Acquired Book By:I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary copy of “Madame Presidentess” direct from the author Nicole Evelina in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I appreciate reading Nicole Evelina’s Historicals:
I appreciate the extra care and attention Evelina goes too in being openly transparent with her readers – not only about the inclusions of what she is writing into the backbone of her sequel for Camelot but for why she’s finding the choices she’s made are backed up by the research and the lore left behind for her to find to inspire her writing as a whole. It helps not only understand the time-line but how the time-line affects the events and how through digging deeper into the lore and legends of Camelot you can root out strongly wrought conflict and afflictions that can affect any woman of any age. Evelina isn’t an author who shies away from harder subjects and topics, but rather meets them head-on and tries to assert her feelings on the events in a manner that is welcoming to her readers. She puts her heart on the line and owns the truth of her words as her pen inks out her stories.
It’s this attention to both detail and sensitivities of readers, wherein I felt I might appreciate reading her next historical release Madame Presidentess (read about the book on her author’s site) after having first met her title character Victoria Woodhull through my readings of The Renegade Queen (see my review); where I first began my journey into a new vein of interest for #HistFic – the Feminist driven side of Historical Fiction! I was quite grateful for the introduction (as it was soon followed by Emmy Nation (see my review) and my first introduction into Evelina’s writing via Daughter of Destiny.
The reason I felt I might find myself a bit more smitten to read Evelina’s version of Woodhull’s story is because I was very much challenged by how Flynn portrayed those harder scenes and the way in which Woodhull’s earlier life was fused to the novel. I survived the text and I was genuinely curious about the sequel by Flynn, but part of me wondered if the story could have found a softer edging – thus, imagine my joy in finding Evelina has penned a different take on the same tale! I bring up Victoria Woodhull because she shares a thread of connection with the Guinevere your meeting inside Camelot’s Queen; both women are brutally attacked and suffer aftereffects of how men treated them. Sometimes tempering the hardest and most challenging of scenes or memories of a character fit better with my own sensitive heart than the ones that breach my own level of tolerance.
*Winner: U.S. Women’s History category – 2015 Chaucer Awards for Historical Fiction
Forty-eight years before women were granted the right to vote, one woman dared to run for President of the United States, yet her name has been virtually written out of the history books.
Rising from the shame of an abusive childhood, Victoria Woodhull, the daughter of a con-man and a religious zealot, vows to follow her destiny, one the spirits say will lead her out of poverty to “become ruler of her people.”
But the road to glory is far from easy. A nightmarish marriage teaches Victoria that women are stronger and deserve far more credit than society gives. Eschewing the conventions of her day, she strikes out on her own to improve herself and the lot of American women.
Over the next several years, she sets into motion plans that shatter the old boys club of Wall Street and defile even the sanctity of the halls of Congress. But it’s not just her ambition that threatens men of wealth and privilege; when she announces her candidacy for President in the 1872 election, they realize she may well usurp the power they’ve so long fought to protect.
Those who support her laud “Notorious Victoria” as a gifted spiritualist medium and healer, a talented financial mind, a fresh voice in the suffrage movement, and the radical idealist needed to move the nation forward. But those who dislike her see a dangerous force who is too willing to speak out when women are expected to be quiet. Ultimately, “Mrs. Satan’s” radical views on women’s rights, equality of the sexes, free love and the role of politics in private affairs collide with her tumultuous personal life to endanger all she has built and change how she is viewed by future generations.
This is the story of one woman who was ahead of her time – a woman who would make waves even in the 21st century – but who dared to speak out and challenge the conventions of post-Civil War America, setting a precedent that is still followed by female politicians today.
Nicole Evelina is an award-winning historical fiction and romantic comedy writer. Her current novel, Been Searching for You, a romantic comedy, won the 2015 Romance Writers of America (RWA) Great Expectations and Golden Rose contests.
She also writes historical fiction. Her debut novel, Daughter of Destiny, the first book of an Arthurian legend trilogy that tells Guinevere’s life story from her point of view, took first place in the legend/legacy category of the 2015 Chatelaine Awards for Women’s Fiction/Romance, and was short-listed for the Chaucer Award for Historical Fiction. Later this year (2016), she will release Madame Presidentess (July 25), a historical novel about Victoria Woodhull, America's first female Presidential candidate, which was the first place winner in the Women’s US History category of the 2015 Chaucer Awards for Historical Fiction.
Nicole is one of only six authors who completed a week-long writing intensive taught by #1 New York Times bestselling author Deborah Harkness. Nicole has traveled to England twice to research the Guinevere’s Tale trilogy, where she consulted with internationally acclaimed author and historian Geoffrey Ashe, as well as Arthurian/Glastonbury expert Jaime George, the man who helped Marion Zimmer Bradley research The Mists of Avalon.
Nicole is a member of and book reviewer for the The Historical Novel Society, and Sirens (a group supporting female fantasy authors), as well as a member of the Historical Writers of America, Women’s Fiction Writers Association, Romance Writers of America, the St. Louis Writer’s Guild, Women Writing the West, Broad Universe (promoting women in fantasy, science fiction and horror), Alliance of Independent Authors and the Independent Book Publishers Association.
Acquired Book By:I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary copy of “Camelot’s Queen” direct from the author Nicole Evelina in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I appreciate reading Nicole Evelina’s Guinevere Tale series:
Evelina has taken us into the heart of Guinevere and her girlhood peers, as we walk inside those hours she spent on Avalon honing her talent and learning about the world from a point of view not concurrent to her parents or ancestral home. Evelina re-develops the image of Guinevere and the back-story therein, allowing us the grace to re-examine what we think we know of the characters being brought back to life inside this trilogy. It’s a curious undertaking, because although it’s rooted in a canonical history of literature, mythos and lore; there is a new attempt at re-developing a story whose depths are grounded by the character’s will of heart and spirit of passage through their growing years.
The complexity and the authentic voice inter-combine to bring a scope of realism to Guinevere and to the back-story of her life. It’s a wholly original complex origin story where even if you are as under-read as I am about Camelot and Arthurian Legend, you can curl inside this novel due to how well-told Evelina evoked it’s heart out of the pages she lent us to read!
Mythology, fable and lore can feel disconnected at times to an actuary world if the conception of their perimeters are not fully fleshed out and brought to such a high level of vision by their writers. This is where Nicole Evelina excels as her vision of the story is portrayed in such a convicting manner as to etch your heart directly into the lifeblood of her characters; you feel everything they are sensing and appreciate the direct connection in order to best understand their world. Definitely a harbinger of emotionally writ historical fiction centred on known persons who have inspired many but of whom feel more three dimensional inside this story as they are presented with equal fragility as their contemporary peerage.
The research Evelina put into this work of a trilogy is evidenced by how she chose to tell the story, first through direct sight of Guinevere approaching hard choices and managing her emotions in the thick of it and secondly, through enlivening the background with such scope of depth as to embrace the mystical and mythology of how Camelot exists. She even kept the continuity alive by bringing together the origins of those who call Avalon home with their familial heritages and beliefs; such as I celebrated in seeing Guinevere’s Rhiannon and Lugh arriving in time for her ascension to Priestess of Avalon. The fundamentals of religion and ancestry are inter-woven to the core of who Guinevere is and what she stood for thereby granting the reader a more grounded vision of the woman Guinevere became latter in life.
History remembers Guinevere’s sin, but it was Arthur who transgressed first.
Forced into a marriage she neither anticipated nor desired, Guinevere finds herself High Queen, ruling and fighting alongside Arthur as they try to subdue the Saxons, Irish and Picts who threaten Britain from every direction. Though her heart still longs for her lost love, Guinevere slowly grows to care for her husband as they join together to defeat their enemies.
Meanwhile, within the walls of Camelot their closest allies plot against them. One schemes to make Guinevere his own, another seeks revenge for past transgressions, while a third fixes her eyes on the throne. When the unthinkable happens and Guinevere is feared dead, Arthur installs a new woman in her place, one who will poison his affections toward her, threatening Guinevere’s fragile sanity and eventually driving her into the arms of her champion.
Amid this tension a new challenge arises for the king and queen of Camelot: finding the Holy Grail, a sacred relic that promises lasting unity. But peace, as they will soon learn, can be just as dangerous as war. As the court begins to turn on itself, it becomes clear that the quest that was to be Arthur’s lasting legacy may end in the burning fires of condemnation.
This highly anticipated sequel to Daughter of Destiny proves there is much more to Guinevere’s story than her marriage and an affair. See the legend you think you know through her eyes and live the adventure of Camelot’s golden days yourself – but prepared to suffer its downfall as well.
Acquired Book By: I was selected to be a tour stop on the “Daughter of the Gods” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the author Stephanie Thornton, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
My curiosity about Ancient Egypt started as a young child where my fascination with the Ancient Civilisation took a central focal point for aspiring to study Egyptology, as prior to realising I was a writer I felt I was being led into Archaeology. Part of the passion I had for Archaeology was my intense desire to understand the civilisations of the world as they were emerging into existence. I had not realised then, as I do now, that it was my keen interest in Sociological studies that led me more towards an awareness of Anthropological sites verse Archaeological. In full and equal measure, the desire to travel abroad to ancient ruins, temples, and sites of where the ancient’s drew breath and light was always an instinct of mine. The fact that I have already climbed four pyramids of the Mayans only encourages me to believe that I can still find the hours to uncover a way to keep this passion of mine throughout my next travel destinations.
The direct appeal is to bring History into the forefront of my living hours, to where walking and breathing where people lived so very long ago secures you in that setting, locale, and moment. I still recollect how I felt at a ruin in the Yucatán,… as Uxmal had this trance over me. I felt very interconnected to that city and the people who had lived there during its heyday, nearly to the brink I could see a bit past where the ruins still stood and how the city would have been the lifeblood of their era. Time and history are intertwined with one another, and there are certain places in this world where we can dip back into the vortex and draw back out a piece of what once was ‘the living now’.
Egyptology was one of the avenues of pursuit I once considered as a professional endeavour as I loved the aspect of venturing so far back into the living past as to nearly come face to face with one of the most dynamically original civilisations which set the bar for everyone else to follow. Ancient Egypt, Rome, and Greece are the sites of where most of us look back to gain insight into the present. I have carried this zest for the era into my motion picture wanderings as one of my favourite films is a classical one: Cleopatra (1934) starring Claudette Colbert. More recently, the trilogy of Mummy films starring Brendan Fraser took my mind away in imagined bliss of tempting the fates of tombs! To this day, I refer to the third film as “The Mummy in China” as it just made more sense to do so!
The extended trailer for “Cleopatra” (1934) starring Claudette Colbert on TCM! Introduced by Cecil B. DeMille, of whom is now one of the film-makers alongside Alfred Hitchcock and Frank Capra I admire most in the Golden Years of Hollywood. They each brought something genuinely unique to their style of motion pictures and were ahead of their years as far as where they took their stories.
Book Synopsis:
Egypt, 1400s BC. The pharaoh’s pampered second daughter, lively, intelligent Hatshepsut, delights in racing her chariot through the marketplace and testing her archery skills in the Nile’s marshlands. But the death of her elder sister, Neferubity, in a gruesome accident arising from Hatshepsut’s games forces her to confront her guilt…and sets her on a profoundly changed course.
Hatshepsut enters a loveless marriage with her half brother, Thut, to secure his claim to the Isis Throne and produce a male heir. But it is another of Thut’s wives, the commoner Aset, who bears him a son, while Hatshepsut develops a searing attraction for his brilliant adviser Senenmut. And when Thut suddenly dies, Hatshepsut becomes de facto ruler, as regent to her two-year-old nephew.
Once, Hatshepsut anticipated being free to live and love as she chose. Now she must put Egypt first. Ever daring, she will lead a vast army and build great temples, but always she will be torn between the demands of leadership and the desires of her heart. And even as she makes her boldest move of all, her enemies will plot her downfall….
Once again, Stephanie Thornton brings to life a remarkable woman from the distant past whose willingness to defy tradition changed the course of history.
Author Biography:
Stephanie Thornton is a writer and history teacher who has been obsessed with infamous women from ancient history since she was twelve. She lives with her husband and daughter in Alaska, where she is at work on her next novel.
“The Secret History: A Novel of Empress Theodora” is available from NAL/Penguin, and “Daughter of the Gods: A Novel of Ancient Egypt” will hit the shelves May 2014 and “The Tiger Queens: A Novel of Genghis Khan” will follow in Fall 2014.
A book for lovers of Egyptology:
Illuminated to life by the little details you would expect to find out of an etching of Ancient Egypt unite inside your mind’s eye as you drink in the words of Daughter of the Gods. The fragrances of Myrrh are nearly smelt as I read the opening pages, as Myrrh was regularly burnt alongside Frankincense, Sandalwood, and Patchouli Musk. I always loved the aromatherapy of earthy scents when I used to burn incense whilst creating the words inside my own manuscripts. I even have a bit of a hilarious story when I first attempted to cleanse the air with my first smudging! Laughs. Incense wafts into your nostrils and gives you a sense of calm whilst you create. I always found it a way to dip into the portal of creativity and allow my mind to cart me off to ‘somewhere other than here’ even more readily than listening to music as oft-times I did not always want the interference of chord and tone, but wanted to dig a bit into the internal space where a writer creates their most museful of thoughts. As I started to read Daughter of the Gods I nearly wished I could unpack my sticks of ancient scents and absorb into the story on a different plane! Thankfully, my nose has a long memory and as I happily drank in Thornton’s words (the blessing hand of a wordsmith) I drifted back in reflection of the scents that used to sit in the air and allow my mind to stir a bottomless well of possibilities.
The insertion of references of ka had me smiling as I reflected back upon my studies of Tai Chi Chaun and Qigong, as the elements of the discipline in which I studied is the pursuit of strengthening one’s spiritual energy known as ‘chi’ or ‘qi’. The energy which is quite vital to living and a well of life embedded into our fiber. I had always known the Egyptians were most intrinsically intuitive about elements of life that most cultures do not acknowledge or discuss in modern eras. They are one of the few cultures who attached their lives to their spiritual souls in a way where the transition of life and the afterlife were not merely viewed as passages the soul took in exchange for another life but rather they threaded life and death in a tangible way whilst they lived. They were able to connect and observe the threads of time’s tapestry in gentle observations which led them to have a larger scope of perception knitted into their hearts.
If you think on it a bit, the Egyptians called on their Gods as way of keeping their spirituality a living guide during their everyday lives, as a way of having a spiritual ‘checking’ for their conscience and their actions. In this way, they remind me of Catholics who relate to Saints and turn to the Saints guides to understand how best to proceed. I also had not known the women during Hatshepsut’s time oft walked bare-chested with only a sheath to cover them. This practiced reminded me of the aboriginal tribe featured in one of my favourite childhood films Medicine Man. So much in fact, I found cross-references between aboriginal tribes and Ancient Egyptians! Except to say the main difference here, is that Hatshepsut’s attire was her assertion of power as a woman who was not afraid to dress as a man in order to prove the point of her confidence as Queen.
Lest I bring up that I was most intrigued and deeply savouring the rites of funerals inside Daughter of the Gods? Mummification practices and rituals of death are most fascinating to me! A bit like how I appreciate studying the Day of the Dead as much as the different passages of life for death throughout different World Religions and cultures of whom honour their dead in different ways.
My Review of Daughter of the Gods:
Hatshepsut is a woman who approached life in a cavalier attitude prior to the violent death of her beloved sister Neferubity, whose kind heart and love of her younger sister befelled her fate. Neferubity took Hatshepsut’s place on the alter of death whilst a river bull locked a malicious maul of quavering alarm in Hatshepsut’s soul. The story of Daughter of the Gods begins at the very upturn moment in the future Queen’s life where she must decide on the kind of woman she is meant to be rather than the reckless one she was previously. A challenging beginning to insinuate a path of change and one of worth in a soul not yet tethered to a fate of honour, duty, and rule. In the quake of her anguish she took to self-harming and soul gutting sacrifices to resurrect an offering of peace and remorse in an effort to apologise to her sister resting in the Field of Reeds.
As Thornton describes the rituals of Ancient Egypt, I was drawn to noticing similarities to the Native American’s I’ve studied in the past (specifically the Lakotas), as they describe heaven as Happy Hunting Ground. Anubis is both the protector of the Dead as much as he is the equivalent of the Angel of Death in Christianity as he is the go-between guide from the living world to the afterlife. Part of what I loved about Thornton’s touch of giving us a strong representation of Ancient Egypt is that she allows the historical fact of the setting absorb into our bones as readily as drinking in the dialogue and narrative. She paints such a clarity of thought that your mind flickers forward along with the lead characters as they allow you the grace of spending a bit of time with them as they live their hours. I noticed that I did not have any difficulty in shifting into this timescape; which was a bit of a surprise, as I originally felt due to my lack of readings in this period I might falter to grasp it as strongly as I did. A credit to the writer!
Hatshepsut is like most women accustomed to being bourne into a role they do not wish to fill. She rebels against the convention of standard of her time, whilst plotting a way forward without being shackled to provincial roles befit a wife of a Pharaoh. It is how Thornton chose to portray her path I found most interesting, as I am uncertain how much is readily known about her through historical records. What I liked about this portrayal is its plausibility of being true. For a ruler known for her transformative view of her role as Queen, I would imagine she would take steps to ensure her position at all costs available to her. Yet. Her path towards the throne held an obstacle in that of her half-brother who was now her husband.
She is given a fleshing of character that makes you settle into her innermost thoughts as she chooses her next step alongside her fated path. Her life reminds me so much of the Royals in England, as they too, have destinies chosen for them prior to their ascension. To find happiness within the routine and to find joy within the process of the duties which are meant to be carried out of honour. She learnt a painful lesson along the way about how far a woman could carry her rebellion which had my mind reel back to my viewing of The Duchess (2008) starring Keira Knightley. Her husband Thut is a brute as much as the next man whose self-worth is hinged on perception rather than love. You ache along with Hatshepsut as she curls into an internal war of survival. She was betrayed as Caesar by those within her inner circle, as she kept company with a pack of jackals instead of seers.
As she would grow in her reign, so too would her ability to trust her own instincts as to what would be needed to be done. The greatest testament of her power given back to the world was her sincerity of protection and of wanting to ensure the sanctity of the ka of those she ruled. She knew of the depth of sacrifice but she also knew of the honour one needed to ascend through death. Her mind was oft a war-ground of internal conflictions. To lead was not good enough if she could not inspire prosperity through peace.
A notation on the writing style of Stephanie Thornton:
Thornton’s understanding on the metaphoric wordings to gain a reader’s attention in the heart of her story run counterpoint to the setting within Ancient Egypt, to where even the causal reader would acknowledge they were not within the walls of a the modern world! I loved how she could encapsulate the ‘time’ of Hatshepsut’s world with the flavourings of phrases which carved a deep stroke of Egyptian flair for everyday living! She had found a way to etch an eloquence out of the nuances and give us such a startling sense of their reality as to be able to breathe the same air! I loved feeling as though I had not only become transported but transplanted into the 1400s BC! This is not an easy feat and surely more difficult than the eras I am normally ensconced inside such as the Regency, Victorian, and Edwardian eras of England’s past! Within those eras, there is still a living sense of the day, of the regalia of the ton, and the essence of how the differences between the classes was set by station.
To step back into a fully realised realm of Egypt, when the first female ruler would set the foundation for Cleopatra and Queen Elizabeth I, is a triumph on Thornton’s research and her agile eye in knowing which details would be pertinent to share and guide us as we shifted forward in the story itself. I further applauded her ability to give the realism of Ancient Egypt its most coveted veil of truism! I oft find the writers who can breathe life into their novels to where we are in a lucid trance of where their novels are set give us the most joy to read. In this way, I cannot wait to read another novel by Thornton to see where my heart is led to traverse next! Although, part of me wonders, if Ancient Egypt will be re-explored or if there is another in her back-list I have not yet realised available?! It is most surely a realm I want to venture back into once more, for sure! And, now that the pendulum is set as it were, which author to yield to next to eclipse this wicked sweet story? As now that my palette has a taste for Ancient Egypt, I must yield to seeking out more stories to pacify my hunger! Such a happy thirst to have, eh?
Virtual Road Map of “Daughter of the Gods” Blog Tour is found here:
I am happily honoured to be a blog tour hostess for:
Please visit
to stay in the know for upcoming events!
Kindly know each post I include “Related Articles” those links were not selected by a computer, they were hand-selected by me! I read each one & felt it was necessary to include the links for reading after you had concluded my own blog post.
Reader Interactive Question:
Which books about Ancient Egypt have you become drawn into yourself!? What is it about the setting, time, and period of the Ancient Rulers that you find an appreciation of enquiry? What do you seek out whilst sourcing writers of the Ancient Times!? Do you like the drinkabliity of the narrative? The combination of a wordsmith’s vision against a researcher’s heart? Of whom is your favourite living history character to be explored in a fictional story!? Is there any Egyptian Ruler or lesser known person that you’d prefer to see come to life?!
{SOURCES: Book cover for “Daughter of the Gods”, Author Biography and Book Synopsis were provided by HFVBT – Historical Fiction Virtual Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. The documentary “Hatshepsut’s Egypt” via History Stories had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share a complimentary feature on the subject of the novel. Bookish Events badge created by Jorie in Canva.}
Hatshepsut: The Woman Who Was King – (discoveringegypt.com) I loved how this site gives further insight into her legacy as a woman ruler & how she inspired the women who followed her to succeed in ruling where men only dared to previously.
The True (And Sometimes Painful) Story of Publishing Daughter of the Gods – (stephanie-thornton.com) I am beyond grateful Ms. Thornton had a writing friend who championed her passion for Hatshepsut and inspired her to continue to find a loving home for this to become a printed book of which has alighted in my hands to read! A true blessing indeed! There is nothing more precious than a writer’s belief in their stories nor in the determined heart to see a dream realised!
Discover Hatshepsut’s Temple – (youtube.com) This is such a unique video perspective of a slice of her life that unless you travel to Egypt would not be able to see yourself. Gave a grounding of the setting for the novel ahead of reading.
Inspired to Share:I wanted to find a video I could share that could draw out the essence of who Hatshepsut was whilst inspiring a visitor to find a tangible connection to her such as the one I found myself attached to whilst reading “Daughter of the Gods”. I realise sometimes it helps to have a visual aide to lay thought and dimension upon a story, which is one reason I am always attempting to find book trailers to include with my ruminations on the stories I love discovering; however in lieu of that first choice, I settled on this video. There is something about the presenters euphoric joy in uncovering bits and bobbles about Hatshepsut that inspired me to share this with you today. Notwithstanding a few errors or non-clarifications of a few historical facts (as evidenced in the comment threads on YouTube), I felt as history is subjective and elusive at the same time, any person who can draw this much of an enthused response of someone who lived and breathed over 3,500+ years ago deserves a bit of a spotlight! I hope you enjoy it as much as I did!
Reading this book contributed to these challenges:
Available Formats: Paperback, E-Book, Audiobook, & Large Print Page Count: 400
Acquired Book By:
Whilst researching Indie Publishers and Presses one evening, as I was hopping through the book blogopshere, I started to alight on book bloggers who were recommending several of whom I hadn’t yet heard of! ChocLitUK was listed as a good resource for Romance; intrigued I clicked over to read more about them! I believe it was ‘love’ at first sight for me – their website won me over instantly! The stories they publish are stitched together in a way that has always endeared me to the genre! Having read about their Tasting Panel, I enquired by email if they would ever consider a book blogger to review their titles instead.
ChocLitUK is an Independent Publisher whose origins go back to 2009 for bringing top quality women’s fiction with the undercurrents of love woven into the stories! Their catalogue of stories appeals to me, as I never considered myself a “Chick Lit” type of gal, as I love the foundations of romance to be etched in relationships! (as outlined in“My Bookish Life”) The full essence of what I seek out when I want to be wrapped up in a romance is found in the niche ChocLit has developed! Besides who couldn’t help but appreciate a publisher with a cheeky sense of humour? ChocLit | Chocolate, anyone?
I am now a ChocLit reviewer who receives books of my choice in exchange for honest reviews! I received a complimentary copy of “The Reluctant Bride” from ChocLit via IPM (International Publisher’s Marketing) in exchange for an honest review! The book released on 7th September 2013. I did not receive compensation for my opinions or thoughts shared herein. This marks my first review for ChocLitUK!
Inspired to Read:
I am always finding a way to duck into the Regency &/or the Victorian age, which is why I was perked with interest when I saw the genre offered in ChocLit’s catalogue! This story has a clever character arc in which two of the leads are needing to embark on a journey towards redemption. One to prove she can stand on her own feet again and another (I presume) to not only overcome his life as a soldier but to accept and shift forward from the death of his mistress. There is a lot of clever passageways the author could take this story and I was keen to find out! The back-story alone held my interest but its the heart of the two lead characters that made me tempted to read it!
Book Synopsis:
Can honour and action banish the shadows of old sins?
Emily Micklen has no option after the death of her loving fiancé, Jack, but to marry the scarred, taciturn soldier who represents her only escape from destitution. Major Angus McCartney is tormented by the reproachful slate-grey eyes of two strikingly similar women: Jessamine, his dead mistress, and Emily, the unobtainable beauty who is now his reluctant bride. Emily’s loyalty to Jack’s memory is matched only by Angus’s determination to atone for the past and win his wife with honour and action. As Napoleon cuts a swathe across Europe, Angus is sent to France on a mission of national security, forcing Emily to confront both her allegiance to Jack and her traitorous half-French family. Angus and Emily may find love, but will the secrets they uncover divide them forever?
Author Biography:
Beverley Eikli wrote her first romance when she was seventeen. However, drowning the heroine on the last page was, she discovered, not in the spirit of the genre so her romance-writing career ground to a halt and she became a journalist. After throwing in her secure job on South Australia’s metropolitan daily, The Advertiser, to manage a luxury safari lodge in the Okavango Delta, in Botswana, Beverley discovered a new world of romance and adventure in a thatched cottage in the middle of a mopane forest with the handsome Norwegian bush pilot she met around a camp fire. Eighteen years later, after exploring the world in the back of Cessna 404s and CASA 212s as an airborne geophysical survey operator during low-level sorties over the French Guyanese jungle and Greenland’s ice cap, Beverley is back in Australia living a more conventional life with her husband and two daughters in a pretty country town an hour north of Melbourne. She writes Regency Historical Intrigue as Beverley Eikli and erotic historicals as Beverley Oakley.
Beverly won Choc Lit’s Search for an Australian Star with The Reluctant Bride. Beverley’s Choc Lit novels include: The Reluctant Bride and The Maid of Milan.
Madame Presidentess
Camelot's Queen
