Acquired Book By: Originally, as a hostess of HFVBTs (Historical Fiction Virtual Book Tours) I was able to participate on the blog tour for Ms Womack’s debut novel: The Memory Painter. (see also Review) I was contacted by the author to gauge if I had interest in her sophomore release ‘The Fortune Teller’ of which I researched on her site and found the premise to be quite intriguing. I readily accepted her offer to read this for an honest review and she had her publisher send me a paperback copy of which I was grateful. I received a complimentary copy of “The Fortune Teller” direct from the publisher Picador in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I enjoyed reading this author’s previous release: The Memory Painter
Womack uses creative juxtapositions throughout her novel – where we’re with Bryan and Linz one moment, whilst being treated to a sequence of knowledge not yet introduced to the main thread of the story-line. This is where she shifts both perspective and the trisectional splitting between the main context of how Bryan & Linz are inter-connected to each other, the critical research on Alzheimer’s and the mystery History has attempted to shroud out of memory and sight from humanity. She presents her characters with a depth of being who are grounded as much as they are dimensional. You can sense their emotions, even at a first glance to how they hold themselves and how they allow themselves to interact with others. There is quite a lot bubbling just below the surface – not only of the narrative direction but through the stitchings of how her characters are moulded together.
Womack writes with a subtle accuracy of giving you just enough information per each scene or character visit to allow you to tie everything together in the larger scope of things. It’s an interesting told narrative, from the point-of-view of shifting perceptions and how you are augmented through different portals of how the story-line is moving forward. The main focus is centred on Bryan and Linz, but you have other influences moving the timeline as well as how each cross-section pertains to the two protagonists who hold the key to the whole story! You can simply let your mind alight through Womack’s graceful narrative and let yourself wander as you wonder how the author knitted the story out of the ethers!
I give a nod of excellence to Womack for compellingly giving her readers a visceral level of realism towards understanding how Bryan painted his portraits of life and death! She used words as he uses paint – you could not help but feel as if you were standing below his portraits, seeing how everything felt alive and telling in that stance you took to see what shouldn’t be able to be seen. It’s a lovely novel of depth for the world of art, as similar to music, art is at times hard to conceptionalise on the page; Womack had such an organic way of presenting the art, you could not help but appreciate it in full!
How Womack was able to intervene on History to such a level of intriguing juxtapositions, I am uncertain! As she even brought back to life the compelling argument of how sometimes not everything is fully resolved before or after death! She interwove Egyptology in such a fascinating and inventive way as to cross their Ancient History with our current timeline! It was wonderful to watch her pull her layers together, explore the details further and to watch how even her characters were a bit startled by how everything was inter-connecting straight through to the finish! Her mind truly has captured the intricacies of a plot that is told not only through multiple perspectives but through a threading of counter current lives who are affectingly drawn to each other due to how their past lives originally affected their soul’s journey. Now that’s beyond impressive for a debut novel!
-as quoted from my review of The Memory Painter
Semele Cavnow appraises antiquities for an exclusive Manhattan auction house, specializing in deciphering ancient texts. And when she discovers a manuscript written in the time of Cleopatra, she knows it will be the find of her career. Its author tells the story of a priceless tarot deck, now lost to history, but as Semele delves further she realizes the manuscript is more than it seems. Both a memoir and a prophecy, it appears to be the work of a powerful seer, describing devastating wars and natural disasters in detail thousands of years before they occurred.
The more she reads, the more the manuscript begins to affect Semele's life. But what happened to the cards? As the mystery of her connection to the manuscript deepens, Semele can’t shake the feeling that she’s being followed. Only one person can help her make sense of it all: her client, Theo Brossard. Yet Theo is arrogant and elusive, concealing secrets of his own, and there’s more to Semele’s desire to speak with him than she would like to admit. Can Semele even trust him?
The auction date is swiftly approaching, and someone wants to interfere—someone who knows the cards exist, and that the Brossard manuscript is tied to her. Semele realizes it’s up to her to stop them: the manuscript holds the key to a two-thousand-year-old secret, a secret someone will do anything to possess.
Places to find the book:
Published by Picador
on 6th of June, 2017
Format: Trade Paperback
Published By: Picador (@PicadorUSA) via St. Martin’s Press
imprints of St. Martin’s Publishing Group,
which is now a part of MacMillian Publishers
Available Formats: Trade Paperback, Audiobook and Ebook
Reading this book contributed to these challenges:
- 2017 Historical Fiction Reading Challenge