Night in Shanghai by Nicole Mones

Published By: Houghton Mifflin Harcourt, (@HMHCo) 4 March, 2014
Official Author Websites: Nicole Mones website
Available Formats: Hardback, Audiobook, & E-Book
Page Count: 288

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#NightInShanghaiTour & #NightInShanghai OR #NicoleMones

Acquired Book By: I was selected to be a tour stop on the “Night in Shanghai” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the publisher Houghton Mifflin Harcourt, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Inspired to Read:

I’ve been swept into the Jazz Age since January of 2013 when I first read Z: A Novel of Zelda Fitzgerald. Having read the biographical fiction of Zelda, I started to understand the undercurrent of the era. There was a lot about that time in our history and in Europe’s history that I was not clued in on. Bits and pieces which surprised me, especially about the salons for writers & creatives, which apparently were not as free as they appeared to have been! I felt the hot scorn that Zelda felt and the inaccurate self-worth she struggled to regain control of whilst her husband took the spotlight even off of her own writings. Through that book, and the motion picture of “The Great Gatsby”, I became attached to the 1920s & 1930s even a bit more than I had been whilst I watched the BBC drama “The House of Elliott!” To the extent, that I sought out Miss Fisher’s Murder Mysteries which is a bang-on brilliant BBC/Aussie drama set in Melbourne around the same era of time!

I read the description of this novel, then moved over to the author’s website & played the book trailer. Somewhere between the description and the trailer I made my choice to read this novel! It’s sweeping in its depth and what I love uncovering through historical fiction are little nuggets of the unknown moments against the larger backdrop of historical events!!

 

Author Biography:

A newly launched textile business took Nicole Mones to China for the first time in 1977, after the end of the Cultural Revolution. As an individual she traded textiles with China for eighteen years before she turned to writing about that country. Her novels Night in Shanghai, The Last Chinese Chef, Lost in Translation and A Cup of Light are in print in more than twenty-two languages and have received multiple juried prizes, including the Kafka Prize (year’s best work of fiction by any American woman) and Kiriyama Prize (finalist; for the work of fiction which best enhances understanding of any Pacific Rim Culture).

Mones’ nonfiction writing on China has also appeared in the New York Times Magazine, Gourmet, the Los Angeles Times, and the Washington Post. She is a member of the National Committee on U.S.-China Relations.

Chinese Jazz Singer Jasmine Chen

– “Give Me A Kiss” via Jasmine Chen

A passion for Jazz: I came to appreciate jazz and the blues from a young age, as I grew up in a home full of classical music and a deep passion for the living arts. I was free to decide for myself where my inclinations would take me musically, or even if I wanted to simply appreciate listening to music verse learning how to play an instrument or develop my vocality of voice. As a child I could not grasp which instrument would whet long-term interest to learn, therefore I became an appreciator of music. Symphony and orchestrations were the main focus as I loved attending live events at performing art centers in my hometown. Jazz came into my life a bit of a whispering on the musical winds, as like its counter-companion of the blues, the original inertia of interest was sparked by the stories of the origins rather than of attending concerts.

I was always drawn into those elements of the historical past which brought forward the ruminations of music, to evoke out a harmony of song, ballard or chord which drove into the human emotional well of giving back a living moment through a musical presentation. I vividly remember walking down Bourbon Street in New Orleans in the early 1990s, at a moment in my life where I could not enter the Jazz clubs but I could partake of their sounds emitting out onto the streets — giving everyone the freedom to listen as ears finely tuned to their music could always embrace the sounds! Another memory is hinged to the latter 1990s where I heard a vocal artist from Washington, DC create distinctive evocations with her voice. She sung Jazz in a way that felt like an experience rather than a performance! She was one artist I had hoped I could have travelled to see again live as I only had the one chance to be in an audience of her artistry. Thankfully, a short conversation afterwards has never left my memory.

Bluegrass by comparison is another thread of music I tend to gravitate towards for the same reasons I am attached to Billie Holiday, Etta James, Ella Fitzgerald, Duke Ellington, Louis Armstrong, B.B. King, Dinah Washington, Lena Horne, and countless more artists as there is a strong desire to curate human emotion into sound; and as such turn the sound into a living testament of life through story, vocals, and instrumentation. My dream is to collect albums on vinyl record and listen to the greatest voices throughout history belting out one memorable performance after another whilst sipping fresh brewed tea.

My Review of Night in Shanghai:

May I simply say, that any publisher who wraps their hardback in the loveliest shade of lavender such as Night in Shanghai has already warmed me to the experience of what lies within its covers!  The cover-art is equally eye-catching as you want to know about the symbolism of the lanterns as much as your quite curious about where the stairs are leading you. Her inclusion of Chinese expressions, as well as their iconic alphabet lends the reader to emerge into the story as though part of our spirits are hinged directly to Shanghai during the setting of which is about to unfold before us. Little cues like these help us take a step out of where we are reading the book and directly connect into the reality of the story. The essence of jazz has to be in your veins to settle into the background of the story as I felt it heightens your ability to pick up on the subtleties and in evoking a strong thumb of presence on how Shanghai was changing in the face of war.

Night in Shanghai paints a light of appreciation how difficult it was for the musicians to make a living whilst finding their race to be in opposition of receiving a fair wage if they staid in America. Never one to understand the prejudicial limits placed on others, this is one thread of the story that I felt was given honour by presenting the facts which led to the choice of switching countries on behalf of the musicians who chose to live in Shanghai rather than attempting to nick out a living for half of what they were worth. The first half reads like a memoir of a bloke who is attempting to absolve his soul at the end of his life by representing his journey towards self-redemption and self-acceptance of his art. Yet, the story is actually on behalf of his lover re-telling the tale than the artist himself of whom we are given a front row and center look into the ambiance of his life as it started to root in Shanghai’s Jazz scene of the mid-1930s. A progression of musical revolution which had begun in the Roaring Twenties, as musical scouts were frequently travelling throughout America to recruit the men back to China.

The most compelling part for me is watching Thomas Greene sort out his bearings in a city as flavourful and colourful in all matters of decadence as Shanghai, whilst being greeted by the notions of how close on the edge of war he truly was by seeing shades of it bleed into his daily wanderings. A musician at heart and of soul, compelled to work tirelessly on his craft as he was not blessed with the ear yet the grace of reading the music by sheet; his was a journey towards achieving his dreams as much as arriving at a place of self-acceptance. His race was muted compared to others and in having his skin not representative of his origins gave him flexibility to perform but it confused him on how he choose to identify himself. I would think this would bear weight on a person’s mind as you are neither of one race or another, as you’re a hybrid of two. Add to the churning tides a high sense of political despondency and it is a miracle any of the American musicians could find their footing!

The intriguing bit for me was seeing how Shanghai echoed of Chicago in how the city was controlled by organised crime families, except they are known as triads instead. Clearly there is more to history than meets the eye, and like many cities of the age Shanghai was not immune to the darker shades of living. The entire underworld was fresh to the eyes of Thomas Greene who affirmed his surname by being ‘green’ in the ways of the world. The essence of neighbourhoods of distinctive origins from the boroughs of New York City and Chicago were also bloomed in full in Shanghai. Each district had its own rules and were segregated from each other.

I loved seeing how the fusion of the West and East in music organically started to percolate in the early 20th century, as one musician was influenced by another. The music became the lifeblood language which broke the barriers of race and ethnicity, and in many ways sharpened the ability to put a pulse on what was happening around the city. There was such a decorum of unease yet the blinded sort where everyone would refute the obvious and elect instead to carry-on as though nothing major was happening. Music became the one avenue of honest representation and in so doing, gave a generational lineage that is still thriving today. Music gives a voice to the emotions which are too hard to put into words alone.

Thomas and Song were intricately bonded to each other through a synchronicity of passion which became an electrified explosion of notes and chords arching out of his fingers as he played the piano the only tunes which could solidify their connection. In the music, they lived with a freedom neither of them had in life. The passion of two souls caught up in a world of war, desolation, and tragic pain. The title of the novel is a hidden symbolism of their love and of the hope they each had for what it signified as a whole.

Gratitude for authors like Mones:

Who take the extra leap of faith to chase after a story which has nestled into their conscience and find a way to draw the story out for the readers who are in full appreciation of their efforts! To give us a piece of known history during an era of a war and conflict that has been written about from various angles and uncover a breadth of enlightenment not yet realised to the Western world is extraordinary! How kind of her to pursue her intuition and nettle out the story of how lives were changed during one of the most brutally savage moments in history’s ink blotter! And, to give us all a pure sense of how ordinary men can be called to accomplish such wonderful acts of kindness in the shadows of intense personal danger.

Nicole Mones – Night in Shanghai via Connie Martinson

Watch the Night in Shanghai Book Trailer via NicoleMones.com

Read an Excerpt of the Novel:

{including the quotation by Langston Hughes!}

Night in Shanghai by Houghton Mifflin Harcourt

Previously, I hosted an Author Guest Post about the creation of “Night in Shanghai”!

Blog Book Tour Stop, courtesy of Historical Fiction Virtual Book Tours

Virtual Road Map of “Night in Shanghai” Blog Tour can be visited here:

Check out

to see what I will be hosting next for

and mark your calendars!

Shanghai Memories – Golden Songs from the 1930s & 1940s via BaBanChineseMusic

Please take note of the Related Articles as they were hand selected due to being of cross-reference importance in relation to this book review. This applies to each post on my blog where you see Related Articles underneath the post. Be sure to take a moment to acknowledge the further readings which are offered.

{SOURCES: Night in Shanghai Book Cover, synopsis, tour badge, author photograph and HFVBT badge were provided by Historical Fiction Virtual Book Tours and were used by permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. The book discussion video by Connie Martinson, Shanghai Memories music video as well as the excerpt by Houghton Miffton Harcourt via Scribd had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Buy links on Scribd excerpt are not affiliated with Jorie Loves A Story. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Bookish Events badge created by Jorie in Canva.}

Copyright © Jorie Loves A Story, 2014.

Related Articles:

Shanghai Jazz – (shjazz.com)

Remaking all that Jazz from Shanghai’s Lost Era – (npr.org/blogs/codeswitch) There are videos and audio clips included in the article to give an introduction to the music which I found tranquil & lovely! I encourage everyone to click-over and discover the music!

The Shanghai Restoration Project – (shanghairestorationproject.com) I found this project through researching the Chinese Jazz era as this has a decidedly unique sound to the music.

Survivors of Chinese Jazz Age Play Anew – (npr.org/templates/story) More audio clips of music from the Chinese Jazz Age.

‘Night in Shanghai’ Dances on the Eve of Destruction – (npr.org) A beautiful Interview with Ms. Mones about the novel.