Tag: William Shakespeare

Author Interview | Discussing MacBeth and the way this tale was re-spun through the vision DK Marley had for “A Fire in Winter”

Posted Friday, 16 August, 2019 by jorielov , , , , , 0 Comments

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Hallo, Hallo dear hearts!

I have an exciting interview to share with you today, as the author and I myself are both passionately dedicated to reading Shakespeare! I have appreciated the Bard since I was quite young though it wasn’t until a freshman in high school where I started taking more of an earnest interest in discerning what I was interpreting out of his stories; thus taking on a new role in my life as a Shakespearan reader. From that year til this one, I’ve been dancing through the plays in different formats of exploration – from the plays themselves, of course, but also through adaptations in film, after canon novels and the re-tellings which are re-shaping how we think, feel and understand the original canon of Shakespeare.

What truly implored me towards reading “The Fire of Winter” is wanting to re-step through a lens of insight into both MacBeth and the origin story surrounding Lady MacBeth. It was a play that has been a curiosity for me since I was sixteen and I felt Marley just might be the author who would give me a version of this story which would resolve some of my own questions and curiosities therein whilst giving me a heap of fodder to chew over as a book blogger. I was not wrong on all counts.

This interview is a follow-up to the review I’ve previously disclosed – wherein, you’ll notice through my observations and my readerly takeaways why the writings Marley is giving us are not just wicked good fiction but they are accountable and authentic towards a better understanding of why Shakespeare wrote his stories. She pulls you back into the context of his vision but also, re-represents that vision in a way that you can re-visit the themes, the characters and the settings in a wholly original examinations of those founding stories. For me, it was a way of re-stepping into a door of literature I have loved and finding a refreshing new spin on what I rememered having read.

If you want to settle your reader into the heart of the scene rather immediately after she opens your novel, I think when it comes to opening paragraphs DK Marley takes the ultimate star award for dramatic entrances! Not only do you gather the emotional rooting of this scene – partially built against the purity of rage and anger; as clearly the woman whose allowing men to die by flame and fire isn’t concerned with their dangerous demise but rather, the freedom (or so it appears) their death shall yield to her as a result of their premature deaths. This doesn’t outright surprise me because raids, unexpected coups and power re-alignments were quite common during this particular century as those who wished for power didn’t go about it diplomatically; rather, they plundered it off the lands of others, stole it outright or found ways to circumvent the ethical divides between the ruling class and pirating your destiny out of a world rife with war.

Gruah is a woman caught in a circumstance not of her own choosing – if you follow that thread you’d find she was ready to embrace a life with a man she desired to be with rather than one she was forced to remain enchained. The interesting bit here though is how Marley handles the scene as she doesn’t let us see the remorse of her character (not that I felt she had any to yield) nor does she give her time to apologise for her impulsive actions (again, I didn’t feel that was plausible!) – no, instead, she presents her just as she were – her faults surfacing with malice whilst carrying a gleaming glow of self-satisfaction. This was a woman who knew what she wanted, how she would achieve it and dare anyone to tell her differently. She leaves her mark and her mark is by fire and sword.

As Gruah grows in her hatred towards her newly wed husband forced on her by her father – an exchange of alliance and power; nothing more – she begins to emerge as Lady MacBeth. The woman who would turn her heart to stone if it meant finding her own internal power to eradicate the ills done against her – as you find her plotting her revenges even as she takes her first steps into her new marriage. Of course, she is already “MacBeth” in both honour and declared love; married to Lord MacBeth in secret and yet, secreted from that truth due to the alignment of strife to overtake her father’s and the King’s wishes on her behalf. I was curious about what changed the woman’s right to choose her own spouse – as it was mentioned briefly that they used to be able to make those choices outside the purview of the men; where their own destiny was once their own and not owned by others who did as they willed whether or not it was consented or accepted. In that regard, there are a lot of contemporary issues for women’s rights penetrating through MacBeth’s struggle to find the right action to fuse with her words; as her wrath was always spoken but its the actions she needs to take which take longer to formulate.

Marley has written an historical novel rife with conflict and the secrets which never stay in the past but which re-rise in the future when they are meant to be known. Her Lady MacBeth is a woman who is attempting to right the wrongs against her by taking action as an adult when she couldn’t act as a child. It is a story of redemption but also, of self-sacrifice as in this version of MacBeth you understand better what anchoured her to the darker roots of her faith and how the Earthen Spirituality she shared with her Mum was the only grounding foundation she had to battle against the horrors of her youth.

Marley also broaches the current topics of women’s rights, domestic violence against women and the suffering hours of being victims of sexual violence as children. She moves instinctively through the actions of the present and counters it with the recollected memories of the past to where you can overlay the past with the present and understand how everyone is on this collision course to where fate, life and death are interchanging their roles. It is a story that is fuelled by revenge but it is also a story of injustice and the purity of true love which seeks to rise through the ashes and lay claim to the purity of how love when it is freely given is a freedom of its own.

It is a hard novel to read in many regards because of how it descends and rises through the pacing of the play – including the fall of madness in Lord MacBeth. There is violence yes, as these are not people who opt for diplomacy to solve their problems, they’d rather take to the sword and see who is the better of combatants than to use talk to diffuse their differences. There are scenes which are hard to read just due to what they involve but at the heart of the novel is the life of MacBeth; both the husband and the wife. You get to re-examine what motivated them, what sparked the love between them and what ultimately drove them apart – you see those moments they shared together and how they perceived of their future by secret plotting.

The most powerful part of the story is the conclusion – where Lady MacBeth has a final say about what is meant to be remembered about herself. In that confession, you peer close to her soul and her heart; you see into her the truthfulness of her actions and the ways in which she felt she had to act in order to secure her own destiny. The difficulties of those choices however had consequences that do not wait to rest on a mind hardened by the actions of a woman who was aflame with murderous intentions to accomplish the deeds she first felt would define her and secure her future. You had to contemplate if she had the option to re-live it, what would she choose and what would she change; if anything? Or was it all pre-destined and her life lived out just as it was meant?

-quoted from my review of The Fire of Winter

As you embark on reading this conversation, be sure to have brewed your favourite cuppa and get ready to get your Shakespeare on as we discuss the components of this re-telling of MacBeth whilst also discussing why Marley has a firm passion for re-visiting other plays and how she is re-envisioning the canon of Shakespeare as a whole! I hope you enjoy where our convo led us and perhaps, you’ll find a renewal of interest in these stories as much as I have myself!

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Author Interview | Discussing MacBeth and the way this tale was re-spun through the vision DK Marley had for “A Fire in Winter”The Fire of Winter (Interview)
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours

She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?

Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.

Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?

The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.

“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)

Places to find the book:

Add to LibraryThing

ISBN: 978-1724914965

Also by this author: The Fire of Winter

Genres: After Canons, Classical Literature, Historical Fiction, Historical-Fantasy, Re-telling &/or Sequel


Published by White Rabbit Publishing

on 1st June, 2019

Pages: 355

Published by: White Rabbit Publishing

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth

Available Formats: Hardcover, Trade paperback, Audiobook and Ebook

Fun Stuff for Your Blog via pureimaginationblog.com

As “The Fire of Winter” goes into the heart of who Lord and Lady MacBeth were as their lives were being lived – what was your inspiration towards wanting to use the play and their story as a catalyst to explore the fuller background of this century through the drama of what their lives became?

Marley responds: I am a true Shakespeare-lover! Since the time I was eleven and my grandmother gave me her college textbook “The Complete Works of Shakespeare”, I was hooked. I am currently attempting to adapt all the plays into historical fiction novels, so Macbeth was the second on my list. My first adaptation is “Prince of Sorrows” which is Hamlet set in 9th-century Denmark. Read More

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Posted Friday, 16 August, 2019 by jorielov in 11th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Biographical Fiction & Non-Fiction, Blog Tour Host & Reviewer, Book for University Study, Bookish Discussions, Britian, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Men's Fiction, Military Fiction, Re-Told Tales, Realistic Fiction, Self-Published Author, Spin-Off Authors, Spirituality & Metaphysics, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment

#SaturdaysAreBookish Book Review | “The Fire of Winter” by D.K. Marley a unique spin re-delving into the canon of “MacBeth”!

Posted Saturday, 10 August, 2019 by jorielov , , , , , 0 Comments

#SaturdaysAreBookish created by Jorie in Canva.

After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.

#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.

I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!

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Acquired Book By:

I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.

It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.

I received a complimentary of “The Fire of Winter” direct from the author D.K. Marley, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

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On why this story appealled to me & how I arrived inside the chapters:

I have a short history involving MacBeth – as it was the play of choice for seniors who took a year to study Shakespeare whilst I was in high school whilst it was also the subject of an after canon re-telling audiobook I previously reviewed. I didn’t get to study the Bard in school but I did get to help the seniors pass their exams as a sophomore who only read one full page layout of the play and intuited enough from that layout to take them through their exams. The conversation that led afterwards with their teacher is one of my fondest memories as she couldn’t quite sort out how they all came to the same conclusions and yet didn’t have an entry point in their defended statements of how they arrived at those answers. Smiles. Sometimes school can surprise you and beat the droll-drums.

Similarly, to my readings of “Sign of the White Foal” – I had plans to do a sequencing of reading ahead of diving into “The Fire of Winter”: I had planned to read two Non-Fiction releases – Wisdom of the Middle Ages & Wisdom of the Renaissance – whilst I wanted to dig back into “The Lost Queen” as well – to have this lovely immersion experience in cross-relating stories and subjects of interest. *However!* – instead my week was wrecked by plumbers, a migraine & more life woes than a girl can shake a stick at in apt frustration! Be as it were – I had to reschedule my review & the interview I am hosting with this author in order to give myself a bit of time to rest & cover the energies I needed to properly read the novel.

When you haven’t a way of reaching your books & your blog, you just have to hope and pray the hours you have after the chaos recedes allows you enough serenity to ‘catch up’ and find the blissitude you had before the chaos overtook your readerly hours! At least, this is how I re-directed my heart and mind as I read “The Fire of Winter” in the early morning hours of Saturday as a chase-up to posting my review before lunch was ready to serve.

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#SaturdaysAreBookish Book Review | “The Fire of Winter” by D.K. Marley a unique spin re-delving into the canon of “MacBeth”!The Fire of Winter
by D.K. Marley
Source: Publisher via Historical Fiction Virtual Book Tours

She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?

Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.

Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?

The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.

“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)

Places to find the book:

Add to LibraryThing

ISBN: 978-1724914965

Also by this author: The Fire of Winter (Interview)

Genres: After Canons, Classical Literature, Historical Fiction, Historical-Fantasy, Re-telling &/or Sequel


Published by White Rabbit Publishing

on 1st June, 2019

Format: POD | Print On Demand Paperback

Pages: 355

Published by: White Rabbit Publishing

Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth

Available Formats: Hardcover, Trade paperback, Audiobook and Ebook

About D.K. Marley

DK Marley

D. K. Marley is a historical fiction writer specializing in Shakespearean themes. Her grandmother, an English Literature teacher, gave her a volume of Shakespeare’s plays when she was eleven, inspiring DK to delve further into the rich Elizabethan language.

Eleven years ago she began the research leading to the publication of her first novel “Blood and Ink,” an epic tale of lost dreams, spurned love, jealousy and deception in Tudor England as the two men, William Shakespeare and Kit Marlowe, fight for one name and the famous works now known as the Shakespeare Folio.

She is an avid Shakespearean / Marlowan, a member of the Marlowe Society, the Shakespeare Fellowship and a signer of the Declaration of Intent for the Shakespeare Authorship Debate. She has traveled to England three times for intensive research and debate workshops and is a graduate of the intense training workshop “The Writer’s Retreat Workshop” founded by Gary Provost and hosted by Jason Sitzes. She lives in Georgia with her husband and a Scottish Terriers named Maggie and Buster.

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Reading this book contributed to these challenges:

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Posted Saturday, 10 August, 2019 by jorielov in 11th Century, Action & Adventure Fiction, After the Canon, Anglo-Saxon History, Biographical Fiction & Non-Fiction, Blog Tour Host & Reviewer, Book for University Study, Bookish Discussions, Britian, Cosy Horror, Earthen Magic, Earthen Spirituality, England, Good vs. Evil, Heroic Bloodshed, Heroic Fantasy, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Men's Fiction, Military Fiction, Re-Told Tales, Realistic Fiction, Self-Published Author, Spin-Off Authors, Spirituality & Metaphysics, Superstitions & Old World Beliefs, Sword & Scorcery, Vulgarity in Literature, Warfare & Power Realignment

Blog Book Tour | “The Invisible Hand” (Act I of Shakespeare’s Moon series) by James Hartley The first sequence of a 5 act series re-spinning the elemental aesthetics of #Shakespeare into new stories of #YALit!

Posted Sunday, 25 March, 2018 by jorielov , , , , , , , , , 0 Comments

Book Review badge created by Jorie in Canva using Unsplash.com photography (Creative Commons Zero).

Acquired Book By: I started hosting for Rachel’s Random Resources at the end of [2017] booking several guest features for [2018] whilst noting I had a lovely opportunity to review a novel for one of the New Year’s tours. This blog tour marks my second with this touring company, as Rachel and I met through my chat #ChocLitSaturday which has since been renewed @SatBookChat! I look forward to spotlighting her authors, conversing with them and seeing how they respond to my guest topics. I may review a book here or there, but as most of her authors are in the UK / Europe market, I mostly was excited to cheer for their stories whilst awaiting to gather their stories stateside in print or audio.

I received a complimentary copy of “The Invisible Hand” direct from the author James Hartley in exchange for an honest review. I also received a complimentary copy of the audiobook “Heart of Winter” in exchange for an honest review not connected with this blog tour but for a secondary showcase forthcoming on Jorie Loves A Story. I added thoughts and reflections on behalf of the prequel “Heart of Winter” for my own edification and as it ran concurrent to my primary focus of featuring “The Invisible Hand” for this blog tour. For my own insight and understanding, I listened to the public domain version of ‘Macbeth’ via LibriVox (on their website) which features audiobooks of Classical Literature (see also Page). I did not receive compensation for my opinions or thoughts shared herein.

Why I was excited to be reading this series:

I couldn’t agree with you more – as atmospheric elemental components are what I personally feel attracted to myself whenever I am seeking a particularly compelling story to read set in the Gothic style or a certain sub-niche of Historical Fiction. Classical re-tellings, psychological suspense, Cosy Horror or a few other areas where writers can bend genre to their own will of imagination whilst evoking such a strong presence of how atmospheric under-threads of narrative tone can not only set a reader straight into the story’s setting itself but it can become evocative of the textural edges of how the writer envisioned his or her story to be read and seen.

Yes, I concur – one of the joys of reading Shakespeare is seeking the ‘questions’ he’s asking of us as we read. If we’re intuitive readers we’ll notice how he’s left a lot of doors open for interpreting his motives whilst he also paints strong clues towards where his own mind and heart were directing his own literary muse to tread. The joy for me (of course) is sorting it all out – whilst being caught up inside the ‘ways in which’ he chose to write his stories. He had a unique grasp of how a story could be constructed but it’s how he layered it all – how he fused the craft from what had come before and re-shaped it to be seen through the execution of plays and sonnets.

I think this is actually the beauty of what you’ve set out to achieve – an after canon focus on the stories themselves but without a direct adaptation of the ‘story’ as it once was envisioned but rather, to take those elements out of context and re-alight them in a new thread of enlightenment for younger readers who are drawn towards those elements by Shakespeare but perhaps, would rather have a taste of them in a different construction of story altogether. It is also a lovely bridge for the hesitations younger readers might feel in attempting to dig directly in Shakespeare. I know not all readers find challenges in literature as enjoyable as I once did myself or rather, as I continue to find as can we ever really say we’re done challenging our literary inclinations? I think not!

-quoted from the Guest Post I hosted on behalf of this blog tour to learn the *inspiration* behind this story & how Mr Hartley has found writerly joy in re-inventing how to fuse Shakespearean elements into a newly invented world for younger readers who might not have graduated into the original canon.

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Blog Book Tour | “The Invisible Hand” (Act I of Shakespeare’s Moon series) by James Hartley The first sequence of a 5 act series re-spinning the elemental aesthetics of #Shakespeare into new stories of #YALit!The Invisible Hand
Subtitle: Shakespeare's Moon : Act 1
by James Hartley
Source: Author via Rachel's Random Resources, Librivox | Public Domain Audiobooks
Narrator: James Hartley

The Invisible Hand is about a boy, Sam, who has just started life at a boarding school and finds himself able to travel back in time to medieval Scotland. There he meets a girl, Leana, who can travel to the future, and the two of them become wrapped up in events in Macbeth, the Shakespeare play, and in the daily life of the school.

The book is the first part of a series called Shakespeare´s Moon. Each book is set in the same boarding school but focuses on a different Shakespeare play.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

Find on Book Browse

ISBN: 9781785354984

Also by this author: The Invisible Hand

Genres: After Canons, Children's Literature, Classical Literature, Young Adult Fiction


Published by Lodestone Books

on 27th February, 2017

Format: Audiobook | mp3, Librivox | Public Domain Audiobooks, Trade Paperback

Pages: 168

Published By: Lodestone Books (@JHPChildren)

an imprint of John Hunt Publishing (@JHPFiction)

The series thus far along :

Hartley’s Shakespearean 5 act Quintet (after canon) series ‘Shakespeare’s Moon’

Heart of Winter | prequel to ‘The Invisible Hand’ (Synopsis) → previously an audiobook

The Invisible Hand | inspired by ‘MacBeth’

PlayFight | a short story within the series | Read via Wattpad

Cold Fire | inspired by ‘Romeo & Juliet’ (Synopsis) → #PubDay is 31.Aug.18

Converse via: #Shakespeare #Macbeth & #theclassicsclub

Find out why Mr Hartley claims to have been ‘betwitched’

by the muse behind ‘An Invisible Hand’ + ‘Heart of Winter’.

About James Hartley

James Hartley

James was born on the Wirral, England, in 1973 on a rainy Thursday. He shares his birthday with Bono, Sid Vicious and two even nastier pieces of work, John Wilkes Booth and Mark David Chapman.

His mother was a hairdresser with her own business and his father worked in a local refinery which pours filth into the sky over the Mersey to this day. They married young and James was their first child. He has two younger brothers and a still-expanding family in the area. As an Everton fan he suffered years of Liverpool success throughout the seventies and was thrilled when his father took a job in Singapore and the family moved lock, stock and two smoking barrels to Asia.

He spent five fine years growing up in the city state before returning to the rain, storms, comprehensive schools and desolate beauty of the Scottish east coast. Later years took he and his family to baking hot Muscat, in Oman, and a Syria that has since been bombed off the surface of the planet.

James studied journalism in London and later travelled through Ireland, France, Germany and India generally having a good time, before finally settling in Madrid, Spain, where he now lives with his wife and two children.

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Posted Sunday, 25 March, 2018 by jorielov in After the Canon, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Bookish Discussions, Children's Literature, Classical Literature, England, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Rachel's Random Resources, Re-Told Tales, The Writers Life, Writing Style & Voice

Author Guest Post | Jorie shares her bookishly geeky personality whilst celebrating the Bard, MacBeth and giving a hearty glow of light on an after canon author (James Hartley) whose re-inventing how to read #Shakespeare!

Posted Thursday, 22 March, 2018 by jorielov , , , , , 0 Comments

Author Guest Post Banner created by Jorie in Canva.

Hallo, Hallo my dear hearted Classical Shakespearean bookish mates!

(yes, this is a s/o to my lovely #theclassicsclub geeks!)

Says the girl whose all but suffered an EPIC FAIL for her first journey into said Classics Club whilst still attempting to right the stars on her fate of being seriously the most under-read of all clubbers in the Classical stacks! I appear, on the surface of things – wickedly in LOVE with Classical Lit but in the bare bones of trying to *read!* Classical stories – I seem to have opted for the after canons & re-tellings moreso than the original canons – naughty, Jorie! Except, I will soon be making enroads towards fixing this as I have a happy *surprise!* to share with my dear hearted readers of Jorie Loves A Story.. you’ll have to keep a keen eye for my latest #BookishNotBookish post,… that’s all I can disclose at this time!

When it comes to the Bard, I fell hard for his style of Literature as a frustrated freshman (in h.s. you guys, let’s just get that out of the way!) – it was refreshingly brilliant. I was seeking harder lit at the time, having graduated out of my childhood authors & shifting forward straight into a swirling pot of stories from contemporaries such as Clancy (Jack Ryan – OM sweet ghouls, right?); Crichton (the bloke who left hardly a hair on me head from the terror of his thrillers! yet, inspired my LOVE for Science & all things Ian Malcolm! Let’s face it – between the Genetic codes & Chaos Theory I was swooning!) and Grisham (who crushed my soul every single time!) – I was ready for a cosmic shift in my literary choices.

Similar to my lifelong appreciation on behalf of *Jane Austen!* prior to reading her stories – I had a fever of excitement over William Shakespeare. Let’s face – the *language!* and mannerisms of his choices in words & wordplay is enough to convince my younger self his stories would one day touch my heart with fierce admiration. I wasn’t wrong either – except it wasn’t the traditional love affair for Romeo which swooned my heart – instead it was the politico intrigue inside Julius Caesar & the dramatic undertone of Macbeth.

Mind you, I *devoured!* Caesar’s story & I helped the seniors ace their final exams for the latter – without reading the whole play, I only had a single layout (two pages) of the text in which I examined the context & eloquently explained it. I just tapped into the soul of Macbeth – ever since then, I’ve kept the play at an arm’s length. Mostly as whenever you feel so deeply connected to a story or a character – do you dare re-visit it?! I’ve had mixed feelings about this as I’ve previously re-examined stories from the past,..

I leapt into this blog tour before I fully examined the construction of the series Mr Hartley was building because I was wicked impressed by the components he was pulling together – so much so, this was my first reaction after finding out about the tour itself:

I pray I’m in time to join this blog tour — two words: Shakespeare & Macbeth overtures are right up my alley plus this is meant to be an introduction to the Bard for younger readers?! Ooh, my yes! It mentioned there are paperbacks to review on this tour, does that extend to the States?! If so, I’d love to join for a *review!* and a guest feature – I just finished reading “The Seven Sisters” – I sat down at six thirty last night and it’s now nearly 9am…

I love how he’s bringing each play to life through a boarding school setting,…

Shortly hereafter, my paths crossed with Mr Hartley in the twitterverse, however, that particular story will be saved for a latter date! As this post is meant to give him the chance to explain what inspired him to re-direct his own museful creativity into the collective works of the Bard we all know, trust & love as much as readers have for half a millennia. I simply wanted to give a bit of a back-story into how I came to *love!* the Bard myself and why this particular tour held such a strong appeal for becoming a part of as a book blogger.

Find a cosy comfortable place to alight, sip your favourite cuppa tea or java & ENJOY this essay – about a writer who found inspiration within the text & symbolism of MACBETTH.

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Author Guest Post | Jorie shares her bookishly geeky personality whilst celebrating the Bard, MacBeth and giving a hearty glow of light on an after canon author (James Hartley) whose re-inventing how to read #Shakespeare!The Invisible Hand
Subtitle: Shakespeare's Moon : Act 1
by James Hartley

The Invisible Hand is about a boy, Sam, who has just started life at a boarding school and finds himself able to travel back in time to medieval Scotland. There he meets a girl, Leana, who can travel to the future, and the two of them become wrapped up in events in Macbeth, the Shakespeare play, and in the daily life of the school.

The book is the first part of a series called Shakespeare´s Moon. Each book is set in the same boarding school but focuses on a different Shakespeare play.

Places to find the book:

Borrow from a Public Library

Add to LibraryThing

Find on Book Browse

ISBN: 9781785354984

Also by this author: The Invisible Hand

Genres: After Canons, Children's Literature, Classical Literature, Young Adult Fiction


on 27th February, 2017

Published By: Lodestone Books (@JHPChildren)

an imprint of John Hunt Publishing (@JHPFiction)

The series thus far along :

Hartley’s Shakespearean 5 act Quintet (after canon) series ‘Shakespeare’s Moon’

Heart of Winter | prequel to ‘The Invisible Hand’ (Synopsis) → previously an audiobook

The Invisible Hand | inspired by ‘MacBeth’

PlayFight | a short story within the series | Read via Wattpad

Cold Fire | inspired by ‘Romeo & Juliet’ (Synopsis) → #PubDay is 31.Aug.18

Converse via: #Shakespeare #Macbeth & #theclassicsclub

Find out why Mr Hartley claims to have been ‘betwitched’

by the muse behind ‘An Invisible Hand’ + ‘Heart of Winter’.

Fun Stuff for Your Blog via pureimaginationblog.com

Topic I Proposed to Mr Hartley:

How did you develop your hauntingly ethereal Gothic style of re-interpreting Shakespearean plays? As your stories hone in on the elemental and atmospheric aspects of psychological suspense – what were your inspirations for writing these kinds of after canon sequels on behalf of the Bard? Likewise, is there one of his stories which stands out as being your ultimate favourite?

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Posted Thursday, 22 March, 2018 by jorielov in After the Canon, Bits & Bobbles of Jorie, Blog Tour Host & Reviewer, Bookish Discussions, Children's Literature, Classical Literature, England, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Rachel's Random Resources, Re-Told Tales, Reader Submitted Guest Post (Topic) for Author, The Writers Life, Writing Style & Voice