Posted Thursday, 22 March, 2018 by jorielov James Hartley, John Hunt Publishing, Lodestone Books, Macbeth, The Invisible Hand, William Shakespeare 0 Comments
Hallo, Hallo my dear hearted Classical Shakespearean bookish mates!
(yes, this is a s/o to my lovely #theclassicsclub geeks!)
Says the girl whose all but suffered an EPIC FAIL for her first journey into said Classics Club whilst still attempting to right the stars on her fate of being seriously the most under-read of all clubbers in the Classical stacks! I appear, on the surface of things – wickedly in LOVE with Classical Lit but in the bare bones of trying to *read!* Classical stories – I seem to have opted for the after canons & re-tellings moreso than the original canons – naughty, Jorie! Except, I will soon be making enroads towards fixing this as I have a happy *surprise!* to share with my dear hearted readers of Jorie Loves A Story.. you’ll have to keep a keen eye for my latest #BookishNotBookish post,… that’s all I can disclose at this time!
When it comes to the Bard, I fell hard for his style of Literature as a frustrated freshman (in h.s. you guys, let’s just get that out of the way!) – it was refreshingly brilliant. I was seeking harder lit at the time, having graduated out of my childhood authors & shifting forward straight into a swirling pot of stories from contemporaries such as Clancy (Jack Ryan – OM sweet ghouls, right?); Crichton (the bloke who left hardly a hair on me head from the terror of his thrillers! yet, inspired my LOVE for Science & all things Ian Malcolm! Let’s face it – between the Genetic codes & Chaos Theory I was swooning!) and Grisham (who crushed my soul every single time!) – I was ready for a cosmic shift in my literary choices.
Similar to my lifelong appreciation on behalf of *Jane Austen!* prior to reading her stories – I had a fever of excitement over William Shakespeare. Let’s face – the *language!* and mannerisms of his choices in words & wordplay is enough to convince my younger self his stories would one day touch my heart with fierce admiration. I wasn’t wrong either – except it wasn’t the traditional love affair for Romeo which swooned my heart – instead it was the politico intrigue inside Julius Caesar & the dramatic undertone of Macbeth.
Mind you, I *devoured!* Caesar’s story & I helped the seniors ace their final exams for the latter – without reading the whole play, I only had a single layout (two pages) of the text in which I examined the context & eloquently explained it. I just tapped into the soul of Macbeth – ever since then, I’ve kept the play at an arm’s length. Mostly as whenever you feel so deeply connected to a story or a character – do you dare re-visit it?! I’ve had mixed feelings about this as I’ve previously re-examined stories from the past,..
I leapt into this blog tour before I fully examined the construction of the series Mr Hartley was building because I was wicked impressed by the components he was pulling together – so much so, this was my first reaction after finding out about the tour itself:
I pray I’m in time to join this blog tour — two words: Shakespeare & Macbeth overtures are right up my alley plus this is meant to be an introduction to the Bard for younger readers?! Ooh, my yes! It mentioned there are paperbacks to review on this tour, does that extend to the States?! If so, I’d love to join for a *review!* and a guest feature – I just finished reading “The Seven Sisters” – I sat down at six thirty last night and it’s now nearly 9am…
I love how he’s bringing each play to life through a boarding school setting,…
Shortly hereafter, my paths crossed with Mr Hartley in the twitterverse, however, that particular story will be saved for a latter date! As this post is meant to give him the chance to explain what inspired him to re-direct his own museful creativity into the collective works of the Bard we all know, trust & love as much as readers have for half a millennia. I simply wanted to give a bit of a back-story into how I came to *love!* the Bard myself and why this particular tour held such a strong appeal for becoming a part of as a book blogger.
Find a cosy comfortable place to alight, sip your favourite cuppa tea or java & ENJOY this essay – about a writer who found inspiration within the text & symbolism of MACBETTH.
The Invisible Hand
Subtitle: Shakespeare's Moon : Act 1
by James Hartley
The Invisible Hand is about a boy, Sam, who has just started life at a boarding school and finds himself able to travel back in time to medieval Scotland. There he meets a girl, Leana, who can travel to the future, and the two of them become wrapped up in events in Macbeth, the Shakespeare play, and in the daily life of the school.
The book is the first part of a series called Shakespeare´s Moon. Each book is set in the same boarding school but focuses on a different Shakespeare play.
Genres: After Canons, Children's Literature, Classical Literature, Young Adult Fiction Places to find the book:
Borrow from a Public Library
Add to LibraryThing
Find on Book Browse
ISBN: 9781785354984
Also by this author: The Invisible Hand
on 27th February, 2017
Published By: Lodestone Books (@JHPChildren)
an imprint of John Hunt Publishing (@JHPFiction)
The series thus far along :
Hartley’s Shakespearean 5 act Quintet (after canon) series ‘Shakespeare’s Moon’
Heart of Winter | prequel to ‘The Invisible Hand’ (Synopsis) → previously an audiobook
The Invisible Hand | inspired by ‘MacBeth’
PlayFight | a short story within the series | Read via Wattpad
Cold Fire | inspired by ‘Romeo & Juliet’ (Synopsis) → #PubDay is 31.Aug.18
Converse via: #Shakespeare #Macbeth & #theclassicsclub
Find out why Mr Hartley claims to have been ‘betwitched’
by the muse behind ‘An Invisible Hand’ + ‘Heart of Winter’.
Topic I Proposed to Mr Hartley:
How did you develop your hauntingly ethereal Gothic style of re-interpreting Shakespearean plays? As your stories hone in on the elemental and atmospheric aspects of psychological suspense – what were your inspirations for writing these kinds of after canon sequels on behalf of the Bard? Likewise, is there one of his stories which stands out as being your ultimate favourite?
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Posted Thursday, 22 March, 2018 by jorielov in After the Canon, Bits & Bobbles of Jorie, Blog Tour Host, Bookish Discussions, Children's Literature, Classical Literature, England, Inspired By Author OR Book, Inspired by Stories, Literature for Boys, Rachel's Random Resources, Re-Told Tales, Reader Submitted Guest Post (Topic) for Author, The Writers Life, Writing Style & Voice
Posted Thursday, 8 February, 2018 by jorielov Jennifer Laam, MacMillian Publishers, St. Martin's Griffin, St. Martin's Press, The Lost Season of Love and Snow 0 Comments
Hallo, Hallo dear hearts!
As you might recall, I happily read a novel in January which was set in Russia and captialised on a living person’s life – my latest in finding a compelling Biological Historical narrative which was so wickedly writ to the truth of the woman’s life as to make you feel you had walked a proper mile in her shoes. The author and I staid in touch after my review posted during her lovely blog tour – as I had hoped all along to feature her in a guest post talking about specific points of her story-line (the cross-references to today’s current events) and the curious hidden meanings (if any) behind the choice in ‘title’.
This lead to a wonderfully planned out essay which Ms Laam has written to be shared with all of you – I love how she talks to the purposeful meaning behind what is truly ‘lost’ and how the theme behind the title is played throughout the story, further revealling the homage seen in the title. Whilst I had observed whilst I was reading the novel, there are a lot of carry-overs into today’s society about the rights for women and the further need for our rights to be upheld in all instances (not just in the workplace). Natayla did not live in an age of freedom where she would have more choices than those which were availed to her and in many ways, her story does read like a tragic love story. I personally felt Natayla had been given a bad rap in History – as I sided with the author’s own reflections after I finished reading her rendition about her life.
Too often women in History are misunderstood or their motives are misconstrued in modern eras – in Natayla’s case, I don’t believe any historians had fully given her a chance to have her voice heard much less understood. When you read about what she was facing and what she was going through – your heart softens to her plight. You can definitely feel empathy for her and in the end, what is truly sad is how it all unfolds into such an emotionally charged ending. I am unsure if she’s a victim of the times or a victim of how sometimes you can become a victim of circumstances which are never fully resolved. In her case, love was not something without conditions placed against it and her life was never truly her own.
I hope you enjoy reading Ms Laam’s guest essay about “The Lost Season of Love & Snow” – perhaps inspiring you to pick up a copy of this dearly inspiring Historical narrative or if you’ve already read it – perhaps this will help clue you into things you’ve observed whilst you were reading it. Either way, be sure to brew yourself a cuppa and enjoy ruminating about what the author leaves behind to be pondered!
Why I was interested in learning more about the hidden meaning behind this title:
There are so many keen moments of beautiful prose in this narrative – of observations on ordinary objects, to the traditions of holidays and the little touches of rooting us within the time-line of History, as Natayla steps further into the foreground of the story. The people she is interacting with are as viable as anything else being described because of the nature of how close certain circles were kept and maintained. It was fitting to find her in such company because her movements in social circles was evidence enough she would cross certain people’s path at some point or another. What lends such a gasp of awe for us who are reading about her for the first time is how her path started to intersect with so many well-known figures of her generation. A bit like the Fitzgeralds in the 1920s who curbed the market for knowing all the latest persons in literature, art, music and the creative arts.
It was not long for me to feel lost inside the world Ms Laam created within the pages of The Lost Season of Love and Snow; for this was a coming-of-age story which created it’s own niche out of what is known and unknown within the fables of history. As we dig further into the life of Natalya, we find a girl who is maturing into her own skin, of sorting out her emotions and of finding she does not fully ascribe to her mother’s sensible beliefs about marriage and life. Within these pages, you get to tuck close to her, watching her as she moves through the hours and attempts to forestall the influence of her sisters and brothers whilst owning to the fact, without being married she is still under her mother’s rules. This is partially what captured my attention most – as in so many ways this story reminded me why I love Little Women.
-quoted from my review of The Lost Season of Love and Snow
Guest Post (Jennifer Laam)
Subtitle: The Lost Season of Love and Snow
by Jennifer Laam
The unforgettable story of Alexander Pushkin’s beautiful wife, Natalya, a woman much admired at Court, and how she became reviled as the villain of St. Petersburg.
At the age of sixteen, Natalya Goncharova is stunningly beautiful and intellectually curious. But while she finds joy in French translations and a history of Russian poetry, her family is more concerned with her marriage prospects. It is only fitting that during the Christmas of 1828 at her first public ball in her hometown of Moscow she attracts the romantic attention of Russia’s most lauded rebel poet: Alexander Pushkin.
Enchanted at first sight, Natalya is already a devoted reader of Alexander’s serialized novel in verse, Evgeny Onegin. The most recently published chapter ends in a duel, and she is dying to learn what happens next. Finding herself deeply attracted to Alexander’s intensity and joie de vivre, Natalya hopes to see him again as soon as possible.
What follows is a courtship and later marriage full of equal parts passion and domestic bliss but also destructive jealousies. When vicious court gossip leads to Alexander dying from injuries earned defending his honor as well as Natalya’s in a duel, Natalya finds herself reviled for her alleged role in his death. With beautiful writing and understanding, Jennifer Laam, and her compelling new novel, The Lost Season of Love and Snow, help Natalya tell her side of the story—the story of her greatest love and her inner struggle to create a fulfilling life despite the dangerous intrigues of a glamorous imperial Court.
Genres: Biographical Fiction, Historical Fiction, Historical Romance, Women's Studies Places to find the book:
Borrow from a Public Library
Add to LibraryThing
Find on Book Browse
ISBN: 978-1-250-12188-2
Also by this author: The Lost Season of Love and Snow
on 2nd January, 2018
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Posted Thursday, 8 February, 2018 by jorielov in 19th Century, Alexander Pushkin, Biographical Fiction & Non-Fiction, Blog Tour Host, Bookish Discussions, Coming-Of Age, Creative Arts, Family Drama, Family Life, Grief & Anguish of Guilt, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, History, Inspired By Author OR Book, Life Shift, Mother-Daughter Relationships, Passionate Researcher, Russia, Russian History, Second Chance Love, Siblings, Sisters & the Bond Between Them, Women's Fiction, Women's Rights, Wordsmiths & Palettes of Sage, Writer, Writing Style & Voice
Posted Wednesday, 17 January, 2018 by jorielov Jennifer Laam, MacMillian Publishers, St. Martin's Griffin, St. Martin's Press, The Lost Season of Love and Snow 2 Comments
Acquired Books By: I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! I received a complimentary ARC copy of “The Lost Season of Love & Snow” direct from the publisher St. Martin’s Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I was interested in the premise behind this novel:
Similar to why I wanted to read Who is to Blame?, this novel appealed to me because it is about Russian History. Being a reader of military dramas in my youth, Russia was one of the countries most used as a back-drop (especially in regards to the Jack Ryan series) wherein I developed an appreciation for seeing Russia in fictional settings. There were a few Historical Romances I’ve read over the years which are set in this country as well, but this was the first time, (I can recall) where the story is predominately showcasing Russian History.
Towards that end, I was most appreciative of finding a part of living history etched into the premise of this novel – of how Ms Laam had found a woman to champion – someone who was lost inside her own histories from the prejudices of memory by people who were not willing to understand her as she had lived. This is one of the issues with living histories of person who lived; they are not always fully understood whilst they are alive nor are they honoured lateron with a sense of self by biographers or those who seek to bridge their lives into the world of Historical Fiction. It takes an eye and heart like Ms Laam to see their worth – of hearing their voice and of finding a way to fuse their story into a captivating drama such as The Lost Season of Love and Snow.
The truer gift being given through this novel is having one woman’s life untarnished by supposition and hearsay – to get to the singular truths of her own story without the prejudices injusticed against her person – whilst re-alighting through her own journey towards womanhood, marriage, family and the ache of her own heart whilst she realised the folly of her own actions. This reads like a proper Biography – with the added benefit of listening to Natalya as she tells her own story. Including critical nods towards where living history and her fictionally voiced thoughts co-merge to paint the landscape of her life from the moment she lost Alexander to the moment she first knew she was in love with him.
The Lost Season of Love and Snow
by Jennifer Laam
Source: Publisher via Historical Fiction Virtual Book Tours
The unforgettable story of Alexander Pushkin’s beautiful wife, Natalya, a woman much admired at Court, and how she became reviled as the villain of St. Petersburg.
At the age of sixteen, Natalya Goncharova is stunningly beautiful and intellectually curious. But while she finds joy in French translations and a history of Russian poetry, her family is more concerned with her marriage prospects. It is only fitting that during the Christmas of 1828 at her first public ball in her hometown of Moscow she attracts the romantic attention of Russia’s most lauded rebel poet: Alexander Pushkin.
Enchanted at first sight, Natalya is already a devoted reader of Alexander’s serialized novel in verse, Evgeny Onegin. The most recently published chapter ends in a duel, and she is dying to learn what happens next. Finding herself deeply attracted to Alexander’s intensity and joie de vivre, Natalya hopes to see him again as soon as possible.
What follows is a courtship and later marriage full of equal parts passion and domestic bliss but also destructive jealousies. When vicious court gossip leads to Alexander dying from injuries earned defending his honor as well as Natalya’s in a duel, Natalya finds herself reviled for her alleged role in his death. With beautiful writing and understanding, Jennifer Laam, and her compelling new novel, The Lost Season of Love and Snow, help Natalya tell her side of the story—the story of her greatest love and her inner struggle to create a fulfilling life despite the dangerous intrigues of a glamorous imperial Court.
Genres: Biographical Fiction, Historical Fiction, Historical Romance, Women's Studies Places to find the book:
Borrow from a Public Library
Add to LibraryThing
ISBN: 978-1-250-12188-2
Also by this author: Guest Post (Jennifer Laam)
Published by St. Martin's Griffin
on 2nd January, 2018
Format: Trade Paperback
Pages: 352
Published By: St. Martin’s Griffin via St. Martin’s Press (@StMartinsPress)
imprints of St. Martin’s Publishing Group,
which is now a part of MacMillian Publishers
Formats Available: Trade Paperback, Audiobook and Ebook
Converse via: #HistFic, #HistoricalFiction + #LostSeasonOfLoveAndSnow
About Jennifer Laam
Jennifer Laam is the author of The Secret Daughter of the Tsar, The Tsarina’s Legacy, and the forthcoming The Lost Season of Love and Snow, all from St. Martin’s Griffin.
She is represented by Erin Harris at Folio Literary Management. Jennifer has lived in Los Angeles and the suburbs of Detroit, and currently resides in California’s Central Valley. When she is not busy writing or reading, Jennifer spends her time obsessing over cosplay, trying new vegetarian recipes, line dancing, and spoiling cats. She works for her alma mater, University of the Pacific.
Website | Twitter | Facebook | Goodreads | Pinterest | LibraryThing
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Reading this book contributed to these challenges:
Posted Wednesday, 17 January, 2018 by jorielov in 19th Century, Alexander Pushkin, Biographical Fiction & Non-Fiction, Blog Tour Host, Bookish Discussions, Coming-Of Age, Creative Arts, Family Drama, Family Life, Grief & Anguish of Guilt, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, History, Inspired By Author OR Book, Life Shift, Mother-Daughter Relationships, Passionate Researcher, Russia, Russian History, Second Chance Love, Siblings, Sisters & the Bond Between Them, Women's Fiction, Women's Rights, Wordsmiths & Palettes of Sage, Writer, Writing Style & Voice
Posted Wednesday, 11 January, 2017 by jorielov (Narrator) Erin Spencer, Halfway Dead, Halfway Witchy, Self Published, Terry Maggert 0 Comments
Acquired Digital Audiobook by: I am a new blog tour hostess with Audiobookworm Promotions wherein I have the opportunity to receive audiobooks for review or adoption (reviews outside of organised blog tours) and host guest features on behalf of authors and narrators alike. I started hosting for Audiobookworm Promotions at the end of [2016] during “The Cryptic Lines” tour wherein I became quite happily surprised how much I am now keen on listening to books in lieu of reading them in print. My journey into audiobooks was prompted by a return of my chronic migraines wherein I want to offset my readings with listening to the audio versions.
I received a complimentary audiobook copy of “Halfway Dead” via the publicist at Audiobookworm Promotions (of whom was working directly with the author Terry Maggert) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I am so wicked happy about tucking into a Paranormal Suspense:
I have the tendency to appreciate certain Paranormal Suspense, Mystery and Thrillers which are just this side of Cosy Horror but occasionally push the envelope to take me straight out of my personal comfort zones. This began when I was a teenager who would try to blink away the grittier scenes attached to The X-Files, smiled at the irony of enjoying Buffy the Vampire Slayer and happily enjoyed most of the Charmed series before the serial took off into a tangent of nonsense that truly was utterly pointless.
As a reader, it’s quite a hard needle to thread – which Paranormal novelists are curating stories I can handle or even find pleasure in reading when my bookish heart is quite sensitive to most overtly horrific and grisly scenes too oft found inside the genre itself!? This is why I have the tendency to lean more towards PNR (or Paranormal Romance) but even then, I am quite particularly particular; seeking out the stories where the relationships and the paranormal elements can walk hand in hand without giving me that jolt of something quite horrific or a nightmaric ghoulish feast that would leave me wrecked for dreamscapes afterwards.
The balance of course, is one part world-building to where setting, texture and sound of a narrative can fully immerse me into an ‘other place’ for the spell I send inside it but not overtly dark or without light, because I am not entirely the kind of reader who can cosy up into a Dystopian-esque world either. I like sophisticated layers and humour that is not in the gutter whilst the scenes where something quite fowl takes place can have the ability to pull-back and off-set the reality of that moment with either compassion, mercy or a somberness that befits the scene. Strong characters and a cheeky inclusion of wit or banterment would be most ideal; but I also, happen to love the ‘unexpected’. The moments you cannot foresee coming ahead of time and how the psychological suspenseful bits also can encourage you to get properly lost in the story.
Whatever it is I’m seeking as it depends on the sub-genre, the premise and the overall conjecture of what a story could elude to including – I like to seek out unique voices in fiction. I prefer to find the writers who have something intrinsically their own and a way of crafting a story that is both informative (for whichever sub-focus they include) and wicked entertaining on the other end! I like to rally behind characters who are in the middle of their journey and of whom interact with an eclectic supporting cast of people or creatures you might never suspect would become such a crucial point of the story itself.
Thus, I decided to take a chance on the Halfway Witchy series; as the author originally found me on Twitter whilst he was promoting another novel of his (Heartborn) which I was on the fence about for nearly the duration of it’s blog tour. It was only after following the tour route and reading a few incredibly personal reviews of it’s contents, I realised I was most intrigued by this author! I ended up adopting a copy of the audiobook (of which I will be featuring in a few short weeks) for review consideration and found myself pulled into the orbit of this universe – the Witchy world of Carlie.
I originally began listening to this audiobook soon after I received it and a few moments whilst my Dad was first brought home recovering from his stroke. As I mentioned on Twitter to the author, finding this series was a lovely blessing of joy; and as I move through the series, I look forward to exploring what I like about this curious section of literature which continues to draw my eye. As sometimes what appeals to me to read (or listen too) isn’t quite what you might think would be on my palette of stories but has something contained within it’s chapters that is wholly original and happily consumed. Sometimes we all have to embrace our quirky natures and as readers, I think we’re naturally quirky!
Halfway Dead
Subtitle: Come for the waffles, stay for the magic
by Terry Maggert
Source: Audiobook via Audiobookworm Promotions
Narrator: Erin Spencer
Carlie McEwan loves many things. She loves being a witch. She loves her town of Halfway, NY - a tourist destination nestled on the shores of an Adirondack lake. Carlie loves her enormous familiar, Gus, who is 25 pounds of judgmental Maine Coon cat, and she positively worships her grandmother, a witch of incredible power and wisdom. Carlie spends her days cooking at the finest - and only - real diner in town, and her life is a balance between magic and the mundane, just as she likes it.
When a blond stranger sits at the diner counter and calls her by name, that balance is gone. Major Pickford asks Carlie to lead him into the deepest shadows of the forest to find a mythical circle of chestnut trees, thought lost to forever to mankind. There are ghosts in the forest, and one of them cries out to Carlie across the years. Come find me.
Danger, like the shadowed pools of the forest, can run deep. The danger is real, but Carlie's magic is born of a pure spirit. With the help of Gus, and Gran, and a rugged cop who really does want to save the world, she'll fight to bring a ghost home, and deliver justice to a murderer who hides in the cool, mysterious green of a forest gone mad with magic.
Genres: Cosy Horror, Ghost Story, Sci-Fantasy, YA Fantasy, YA Paranormal Suspense, Young Adult Fiction Places to find the book:
Borrow from a Public Library
Add to LibraryThing
ASIN: B013KLF9HO
Also by this author: Halfway Bitten, Heartborn, , Halfway Hunted
Also in this series: Halfway Bitten, Halfway Hunted
Published by Terry Maggert
on 7th August, 2015
Format: Audiobook | Digital
Length: 7 hours and 15 minutes (unabridged)
the halfway witchy series:
About Terry Maggert
Left-handed. Father of an apparent nudist. Husband to a half-Norwegian. Herder of cats and dogs. Lover of pie. I write books. I've had an unhealthy fascination with dragons since the age of-- well, for a while. Native Floridian. Current Tennessean. Location subject to change based on insurrection, upheaval, or availability of coffee. Nine books and counting, with no end in sight. You've been warned.
Website | Blog | Twitter | Facebook | Goodreads | Instagram | LibraryThing | YouTube
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Posted Wednesday, 11 January, 2017 by jorielov in #JorieLovesIndies, 21st Century, Animals in Fiction & Non-Fiction, Apothecary, ArchDemons or Demonic Entities, Audiobook, Audiobookworm Promotions, Author Found me On Twitter, Balance of Faith whilst Living, Bits & Bobbles of Jorie, Blog Tour Host, Buffy the Vampire Slayer, Cats and Kittens, Charmed, Classic Motion Pictures, Clever Turns of Phrase, Coming-Of Age, Conservation, Cosy Horror, Cosy Horror Suspense, Dreams & Dreamscapes, Earthen Magic, Earthen Spirituality, Environmental Activism, Environmental Advocacy, Environmental Conscience, Environmental Science, Equality In Literature, Faeries & the Fey, Fantasy Fiction, Folklore and Mythology, Ghost Story, Ghosts & the Supernatural, Good vs. Evil, Gothic Literature, Gothic Mystery, Horror-Lite, Humour & Satire in Fiction / Non Fiction, Immortals, Indie Author, Light vs Dark, Methodology of Writing Science Fiction & Fantasy, Modern Day, Nature & Wildlife, Parapsychological Gifts, Parapsychological Suspense, Philosophical Intuitiveness, Political Narrative & Modern Topics, Premonition-Precognitive Visions, Preservation, Realistic Fiction, Seclusion in the Natural World, Shapeshifters, Small Towne USA, Sociology, Speculative Fiction, Spirituality & Metaphysics, Supernatural Creatures & Beings, Suspense, Sustainability & Ecological Preservation, The Natural World, Upper YA Fiction, Urban Fantasy, Vampires, Vulgarity in Literature, Walking & Hiking Trails, Werewolves, Witches and Warlocks, Writing Style & Voice, YA Fantasy, YA Paranormal &/or Paranormal Romance, Young Adult Fiction
Posted Friday, 30 September, 2016 by jorielov Conquest trilogy, Daughter of the Last King, Impress Books, Tracey Warr 2 Comments
Acquired Book By: If your a regular reader or frequent visitor of Jorie Loves A Story, you might have seen my review for my first EPIC Historical novel published by Impress Books (UK) entitled: Almodis: The Peaceweaver! This novel marked my introduction to the historical crafting style of Impress Books authors and the impressive layer of breadth Ms Warr knits inside her historical fiction! I originally crossed paths with the publisher on Twitter in late 2015, whilst finding the novels of Ms Warr, as I quite seriously have a penchant for well-conceived historical stories set during eras of time I am keenly interested in visiting through literature!
I participated in the Cover Reveal on behalf of #Conquest No.1 “Daughter of the Last King” in July, 2016. I received a complimentary ARC copy of “Conquest: Daughter of the Last King” direct from the publisher Impress Books (UK) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I was so wicked excited for #Conquest after having read Almodis!
I love going back to the author’s origins, especially to read their debut release as a good foundation to understand their approach to writing their collective works. I was most impressed by the layered realism and intricate attention to detail whilst building a strong level of grounding for the back-story of Almodis as well. Thus, I am thrilled to announce I am a part of the upcoming blog tour for the #Conquest series featuring this novel which sets off the pace for the trilogy!
Warr has constructed such an intricate plot around Almodis, as her fate is mirror to Guinevere in some ways, as neither woman could fully believe they were being deceived at every turn. Almodis had a servant working against her and a second marriage optioned to her to increase her brother’s steed of wealth and power. She was being used and taken by men, without any consideration for how this might affect her psychological well-being or her very spirit as a woman who had always believed in the purpose of her role as a wife and mother. She had a sharpened mind which caught her a few breaks along the way, without which she might not have fared as well as she did. Except to say, it was not without it’s hurdles.
The fact Almodis’s story is living history is a testament to the imagination of Tracey Warr who presented her life in such a fashion as to encourage us to draw closer to her journey towards ruling land, home and her mind with such an intricate understanding for order. I agree with Warr, this is definitely a story that played out well in a historical narrative, as there are such far reaching scenarios to understand what happened between her marriages, the births of her children and how everything knitted together in the end where different children took over the original three regions which were always succumbing to war. She wasn’t just the weaver of peace for her generation but for multi-generations down through her descendants as the works she accomplished whilst she was alive remained a living memory of who she was whilst she dared to entrust herself to live authentically towards the honour she felt she was always bestowed to upheld.
-quoted from my review of Almodis: The Peaceweaver
As you can see, I love how Warr is able to write-in the moments of a lost era where we not only can visually conceptionalise that particular part of a living history (as Almodis is Biograhpical Historical Fiction based on the life of a real person) but she etches out the fuller scope of that generations layers of place, time and setting. It’s a fully realised immersion into a hidden corridor of history that is such a pleasure to read as you become wholly absorbed by Warr’s vision and her understanding of her characters’ lives to such a degree, you feel like you’ve lived through their heartaches & the journey it took them to find their own levels of success as they fought against the tides of tradition.
Having been properly introduced to her writing style so wondrously tied to her knack for research, I was beyond elated to be in a position to continue to read her stories, starting with the #Conquest trilogy!
Conquest: Daughter of the Last King Cover Reveal
1093. The three sons of William the Conqueror – Robert Duke of Normandy, William II King of England and Count Henry – fight with each other for control of the Anglo-Norman kingdom created by their father’s conquest.
Meanwhile, Nesta ferch Rhys, the daughter of the last independent Welsh king, is captured during the Norman assault of her lands. Raised with her captors, the powerful Montgommery family, Nesta is educated to be the wife of Arnulf of Montgommery, in spite of her pre-existing betrothal to a Welsh prince.
Who will Nest marry and can the Welsh rebels oust the Normans?
Places to find the book:
Add to LibraryThing
Find on Book Browse
Book Page on Ruby Fiction
ISBN: 9781907605819
on 1st October, 2016
Published by: Impress Books (@ImpressBooks1)
RELEASE DATE: 1st October, 2016 | Formats Available: Paperback & Ebook
Converse via: #Conquest on Twitter & Instagram (see ImpressBooks via Instagram)
About Tracey Warr
Tracey Warr is a writer based in Wales and France, and has published novels and books on contemporary art. She was Senior Lecturer, teaching and researching on art history and theory of the 20th and 21st centuries, at Oxford Brookes University, Bauhaus University and Dartington College of Arts.
Her first novel, Almodis: The Peaceweaver (Impress, 2011), is set in 11th century France and Spain, and was shortlisted for the Impress Prize for New Fiction and the Rome Film Festival Book Initiative and received a Santander Research Award. Her second historical novel, The Viking Hostage (Impress, 2014), is set in 10th century France and Wales.
She received a Literature Wales Writer’s Bursary for work on her new trilogy, Conquest , set in 12th century Wales, England and Normandy. She received an Authors Foundation Award from the Society of Authors for work on a biography of three medieval sisters, entitled Three Female Lords. She is also working on a new historical novel featuring a 12th century female troubadour in Toulouse, and on a future fiction novel set in the debatable territory of a river estuary, between water and land, in the 22nd century.
Her writing on contemporary artists has been published by Phaidon, Merrell, Black Dog, Palgrave, Manchester University Press. Her latest art publication is Remote Performances in Nature and Architecture (Ashgate, 2015). She reviews for Times Higher Education, Historical Novels Review and New Welsh Review.
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Reading this book contributed to these challenges:
- 2016 Historical Fiction Reading Challenge
Posted Friday, 30 September, 2016 by jorielov in 11th Century, ARC | Galley Copy, Arranged Marriages in Royalty, Biographical Fiction & Non-Fiction, Blog Tour Host, British Literature, Brothers and Sisters, Clever Turns of Phrase, Coming-Of Age, Early Middle Ages [the Dark Ages] (1001-1300), Family Drama, Family Life, Flashbacks & Recollective Memories, Historical Fiction, Historical Mystery, Historical Romance, Impress Books, Indie Author, Inheritance & Identity, Jorie found the Publisher on Twitter, Kidnapping or Unexplained Disappearances, Life Shift, Passionate Researcher, Political Narrative & Modern Topics, Realistic Fiction, Siblings, Story in Diary-Style Format, Twitterland & Twitterverse Event, Unexpected Inheritance, Unexpected Pregnancy, Wales, Warfare & Power Realignment, Women's Rights, Wordsmiths & Palettes of Sage, Writing Style & Voice
