearned to read more about them and to uncover fact from fiction inasmuch as find a way to seek out stories about them that perhaps softened their plight and plunder on history’s fabled chapters. I wouldn’t have minded a romanticised view of their lives but I would have appreciated truism if it wasn’t brokered to be bent towards violent gore nor of brutality for the sake of it rather than for the authenticity. Vikings at mere mention stroke the coals of memories most of us have about what we were taught vs what we might have learnt on our own accords.
Whether or not, I knew enough about them prior to reading Avelynn is not in question but to have a curiosity about a community of people who enticed me to find stories set around their lives is worthwhile because it is something I was wondering if others were curious about too. I know this only my first foray into Viking fiction, as the only other story I can lay thought upon having seen prior to reading this story is How to Train Your Dragon Parts I & II where the Vikings are seen in all their familiar glory! Lest, I mention how wicked awesome those films were!?
One extraordinary Saxon noblewoman and one fearless Viking warrior find passion and danger in this dazzling and sensuous debut.
Marissa Campbell’s debut novel is a winning combination of romance, history, and adventure sure to appeal to fans of Diana Gabaldon.
It is 869. For eighteen years, Avelynn, the beautiful and secretly pagan daughter of the Eadlorman of Somerset has lived in an environment of love and acceptance. She hasn’t yet found a man to make her heart race, but her father has not pressured her to get married. Until now. With whispers of war threatening their land, her father forces Avelynn into a betrothal with Demas, a man who only covets her wealth and status. The dreaded marriage looming, she turns to her faith, searching for answers in an ancient ritual along the coast, only to find Alrik the Blood-Axe and sixty Viking berserkers have landed.
Alrik is unlike any man she has ever known, strong and intriguing. Likewise, he instantly falls for her beauty and courage. The two stumble into a passionate love affair, but it’s more than just a greedy suitor who will try to keep them apart.
As the Saxons and Vikings go to war, Avelynn and Alrik find themselves caught in the throes of fate. Can they be true to their people as well as to each other?
Marissa Campbell is a published freelance author, and co-author of the award-winning, spiritual self-help book Life: Living in Fulfillment Every Day.
Her debut historical fiction AVELYNN, was published through St. Martin’s Press, September 2015. She self-published her sophmore release Avelynn: The Edge of Faith. She is a proud member of the Historical Novel Society, Romance Writers of America, Writer’s Community of Durham Region, and local critique group B7.
When she is not writing, she is busy looking after her wonderful children, spending time with her fantastic husband, hanging out with her awesome friends, teaching yoga, dancing, laughing, and having fun!
One of the most exciting aspects of being a book blogger is the opportunity I have to interview an author I’ve recently read who wrote such a stirring breadth of narrative prose! Although I entered Bitter Greens without the benefit of knowing anything about the original or variant stories of Rapunzel itself, what drew me into the world Forsyth stitched together for us to find is the sheer volume of historical narrative that emerged and flowed throughout the entire story itself! I held such a close attention to key characters throughout the journey through where this enchanting story-teller was taking us, that I can honestly say that a second reading is necessary in order to fully grasp all the elements that she gave to Bitter Greens!
Especially in my case, where a previous novel circumvented the Rapunzel angle of the story for me, and had my heart settling on the secondary thread of the story itself! I, say ‘secondary’ as I believe first and foremost this was a story of who Rapunzel was and who she ultimately became. However, I was hugged closer into the mind of Charlotte-Rose, who simply leapt of the page and demanded my utmost focus of attention!
Today I am especially thankful to bring to you a conversation between the writer and myself, hoping that you will appreciate learning a bit more about Ms. Forsyth as much as I did! Enjoy! Be merry!
The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love.
French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens…
After Margherita’s father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.
Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.
Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create what is a sumptuous historical novel, an enchanting fairy tale retelling, and a loving tribute to the imagination of one remarkable woman.
What do you feel is the hardest part about writing convicting historical fiction whose heart of story is rooted in a remembered part of our combined past? Especially whilst tackling a re-known and beloved fairy tale and etching in your own spirit of creativity into the story-line?
Forsyth responds: The most challenging part of re-writing a well-known tale is that everyone knows (or thinks they know) the story … and so it is hard to build suspense or to surprise the reader. I think suspense and surprise are the two magical ingredients of any story, the thing that keeps readers turning the pages, and so I had to think of other ways to make the book compelling and surprising. I did this in a number of ways – by drawing on older versions of the tale, by finding new and unexpected explanations for well-known plot motifs or events, and by foregrounding the villain of the tale, the witch who locks away the maiden in the tower.
What has led you to soak into the historical fiction genre to such a passionate level and know that it is a niche you want to explore further!?
Forsyth responds: I have always loved historical fiction, ever since I was a kid and read Rosemary Sutcliff and Geoffrey Trease. It’s still my favourite genre of fiction and I have always drawn upon history in my novels in one way or another.
I positively loved your response to the Question pitched to you on behalf of why fairy tales are still breathing a lifeblood of interest in the literary realms (from the Sunday Life Magazine interview). I have noted that there is an equal attraction to ‘re-tellings’ and what I find most curious is how well knitted the stories are inside them. What do you think will be the capstone of your own works, as you continuously find new threads of narrative to explore in this exciting sub-genre?
Forsyth responds: I’m glad that my thoughts on fairy tales touched you! I have always been drawn to fairy tales and fairy tale re-tellings myself, and it was natural to me to want to write my own. Apart from BITTER GREENS – my retelling of Rapunzel interwoven with the true life story of the woman who wrote the tale – I have written THE WILD GIRL, which tells the story of the young woman who told the Grimm Brothers many of their most famous fairy tales, and am now working on a retelling of the Grimm version of Beauty and the Beast, set in Nazi Germany. I hope I will continue to weave together tales of history, mystery, romance and magic for as long as I live!
You have a beautiful way of converging philosophical insight with the subtlety of symbolism as you describe where your own heart lies in the craft of story as much as the interconnected weaving of all story-tellers across the ages. Did you have other early influences of fairy tales outside of the Brothers Grimm to chart your course towards infusing inspiration with your stories?
Forsyth responds: I was always interested in myth and superstition as well as fairy tales, and I tend to draw upon these in my writing as well as the better known stories. I also love Celtic myth, and have drawn upon Scottish and Welsh fairy tales and folklore a lot as well. I’ve also used Hans Christian Anderson’s The Little Mermaid in one of my novels (DANCING ON KNIVES, which can only be ordered from Australia).
What were your early influences and wanderings in literature!? Which authors spoke to you as far as a style of story-telling endeared itself to you ahead of creating your own stories? Are there any titles you could share which are still brought forward to mind in fond affection? (outside the realms of fairy tales)
Forsyth responds: I’ve always been a voracious reader – I spent my childhood with my nose in a book. Favourite writers include C.S. Lewis, Enid Blyton, Eleanor Farjeon, Nicholas Stuart Grey, Elizabeth Goudge, Susan Cooper, Lloyd Alexander, Joan Aiken, Diana Wynne Jones … as I grew up, I loved the work of Mary Stewart, Mary Webb, Georgette Heyer, Jane Austen and the Brontë sisters. As an adult, my favourite authors include Tracy Chevalier, Joanne Harris, Sarah Dunant, Geraldine Brooks, Kate Morton, C. J. Sansom, Marcus Zusak … oh, far too many to list!
The best gift you are giving to your readers is the balance between light and darkness, of which you’ve readily spoken about in other interviews. I always appreciate this focus myself, as I appreciate a character journey through the darkness which leads them back round into the Light. Which contemporary writers do you feel are emerging forward like you are to give the reader a hearty read whilst keeping this traditional arc intact?
Forsyth responds: I do think that books which draw upon mythic structures in their books are ones which feel much more perfect and powerful than others. Books by contemporary authors that I think are very beautiful and moving are The Poisonwood Bible by Barbara Kingsolver, The Shadow of the Wind by Carlos Ruiz Zafron, and The Ocean at the end of the Lane by Neil Gaiman.
By giving your story a grounding in historical fiction, you were able to breathe more more breadth into the story as it evolved forward – if you were ever to take up the notion to write outside your preferred genre, where do you think your imagination would alight?
Forsyth responds: I have always written across genres, which can sometimes make my writing hard to classify. Some people call me a historical fiction writer, some people call me a fantasy writer, some call me romance. I don’t really mind. I just write the books I want to write, putting into them all the things I love best about books – a compelling story that keeps you reading long after you should have been in bed, a twist of suspense, a dash of romance, a splash of magic…
As you bring Charlotte-Rose into the background of “Bitter Greens” do you feel that having a biographical fiction element not only enhanced the novel, but allowed for there to be a splilt between the fantastical elements and the reality of the time in which it was set, but to provide a prospective of a writer who was crafting stories to both haunt and educate their readers? Why do you think psychological suspense and Gothic Literature has always taken a fireblood of attraction to readers of all ages?
Forsyth responds: I chose to entwine my fairy tale retelling with a narrative inspired by the true life story of the woman who first wrote the tale for a number of different reasons. I very much wanted the story to feel real, as if it had really happened, and so I wanted a strong historical setting for the book. I’m also very interested in who tells stories, and why, and this gave me an opportunity to explore that through a story of my own. I was also wanting to do something totally unexpected, that would allow me to surprise the reader and destabilise their expectations.
What was the impetus which gravitated you into writing? And, when did this occur? Who was your best cheerleader?
Forsyth responds: I’ve always wanted to to be a writer. My mother says I began writing poems and stories as soon as I could hold a pencil. I wrote my first novel when I was seven, and I’ve never stopped since. I think it was born in me – there was no eureka moment, no flash of realisation. I had my heart set on it right from the very beginning, and I’ve worked all of my life to make it happen. I have an incredibly supportive family – my mother, my sister and brother, my husband, my children. I’m very lucky.
What are your favourite tools to use whilst writing? And, where do you write to gain the most inspiration?
Forsyth responds: I buy a notebook for each new book and that gives me a lot of pleasure – I try and choose one carefully. I write all my flashes of inspirations, all my ideas, all my questions down in my notebook, but I compose straight on to the computer. My favourite place to write is my study as it is all set up just the way I like it. It has all my research books to hand, plus I have a gorgeous view out over my garden, across the harbour to the ocean.
What is your favourite part of being a wordsmith who spins tales out a palette of words which convey a visceral journey for the readers who find your novels?
Forsyth responds: Everything! I love the first flashes of inspiration, I love the daydreaming phase and the research, I love the actual writing and I’m one of those rare writers that loves to edit too.
Outside the realm of writing and research, what enriches your spirit the most? Where do you find your serenity?
Forsyth responds: In my garden, swimming in the ocean or in our pool under the starlit sky, walking through nature, and cooking something for my family. I love to listen to music too!
Acquired Book By: I was selected to be a tour stop on the “Bitter Greens” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the publisher St. Martin’s Press, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
I grew up inside the world of fairy-tales like most young children whose imagination is captured by the fantasy worlds a fairy-tale can generate and explode inside their minds and hearts. I did not always read the direct stories from literature, but opted instead for the motion picture versions and/or re-tellings of the same tale told from a different writer; as part of me always felt that the Brothers Grimm fairy-tales were for someone a bit older than I was at the time I had stumbled across them. I did, of course, read stories like “Little Red Riding Hood” or others that were in collection anthologies for children, but I never truly paid any mind or attention to who was writing them as I liked reading each of the short stories in succession of each other. I do know I appreciated Hans Christian Anderson as a child, but I am not sure which of his were my ultimate favourite either; I will have to re-explore his works at some point down the road.
Even if I heard the stories told aloud by family members or watched an adaptation on the screen, the entire world always fit quite happily inside my mind’s eye, as I liked the lessons stitched into the fabric of the stories themselves. I always liked seeing how the characters worked themselves out of situations and found true strength in the midst of difficulty. The fact there were more happy endings than there were unresolved cliffhangers was a big draw as well, as despite the obstacles that arose, it was quite wicked to find they could live peacefully in the end.
One of my favourite adaptations is “Ever After” on behalf of “Cinderella”, although there are a few other adaptations I appreciate as well. I am not remembering which versions of Rapunzel I am familiar with but when I first learnt of this novel, I was attracted to the deeply wrought story as an underlay to the main thread of context for the well-known fairy-tale. I do remember I used to tell different variants of the story whilst I was in elementary school, as it was a bit of a game we used to play at lunch. We were either re-inventing different outcomes for Rapunzel or Rumpelstiltskin; when we weren’t fondly trying to trip each other up remembering our US Presidents with their various nicknames to help clue us to which one was which. Elementary school games were filled with fond memories as it was one of the few times my classmates and I truly came together as one for the pure joy of ‘sharing’ and being full of ‘laughter’.
I did get a kick out of watching “Tangled” which I realise now was a Rapunzel variant of the story, but then again I grew up on Disney animated films; I tend to keep my eye on the releases that remind me of my childhood.
The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love.
French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens…
After Margherita’s father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.
Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.
Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create what is a sumptuous historical novel, an enchanting fairy tale retelling, and a loving tribute to the imagination of one remarkable woman.
Kate Forsyth wrote her first novel at the age of seven, and is now the internationally bestselling & award-winning author of thirty books, ranging from picture books to poetry to novels for both adults and children. She was recently voted one of Australia’s Favourite 20 Novelists, and has been called ‘one of the finest writers of this generation. She is also an accredited master storyteller with the Australian Guild of Storytellers, and has told stories to both children and adults all over the world.
Her most recent book for adults is a historical novel called ‘The Wild Girl’, which tells the true, untold love story of Wilhelm Grimm and Dortchen Wild, the young woman who told him many of the world’s most famous fairy tales. Set during the Napoleonic Wars, ‘The Wild Girl’ is a story of love, war, heartbreak, and the redemptive power of storytelling, and was named the Most Memorable Love Story of 2013.
She is probably most famous for ‘Bitter Greens’, a retelling of the Rapunzel fairy tale interwoven with the dramatic life story of the woman who first told the tale, the 17th century French writer, Charlotte-Rose de la Force. ‘Bitter Greens’ has been called ‘the best fairy tale retelling since Angela Carter’, and has been nominated for a Norma K. Hemming Award, the Aurealis Award for Best Fantasy Fiction, and a Ditmar Award.
Her most recent book for children is ‘Grumpy Grandpa’, a charming picture book that shows people are not always what they seem.
Since ‘The Witches of Eileanan’ was named a Best First Novel of 1998 by Locus Magazine, Kate has won or been nominated for numerous awards, including a CYBIL Award in the US. She’s also the only author to win five Aurealis awards in a single year, for her Chain of Charms series – beginning with ‘The Gypsy Crown’ – which tells of the adventures of two Romany children in the time of the English Civil War. Book 5 of the series, ‘The Lightning Bolt’, was also a CBCA Notable Book.
Kate’s books have been published in 14 countries around the world, including the UK, the US, Russia, Germany, Japan, Turkey, Spain, Italy, Poland and Slovenia. She is currently undertaking a doctorate in fairytale retellings at the University of Technology, having already completed a BA in Literature and a MA in Creative Writing.
Kate is a direct descendant of Charlotte Waring, the author of the first book for children ever published in Australia, ‘A Mother’s Offering to her Children’. She lives by the sea in Sydney, Australia, with her husband, three children, and many thousands of books.
On reading a re-telling ahead of an original canon:
I clearly have stepped outside my own preferences in reading this past year, as previously I would attempt to read an original canon version of a story prior to picking up a re-telling of the same story. I have found that due to different reasons time doesn’t always allow the luxury of going back to the canon, but rather only allows me to read the book at hand. On the other side of the coin, there have been a few times where I felt not reading the original work might befit me moreso than if I had, such as the case with Sense & Sensibility: A Latter-Day Tale and my forthcoming review of The Monogram Murders (Hercules Poirot). As this particular story is a Brothers Grimm, I was more akin to yearning to read a re-telling than perhaps the original, as I always felt the Grimm brothers wrote stories a bit more intense than I might be drawn to read on a regular basis. At the heart of their stories, I was always wholly entranced but to the actually reading of them? I was always a bit on the fence of where I fit with my inclinations. Realising I had known enough about Rapunzel to insert myself into the flow of the novel, is why I settled myself into the pace Forsyth was generating from the opening of the story and onward. I would be curious if other readers make the same choices I do, or if they have a preference for reading canons prior to after canons; it is such a curious situation to have and I find myself yielding a bit when it comes to where my preferences lie on the issue.
My Review of Bitter Greens:
The Abbey into which Charlotte-Rose de la Force enters has such a strict rule base to follow, that I was curious how she could abide by a quarter of their order’s restrictions when she was entering the convent a free-spirit of the 17th Century. The rules of her day were quite forthright as she was simply another woman cast into an Abbey at the voice of the King, as she was no longer useful nor wanted at Court. The harshness of the sentence was in the fact that most of the women who were forced into this life did not go willingly but rather begrudgingly yet they had little recourse to pursue a different course. In many ways, at the beginning of this novel I started to think back on my reading of Illuminations as the circumstances of being cast into a particular closed off from society insular world was highly familiar. On this level, Bitter Greens is a historical fiction arc of a story set against the back-drop of a biographical fiction narrative, as we are learning about the story of Rapunzel through the writer who gave birth to the idea that has staid with us for generations.
The ache of Mademoiselle’s heart clenched into a tight knot as her new cloister environment did not permit her to continue her writings or her stories from being spilt out of her quill. I was tucked up in curiosity at this revelation to sort out how her story of Rapunzel would come to flourish inside such a stark and dank place where the creative arts were discouraged. It was a bit striking to me that they did not want their sisters to take up a hobby or have a personal vice to keep their own sanity amongst the duties they would endure – so many hours would stack against the clock, and to have a bit of a reprieve in my mind would have settled the heart to endurance.
One particular part of the story I was rather keen on involves beekeeping and the wisdom of knowledge the apothecarist at the convent shares with Charlotte-Rose during a measure of repentance she owes for stepping out of line. Sister Seraphina keeps not only a full garden for her sisters but an active hive, where she cares for her bees with both love and reverence for their culture. I have always appreciated learning more about bees as their struggle to survive is always so very perilous of a plight. Inserting this thread of Sister Seraphina was most delightful, as it spoke to how some of the sisters carved out a bit of peace for themselves even within the walls of a ruled life of order. This was a turning point for me in the story, as I started to feel attached to both characters as warmly as I have felt towards Hildegard.
The origins of Rapunzel are presented as a symphony of a lived life from an era prior to Charlotte-Rose’s own, as told to her by Sister Seraphina whilst they toiled in the garden. What I found so incredible about this bit of traction of where the inspiration for the story of Rapunzel was spun from is how ironic it was for Charlotte-Rose to find herself putting roots into her time at the abbey. She was as indifferent to the life of service as Hildegard (there are a lot of cross-references for me in my mind between both stories!), irked beyond her ire to make peace with her situation, and yet had a bit of a warming glow towards acknowledging that there could be a way towards happiness despite her emotions as a small flicking candle lighting the flame. Her solace was always hinged to stories and the craft of telling stories in a voice that carried the mirth of joy of having them being told. She wandered off into her mind as soon as a measure of shadow and ill will would work itself into her path or affect those she knew around her. The stories were a freedom from reality to help her mind heal from what it did not want to acknowledge as being real as much as to calm her nerves from feeling overwhelmed by something she witnessed or heard. The infusion of how she worked her words into her own creative voice for stories is an outlet of her truest strength. Seeing how this originated and how it percolated at the abbey was the kind of insight that we do not always perceive on behalf of writers of fairy-tales and mythologies. I am not sure how much was based on actual knowledge and how much was creatively inspired, but the notion of where it all stemmed from was beyond fascinating to read in Bitter Greens!
Charlotte-Rose has been given the rarest of gifts: the chance to thread her memories through the spindle of her mind and takeaway insight into how she became the woman she is and how the choices she made affected her future. The tome of wonder you will find within this novel is only one part of the whole of Charlotte-Rose’s life and an expedition of a theory of how she came to fulfill her destiny as a spinning of stories and telling tales full of incredible wisdom. There is a particular surprise for all of us who have travelled down the rabbit hole with Kate Forsyth seeking Rapunzel and finding someone unexpectedly present instead. I felt like smirking when I realised the beauty of Forsyth’s choice and the level of eloquence she stitched into this story overall. I was quite struck by the realisation that from the moment I first opened Bitter Greens to the moment I closed the ARC, I was taken completely unawares and most delighted by the experience!
On the writing style of Kate Forsyth:
Somehow I had forgotten that the novel The Wild Girl was the first novel I had come across by Kate Forsyth at my local library – a book I had checked out a few times yet had not had the honour of reading in full. Forsyth puts dual empathsis on the story of Charlotte-Rose and of Margherita (the inspiration behind Rapunzel) throughout Bitter Greens; owning to each vein of the narrative when writing from one fusion of the story to the other. I found myself drawn closer into the plight of Charlotte-Rose during this reading as I think for me, I found a connection in her that I had discovered whilst reading Hildegard (from Illuminations), and thereby my mind simply alighted onto her path a bit more than Margherita’s at this time. I will have to see after I have the pleasure of reading the Brothers Grimm tale of Rapunzel if I feel more attachment to the passages involving Margherita.
The breadth of her vision for this re-telling is quite impressive, as she didn’t just present a new way of seeing Rupunzel but rather to bridge the gap between the fairy-tale, the reality of two women who truly lived, and the way in which the story has evolved through each generation who fell in sync with it’s telling. She has given us a hearty adaptation whose layers curate in your mind and encourage the reader to take a second reading to fully absolve through the multi-dimensional story in full earnest. I know I will be seeing how my impression of the duality shifts and evolves, but for a first reading I was properly enchanted and spellbound. This is a gutting story-line of perseverance and fortitude whilst dealing with tribulations that no one would soon want to find themselves in the midst of personally.
I do highly recommend that readers might consider reading Illuminations before they read Bitter Greens, as there are instances of overlap between situations found within both stories; for me personally, some of those instances were better understood because I had read Illuminations last year.
Inspired to Share: The placards and music presented in this impressive book trailer elude to the passages that will be found within the pages of “Bitter Greens”; as this is not your ordinary fairy-tale nor is it a re-telling that you’re expecting to find; the layers of story and of time itself through different eras and recollective memories is what helps enchant you as you read; but it is the sheer vision of Forsyth to spin the tale as only she could give it life that stays with you. Consider this trailer a bit of a ‘teaser’ of what the novel will yield!
The Virtual Road Map for “Bitter Greens” can be found here:
Be sure to scope out upcoming tours I will be hosting with:
I will be hosting an Author Interview
with Kate Foryth on this blog tour as well.
A society that I hope to one day join myself as I love their content & focus on Historical Fiction. I appreciate being able to use their badge in my blog’s sidebar to promote awareness of their efforts to spotlight emerging talent inside the genre & for providing amazing ways to become integrated into the mission of supporting today’s historical authors who write such convicting narratives and stories. For the moment I support from afar but I always love alighting on their site and seeing what is new & forthcoming. They even host live events & get togethers!
I positively *love!* comments in the threads below each of my posts, kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon!
{SOURCES: Cover art of “Bitter Greens”, book synopsis, author photograph of Kate Forsyth, author biography, and the tour host badge were all provided by Historical Fiction Virtual Book Tours and used with permission. The book trailer for “Bitter Greens” via Kate Forsyth had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets were able to be embedded by the codes provided by Twitter. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Historical Novel Society badge was used with permission; as book bloggers are encouraged to promote the Society on their blogs.}
Acquired Book By: I was selected to be a tour stop on the “A Paris Apartment” virtual book tour through France Book Tours. I received a complimentary copy of the book direct from the publisher St. Martin’s Press, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
Somewhere in my wanderings on Twitter recently in the bookish realms I frequent, this particular novel came up in a conversation! Then, if I am remembering correctly it was broached in the book blogosphere (of which I am also a participant), so you could say, my interest has become piqued!
I believe I also came across this book not just in Shelf Awareness but on another bookish site recently, as I remember my musings when I first read the premise! To take a real-life mystery and purport it into a fiction telling of ‘what could have been’ I think was a smashing idea on your behalf! I love when writers dig into the realm between fact & fiction, as much as a mystery which involves around art and antiques. Within the silence and the hours in-between what is known and what needs to be found is good folly for a story to inhabit as it allows your lead character to grow and seek what they are intuitively striving to locate as well.
As you can gather from my initial reactions on behalf of A Paris Apartment, I was quite excited about the prospect of not only reading the story but in the realisation of what the story involves! I had contacted the author directly in April of 2014 as there was a bookaway through Shelf Awareness inasmuch as she was visiting #LitChat for a bookish topical discussion that I was quite keen on attending. This was one of those rare moments where everything felt as thought it were set to rights and serendipitously aligning to work out quite well. I have appreciated each and every writer I have become introduced too through #LitChat, as much as I appreciate the ability to write personal notes to the authors who host bookaways through Shelf Awareness, as I love making personal connections to the writers I am finding myself encouraged to read. It brings the book industry closer to home and it allows the writers to get to know their readers a bit as far as who is keen to see their books in print and who is itching to read them once they are released. I find it to be quite the lovely circle of positivity and creative acceptance of the living arts.
What struck me the most about this particular novel is how remarkable the backstory set within its perimeters truly sounded as you delve into the make-up of the circumstances of the ‘apartment’ in question. Or rather, I ought to be saying ‘the flat’ in question!
My singular regret is that I had to postpone my tour stop until I recovered from a horrid stomach flu and by having the hours dissolved off the clock, I had to forfeit my opportunity to interview the author. I was so chuffed it had worked out I could interview her and then, as the fates so happened to align I missed the chance afterall.
When April Vogt’s boss tells her about an apartment in the ninth arrondissement that has been discovered after being shuttered for the past seventy years, the Sotheby’s continental furniture specialist does not hear the words “dust” or “rats” or “decrepit.” She hears Paris. She hears escape.
Once in France, April quickly learns the apartment is not merely some rich hoarder’s repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there’s a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April’s quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It’s about discovering the story behind this charismatic woman.
It’s about discovering two women, actually.
With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan’s private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe’s life, April can’t help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she’s been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.
Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable’s A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.
Michelle Gable is a writer and also a mom, wife, financial executive, sports-obsessed maniac (Go Chargers! Go Aztecs!), Southern California native, barre class fiend, tennis player, and card-carrying member of the Chickasaw Nation.
She grew up in sunny San Diego and attended The College of William & Mary, where she majored in accounting as most aspiring writers do. Throughout a career that started in public accounting and then moved to private equity, then investment banking, and ultimately to the head of FP&A for a publicly-traded software company, Michelle continued to write. And write and write. Her first novel {A Paris Apartment}was released on April 22, 2014, her second scheduled for Spring 2016.
Michelle currently resides in Cardiff by the Sea, California, with her husband, two daughters, and one lazy cat.
A catacomb cache of antiquity and art:
As we first cross the threshold of a locked away apartment in a section of Paris which begets instant recognition, we step properly inside April’s shoes — seeing everything her eyes drink in and with a deep appreciation for finding items of art once thought to either be lost or nonexistent altogether. As I lamented on my ruminations on behalf of Lost in Thought, I have always been a bit piqued in apt fascination for the history of antiques and the items from estates cast back into the world via emporiums and boutiques where everyone can find something they fancy to collect or gather for their own homes. There is a particular keen attraction to having a sense of a living legacy of a singular life attached to the item, as a vehicle of immortality in the sense that someone’s essence was entwined with the piece. Touch is a sense most convicting for our sensory perceptions – it allows us a tangible connection to what cannot be seen but rather felt and thereby internalised on a deeper level of awareness. There was a true catacomb cache of antiquity and art held within the walls of the apartment time and history were kept unawares in knowing about; and within that cache held a curiosity of a person not easily understood nor quenched once her life was brought out into the open.
My Review of A Paris Apartment:
As soon as April mentioned being in need of ‘catching a redeye’ my mind flickered backwards into my own past whereupon I stranded myself in the Pacific Northwest simply due to a mild curiosity over controlled rock climbing walls & a certain outdoors expedition store called REI. I daresay I was always an adventurous lass, but to forfeit my return flight and had to opt instead for the redeye — wells, there are times where I question my own sanity! My reverie continued whilst observing her ‘techniques’ to pinch out every spare inch of her suitcase for ‘necessities’ she’d need on her holiday; the memories of my own ingenuity of achieving the same impossible task left me inside of a smirk!
April’s fragmented life is in a reckless disarray filt with disillusion and an honest sense of being caught in flux; betwixt the present and the future whilst unresolved about the past. Her life is a fitting juxtaposition to the apartment by which she is hired to sort and recover what has been left behind to be found. Her emotional health is a frayed rope of nerves, and whilst she finds herself drawn into the legacy of Boldini and of Madame Florian, it nearly felt as though she were searching for a resounding clarity that would give credence and enlightenment to her own life.
The time shift sequences giving us a jolt of Madame de Florian’s life as she transcribed it down into her diaries was a rare and exquisite treat. Yet one of the surprising twists of everyday life for me in the modern area of the story, is when it was disclosed that dog walkers do not pick up after their animals have taken care of business. It is a well-known fact that no one can walk their dogs (or in some rare cases their cats) without the courtesy of removing what is left behind for someone not to unexpectedly walk through it. I had no idea that Paris has a problem similar to Venice as far as a stench of foulness emitting out of a situation that is containable. It gives a new dimension of awareness I had not yet stumbled across and had me left wondering how you can truly appreciate walking the streets if there are more little ‘surprises’ to be found along the sidewalks? I agree with April on this note on how indifferent it would be to have the joy of being in the city replaced by a bit of furrowed discontempt of such an everyday difference of living.
I felt the energy of the first half of the novel started to muddle towards the middle bits, as April’s suspicious nature towards her husband’s past infidelity was starting to grow a bit old as the old ‘dialogue’ continued to play out. I think it would have been best if she had been more honest with herself that she had already taken an exit out of her marriage. Although, truth to life, perhaps she was not yet aware of what she wanted and thereby had this disconnection growing larger between her and her husband simply due to distance and lack of direction to take next. Even Madame de Florian took a bit of a backseat, and the joy of the art discovered in the apartment ended up being bogged down by bureaucracy and red tape. The further I read into the story, the more crude the humour ended up becoming or rather the more crude the direct references were to the story’s internal threads. I was a bit aghast to find this happening, as foresaid the beginning had such a sprite of energy and sophistication, and watching everything start to derail before my eyes was not something I enjoyed. If I were to be honest, it felt as though there were two halves of a whole and they were not equally connected.
The cheeky humour and the intricacies of Michelle Gable’s writing style:
Gable has an intrinsic method of revealing the well-established stigmas attached to Americans whilst on holiday in France as much as she has a clairvoyant way of using cheeky humour to establish the short tolerance Americans feel in return. The French have always had a certain level of discontempt for Americans, as even I have found this to be threaded through conversations during intermittent connections I’ve had with them, yet what always struck me the most off-character about the whole absurdity of this tension between the countries is how genuine Americans love France and everything most decidedly French! And, for those of us who are of French descent directly, it is a curious stone to overturn. I honestly believe this is due to a disconnection between us: a break down in communication or at the very least an understanding of our different personalities and perceptions of how we live our lives.
Gable allows her American and French characters to respond and react within the perimeters of this well-established awareness between the two cultural divides, yet she always attempts to step out of the stigma and re-align a sense of forward progression.
Fly in the Ointment:
I am not sure why I felt I was awaiting the shoe to drop but call it reader intuition as I had a stirring sense of knowledge the strongest of words would start to trickle out into the enriched descriptive narrative like water snaking out of a busted drain. And, rather unsatisfying to me, of course by page 45 we had to see reveal the one word I despise amongst all others flaunted on display. I truly have yet to find a reason for such inclusions, but on this particular novel’s behalf what felt even more flat is the layers of depth Gable gave to her descriptions.
She breathes words which are not regularly found in Contemporary nor Historical Contemporary Fiction, and somehow the additions of vulgarity felt as though she were depreciating the level of sophistication she started the novel off with at the beginning. In the same sense where April felt vexed when a causal touch or disrespect for the pieces in the apartment were being unceremoniously contaminated by carelessness.
These strong words can be blinked out of today’s fiction for my own sake of sanity, as when I find wicked quality on behalf of the story-teller I am walking a line betwixt wanting to recommend the work for the level of literary quality vs shirking away from realising the recommendation is on a work that is inclusive of language I cannot fathom needing being included. I am as indecisive of knowing how best to augment my final thoughts as I had been after concluding “I Shall Be Near to You”.
I wish I could say the saving grace within this particular tome of narrative voice is that the vulgarity was as intermittent as a wayward fly at a baseball game, however, they were bent on making such striking appearances as to remind me why I do not appreciate the surge in love bugs during Autumn! The annoyance level is always on extreme high as try as you might you cannot outwit a love bug deluge.
On a separate note, I felt the French words writ straight into the dialogue sequences would have felt more second nature to the reader if there were (translated English words) running counterpoint to the French. I positively love when language is used as a vocal representation of setting and of a time of era, yet when all I have is a language opposite of the one I natively speak, all I can do at best is give a smile of a nod to the words themselves without a proper sense of what is actually being said. As a for instance, if one wanted to say “Autumn is such a proper renewal of spirited joy after a languishing of Summer.” Why not write it like this: (or a variant therein)
"L'automne est un tel renouvellement correct de joie vive après une langueur de l'été." (Autumn is such a proper renewal of spirited joy after a languishing of Summer.) she expressed in full measure of unexpected happiness.
I used an online French / English Translation app and thereby am not responsible if the French to English has acceptable loss of error. I simply wanted to convey how frustrated I felt whilst caught up in the French expressions without an English translation in-text. This is not a quote from the novel either – I crafted the entire exchange on the fly so to speak.
I also noted that whenever we were re-visiting Madame de Florian’s life through her diary of letters, the language of English she used was American rather than British, and that was a unique observation for me. I realise most works of American novels in historical fiction do not encompass British English in preference of historical accuracy but I am always struck at a loss to understand why they do not? She wouldn’t be using the spelling of ‘endeavor’ for instance as she would have writ it as ‘endeavour’. It is almost as though the historical points of view are translated yet the language bits are not; a bit of a wench in the wheel to me.
I would have given a celebratory nod of realism had the modern bits [focused on April] had solidified her speaking vernacular of American English with French in-text translations of English; fused counter-current with Madame de Florian’s diaries writ in British English with overlays of French (with in-text translations as well).
Virtual Road Map for “A Paris Apartment” Blog Tour:
A special notation at the end of my post is dedicated to the writers like Ms. Gable & Ms. Alexander (of Dare to Kiss who supports a PTSD charity), who give proceeds of their novels to charity, in this particular instance Ms. Gable has a rotation of charitable organisations she is contributing towards each month there are net proceeds from A Paris Apartment. I found the list on her website and have linked the charities for easy reference to click-through & discover more about each of them.
I have been supporting the Wounded Warrior Project in small ways and one day hope to strengthen my support to make a larger impact, as I find it a difficult pill to swallow that we are not taking care of our returning servicemen & women. The crisis of our Veterans is knitted close to my heart and it is an on-going mission of mine to help find ways to improve their lives; not only through this charity but the outreach Hire Heroes USA as well. I have been supporting the troops through Soldiers’ Angels since 2011.
I was hoping to find an organisation and/or charity that would help the homeless stand stronger and put their lives together through positive hope and obtainable goals; seeking a footprint towards a stronger future. I am blessed to have found the Monarch School on this list as I think this is a concept that needs to be taken nationwide.
Likewise, through the 8 years I devouted to watching Law & Order in my twenties, I became especially keen on the charity of Mariska Hargitay : The Joyful Heart Foundation. As much as watching the mission behind No More flourish and take root. Women have always been rock solid innovators, and every step of the way the more we all choose to reach out to those in need of assistance, empathy, hope, and a bit of joy — we endeavour our own spirits to be lifted up in universal love.
Be sure to scope out upcoming tours I will be hosting with:
Please take note of the Related Articles as they were hand selected due to being of cross-reference importance in relation to this book review. This applies to each post on my blog where you see Related Articles underneath the post. Be sure to take a moment to acknowledge the further readings which are offered.
I positively *love!* comments in the threads below each of my posts, kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon!
{SOURCES: Cover art of “A Paris Apartment”, book synopsis, author photograph of Michelle Gable, author biography, and the tour host badge were all provided by France Book Tours and used with permission. The Excerpt of “A Paris Apartment’ on Issuu had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets were able to be embedded by the codes provided by Twitter. Post dividers by Fun Stuff for Your Blog via Pure Imagination. France Book Tours badge created by Jorie in Canva.}
@KylieKerosene Did you see the interior pages of #AParisApartment?! I was properly gobsmacked in euphoric happiness! It is ‘de chic’ :) <3!
— Jorie Loves A Story (@JLovesAStory) October 5, 2014
#amreading#AParisApartment continuing from whence I left off – heart of gratitude for spontaneity convos from last night; sparked by #book!
@JLovesAStory@SBAlex_author thank you so much! I’ve loved doing it…surprisingly fun when I get to calculate at month end. :)
— Michelle Gable (@MGableWriter) October 5, 2014
The best blessing for me tonight as I read A Paris Apartment is the beautiful happenstance conversation I had with a British Historical fiction author, Ms. McGrath who is a close personal friend to two lovely story-tellers I have not only featured on Jorie Loves A Story but cannot stop talking about their stories to anyone who fancies the same types of narratives as I do! I am referring to Ms. Liz Harris (A Bargain Struck & The Road Back) and Ms. Jenny Barden (The Lost Duchess). Our conversation is inside my feeds on Twitter as I stopped copying them over as they became our own convo independent of Ms. Gable’s novel. I was wicked happy in another regard – now that I have my landing page set up, I can start commenting once more on the English Historical Fiction Author’s Blog as oft as I can the Heroes, Heroines, & History Blog! Champion! All is never quite as lost as we first fear!
I truly believe in what I tweeted just shy of 2am:
@carolmcgrath Yes, truly — I believe #writers have a way of finding each other & the twitterverse & book blogosphere helps unite us all :)
— Jorie Loves A Story (@JLovesAStory) October 5, 2014
Death Sits Down to Dinner
Avelynn
Bitter Greens
A Paris Apartment
