Acquired Book By: I was selected to be a stop on the “Dominic’s Ghosts” blog tour from Seventh Star Press. The tour is hosted by Tomorrow Comes Media who does the publicity and blog tours for Seventh Star Press and other Indie and/or Self Published authors. I am a regular blog tour host with Tomorrow Comes Media and enjoy getting to read a wide range of Speculative Fiction across Science Fiction, Fantasy and Cosy Horror genres of interest. Sometimes the stories are genre-benders and/or they’re embracing the beauty of #SpecLit to such a degree they are their own unique niche in the larger expanse of the genre itself.
I received a complimentary copy of “Dominic’s Ghosts” direct from the publisher Seventh Star Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
How I came to learn of this novel:
I wasn’t aware of this particular series until Stephen Zimmer mentioned it to me – as he’s the founder of Seventh Star Press and the publicist behind Tomorrow Comes Media – he’s known my readerly habits since our paths first crossed in [2013} when I first started hosting his authors and reading the releases through his publishing company. Over the years, what has truly fascinated me as a reader is how attached I’ve become to *Urban Fantasy* and the genre-benders which fuse themselves into a quasi-Urban Fantasy world.
This has been proven by my love of E. Chris Garrison’s Tipsy Fairy Tales and Jennifer Silverwood’s Borderlands Saga whilst there are others I’ve read and ruminated about which are equally beloved for how their authors created their worlds; however, when I think about Urban Fantasy, these two authors come to mind first and foremost due to how their stories affected me as I read them. I was dearly attached within their worlds soon after I began reading them which you’ll happily notice if you visit the archives I’ve linked for you to peruse.
When I learnt this is Mystic Urban Fantasy series – separated into four distinctly unique installments – where you can walk in and out of the sequencing, I was quite keen to read “Dominic’s Ghosts” as I wanted to see for myself how this series was being constructed. Generally speaking – when it comes to serial fiction, I am a strong advocator for reading series *in order of sequence* to their world(s) not necessarily by order of publication – however, I’ve also been known to read series out of sequence if there is a time issue or there is a gathering issue of the past installments. I’ve enjoyed an introduction to those particular series all the same as if I had read them in order and I was looking forward to knowing what my takeaways would be with the City Quartet.
And, why I’m thankful for Scribd:
I’ve renewed my subscription to Scribd this past month, as I noticed how much listening to audiobooks is aiding me with curbing my chronic migraines – a two year quest to turn my reading life around & to find comfort in knowing by listening to more audiobooks, I am steps away from not experiencing as many migraines (as being a book blogger for six years come March & August, 2019 I’ve read a higher volume of stories in print than I have in the rest of my years) whilst appreciating my journey into the lives of narrators by how they internalise, execute and produce a listening environment that enriches the stories I’m’ enjoying through my headphones. I predominately use Scribd as an *audiobook subscription* whilst I do look at their ebooks as ‘chapter samplers’ to gauge certain books not available in audiobook if I would enjoy reading them in print via my local library.
Imagine my surprise finding a copy of “Vine” available to sample and to become introduced to the style of this series – which in of itself, is a uniquely assembled series!
Thereby, I acquired the ebook for “Vine” as a subscriber to Scribd – wherein I am sharing a few notations from reading as sampler of the context of the book for my own edification whilst proceeding to read “Dominic’s Ghosts” for this blog tour. I was not obligated to post a review nor was I compensated for my opinions or thoughts shared herein.
Vine
Subtitle: An Urban Legend
Source: Scribd | Subscription
Amateur theatre director Stephen Thorne plots a sensational production of a Greek tragedy in order to ruffle feathers in the small city where he lives. Accompanied by an eccentric and fly-by-night cast and crew, he prepares for opening night, unaware that as he unleashes the play, he has drawn the attention of ancient and powerful forces.
Michael Williams' VINE: AN URBAN LEGEND weds Greek Tragedy and urban legend with dangerous intoxication, as the drama rushes to its dark and inevitable conclusion.
Places to find the book:
ASIN: B07H45PVQB
on 28th September, 2018
Format: eBook
I believe I’ve found my ‘connecting link’ to the City Quartet and that is the theatre itself – it is the linchpin uniting all four stories as the key draw to reading Vine would be revealled within the final chapter. As I can only read a sampling of the ebook, I chose to read a portion of the Prologue and then, immediately went to the very end to the Exodus – as I knew I wouldn’t understand the point to Vine without spoiling the journey. This is the first time in a long time I was able to ‘sample’ chapters from an ebook – which is marked progress for me, as I used to read them quite frequently as it helps me decide which stories I might enjoy reading in fuller length.
I had a theory the connective thread of interest in the City Quartet was the theatre – as if you notice the cover art for the two editions by Seventh Star Press there is something rather theatrical about their synchronicity! Not to mention the fact, Vine is writ in the vein of a living play – as you move through it (according to the layout of the chapters, which are not traditionally incurred) your taking this lyrical journey into the world itself; pulling back the layers in a way a play would reveal itself on stage and thereby, your not reading a traditional story by the end of it.
From what I did read – especially in the conclusionary final chapter, is this series is not shy from broaching current events and political rhetoric from what you might gleam from the news. I was a bit surprised the switch in direction at the end but then, I wasn’t privy to the full journey and thereby can’t speak on behalf of what wasn’t yet read. I was just surprised by what the topic was in regards to how it was being inter-related to the City Quartet time-line of events.
Outside of a few thoughts relating to the overall series itself, I must admit I was more confused than I was enlightened and immediately began reading Dominic’s Ghosts to see if I could sort out what was what and where we were to go from here. Or rather, where did we originate in order to have Vine follow suit after Dominic’s Ghosts as the novel I was sent for the blog tour was published a full month ahead of Vine; even if in theory, this series has an earlier publication history.
Dominic's Ghosts
Subtitle: City Quartet
by Michael Williams
Illustrator/Cover Designer: Enggar Adirasa
Source: Publisher via Tomorrow Comes Media
Atmospheric and thought-provoking, Dominic’s Ghosts will take you on a unique kind of journey that involves a conspiracy, legends, and insights from a film festival!
Dominic’s Ghosts is a mythic novel set in the contemporary Midwest. Returning to the home town of his missing father on a search for his own origins, Dominic Rackett is swept up in a murky conspiracy involving a suspicious scholar, a Himalayan legend, and subliminal clues from a silent film festival. As those around him fall prey to rising fear and shrill fanaticism, he follows the branching trails of cinema monsters and figures from a very real past, as phantoms invade the streets of his once-familiar city and one of them, glimpsed in distorted shadows of alleys and urban parks, begins to look uncannily familiar.
Places to find the book:
ISBN: 978-1948042581
Genres: Alternative Reality | History, Fantasy Fiction, Genre-bender, Urban Fantasy
Published by Seventh Star Press
on 6th August, 2018
Format: Trade Paperback
Pages: 396
Published By: Seventh Star Press (@7thStarPress)
Available Formats: Softcover and Ebook
The City Quartet Editions via Seventh Star Press
The City Quartet Series (in order of original publication):
Trajan’s Arch (2010) | Vine (2018)
Dominic’s Ghost (2018) | Tattered Men (*forthcoming)
*It should be noted, I believe the Seventh Star Press edition of “Dominic’s Ghost” reset the series – where this edition is the “first” book in the series. Followed closely by “Vine” being the second book and then, the final two would be “Trajan’s Arch” and “Tattered Men”. I am unsure the proper reading order if you wanted to read this as a quartet and look forward to sorting out the final order once it is known.
Converse on Twitter: #CityQuartet, #DominicsGhosts & #7thStar
About Michael Williams
Over the past 25 years, Michael Williams has written a number of strange novels, from the early Weasel’s Luck and Galen Beknighted in the best-selling DRAGONLANCE series to the more recent lyrical and experimental Arcady, singled out for praise by Locus and Asimov’s magazines.
In Trajan’s Arch, his eleventh novel, stories fold into stories and a boy grows up with ghostly mentors, and the recently published Vine mingles Greek tragedy and urban legend, as a local dramatic production in a small city goes humorously, then horrifically, awry.
Trajan’s Arch and Vine are two of the books in Williams’s highly anticipated City Quartet, to be joined in 2018 by Dominic’s Ghosts and Tattered Men.
Williams was born in Louisville, Kentucky, and spent much of his childhood in the south central part of the state, the red-dirt Gothic home of Appalachian foothills and stories of Confederate guerrillas. Through good luck and a roundabout journey he made his way through through New England, New York, Wisconsin, Britain and Ireland, and has ended up less than thirty miles from where he began. He has a Ph.D. in Humanities, and teaches at the University of Louisville, where he focuses on the Modern Fantastic in fiction and film. He is married, and has two grown sons.
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