Category: Children’s Literature

#SaturdaysAreBookish | An after canon of #JaneAusten’s classic respun into “Sense Without Sensibility” by Keena Richins

Posted Saturday, 15 February, 2020 by jorielov , , , 1 Comment

#SaturdaysAreBookish banner created by Jorie in Canva.

Acquired Book By:

I have been hosting for Poetic Book Tours since [2016], where I am finding myself encouraged to seek out collections of poetry or incredible fiction being published through Small Trade publishers and presses. I have an Indie spirit and mentality as a writer and I appreciate finding authors who are writing creative works through Indie resources as I find Indies have a special spirit about them. It is a joy to work with Poetic Book Tours for their resilience in seeking out voices in Literature which others might overlook and thereby, increasing my own awareness of these beautiful lyrical voices in the craft.

I received a complimentary copy of “Sense without Sensibility” direct from the author Keena Richins in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On how Jorie is spending the New Year 2020 lost in #JaneAusten:

Some years organically shape themselves into how your bookish & readerly life is going to manifest itself. For me, 2020 soon alerted me to the fact it was finally the year where I could re-shift my focus back into Jane Austen’s canon whilst entertaining her after canon sequels & retellings which I have been enjoying since I first started blogging my readerly life in [2013]. Prior to these years as a blogger and an avidly joyful tweeter – I never sorted out which of the after canon novelists I wanted to read due to the sheer amount of stories which are regularly published!

My journey of course began in December, 2013 when I read J. Marie Croft’s “Love at First Slight” which restylised “Pride and Prejudice” (singularly my favourite by far and one I highlighed in 2017 during #AustenInAugustRBR). From there I moved into my first “Sense & Sensibility” retelling entitled “Sense & Sensibility: A Latter-day Tale” by Rebecca H. Jamison proving that despite not reading nor seeing the motion picture adaption of the original with Emma Thompson (as this was a special gift to movie tie-in from my Mum; both the novel & the screenplay at time of release) you can definitely alight into a respun Austen story! I read this in August of 2014 (still within my first year as a book blogger) whilst years later I would re-cross paths with the author due to following Janeite & Austenite group author blogs and participating in INSPY related readathons!

Conversely, my attempts at participating in Roof Beam Reader‘s annual (until it took a sabbatical) Austen in August event was both productive and futile; depending on how you view my history of participation! Laughs at self.

When I soaked into “Liam Darcy: I Loathe You” by Heidi Jo Doxey (May, 2015) I learnt that there is still much to be learnt about comedic & satire writings in relation to Jane Austen! By October 2016, I was discovering “Sketching Character” (a variant of “Pride and Prejudice”) by Pamela Lynne. Yet in 2018, I discovered my first ‘not my cuppa’ variation of “Persuasion” whilst by November of the same year, I gushed over my first #25PagePreview of reading “Pride” by Ibi Zoboi!

Which brings me to the incredibly layered and wickedly smashing trilogy by Collins Hemingway entitled “The Marriage of Miss Jane Austen”! First read in 2018 and finished in 2019 – this became ‘the’ novel for all Janeites as I have regularly attested in my ruminations on the series behalf which acculmuated this New Year 2020 in the capstone interview I featured on Mr Hemingway’s dedication to bringing “Jane” to life as eloquently as he had! (see also reviews of Volume One, Volume Two & Volume Three)

In 2019 – I also had the honour of discovering the Quill Collective – of whom published a delightful Jane Austen anthology wherein all the writers took a round robin approach to adding in their variations to each of the canonical stories of Jane’s. The audiobook truly had a strong impact on me and I am not even done listening to it yet and ruminating over it as some portions of it I had to withhold listening til I could read the originals. This was meant to lead-in to my listening of a second anthology by the Quill Collective between November & December, 2019 entitled “Yuletide” which is a variation of “Pride and Prejudice”!!

Sadly – I had a hard ending to 2019 – from October – December my health was beyond afflicted and in January, 2020 my focus was simply removed from reading altogether. I barely blinked online – by blog or Twitter and focused more on showcasing #TopTenTuesday than reviews or features. It is only now in February where I have a renewal of spirit despite having a well of inactivity and a respite of absence from reading altogether as highlighted in my recent #BookishNotBookish.

Except to say – one audiobook series which is in of itself a variant of Jane Austen’s legacy is what truly helped ‘pull me out of my bookish funk’ and began to reinspire me to read again – the #JaneAustensDragons series by Maria Grace! I was able to share my initial takeaways and impressions on behalf of the first audiobook narrated by Benjamin Fife entitled “Pemberley: Mr Darcy’s Dragon” – whilst I also featured an interactive, candid and insightful interview with Mr Fife. The sequel “Longbourn: Dragon Entail” is next in line to be featured before I reveal my thoughts on the third in sequence which is “Netherfield: Rogue Dragon”!

In a recent convo on Twitter with @KhatriHina I realised I needed to break the trend of ‘not reading’ the original canons of Jane and to resume my love of her after canons. Thus, we’re reading “Emma” first and then moving into her other works whilst as this blog tour via Poetic Book Tours implies I am also reading her after canons in succession betwixt and between those readings as well! I want to dive into Jennetta James’s “Suddenly Mrs Darcy” as much as finally feel rooted into “Yuletide” in order to properly share my reactions to both as I move through their stories.

I am going to alternate from reading the books I currently have visible on my shelves (ie. “Northanger Abbey”, “Mansfield Park” & “Persuasion”) whilst borrowing the others except for “Pride & Prejudice” as I’ve read it oft enough to bypass it this year – though I do want to finally finish Stephanie Barron’s first Jane Austen Mysteries “Jane and the Unpleasantness at Scargrave Manor”). “Emma” is being borrowed on audiobook and I am thankful for it as I am striving for balance between what I read in print and what I listen to in audiobook.

I might have taken the long road back into reading #JaneAusten but I am appreciative of the fact that despite the adverse years of 2018-19 where my migraines raged – this New Year 2020 it is blissful to be migraine-free allowing me the grace of realigning back into Classical Literature & my selections of Non-Fiction which had to be back-burnered until the migraine lost their grip on me.

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#SaturdaysAreBookish | An after canon of #JaneAusten’s classic respun into “Sense Without Sensibility” by Keena RichinsSense without Sensibility
by Keena Richins
Source: Author via Poetic Book Tours

After a stroke that devastates the mind of her father, Elinor expects her life will never be the same. But she wasn’t expecting to lose her job and her family home thanks to a legal technicality.

Facing ruin, Elinor prepares to fight against the selfish, cruel man who would ensure that ruin. However, Edward turns out to be the opposite, a kind soul who only wants to fulfill his duty. So Elinor hatches a new plan: get Edward on her side and utilize their own legal technicality. The only problem? Edward would have to go against his very influential and wealthy family.

Would he risk losing everything–his job, his family, and his massive inheritance–to save Elinor?

Genres: After Canons, Classical Literature, Contemporary (Modern) Fiction (post 1945), Re-telling &/or Sequel



Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781074858070

Published by Self Published

on 23rd June, 2019

Format: Paperback Edition

Pages: 286

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The Pemberley Estates series:

Book One: Persuading Him (A Modern Persuasion Re-telling)

Book Two: Persuading Her (A Modern Persuasion Re-telling)

Book Three: Sense without Sensibility (A Modern Sense & Sensibility Re-telling)

Read the Author’s Guest post on the tour which explains why #stroke is an important part of the story within “Sense without Sensibility” whilst read my previous posts about how this has impacted my own life with my father. (Not Your Traditional Thanksgiving)(Returning)(& Top Ten Tuesday)

Fun Stuff for Your Blog via pureimaginationblog.com

Available Formats: Trade Paperback and Ebook

Converse via: #AfterCanon of #JaneAusten, #SenseAndSensibility
& #SenseWithoutSensibility as well as Retellings of #ClassicLit

About Keena Richins

Keena Richins has a curse: she must write the stories bubbling in her head or go mad. Seriously. You should see the hordes of characters in her head constantly babbling about their lives. When she needs a break, Keena will delve into books and her favorite are the Jane Austen books, so it is only fitting for her first debut to be a modern twist on one of those classics. And many more are soon to come.

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Posted Saturday, 15 February, 2020 by jorielov in 21st Century, After the Canon, Blog Tour Host, Classical Literature, Indie Author, Inspired By Author OR Book, Inspired by Stories, Jane Austen Sequel, Modern Day, Poetic Book Tours, Re-Told Tales, Sense & Sensibility Re-telling, Sequel Authors, Siblings

#PubDay Book Review | “Adequate Yearly Progress” by Roxanna Elden

Posted Tuesday, 11 February, 2020 by jorielov , , , 0 Comments

Book Review banner created by Jorie in Canva.

Acquired Book By: I have been a book blogger hosting publisher blog tours and/or featuring book reviews for Simon & Schuster (as well as a few of their imprints) since 2017 however I didn’t start to host for them regularly until 2018. What I appreciate about being a book blogger for this publisher is that they have the tendency of knowing the types of Contemporary & Historical stories which interest me to read even before I realise there is a new release forthcoming which I might gravitate towards wanting to read! It never fails to delight me finding one of their emails in my Inbox because they have the tendency of selecting the stories which align wonderfully with my own bookish wanderings. It is a joy to be a book blogger on their publisher blog tours and/or hosting reviews for them outside of the organised blog tours.

I received a complimentary copy of “Adequate Yearly Progress” direct from the publisher Atria Books (an imprint of Simon & Schuster) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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The reason reading ”Adequate Yearly Progress” appealled to me:

Ever since I was in school, I oft wondered what the teachers were talking about when they weren’t in the classroom. Growing up during budget cuts in the public & private school systems in the United States was an interesting view of the education system. Programs like Art, Drama, Shop (construction) and anything ‘extra’ after school were generally the first to get cut whilst they also had shortages on textbooks which is why I still remember how difficult it was to ‘lose our lockers’ in seventh and eighth grade because we literally had to go down to using ‘class sets’ without taking anything home except for copied work sheets which you could do in your sleep. In other words, for a lot of the years I was in school I didn’t feel academically challenged but what I gained instead was self-confidence, self-advocacy and self-esteem; in essence, I was building life skills and learning how to navigate the world.

Still though – there was a lot of bureaucratic red tape for the teachers, including the good ones who were student centred and held our interests ahead of their own. Some wanted to do more but were hindered by the budget or the restraints of the rules within public or private education (depending which school I was attending and which grade level). The only time I really had a chance to interact with the faculty and teachers more directly was in eighth grade where I befriended the school principal who tragically died prematurely shortly afterwards and in high school where the veil was fully lifted and I learnt far more than I expected!

For these reasons and the current state of public education in America, I decided this might be a rather timely novel to be reading. I also grew up being a dyslexic learner where most of my teachers didn’t realise I had learning difficulties because I learnt to overcompensate for my dyslexia – however, that’s a topic for another time as it lead to its own quirky complications!

Suffice it to say, from a very young age when it came to academic curiosity and literary wanderings – I did most of my educational pursuits off-campus and outside traditional education. I learnt more from my Mum who was technically my first teacher and through my family who always encouraged me to have as many experiences as I could and to seek out alternative learning opportunities.

Once I learnt how to work round my dyslexia the world of books became a cosy comfort because there wasn’t a subject I couldn’t explore on my own and there was a wide literary world out there to time travel through – in essence, what I have shared on Jorie Loves A Story is a small fraction of insight into my life as an independent learner and a self-motivating reader who continues to self-educate herself through literature and libraries.

Thus, I was dearly curious how this Contemporary novel might explore the current state of the educational system and the teachers who have a lot to deal with in regards to resources available to them in order to educate the children in their classrooms. I also thought it might have some cheeky humour along the way which is always a good thing to find!

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#PubDay Book Review | “Adequate Yearly Progress” by Roxanna EldenAdequate Yearly Progress
by Roxanna Elden
Source: Direct from Publisher

Roxanna Elden’s “laugh-out-loud funny satire” (Forbes) is a brilliantly entertaining and moving look at our education system.

Each new school year brings familiar challenges to Brae Hill Valley, a struggling high school in one the biggest cities in Texas. But the teachers also face plenty of personal challenges and this year, they may finally spill over into the classroom.

English teacher Lena Wright, a spoken-word poet, can never seem to truly connect with her students. Hernan D. Hernandez is confident in front of his biology classes, but tongue-tied around the woman he most wants to impress. Down the hall, math teacher Maybelline Galang focuses on the numbers as she struggles to parent her daughter, while Coach Ray hustles his troubled football team toward another winning season. Recording it all is idealistic second-year history teacher Kaytee Mahoney, whose anonymous blog gains new readers by the day as it drifts ever further from her in-class reality. And this year, a new superintendent is determined to leave his own mark on the school—even if that means shutting the whole place down.

Genres: Contemporary (Modern) Fiction (post 1945), Education & Learning, Literary Fiction, Realistic Fiction, Teachers & Educators



Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781982135027

Published by Atria Books

on 11th February, 2020

Format: Trade Paperback

Pages: 400

 Published By:  Published By: Atria Books (@AtriaBooks)
{imprint of} Simon & Schuster (

Converse via: #AdequateYearlyProgress, #ContemporaryFiction + #RealisticFiction
Available Formats: Trade Paperback, Audiobook & Ebook

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About Roxanna Elden

Roxanna Elden

Roxanna Elden is the author of Adequate Yearly Progress: A Novel, and See Me After Class: Advice for Teachers by Teachers. She combines eleven years of experience as a public school teacher with a decade of speaking to audiences around the country about education issues. She has been featured on NPR as well as in The New York Times, The Washington Post, The Atlantic, and more.

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Reading this book contributed to these challenges:

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Posted Tuesday, 11 February, 2020 by jorielov in 21st Century, Bits & Bobbles of Jorie, Blog Tour Host, Compassion & Acceptance of Differences, Equality In Literature, Fly in the Ointment, Learning Difficulties, Literary Fiction, Modern Day, Multi-cultural Characters and/or Honest Representations of Ethnicity, Publishers & Presses (Direct Reviews), School Life & Situations, Simon & Schuster, Teacher & Student Relationships, Vulgarity in Literature

A Jane Austen Conversation | featuring Collins Hemingway in discussion about his Marriage of Miss Jane Austen series

Posted Wednesday, 15 January, 2020 by jorielov , , 0 Comments

Conversations with the Bookish badge created by Jorie in Canva

Hallo, Hallo dear hearts,

I am not entirely sure if everyone who reads my blog is aware of my admiration for Jane Austen or the fact, I consider myself a #Janeite. I have loved the author’s style of narrative for many years, in fact, I wrote an Essay about it during 2017’s #AustenInAugust and couldn’t help but gush over the reading of the first novel in this trilogy as well.

What implored me truly to read this after canon selection on a theory of Jane Austen’s life is my affection for the author herself. I love reading after canon works based on her collective works but I also like to entertain readings of stories which relate directly to the writer, herself. Previously, I have explored this through the Jane Austen Mysteries a series I look forward to re-visiting, as I hadn’t had the time to re-read the first novel nor continue with the rest of the stories which followed suit. This was initially my goal whilst reading the first volume in this series – however, in the past few years, my readings of Austen Literature has taken a few interesting hiatuses.

Whilst noting this is a novel of an evolving theory based on what ‘could have been’ in accord to Ms Austen’s life, I felt it warranted exploring because after all, how much do any of us know about the Classical authors we love to read? In this, I had a curious thought – what if this novel had a foundation of grounding based on one of the author’s own works? This is something which came into better clarity as I read the novel directly and one in which, I had wondered if other readers on the blog tours had noted themselves.

Fun Stuff for Your Blog via pureimaginationblog.com

Directly though – I was dearly curious to continue reading this series due to these
ruminative thoughts I had shared after finishing Volume Two:

As I re-entered Jane’s life as a married woman, I was happy to find Cassandra was beside her, news of the Napoleonic War held good news for her family (especially in regards to her brother) whilst her new life was still one she was settling into accepting. Ashton provided a step-up in social standing for Jane, including how they lived and what they had within their environs. You can see her a bit uncertain how to handle the luxuries of this life compared to what she was used to previously with the Austens, who lived a humbled existence.

Jane is the newly minted Mrs Dennis in the household – a duty and station which comes with a litany of obligation, responsibility and a foresight of understanding for social trademarks for a hostess. It is here where we first start to notice how Jane’s own upbringing fell short of what she would have to endure as a married woman. How her mother-in-law wouldn’t hesitate to point out her faults and where her sister Cassandra would provide a moral anchour to her nerves. It is here we find Jane attempting to do the biding of her husband but without the fuller knowledge of what a disaster it could become if she would blindly follow his advice without taking into consideration the suggestions of his mother, the other ‘Mrs Dennis’.

It is interesting to see how Jane would approach married life – how she is open to discussing things with Ashton or of finding ways to engage him in the romantic gestures she endeavours to instigate. Nothing is seen as this was inspired by Jane Austen and thus, Hemingway happily kept her style of narrative intact without deviating out of the tastefulness of a romance which made her infamous for the genre; yet what was interesting is how he gave a bit of freedom of expression to both Jane and Ashton. They were happily enjoying their married lives – all facets of it but most importantly the ways in which they were endearing each other in their more intimate moments.

There is a bit of cheeky humour threading into the backbone of this installment – how Jane is reflectively musing about how she’s surprised at how natural being a married woman has come to her and how she enjoys being with her husband. There are other sides to Jane as well, such as the woman who is not yet ready to lead a household but of whom, is attempting to remain outside her comfort zone if it means improving her connection to her husband, her staff and her mother-in-law. This is a story of growth – of seeing Jane move away from her years of youth and of embracing this new chapter where she is writing the hours as they arrive.

As Jane started to see how marriage loomed ahead of her, her one regret truly was the lack of hours in which to be creatively engaged with her pen. She spoke of this to Ashton, of whom did not see why she was upset (not really, though he attempted to try) as she had chosen to be with him, to be a wife and to have responsibilities that would naturally come out of the union. Quite a typical response, except that it fell short of realising from a husband’s perspective, how sometimes a woman in a marriage was not realising they were sacrificing a part of themselves for the sake of being with the man they loved. I think in this instance, Jane had become caught inside the romance and hadn’t fully thought about how her life might become altered if she followed course.

A lot of truth in those worries of Jane as I readily observe how not all husbands are supportive of their wives (especially if their writers) and how it would appear that women are still even now needing to defend why they write or why they want to be economically engaged outside of their marriage. This was a moment of reckoning for Jane, as it wasn’t just putting aside her desires to write which plagued her conscience but certain aspects of marriage itself; which also acted as a conflict with how she was raised and the more sheltering views of being a clergy’s daughter.

Similarly, Hemingway was not shy to highlight the other tensions in their marriage – such as the blunderment Ashton made in deference to Jane in private conversation. It shows how he was effectively examining their marriage from an outside vantage point which had the pleasure of seeing the more intimate moments of their private hours. In thus, he pulled back the layers of what was shielding them from the outside world – drawing them out, letting them reveal their raw emotional thoughts and to speak plainly how they felt about not just one another but the topical issues of their era. They were together for most things but they struck a chord apart on deeper issues I think bemused both of them to notice they truly were two passionate souls who each had their own individual mind. To which end, there were some aspects of their disagreements which were worth owning and there were others worth realising they would never agree on the finer points which separated them.

They do remain united in their ability to draw back together after their differences are shed – for they have a strong marriage built out of trust and truthfulness. It is through their discussions they realise certain aspects of their business and their personal lives are coming to a head of discourse. They cannot continue to engage in partnerships which go against their own minds and hearts which reflect the current events – from slavery to the promise of war, they are keeping on the fringes of what is reflective in the papers. This causes disruptions for them naturally but at the heart of their marriage is a union sparked out of love and united in a fond respect for each other, the world at large and the auspicious emblems of living a life with ethical morals.

As we peer more into Jane and Ashton’s world as a married couple, we start to see how difficult it is for both of them – how they must learn to yield to one another and draw a closer circle of strength to tackle what is awaiting them. There is a joyful revelation in this installment – one that further enlarges our scope of understanding for how Jane is fully lit alive by her experiences as a wife and how by embracing these subtle changes she is finding herself radically new and altered. Jane is happily introspective throughout the story – owning to her pursuit to understand herself and her environment but also, to acknowledge how each new year of a life lived is a chance to see the milestones of the experiences you’ve gained.

This particular installment ends on a happy note but one which is guarded for the future – for not everything is certain and there are a few key reasons for Ashton and Jane to feel as if the future yet to come might prove to be far more taxing than the hours that they have just passed through. It is a keenly intriguing series and one I hope more Janeites discover as it truly is a unique testimony about how a modern writer can re-tap into the life of Jane and bring her out so wholly original and true of her person to give us a near-living testimony of how she would have lived had she taken the paths and passageways he’s explored in this trilogy.

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It is hard to put into words how much this trilogy has taken up a cosy niche of joy in my heart – as I first started reading this beautiful sequence of Jane Austen’s life in January 2018. The past two years has given me a lot of heartfelt joy to reconnect to Austen in a plausible and believable way of re-introducing myself into her world and the ways in which this sequence of her life could have been lived. I have felt from the start, Hemingway himself was channelling a special entreaty into her life and world – the ways in which he instinctively knew how to write about her innermost thoughts, the way he tucked in letters and correspondences into the trilogy and how he captured the heart of the Regency as an era and background to the story itself.

His capacity to tell this story has been a heartwarming experience for me and I am truly thankful I could close out 2019 with reading the finale installment which brings our experiences with Jane in this beautiful trilogy to a close.

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A Jane Austen Conversation | featuring Collins Hemingway in discussion about his Marriage of Miss Jane Austen seriesThe Mariage of Miss Jane Austen
Subtitle: Volume Three
by Collins Hemingway

The Stunning Finale to Jane Austen’s Saga

In the moving conclusion to “The Marriage of Miss Jane Austen,” Jane and her husband struggle with the serious illness of their son, confront a bitter relationship with the aristocratic family who were once their friends and face the horrific prospect of war when the British Army falters on the continent. The momentous events of the Napoleonic wars and the agonizing trials of their personal lives take Jane and Ashton to a decision that will decide their fate—and her future—once and for all.

Genres: After Canons, Historical Fiction, Historical Romance, Re-telling &/or Sequel



Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781979472760

Also by this author: The Mariage of Miss Jane Austen : Volume One, The Mariage of Miss Jane Austen : Volume Two, The Mariage of Miss Jane Austen

on 4th November, 2017

The Marriage of Miss Jane Austen trilogy:

The Marriage of Miss Jane Austen by Collins HemingwayThe Marriage of Miss Jane Austen Vol II by Collins HemingwayThe Marriage of Miss Jane Austen Volume 3 by Collins Hemingway

Converse via: #HistFic, #HistoricalFiction, #HistRom + #JaneAusten

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Posted Wednesday, 15 January, 2020 by jorielov in #SaturdaysAreBookish, 19th Century, After the Canon, Blog Tour Host, Bookish Discussions, Christianity, Family Drama, Family Life, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, Inspired By Author OR Book, Jorie Loves A Story Features, Mother-Daughter Relationships, Pride & Prejudice Re-telling, Second Chance Love, Siblings, Sisters & the Bond Between Them, the Regency era, Women's Fiction, World Religions

A #blogmas of Austen Book Review during #SaturdaysAreBookish | “The Marriage of Miss Jane Austen” (Vol.3) by Collins Hemingway

Posted Saturday, 21 December, 2019 by jorielov , , 2 Comments

#blogmas 2019 badge created by Jorie in Canva.

This #blogmas I knew I wanted to be reading a select few after canon sequences focused on Jane Austen’s narratives and/or of her life – lateron this afternoon I’ll be posting a special post announcing how I’m taking the weekend to be with Jane and the writers who have written stories which excite me as a reader who is chasing after her after canons with a heart full of giddy joyfulness! However, this morning I wanted to focus on my ruminative thoughts and musings for having read & finished the finale of this beautiful trilogy given to us by Mr Hemingway!

I have been dearly appreciative to have hosted this entire trilogy as it has toured the book blogosphere via Historical Fiction Virtual Book Tours – it has been an incredibly lovely experience and having this trilogy in my personal library has become a treat of joy. I have loved his instincts for how he told this story and how he crafted a realistically compelling narrative about a writer we all long to read & to understand better as we do.

As a Janeite whose approached reading this trilogy with an open mind and heart – it is a mark of joy to feature this third installment as one of my final #SaturdaysAreBookish reviews for 2019. As you know – this was my new featured showcase of reviews for Romance & Women’s Fiction which launched in January 2019. I look forward to seeing where those journeys take me in the New Year of 2020 and beyond – whilst it is lovely to end this year with a trilogy I’ve loved reading. Be sure to return next Saturday as I feature my final review for this sequence of featured reviews as I say ‘goodbye’ to 2019 and all the beautifully lovely Romance & Women’s Fiction stories which have graced my life this bookishly happy year.

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Acquired Book By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess!

I received a complimentary copy of “The Marriage of Miss Jane Austen Volume 3” direct from the author Collins Hemingway in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Fun Stuff for Your Blog via pureimaginationblog.com

Why I was interested in the premise behind this novel:

I am not entirely sure if everyone who reads my blog is aware of my admiration for Jane Austen or the fact, I consider myself a #Janeite. I have loved the author’s style of narrative for many years, in fact, I wrote an Essay about it during 2017’s #AustenInAugust and couldn’t help but gush over the reading of the first novel in this trilogy as well.

What implored me truly to read this after canon selection on a theory of Jane Austen’s life is my affection for the author herself. I love reading after canon works based on her collective works but I also like to entertain readings of stories which relate directly to the writer, herself. Previously, I have explored this through the Jane Austen Mysteries a series I look forward to re-visiting this year, as I hadn’t had the time to re-read the first novel nor continue with the rest of the stories which followed suit. This was initially my goal whilst reading the first volume in this series – however, in the past few years, my readings of Austen Literature has taken a few interesting hiatuses.

Whilst noting this is a novel of an evolving theory based on what ‘could have been’ in accord to Ms Austen’s life, I felt it warranted exploring because after all, how much do any of us know about the Classical authors we love to read? In this, I had a curious thought – what if this novel had a foundation of grounding based on one of the author’s own works? This is something which came into better clarity as I read the novel directly and one in which, I had wondered if other readers on the blog tour had noted themselves.

Directly though – I was dearly curious to continue reading this series due to these
ruminative thoughts I had shared after finishing Volume Two:

As I re-entered Jane’s life as a married woman, I was happy to find Cassandra was beside her, news of the Napoleonic War held good news for her family (especially in regards to her brother) whilst her new life was still one she was settling into accepting. Ashton provided a step-up in social standing for Jane, including how they lived and what they had within their environs. You can see her a bit uncertain how to handle the luxuries of this life compared to what she was used to previously with the Austens, who lived a humbled existence.

Jane is the newly minted Mrs Dennis in the household – a duty and station which comes with a litany of obligation, responsibility and a foresight of understanding for social trademarks for a hostess. It is here where we first start to notice how Jane’s own upbringing fell short of what she would have to endure as a married woman. How her mother-in-law wouldn’t hesitate to point out her faults and where her sister Cassandra would provide a moral anchour to her nerves. It is here we find Jane attempting to do the biding of her husband but without the fuller knowledge of what a disaster it could become if she would blindly follow his advice without taking into consideration the suggestions of his mother, the other ‘Mrs Dennis’.

It is interesting to see how Jane would approach married life – how she is open to discussing things with Ashton or of finding ways to engage him in the romantic gestures she endeavours to instigate. Nothing is seen as this was inspired by Jane Austen and thus, Hemingway happily kept her style of narrative intact without deviating out of the tastefulness of a romance which made her infamous for the genre; yet what was interesting is how he gave a bit of freedom of expression to both Jane and Ashton. They were happily enjoying their married lives – all facets of it but most importantly the ways in which they were endearing each other in their more intimate moments.

There is a bit of cheeky humour threading into the backbone of this installment – how Jane is reflectively musing about how she’s surprised at how natural being a married woman has come to her and how she enjoys being with her husband. There are other sides to Jane as well, such as the woman who is not yet ready to lead a household but of whom, is attempting to remain outside her comfort zone if it means improving her connection to her husband, her staff and her mother-in-law. This is a story of growth – of seeing Jane move away from her years of youth and of embracing this new chapter where she is writing the hours as they arrive.

As Jane started to see how marriage loomed ahead of her, her one regret truly was the lack of hours in which to be creatively engaged with her pen. She spoke of this to Ashton, of whom did not see why she was upset (not really, though he attempted to try) as she had chosen to be with him, to be a wife and to have responsibilities that would naturally come out of the union. Quite a typical response, except that it fell short of realising from a husband’s perspective, how sometimes a woman in a marriage was not realising they were sacrificing a part of themselves for the sake of being with the man they loved. I think in this instance, Jane had become caught inside the romance and hadn’t fully thought about how her life might become altered if she followed course.

A lot of truth in those worries of Jane as I readily observe how not all husbands are supportive of their wives (especially if their writers) and how it would appear that women are still even now needing to defend why they write or why they want to be economically engaged outside of their marriage. This was a moment of reckoning for Jane, as it wasn’t just putting aside her desires to write which plagued her conscience but certain aspects of marriage itself; which also acted as a conflict with how she was raised and the more sheltering views of being a clergy’s daughter.

Similarly, Hemingway was not shy to highlight the other tensions in their marriage – such as the blunderment Ashton made in deference to Jane in private conversation. It shows how he was effectively examining their marriage from an outside vantage point which had the pleasure of seeing the more intimate moments of their private hours. In thus, he pulled back the layers of what was shielding them from the outside world – drawing them out, letting them reveal their raw emotional thoughts and to speak plainly how they felt about not just one another but the topical issues of their era. They were together for most things but they struck a chord apart on deeper issues I think bemused both of them to notice they truly were two passionate souls who each had their own individual mind. To which end, there were some aspects of their disagreements which were worth owning and there were others worth realising they would never agree on the finer points which separated them.

They do remain united in their ability to draw back together after their differences are shed – for they have a strong marriage built out of trust and truthfulness. It is through their discussions they realise certain aspects of their business and their personal lives are coming to a head of discourse. They cannot continue to engage in partnerships which go against their own minds and hearts which reflect the current events – from slavery to the promise of war, they are keeping on the fringes of what is reflective in the papers. This causes disruptions for them naturally but at the heart of their marriage is a union sparked out of love and united in a fond respect for each other, the world at large and the auspicious emblems of living a life with ethical morals.

As we peer more into Jane and Ashton’s world as a married couple, we start to see how difficult it is for both of them – how they must learn to yield to one another and draw a closer circle of strength to tackle what is awaiting them. There is a joyful revelation in this installment – one that further enlarges our scope of understanding for how Jane is fully lit alive by her experiences as a wife and how by embracing these subtle changes she is finding herself radically new and altered. Jane is happily introspective throughout the story – owning to her pursuit to understand herself and her environment but also, to acknowledge how each new year of a life lived is a chance to see the milestones of the experiences you’ve gained.

This particular installment ends on a happy note but one which is guarded for the future – for not everything is certain and there are a few key reasons for Ashton and Jane to feel as if the future yet to come might prove to be far more taxing than the hours that they have just passed through. It is a keenly intriguing series and one I hope more Janeites discover as it truly is a unique testimony about how a modern writer can re-tap into the life of Jane and bring her out so wholly original and true of her person to give us a near-living testimony of how she would have lived had she taken the paths and passageways he’s explored in this trilogy.

It is hard to put into words how much this trilogy has taken up a cosy niche of joy in my heart – as I first started reading this beautiful sequence of Jane Austen’s life in January 2018. The past two years has given me a lot of heartfelt joy to reconnect to Austen in a plausible and believable way of re-introducing myself into her world and the ways in which this sequence of her life could have been lived. I have felt from the start, Hemingway himself was channelling a special entreaty into her life and world – the ways in which he instinctively knew how to write about her innermost thoughts, the way he tucked in letters and correspondences into the trilogy and how he captured the heart of the Regency as an era and background to the story itself.

His capacity to tell this story has been a heartwarming experience for me and I am truly thankful I could close out 2019 with reading the finale installment which brings our experiences with Jane in this beautiful trilogy to a close.

Fun Stuff for Your Blog via pureimaginationblog.com

A #blogmas of Austen Book Review during #SaturdaysAreBookish | “The Marriage of Miss Jane Austen” (Vol.3) by Collins HemingwayThe Mariage of Miss Jane Austen
Subtitle: Volume Three
by Collins Hemingway
Source: Author via Historical Fiction Virtual Book Tours

The Stunning Finale to Jane Austen’s Saga

In the moving conclusion to “The Marriage of Miss Jane Austen,” Jane and her husband struggle with the serious illness of their son, confront a bitter relationship with the aristocratic family who were once their friends and face the horrific prospect of war when the British Army falters on the continent. The momentous events of the Napoleonic wars and the agonizing trials of their personal lives take Jane and Ashton to a decision that will decide their fate—and her future—once and for all.

Genres: After Canons, Historical Fiction, Historical Romance, Re-telling &/or Sequel



Places to find the book:

Borrow from a Public Library

Add to LibraryThing

ISBN: 9781979472760

Also by this author: The Mariage of Miss Jane Austen : Volume One, The Mariage of Miss Jane Austen : Volume Two, The Mariage of Miss Jane Austen

Also in this series: The Mariage of Miss Jane Austen : Volume One, The Mariage of Miss Jane Austen : Volume Two


Published by Self Published

on 4th November, 2017

Format: Trade Paperback

Pages: 338

The Marriage of Miss Jane Austen trilogy:

The Marriage of Miss Jane Austen by Collins HemingwayThe Marriage of Miss Jane Austen Vol II by Collins HemingwayThe Marriage of Miss Jane Austen Volume 3 by Collins Hemingway

Converse via: #HistFic, #HistoricalFiction, #HistRom + #JaneAusten

About Collins Hemingway

Collins Hemingway

Whether his subject is literature, history, or science, Collins Hemingway has a passion for the art of creative investigation. For him, the most compelling fiction deeply explores the heart and soul of its characters, while also engaging them in the complex and often dangerous world in which they have a stake. He wants to explore all that goes into people’s lives and everything that makes tThe hem complete though fallible human beings. His fiction is shaped by the language of the heart and an abiding regard for courage in the face of adversity.

As a nonfiction book author, Hemingway has worked alongside some of the world’s thought leaders on topics as diverse as corporate culture and ethics; the Internet and mobile technology; the ins and outs of the retail trade; and the cognitive potential of the brain. Best known for the #1 best-selling book on business and technology, Business @ the Speed of Thought, which he coauthored with Bill Gates, he has earned a reputation for tackling challenging subjects with clarity and insight, writing for the nontechnical but intelligent reader.

Hemingway has published shorter nonfiction on topics including computer technology, medicine, and aviation, and he has written award-winning journalism.

Published books include The Marriage of Miss Jane Austen trilogy, Business @ the Speed of Thought, with Bill Gates, Built for Growth, with Arthur Rubinfeld, What Happy Companies Know, with Dan Baker and Cathy Greenberg, Maximum Brainpower, with Shlomo Breznitz, and The Fifth Wave, with Robert Marcus.

Hemingway lives in Bend, Oregon, with his wife, Wendy. Together they have three adult sons and three granddaughters. He supports the Oregon Community Foundation and other civic organizations engaged in conservation and social services in Central Oregon.

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Reading this book contributed to these challenges:

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Posted Saturday, 21 December, 2019 by jorielov in #SaturdaysAreBookish, 19th Century, After the Canon, Blog Tour Host, Bookish Discussions, Christianity, Family Drama, Family Life, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, Inspired By Author OR Book, Jorie Loves A Story Features, Mother-Daughter Relationships, Pride & Prejudice Re-telling, Second Chance Love, Siblings, Sisters & the Bond Between Them, the Regency era, Women's Fiction, World Religions

Blog Book Tour befitting #SpooktasticReads | “Hall-o-ween” (Children’s Picture Book) written and illustrated by Tia Perkin

Posted Monday, 23 September, 2019 by jorielov , , 2 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book By: I started hosting with Prism Book Tours at the end of [2017], having noticed the badge on Tressa’s blog (Wishful Endings) whilst I was visiting as we would partake in the same blog tours and/or book blogosphere memes. I had to put the memes on hold for several months (until I started to resume them (with Top Ten Tuesday) in January 2018). When I enquiried about hosting for Prism, I found I liked the niche of authors and stories they were featuring regularly. I am unsure how many books I’ll review for them as most are offered digitally rather than in print but this happily marks one of the blog tours where I could receive a print book for review purposes. Oft-times you’ll find Prism Book Tours alighting on my blog through the series of guest features and spotlights with notes I’ll be hosting on behalf of their authors.

I received a complimentary copy of “Hall-o-ween” direct from the author Tia Perkin in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Fun Stuff for Your Blog via pureimaginationblog.com

On why I wanted to accept this Picture Book blog tour:

It has been quite a long while since I’ve had the joy of reading and reviewing Children’s Lit on a regular basis. I used to receive quite a few titles – some of which were picture books, like this one. However, in the past most of the picture books were in hardback – with the one exception, I received a printed but unbound copy of “The Blue Hour” from LibraryThing’s Early Reviewer programme.

I’ve been missing being a champion of #KidsLit on Jorie Loves A Story – as I have such an eclectic curiosity about *stories!* – my readerly life wanders quite a bit through genre, style and voice as I continue to seek out what personally inspires me to read. This particular book just felt *right!* as it has a bit of cheeky humour whilst its celebrating one of my favourite holidays: HALLOWEEN! What could go wrong? lol I loved the illustrations as you’re about to find out, too!

Fun Stuff for Your Blog via pureimaginationblog.com

Blog Book Tour befitting #SpooktasticReads | “Hall-o-ween” (Children’s Picture Book) written and illustrated by Tia PerkinHall-o-ween
by Tia Perkiin
Source: Author via Prism Book Tours

"Hall-O-Ween!" is a spooky little rhyming book about all the sweet bites and fun frights on Halloween day and night.

Genres: Artistic Adaptations &/or Picture Books, Children's Literature, Early Reader Stories, Fantasy Fiction, Illustrated Stories



Places to find the book:

Add to LibraryThing

ISBN: 9781732747203

Published by Self Published

on 1st October, 2018

Format: Trade Paperback

Pages: 38

This picture book is self-published

Converse via: #SpooktasticReads, #Halloween + #KidsLit with #PictureBook

Available Formats: Trade Paperback and Ebook

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Reading this book contributed to these challenges:

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Posted Monday, 23 September, 2019 by jorielov in Blog Tour Host, Children's Literature, Early Reader | Chapter Books, Indie Author, Juvenile Fiction, Literature for Boys, Picture Book, Prism Book Tours