Gifted Book By: Last year, I had the chance to feature this lovely series by Impress Books UK twice – for a Spotlight & Extract as well as an author interview for the tour celebrating the sequel. I enjoyed hosting for the touring company attached to these tours, but during late (2020) I decided to pull back from a few of the touring companies I was hosting and re-focus on the blog tours, publishers & authors I regularly host more often. My memory is a bit foggy if I was conversing with the publisher about ‘Tree Magic’ before or after the second blog tour. In that conversation, I was mentioning the book wasn’t yet released stateside in a print edition and I wasn’t sure (at the time) when I’d be able to purchase a copy as 2020 was quite an adverse year for my family all told. Especially for medical emergencies and/or ER visits in particular. Thereby, when the publisher offered to send me a copy of ‘Tree Magic’ when it was available in print, I thanked them for their gracious offer and knew once my migraines calmed down, I wanted to dive into this novel!
The months passed by and as 2021 started off with adversities of its own, I can honestly say, it wasn’t until May this year, during #WyrdAndWonder where I could read past the first few pages of ‘Tree Magic’!! I am overjoyed I could wait until now to talk about this novel and the series it begins as I felt such a strong attachment to this book and the world it is set in due to the showcases I hosted last year. I had eight migraines in September, 2020 after the five I had in May, 2020 – so betwixt and between both those months, I’m equally in the dark if I received this for review consideration or for my own personal readerly curiosity.
Thereby, I was gifted a copy of “Tree Magic” by the publisher Impress Books UK without being obligated to post an honest review. I am sharing my thoughts on behalf of this novel for my own edification and a continued journey of sharing my readerly life on Jorie Loves A Story. I did not receive compensation for my opinions or thoughts shared herein.
Note: I received the Press Materials last year from the publisher and vaguely remember asking if / when I was able to read this novel if I could re-use the materials given to me on both blog tours and being given permission to do that if / when the time arose. Therefore, this is why the Press Materials for this series are included on this review.
Hallo, Hallo dear hearts!
I have had a firm attachment to the natural world ever since I was a young girl – growing up with a fascination and wonderment about nature, wildlife and especially of trees! This is why when I first saw this blog tour being announced, I was super giddy about participating on the tour because any writer who can celebrate and champion the natural world in a pro-positive way is an author I would love to feature on Jorie Loves A Story!
I could immediately connect with the premise with this novel which is why I am trying to seek out a copy of this in print through my local library – there is something quite magical about how trees are the guardians within the natural habitats we visit whilst hiking or walking in natural landscapes; they know things and they remember everything. This is partially why it is soul-crushing whenever there are huge wildfire seasons like the ones that are affecting the Western United States right now and/or the fires in Australia at the turning of the New Year. Nature grieves for the losses those fires bring to those habitats but I oft felt the trees especially are full of the grief of what could not be protected and what fell at their feet due to how the forests have not been able to withstand fire as they had in the past. I still remember hearing about the old growth forests of the Redwoods recently and of how achingly hard it was to see them aflame.
I have regularly spoken about the natural world on Jorie Loves A Story – from the stories I am reading to the context of the stories which seek to bring an ecological mindset and heart for conservation onto my blog because I believe strongly those stories are necessary for today’s world. Not just due to the climatic changes we’re all experiencing but to help re-connect readers with the knowledge about the natural ecosystems they might overlook and not be as familiar with as I have become myself. Knowledge is the first step towards change and to remain connected to the connectivity of how the natural world and our world intersect is one step closer to finding better balance in how to keep Earth a healthier place.
There is one reason I held off reading this novel – it took me until May to reconcile how to read Tree Magic was because of a gutting loss of trees in my neighbourhood which were uncalled for and mercilessly butchered by a bulldozer rather than cut with respect with a chainsaw. The trees were sacrificed due to a ridiculous expansion of a sidewalk which had zero benefit to the neighbourhood and took out a total of seven trees for reasons NO ONE understood lest of all the trees! I will never forget that feeling of knowing the trees were trying to defend themselves and the murmuring after effects of their death. These were full-grown cedar trees – whose rings in their trunks showcased their years of life and the emptiness of their protective shade has never felt more absent than the arrival of Summer. I still feel affected by what happened and how it was done – why cities plan their designs to erase more of the natural world than preserve it is not something I’ll ever comprehend.
This is why I had to let this novel sit on my shelf even longer than planned – I just couldn’t bring myself to read about trees and our connections to them until I could deal with the loss of the majestic cedars which once stood silently against storms and sun and whose presence was a kind reminder of how quietly trees whisper to us throughout the year.
Thirteen-year-old Rainbow discovers she can communicate with trees.
But that’s just the beginning. Her magic hands can shape trees at her will, but her gift is dangerous and has fatal consequences. An accident that leaves Rainbow unconscious leads her mother to make a confession that will change Rainbow’s life forever. Are her abilities a gift or a curse? Can Rainbow really trust her mother? From England to France, through secrets, fears and parallel worlds, Rainbow’s journey to understand her powers takes her beyond everything she’s ever known.
Converse via: #YALit, #Trees and #Magic, #MagicalRealism, #YAFantasy
as well as #TreeMagic or #Fantasy
About Harriet Springbett
Harriet Springbett’s childhood on a small farm in West Dorset gave her an early exposure to nature, which continues to inspire her writing.
She qualified as an engineer but, during a Raleigh International expedition in Chile, she realised she preferred words to numbers. She abandoned her profession, moved to France, studied French and then worked as a project manager, feature writer, translator and TEFL teacher. She now lives in Poitou-Charentes with her French partner and their teenage children.
Since her first literary success, aged 10, her short stories and poetry have been published in literary journals and placed in writing competitions, including a shortlisting in the 2017 Bath Short Story Award.
Harriet leads writing workshops, has judged the Segora international short story competition.
A weekly meme about page 56 or 56% of ereading/audiobooks:
You’re meant to share a quote from the 56th page of a novel in print and/or a quotation at the 56% of an ebook or audiobook; from your current reads, recently read or a story you’ve slated to reading – whilst talking about the selection you’ve highlighted and a few thoughts about the story or the scene*. This last bit I’ve added as otherwise its a lot of random words & quotes without definition.
Hallo, Hallo dear hearts!
I LOVE finding new ways to interact with authors on blog tours – which is why I selected to feature a new meme for my tour stop this week. I’ve noticed the #Friday56 over the years but I’ve never participated in the meme until today. What I liked about the meme was from a different perspective than it was created – rather than readers selecting the extracts from the stories they are reading, I felt it would give authors a chance to disclose an extract from their story which would have a bit of depth towards becoming introduced to their characters and their world-building; hence why I asked a few interlinking questions this week for the #Friday56!
Similar to the special guest author #TopTenTuesday’s I’ve hosted recently (ie. Ghost Punch, Secrets behind “The Tobacconist’s Wife” and the Verin Empire) – this is a new way of hosting authors on Jorie Loves A Story whilst creating new content to work with the book blogosphere meme’s and giving my readers and visitors a like something different to enjoy whilst their on my blog. I’ve loved creating these features this Autumn and you can look forward to more of them throughout the next year, 2021!
When I first learnt of the premise behind “River Magic” I was quite intrigued – it isn’t everyday I come across stories which focus on Earthen Magic and Spirituality. I have a fierce appreciation for the natural world and I love stories which have either an ecological or environmental spirit within them whilst at the same time, the lead character in “River Magic” sounded like a girl in the midst of better understanding who she was and what she was meant to do with her life. In that regard, I love coming-of age stories and/or stories about characters undertaking a journey wherein they either learn more about who they are or they discover a path they are meant to be walking.
I loved how the author approached my prompt for today’s #Friday56 – how she reflected about her own beliefs as a Druid and how she inserted a bit of her own path and beliefs into the backbone of “River Magic” whilst also giving us something to chew on when it comes to numbers and numerology. I don’t study it myself but I have noticed there are certain numbers which seem to percolate themselves into my life at different intervals – you can notice numerical patterns in your life even if you are not studying the numbers themselves. I always found it interesting how that works out.
Today it is an honour to host a new blog tour with Storytellers on Tour – a blog touring company whose championing Indie Storytellers and giving us all a lovely chance to feature their collective works. I am looking forward to working with them as oft as I can and I look forward to the conversations and features which hosting will inspire to bring to my readers on Jorie Loves A Story!
Brew yourself a cuppa and let’s find out more about River Magic!
River Magic Subtitle: A Rituals of Rock Bay novel by M.A. Phillips
Budding clairvoyant Lacey Moran seeks to understand her dreams and find her life’s purpose along the St. Lawrence River. If only her visions of silver arms and Cian O’Connor’s blue eyes were easier to understand! The pieces begin coming together when she encounters a mermaid in the river, joins a group of Druids, and opens herself to romance with an old friend.
Can Lacey overcome her doubts, or is she in over her head?
This is artwork featuring “Lacey” from “River Magic”.
Topic for this week’s #Friday56 as suggested by Jorie:
Share a quote of “River Magic” from page 56 and talk about what went into creating the scene or dialogue found on that page and what inspired the choices you made in creating this particular portrait of the story. Likewise, do you find numerology has any presence in your life? Maybe reoccurring numbers pop up every so often or you find yourself drawn to certain numbers? I felt compelled to ask as this prompt focuses on the fifty-six page rather than any others in the stories being featured.
I have an exciting interview to share with you today, as the author and I myself are both passionately dedicated to reading Shakespeare! I have appreciated the Bard since I was quite young though it wasn’t until a freshman in high school where I started taking more of an earnest interest in discerning what I was interpreting out of his stories; thus taking on a new role in my life as a Shakespearean reader. From that year til this one, I’ve been dancing through the plays in different formats of exploration – from the plays themselves, of course, but also through adaptations in film, after canon novels and the re-tellings which are re-shaping how we think, feel and understand the original canon of Shakespeare.
What truly implored me towards reading “The Fire of Winter” is wanting to re-step through a lens of insight into both MacBeth and the origin story surrounding Lady MacBeth. It was a play that has been a curiosity for me since I was sixteen and I felt Marley just might be the author who would give me a version of this story which would resolve some of my own questions and curiosities therein whilst giving me a heap of fodder to chew over as a book blogger. I was not wrong on all counts.
This interview is a follow-up to the review I’ve previously disclosed – wherein, you’ll notice through my observations and my readerly takeaways why the writings Marley is giving us are not just wicked good fiction but they are accountable and authentic towards a better understanding of why Shakespeare wrote his stories. She pulls you back into the context of his vision but also, re-represents that vision in a way that you can re-visit the themes, the characters and the settings in a wholly original examinations of those founding stories. For me, it was a way of re-stepping into a door of literature I have loved and finding a refreshing new spin on what I remembered having read.
If you want to settle your reader into the heart of the scene rather immediately after she opens your novel, I think when it comes to opening paragraphs DK Marley takes the ultimate star award for dramatic entrances! Not only do you gather the emotional rooting of this scene – partially built against the purity of rage and anger; as clearly the woman whose allowing men to die by flame and fire isn’t concerned with their dangerous demise but rather, the freedom (or so it appears) their death shall yield to her as a result of their premature deaths. This doesn’t outright surprise me because raids, unexpected coups and power re-alignments were quite common during this particular century as those who wished for power didn’t go about it diplomatically; rather, they plundered it off the lands of others, stole it outright or found ways to circumvent the ethical divides between the ruling class and pirating your destiny out of a world rife with war.
Gruah is a woman caught in a circumstance not of her own choosing – if you follow that thread you’d find she was ready to embrace a life with a man she desired to be with rather than one she was forced to remain enchained. The interesting bit here though is how Marley handles the scene as she doesn’t let us see the remorse of her character (not that I felt she had any to yield) nor does she give her time to apologise for her impulsive actions (again, I didn’t feel that was plausible!) – no, instead, she presents her just as she were – her faults surfacing with malice whilst carrying a gleaming glow of self-satisfaction. This was a woman who knew what she wanted, how she would achieve it and dare anyone to tell her differently. She leaves her mark and her mark is by fire and sword.
As Gruah grows in her hatred towards her newly wed husband forced on her by her father – an exchange of alliance and power; nothing more – she begins to emerge as Lady MacBeth. The woman who would turn her heart to stone if it meant finding her own internal power to eradicate the ills done against her – as you find her plotting her revenges even as she takes her first steps into her new marriage. Of course, she is already “MacBeth” in both honour and declared love; married to Lord MacBeth in secret and yet, secreted from that truth due to the alignment of strife to overtake her father’s and the King’s wishes on her behalf. I was curious about what changed the woman’s right to choose her own spouse – as it was mentioned briefly that they used to be able to make those choices outside the purview of the men; where their own destiny was once their own and not owned by others who did as they willed whether or not it was consented or accepted. In that regard, there are a lot of contemporary issues for women’s rights penetrating through MacBeth’s struggle to find the right action to fuse with her words; as her wrath was always spoken but its the actions she needs to take which take longer to formulate.
Marley has written an historical novel rife with conflict and the secrets which never stay in the past but which re-rise in the future when they are meant to be known. Her Lady MacBeth is a woman who is attempting to right the wrongs against her by taking action as an adult when she couldn’t act as a child. It is a story of redemption but also, of self-sacrifice as in this version of MacBeth you understand better what anchoured her to the darker roots of her faith and how the Earthen Spirituality she shared with her Mum was the only grounding foundation she had to battle against the horrors of her youth.
Marley also broaches the current topics of women’s rights, domestic violence against women and the suffering hours of being victims of sexual violence as children. She moves instinctively through the actions of the present and counters it with the recollected memories of the past to where you can overlay the past with the present and understand how everyone is on this collision course to where fate, life and death are interchanging their roles. It is a story that is fuelled by revenge but it is also a story of injustice and the purity of true love which seeks to rise through the ashes and lay claim to the purity of how love when it is freely given is a freedom of its own.
It is a hard novel to read in many regards because of how it descends and rises through the pacing of the play – including the fall of madness in Lord MacBeth. There is violence yes, as these are not people who opt for diplomacy to solve their problems, they’d rather take to the sword and see who is the better of combatants than to use talk to diffuse their differences. There are scenes which are hard to read just due to what they involve but at the heart of the novel is the life of MacBeth; both the husband and the wife. You get to re-examine what motivated them, what sparked the love between them and what ultimately drove them apart – you see those moments they shared together and how they perceived of their future by secret plotting.
The most powerful part of the story is the conclusion – where Lady MacBeth has a final say about what is meant to be remembered about herself. In that confession, you peer close to her soul and her heart; you see into her the truthfulness of her actions and the ways in which she felt she had to act in order to secure her own destiny. The difficulties of those choices however had consequences that do not wait to rest on a mind hardened by the actions of a woman who was aflame with murderous intentions to accomplish the deeds she first felt would define her and secure her future. You had to contemplate if she had the option to re-live it, what would she choose and what would she change; if anything? Or was it all pre-destined and her life lived out just as it was meant?
As you embark on reading this conversation, be sure to have brewed your favourite cuppa and get ready to get your Shakespeare on as we discuss the components of this re-telling of MacBeth whilst also discussing why Marley has a firm passion for re-visiting other plays and how she is re-envisioning the canon of Shakespeare as a whole! I hope you enjoy where our convo led us and perhaps, you’ll find a renewal of interest in these stories as much as I have myself!
She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?
Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.
Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?
The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.
“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)
Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth
Available Formats: Hardcover, Trade paperback, Audiobook and Ebook
As “The Fire of Winter” goes into the heart of who Lord and Lady MacBeth were as their lives were being lived – what was your inspiration towards wanting to use the play and their story as a catalyst to explore the fuller background of this century through the drama of what their lives became?
Marley responds: I am a true Shakespeare-lover! Since the time I was eleven and my grandmother gave me her college textbook “The Complete Works of Shakespeare”, I was hooked. I am currently attempting to adapt all the plays into historical fiction novels, so Macbeth was the second on my list. My first adaptation is “Prince of Sorrows” which is Hamlet set in 9th-century Denmark. Read More
After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Book By:
I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.
It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
I received a complimentary of “The Fire of Winter” direct from the author D.K. Marley, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
On why this story appealled to me & how I arrived inside the chapters:
I have a short history involving MacBeth – as it was the play of choice for seniors who took a year to study Shakespeare whilst I was in high school whilst it was also the subject of an after canon re-telling audiobook I previously reviewed. I didn’t get to study the Bard in school but I did get to help the seniors pass their exams as a sophomore who only read one full page layout of the play and intuited enough from that layout to take them through their exams. The conversation that led afterwards with their teacher is one of my fondest memories as she couldn’t quite sort out how they all came to the same conclusions and yet didn’t have an entry point in their defended statements of how they arrived at those answers. Smiles. Sometimes school can surprise you and beat the droll-drums.
Similarly, to my readings of “Sign of the White Foal” – I had plans to do a sequencing of reading ahead of diving into “The Fire of Winter”: I had planned to read two Non-Fiction releases – Wisdom of the Middle Ages & Wisdom of the Renaissance – whilst I wanted to dig back into “The Lost Queen” as well – to have this lovely immersion experience in cross-relating stories and subjects of interest. *However!* – instead my week was wrecked by plumbers, a migraine & more life woes than a girl can shake a stick at in apt frustration! Be as it were – I had to reschedule my review & the interview I am hosting with this author in order to give myself a bit of time to rest & cover the energies I needed to properly read the novel.
When you haven’t a way of reaching your books & your blog, you just have to hope and pray the hours you have after the chaos recedes allows you enough serenity to ‘catch up’ and find the blissitude you had before the chaos overtook your readerly hours! At least, this is how I re-directed my heart and mind as I read “The Fire of Winter” in the early morning hours of Saturday as a chase-up to posting my review before lunch was ready to serve.
She is known as Lady Macbeth.
What leads her down the path of murder?
What secrets fire her destiny?
Gruah, granddaughter of King Cìnéad III of the Royal Clan Alpin, marries two men in less than six months, one she loves and one she hates; one in secret, the other arranged by the High King of Scotland. At the age of eighteen, she lays her palm upon the ancient stone of Scone and sees her destiny as Queen of Scotland, and she vows to do whatever necessary to see her true love, Macbeth macFindlaech, beside her on the throne.
Amid the fiery times and heated onslaughts from Denmark and England, as the rule of Scotland hangs in the balance, Gruah seeks to win the throne and bring revenge upon the monsters of her childhood, no matter the cost or amount of blood tainting her own hands; yet, an unexpected meeting with the King called the Confessor causes her to question her bloody path and doubt her once blazing pagan faith. Will she find redemption or has the blood of her past fire-branded her soul?
The story weaves the play by William Shakespeare with the actual history of Macbeth and his Queen in 11th-century Scotland.
“…a woman’s story at a winter’s fire…”
(Macbeth, Act III, Scene IV)
Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Shakespearean and #MacBeth
Available Formats: Hardcover, Trade paperback, Audiobook and Ebook
About D.K. Marley
D. K. Marley is a historical fiction writer specializing in Shakespearean themes. Her grandmother, an English Literature teacher, gave her a volume of Shakespeare’s plays when she was eleven, inspiring DK to delve further into the rich Elizabethan language.
Eleven years ago she began the research leading to the publication of her first novel “Blood and Ink,” an epic tale of lost dreams, spurned love, jealousy and deception in Tudor England as the two men, William Shakespeare and Kit Marlowe, fight for one name and the famous works now known as the Shakespeare Folio.
She is an avid Shakespearean / Marlowan, a member of the Marlowe Society, the Shakespeare Fellowship and a signer of the Declaration of Intent for the Shakespeare Authorship Debate. She has traveled to England three times for intensive research and debate workshops and is a graduate of the intense training workshop “The Writer’s Retreat Workshop” founded by Gary Provost and hosted by Jason Sitzes. She lives in Georgia with her husband and a Scottish Terriers named Maggie and Buster.
I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.
It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
I received a complimentary of “Sign of the White Foal” direct from the author Chris Thorndycroft, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
On why this story appealled to me & how I arrived inside the chapters:
You might remember how consumed I was by the story-telling and historical narrative arc within the Guinevere Tales trilogy by Nicole Evelina? This was the first chance I had to pull myself into the folds of a well-thought out exploration of the Arthurian myth & canon – wherein, I found a wicked intense focus on Guinevere herself, the foundations of Avalon’s history and the curious ways a writer can pull you through a Historical Fantasy series wherein you’re not just captivated by their research for these fabled characters and heroes of the ancient times in our timeline but you feel more anchoured to a part of history which isn’t oft discussed or explored.
As I had such an emotional connection to Evelina’s trilogy, I waited until after I had concluded reading it before I began to read more stories set in, round or next door to her time periods. There is another Historical trilogy I am re-reading late Summer, early Autumn this year – as the first novel released last year; “The Lost Queen” runs parallel to my interests in this timescape. Thus, when I saw “Sign of the White Foal” was touring, I was equally delighted and excited to see how this author would treat the subject and the persons he’s populated within his story.
It is lovely how for each author who stimulates a historical portal to the past, there are others who can pick up from whence we left off with one author and continue our quest to move in and out of periods of history which fascinate our imaginations.
I had planned to read two Non-Fiction releases before sharing my review for “Sign of the White Foal” – Wisdom of the Middle Ages & Wisdom of the Renaissance – whilst I wanted to dig back into “The Lost Queen” as well – to have this lovely immersion experience in cross-relating stories and subjects of interest. *However!* – instead my week was wrecked by plumbers, a migraine & more life woes than a girl can shake a stick at in apt frustration! Thereby, my review which I had thought was due on Friday, was in effect, meant to arrive on Thursday but it wasn’t til Thursday night I honestly could curl back inside “Sign of the White Foal” and bring this review to my readers!
When you haven’t a way of reaching your books & your blog, you just have to hope and pray the hours you have after the chaos recedes allows you enough serenity to ‘catch up’ and find the blissitude you had before the chaos overtook your readerly hours! At least, this is how I re-directed my heart and mind as I dipped back into reading this late Thursday night and early Friday morning!
A generation after Hengest and Horsa carved out a kingdom in the east, a hero of the Britons rises in the west…
480 A.D. The sons of Cunedag have ruled Venedotia for fifty years but the chief of them – the Pendraig – is now dying. His sons Cadwallon and Owain must fight to retain their birthright from their envious cousins. As civil war consumes Venedotia, Arthur – a young warrior and bastard son of the Pendraig – is sent on a perilous quest that will determine the fate of the kingdom.
The Morgens; nine priestesses of the Mother Goddess have found the cauldron of rebirth – a symbol of otherworldly power – and have allied themselves with the enemy. Arthur and six companions are dispatched to the mysterious island of Ynys Mon to steal the cauldron and break the power of the Morgens. Along the way they run into the formidable Guenhuifar whose family have been stewards of Ynys Mon for generations. They need her help. The trouble is, Guenhuifar despises Arthur’s family and all they stand for…
Based on the earliest Arthurian legends, Sign of the White Foal is a rip-roaring adventure of Celtic myth and real history set in the ruins of post-Roman Britain.
Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Avalon and #Arthurian
Available Formats: Trade paperback and Ebook
About Chris Thorndycroft
Chris Thorndycroft is a British writer of historical fiction, horror and fantasy. His early short stories appeared in magazines and anthologies such as Dark Moon Digest and American Nightmare. His first novel under his own name was A Brother’s Oath; the first book in the Hengest and Horsa Trilogy. He also writes under the pseudonym P. J. Thorndyke.