I’m focusing on Jackie Gamber’s the Leland Dragon series as I was given the amazing opportunity to discover the beauty within Gamber’s YA Fantasy series last Autumn; whereupon I received Redheart in exchange for an honest review ‘off-tour’. From the very first moment I broached the covers of this novel of #dragonfiction, I *knew!* I had stumbled across a writer who breathed her heart and spirit into her literary exploits. This was a special story for me to read, as I always wanted to read about dragons in fiction, inasmuch as I was a bonefide reader of Science Fiction & Fantasy since I was quite young until my reading wanderings took an abrupt stop in my late teens.
Author Biography: Jackie Gamber
As an award winning author, Jackie writes stories ranging from ultra-short to novel-length, varieties of which have appeared in anthologies such as Tales of Fantasy and Dragons Composed, as well as numerous periodical publications, including Orson Scott Card’s Intergalactic Medicine Show, The Binnacle, Mindflights Magazine, Necrotic Tissue, and Shroud. She is the author of the fantasy novels Redheart, Sela, Reclamation and writing an alternate history time travel novel. She blogs professionally for English Tea Store.com, where she reviews classic science fiction and fantasy novels and pairs them with the ideal tea-sipping companion.
Jackie is a member of the professional organizations Science Fiction Writers of America and Horror Writers Association. She was named honorable mention in L. Ron Hubbard’s Writers of the Future Award, and received a 2008 Darrell Award for best short story by a Mid-South author. She is the winner of the 2009 Mary Wollstonecraft Shelley Award for Imaginative Fiction for her story The Freak Museum, a post-apocalyptic tale that looks closely at perceptions and outward appearances and how they affect the way we see ourselves. Jackie Gamber was co-founder and Executive Editor of Meadowhawk Press, a speculative fiction publisher based in Memphis. One of their novels, Terminal Mind by David Walton, won the Philip K. Dick Memorial Award in 2009. Jackie also edited the award winning benefit anthology, Touched By Wonder. She has been a guest lecturer at Memphis Options High Schools, and is a speaker at writers’ conferences from Michigan to Florida. Jackie is also the visionary behind the MidSouthCon Writers’ Conference, helping writers connect since 2008.
Wordsmiths are my favourites next to research enthusiasts:
Ms. Gamber has a way of weaving the opening bits of this tale in such a way that your hungry for each new sentence that alights in your mind! She has a way of showing the interactions between a freaked out of her skull human and a disgruntled and reclusive dragon as though this were an ordinary tale, set in an ordinary time, and one that would easily be taken as ‘written’ and ‘true’. Her ease of giving the reader the chance to soak into her narrative is brilliant when you consider this is an epic fantasy, with a world created fully unknown to the reader who picks up the book!
Next to (writers who are) research enthusiasts, my next favourite writer is the wordsmith! The one who uses a palette of words to paint the portraits of what evolves into the stories that light up our imaginations with such a vigorous intensity! They use words in a fashion that infuses emotion, heart, and observation in a way that is both poetic and brilliantly unique. And, being emotional beings (dragons), I would wager could lead to disappointments, misunderstandings, and grievously difficult emotional keels! She eclipses the depth of their personality with deft skill! Soulful! Dragons to me, have always come across as being ‘soulful’, filt to the brim with an ageless wisdom and a mission to seek out understanding in things that they do not always understand at first.
Discovering a touring company (Tomorrow Comes Media) whilst browsing the book blogosphere last September and seeing this curiously purple & black logo winking at me in the sidebar of one of my click through visits changed my life as I couldn’t sign-up to be a Tour Hostess fast enough! My first blog tour to host for TCM (I always smile at the initials because I am always thinking of Turner Classic Movies when I use it!) was for “The Boxcar Baby” by J.L. Mulvihill where I tackled a Dystopian Steampunked world for the first time. My review for The Boxcar Baby posted on 29th of September whereas Redheart followed on 30th of October, making it my fourth novel from Seventh Star Press and my fourth Indie Science Fiction or Fantasy author to be read of all-time. As even though I always grativated towards Indie Press & Publishers as much as I did Self-Published authors — there was never an easy route to seek them out on a regular basis. By becoming a book blogger not only was I discovering how wide of a net the Indies encompass nowadays but I was able to cross paths with more writers like me who think outside the box of the traditional paradigm of the world of publishing. Being in a position to ‘host!’ the author and their stories was both an honour and an absolute incredible blessing!
Redheart had such a strong effect on me, as the world within where Kallon Redheart lives is such an intricately created world with layered dimensions at every turn. The fact that I *devoured!* this novel rather than slowly soaked into its heart, is an understatement!
I was so new to hosting for TCM when I posted my review for Redheart I didn’t have the official author’s biography for Gamber nor did I realise I could have posted the Book Synopsis! I was still in the opening months of understanding how I wanted to blog and share my reading adventures as much as defining myself as a Blog Book Tour Hostess. I’ve kept my archives as true to my posts as they were posted originally with only updating font, size of typography, and/or updating badges or post dividers. I wanted an honest recollection of my journey and of the materials I had at my disposal when I was blogging about the books as I met them. I still remain true to how I started, however, in that I am always seeking permission to use Press Kit Materials on behalf of novels & their authors. To me it is not only a courtesy but a rule of thumb as a book blogger.
I truly need to re-read and re-visit the entire trilogy of which I reflected recently and even included my ‘dream setting’ in which to do it:
@SGZimmer@frellathon I didn’t get to re-read the series in full either; but I have this dream of a blizzard, a hearth & a cuppa tea for it!
Acquired Book By: I was selected to be a tour stop on the “Bee Summers” virtual book tour through TLC Book Tours. I received a complimentary copy of the book direct from the author Melanie Dugan, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
This particular book spoke to me when I first signed up to participate on the blog tour, there was something about the premise of the story and the way in which the story ‘sounded’ to me off the page; inspired my interest in reading the book. There are times when books whisper a thought of interest inside me, and those are the books I am always striving to discover because they tend to unlock a new way of story-telling and/or they create an individual experience of story craft that is not quite like other books you might pick up. I like delving outside my regular reading adventures, always seeking to not only expand my literary horizons, but to enjoy the bliss of discovery of new authors I might not have had the pleasure of knowing otherwise. Bee Summers is the kind of story that settles into your heart and your whet with anxious anticipation to read once the book is alighted in your hands!
I am always so happily curious about how a book will arrive in the Post, as oft-times I receive books for review direct from publishers, but evenso, there are sometimes a surprise of two in store for me! When I opened the book parcel for Bee Summers, a lovely little postcard featuring the cover art and the synopsis on the reverse side smiled up at me as I discovered it inside the novel itself! On the reverse side, a lovely handwritten note from the author graced the open space which reminded me of a postcard! I did not want to have the ink bleed or smudge whilst reading the novel, which is why I used one of the lovely double-sided bookmarks Ms. Astie sent me with her novels French Twist & French Toast! I never expect little extras with the books I receive, but oh! How my heart is filt with joy when I find something the author has tucked into the book! I appreciate their words enscribed on the postcard / notecards as much as words inked directly onto the books themselves! Little pieces of whispered joy ahead of reading their stories!
I must confess, part of my interest in Bee Summers lies within the fact beekeeping is included as part of the story’s arc! I have been an appreciator of bees for quite a long while, but when their fate and ours as a whole became entwined to the other, I daresay, I rally behind anyone who will have the kind grace to place a shining light on their culture and their significance of worth. The bees need us more than ever, and I am thankful to find their essence is still being included in fiction in a positive way.
Book Synopsis:
The spring she is eleven years old, Melissa Singer’s mother walks out of the house and never returns. That summer her father, a migratory beekeeper, takes her along with him on his travels. The trip and the people she meets change her life. Over the years that follow, Melissa tries to unlock the mystery of her mother’s disappearance and struggles to come to terms with her loss.
Author Biography:
Melanie Dugan is the author of Dead Beautiful (“the writing is gorgeous,” A Soul Unsung), Revising Romance, and Sometime Daughter.
Born in San Francisco, Dugan has lived in Boston, Toronto, and London, England, and has worked in almost every part of the book world: in libraries and bookstores, as a book reviewer; she was Associate Publisher at Quarry Press, where she also served as managing editor of Poetry Canada Review and Quarry Magazine. She has worked in journalism, as a freelancer, and as visual arts columnist. Dugan studied at the University of Toronto Writers Workshop and the Banff Centre for the Arts, and has a post-graduate degree in Creative Writing from Humber College. She has done numerous public readings.
Her short stories have been shortlisted for several awards. She lives in Kingston, Ontario with her partner and their two sons.
The voice of Melissa Singer reminds me of Calpurnia Tate:
As I opened the first page into Chapter One, I was acutely aware of the voice of Melissa Singer reminding me of one of my most earnestly beloved re-reads this year, The Evolution of Calpurnia Tate! A novel I discovered through my local library and had in effect read whilst I had a journal off-line yet never had the chance to properly stitch my thoughts together after reading its mirth of gentle wisdom. As soon as you step inside the first paragraph of Bee Summers you know in your heart your settling in for a gentle whisper of a story which is going to tug at your heart-strings and be as gentle as sitting on a gliding swing on a Southern front porch whilst the fireflies dance in front of your eyes. I loved seeing the grace of acknowledging the intimate details of her surroundings through the eyes of an innocent young girl who still could see the beauty in the ordinary and how the ordinary can be quite extraordinary.
I also felt a kinship of her intuitiveness stemming out of the character of Opal from Because of Winn-Dixie. Although mind you, dear hearts, I have only seen the motion picture and am bent on reading the lovely hardback copy I have at some point in the future! It was simply one of those things where the film dropped ahead of my ability to read the novel, but within the motion picture I found a setting, a towne, and a unconventional family that all of us can appreciate wanting to curate in our own lives. The film had a heart pulse all of its own, and whose essence I am sure mirrored the story within the novel.
My review of Bee Summers:
It is not often that a story starts off by placing you full center on the plight of little house guests who are growing in numbers each day they visit the central lead character! The bees in the kitchen had me wondering about the larger scope of the story gently unfolding in front of my heart. Dugan has the grace of acknowledging how you can be a caretaker of a species but also how you have to take care of yourself if the species you are looking after starts to take up residence in a place that is not conducive to communal living. She does not shy away from showing how even those who protect bees sometimes have to make choices where you have to divide the territory between the bees and their beekeepers.
The eccentrically loveable Aunt Hetty is quite the charming character who not only entered Melissa’s life at a crucial moment of her eleventh summer, but she helped changed the direction of the family’s life. I appreciated seeing how the care and concern of a widow the father knew, strengthened the father’s resolve to relocate to the small towne she lived in. A towne that gave his daughter Melissa a new freedom of living outside of a city and the joy of exploring the bliss of childhood outside the confines of a city block. Aunt Hetty has the classic house which is overflowing in life spilt into corners, nooks, and crannies to where stepping through her house is a bit of a labyrinth of a maze! The amassed collection of items were not only a wonderment to Melissa but to the reader who reads the story! Such a diverse collection of knickknacks and odd objects!
On the fringes of understanding her world is about to change Lissy (Melissa’s pet name by her father), decides to embrace the changes a bit at a time, and take her father up on his suggestion of an adventure. Travel as he takes the bees on their pollination runs and study on the road instead of finishing out the school year at home. In her own quiet way, Lissy is fusing together the pieces of what is and what is not yet said aloud to her. She is growing in her awareness of the world outside the sphere of her childhood, as much as she is not yet ready to accept the reality of where her Mom has walked off too. The story yields to her sense of direction and of her ability to adapt to how life evolves as she greets each day anew.
Once out on the road, Lissy’s world starts to expand in new ways, as she starts to meet the customers her father is hired to help with his bees. My favourite of all the stops was actually her first encounter at Earl’s house. He had this beautiful laid back manner about him which made you feel warm and comfortable in his presence. His house was on the modest side, but his farm meant the world to him, which you could tell from the passages where Lissy and her father spent helping him about the place. They encountered a lonely husband longing for his wife to return from being away on the second leg, and by the time they reached the farm for Opal and Les, Lissy was starting to realise just how different each family in the world could be. Her first impression of Opal was of a woman who was trying a bit too hard to be friends, but as time eased throughout the week of her stay it is what she observed that changed her opinion about her. I liked how each transition on the road trip provided keen insights into the ways of the world as much as the juxtaposition of how Lissy was raised by her parents. She was starting to put the pieces together on how she viewed life and the world around her; which is why the trip was having such an effect on her thought processes.
By the time I reached Chapter 12, my heart’s emotional keel was eclipsed as the truth of the distances which had spread between Lissy and her father came to startling reality of truth. As the tears slipped through my eyes, I realised that the jutting punch of the story is held within the in-between hours of the character’s lives. Those little moments where as they are lived feel indifferent to the whole of what they mean to the person who is living them, yet when reflected upon later are full of warmth and remembrance. The little moments of each of our lives are what gives our tapestry its glistening edge. The foundation of every family is communication and within Lissy’s years of maturing youth, the fragmented hours where her ability to communicate with her father broke down the wall of love which used to encase them with a fierce grip of strength.
Her mother’s absence in her life and the years of silent questionings therein, left a chasm of indifference and swelling anguish intermixed with anger towards her father’s lack of explanations. Her choice was to mirror her mother’s, exiting her father’s life as easily and as seamlessly as her mother had many years before her to the brink that she quite literally managed to erase him out of her mind and heart. And, like real life’s counterpart to the story, by the time Lissy is a married wife and mother herself, learnt all to late how ill-comforting it is to realise the mistakes you’ve made in the past cannot be easily mended in the future. Regrets fuse together, and lost hours stack against the timeclock of your life. It is only how you can choose to accept the path you’ve walked and the lessons you’ve learnt along the corridor of your life, that can truly set you free. Allowing you to let go of your past ghosts and step into the light of the morning with a sense of renewal for where you’ve been.
The bees | secondary characters:
One of the pure delights of the novel are the bees themselves, as they take on the role as secondary characters and in some places, nearly felt as a narrator as to precognitively alert the reader of where the story might head next. I like the subtle inclusions of their hive’s presence, as much as their bee attributes being quite stellar in showcasing their bee qualities of personality! I enjoyed learning a bit about their flying patterns, walking statures of dance, and how in effect, the bees take to their keepers as much as their keepers enjoy watching over their bees! They were a delightful inclusion, and perhaps a bit of a metaphoric undertone to the key bits of the story as well. Bees by nature align and live by a certain code of curious ambiguity as for as much as we know about their culture within the hive and their interactions with the natural environment, there is a larger number of unknowns. Perhaps in this way, the bees were as much as a viewing of transitions in the seasons of life that are not readily explained nor understood could occupy the backdrop of a young girl whose growing-up realising her mother left her without the blessing of an explanation.
I liked how the sequences with the bees were as innocent and lovely as the observations of Lissy inside the narrative of her younger years. Each of them were a bit in tune with the innocent side of life, as the bees went about their duties as pollinators to encourage the growth of the fruit and veg that needed their assistance. Likewise, Lissy looked out at her road adventure with a fresh pair of eyes ready to embrace what came her way with a joyful heart, if a tender one full of concern for her mother.
Ms. Dugan’s gift for story-telling within notes of grace:
In the back of the novel, there is a stamp of acknowledgement from the Ontario Arts Council and the Canada Council for the Arts, as the author received Creative Writing Grant from the Ontario Arts Council and a Work in Progress Grant from the Canada Council for the Arts. Two grants I had not known about previously, and felt were given to a writer who deserved the recognition of what the awarding of them could gain her writing. I have heard of writing grants previously, but as far as I’m aware of, I have not yet read a writer who used them to finish a novel I’ve read. How wonderful there are creative ways to pursue one’s love of writing and of setting one’s stories free to fly into the world, where readers like I feel not only blessed but honoured to have made their acquaintance!
She gave the father a wicked sense of logic in the story, such as resolving the issue of a ‘suitcase’ for their impromptu adventure on the road by using brown paper bags! I had a good chucklement on this scene, because it showed how the father wanted to solve the issue at hand but not show his uncertainty in how to go about it. She etched into Bee Summers an honest impression of how a father deals with the sudden exit of a wife and how he must choose how to face the reality of being a single father without a net of protection to see them both through to the next tomorrow. She guides the reader through the motions of their lives with such a flickerment of subtle acknowledgements of seasons and life moments, that by the time you alight in a harder hitting moment of clarity, the emotional conviction hits you front and center, and you feel appreciative that you were being guided by a steady hand and keen observer of the way in which an emotional drama can be told with a deft eye for grace.
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{SOURCES: Book cover for “Bee Summers”, Author Biography, Author Photograph, and Book Synopsis were provided by TLC Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Tweets embedded due to codes provided by Twitter.}
Acquired Book By: I was selected to be a stop on the “Awesome Jones” genre-bending fantasy-comic release tour from Seventh Star Press. The tour is hosted by Tomorrow Comes Media who does the publicity and blog tours for Seventh Star Press and other Indie and/or Self Published authors. I am a regular blog tour host with Tomorrow Comes Media and was thrilled to bits to see this novel being offered for review. I received a complimentary copy of “Awesome Jones” direct from the publisher Seventh Star Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Interest in Reading Awesome Jones:
When I see a writer like AshleyRose Sullivan who not only dared to embrace a genre-bender story as it alighted inside her heart but dared to have the confidence to find a publisher who recognised her vision is not only awe-inspiring it is the foundation of how each of us needs to remember to ‘own our muse, own our work, and carry-on forward’ until our stories reach the hands of the readers who believe in us too.
The only thing Awesome Jones wants is to be a super hero. Until he falls in love.
Despite his colorful name, Awesome Jones is a painfully average man who dreams of being a super hero, just like the ones who patrol his city. It’s been that way since he was a little boy, raised by his grandfather after his parents’ death.
The day Jones starts his new job as a file clerk at Akai Printing Company he meets secretary Lona Chang and everything changes. Lona sees something in Jones that no one ever has and the two quickly become inseparable. But when the perfect pair’s domestic bliss is threatened by a super-powered secret from the past, Awesome Jones has to make a choice. He must decide whether he should play it safe or find the strength to live up to his name and risk everything he’s come to love to save the day like he always dreamed.
Author Biography:
Born and raised in Appalachia, AshleyRose Sullivan has a BS in Anthropology and an MFA in Creative Writing. She lives, writes and paints in Los Angeles with her husband and their many imaginary friends.
On analog technology & the heart of the story:
An appreciator of the hidden world of typewriters via the typosphere (yes, there is such a thing! it runs counter-current to our regular blogosphere where typecasters post their typewritten blog posts!), I cannot even fully explain how wicked happy I was to see there were ‘typewriters’ clacking about in ‘Awesome Jones‘! Long live analog! I will always grow a smile of a whisper towards the joy in finding old world tech knitted into the stories I love to read! And, the blessing here is that this isn’t a historical fiction novel! This is a modern alternative world in which ordinary people are attempting to determine if their ancestral roots are strong enough to transcend their present lives. That in of itself is an accomplishment worth reading!
What I truly was unsure about what to expect when I read this novel, is how I would feel about being connected to a story whose heart was hinged to the stories of my youth. I always am quite eager to re-examine my past, especially when it comes to books and the bookish culture which are attached to certain volumes, authors, and stories. The fact that this particular novel gave me back my joy of comic superheroes and the style in which comic stories are told is pure bliss. The heart of the story harkened me back to remembering why I loved The New Adventures of Super-Man as much as I had! Lona and Awesome remind me so very much of Clark and Lois! Their connective spirits give you something to chew on rather than running on presumption. Nothing is cliché nor is anything predictable. Honest choices are threaded through the narrative, and I appreciate the choices the author made whilst creating it!
My Review of Awesome Jones:
You are immediately drawn to Awesome Jones as a character because of his introverted confidence in understanding his place in the world and how his everyday life is lived as a bachelor. He has a particular way of attending to each of his needs as well as his wants. From the order he reads the newsprint to the manner in which he eats the takeaway food he orders! He is a man of prediction not contradiction, of sincerity and of genuine curiosity for the bits of the everyday world that is not readily known to him; as he has more or less led a bit of a sheltered life. Not that he would be one to feel sorry for what he lacked in experience (such as having a pet; a dog perhaps?) but artfully steered his mind towards self-awareness and self-education practices which gained him the knowledge of what was absent. He’s the type of bloke you might overlook if you had not taken a keen interest to want to know him. He’s a bit understated, but that is part of his charm!
He’s the type of bloke who purchases flowers to know when they have arrived into their own full essence of splendor. One sniff of their delicate petals and the aroma which follows their mirth, and he knows how long it will take the bloom to reach its maturity. His knowledge for canines through the adverts he reads about their change of ownership lends him an eagle eye viewing of his sidewalk companions as he walksabout his business. He denotes which dog matched to which owner is either most akin to its nature or a reflection of its owner’s personality and thus, rendered differently than most.
Lona Chang took Awesome by surprise, not only for her growing affection and respect of his character, but for being endeared to him as a companion. The two took to each other quite readily, but it was how they fit into each other’s pocket that I felt bemused about the most whilst reading the story! You see, they were the near-identical half of the other, and I refer to it being ‘near-identical’ as although they each read the newsprint release of breaking news, they differed on a category or two. Little unbeknownst differences out of a sea of common threads which helped knit Awesome Jones and Lona Chang together in the bliss of conjoined living. She was quite methodical herself, yet Awesome took the cake for exacting out his observations, and for being near computeristically perfect in his actions. Whilst the two were together, they not only complimented each other in synced harmony but they cancelled each other out on their eclecticism.
Lona and Awesome were intricately entwined by their common share of loss, as they respectively never knew their proper origins. They were each raised by loving parents who adopted them as their own when their biological parents had died. They attempted in their own way to resurrect a connection fate did not allow to solidify whilst their parents were alive. In their shared ambiguous loss, they each sought ways in which they could formulate a way to connect themselves through a passion of their parents; even if the only true connection they had were fragmented pieces of their parents personal effects. These tangible reminders were a weight of a burdened yoke which toyed with their emotional well-being.
When Awesome Jones grapples with the choice between the life he’s formed together with Lona and the life he’s dreamt of living, they each have to put to test the strength of their love for each other. I sided with Captain Lightning (one of the main superheroes focused on in the story) on the outdated rules and regulations of The Guild (apparently superheroes are organised more than you realise!). He’s put in a most difficult position because as you can well imagine, he goes from knowing a scant amount about his ancestry and then, in one large dose of revelation he gets far more than he bargained to learn! I would imagine that if you wake up one day and your entire essence of who you are as a person is chucked out for this alternative version; a version you knew nothing of and had no idea of how to accept, there would be a period of adaption to adjust!
This is when I found myself reading at such a lightning clip as to beg my eyes to move faster down the page, as I had my hand at the ready for turning into the next scene! Again, I love the pace of Awesome Jones as you get to the point where you want to see him succeed. You want him to develop self-confidence and believe in his own truth. There are always forces against you in life, and there is always a chance that your going to falter in your confidence on your own behalf, but part of what endeared me to this story is that the main characters believed in each other. It did not matter what the outcome of their lives would be as far as where their place in the world would fit, as if they had each other they could overcome just about anything crossing their path.
This is why I selected this quotation to be the first I quote from a Seventh Star Press novel. You can read their love and their hope for each other inside the words Lona is giving to Awesome.
“I love you, and I’m proud of you, no matter what. I see something inside you, something bright and brilliant. Not like your parents. Not like anyone. Just you. There’s something different about you, Awesome Jones. Just keep training. And if none of this works — if you never develop stronger abilities — it’s ok. Eventually they will catch The Echo and we’ll go back to our house and find new jobs and read the paper. We’ll make a life together no matter what.”
– Lona talks to Awesome, page 276 from “Awesome Jones”
The very foundation of their relationship is trust and honesty. Giving each other the space to grow as individuals but remaining steadfast and strong as a couple. They endeavour to face everything as a unified team and in their choice to remain strong in hope, they are able to conceive of a path that keeps them united in the future. The mystery of how their future knits together holds you right in place with the narrative. Observing their everyday life and world as one incidence after another places their love in jeopardy will keep you up long into the wee hours of the night! And, for that I feel blessed to have stumbled across Sullivan’s writings as they give us all a fairytale to absorb in a day and age that has nearly forgotten how to write one! This is a story full of old-school superheroes with a bit of a modern alternative twist! These are the superheroes you want to read more about and learn more about their history. Sullivan has found a way to tap into their framework of existence and present a palpable story that you will not soon forget.
On the uniqueness of AshleyRose Sullivan’s deft hand in giving a reader a bit of bliss:
I had not even realised there was a distinctive difference in the manner in which the typesetting & style layout of Awesome Jones was presented to the reader in the softcover edition, until of course, I re-read the passage in her previously published Guest Post: On Writing Genre-Bending Fiction that I noticed quite readily how unique this particular novel is from the crowd of fantasy offerings! As I had lamented below her essay, I felt that perhaps my experiences in year’s past in reading stories of various mediums might have tipped my hand and arsenal of memory for stream-lining straight into the narrative itself rather than being curiously aware of its ‘format’. Rather instead of noting any outward appearances of nonconformity, I was celebrating the wicked sweet fast pace of dialogue intermixed with reflective streaming conscious thought narrative!
I liked how you could soak into the inner core of what Awesome Jones was thinking whilst seeing what he saw as he moved through his hours. He was a simple bloke, uncomplicated and true to who he was without being gracious on the details when he was around others. He’s the kind of bloke who did not take himself seriously but wanted to make a good impression on the validity of his strengths and on the merits of what he could accomplish.
Even when the narrative turns malicious to acquaint the reader with the villain of the story, such as on page forty-five and forty-six, Sullivan has this ingenious way of giving you the gruesome details of a crime with the deft hand of a writer who wants to hold back just enough bits of his character to keep you hanging in the balance of when his full form is front and center within the action! She doesn’t cross the line for me as far as Crime Fiction analogies are concerned, as I am a cosy mystery reader and the bits she includes fall under that umbrella moreso than Hard-Boiled. Anyone familiar with the Coffeehouse mysteries by Cleo Coyle will be able to handle the suspenseful climbing arc inside Awesome Jones! (either those OR any episode of “Castle”!)
Fly in the Ointment:
I was so excited to read this genre-bending story where comic-fantasy cross-over and layer upon each other to create a wholly new experience for the reader of print books. (or e-books as this is available in that medium as well; I simply only read books in print) Yet. Imagine my disappointment to find only a scarce few illustrations in the opening chapters, than the near-full of the middle part of the novel is nothing but text. Until towards the last half of the novel the illustrations resume! I was most distressed. I was a bit beyond let-down. I wasn’t even sure what could have caused the misunderstanding — as from all counts of what I knew of the novel going in to reading it as much as ahead of even requesting it for review (as I’ve known about this book since late 2013!): bespoke of the combination of illustrations and words which converge into a wicked sweet read!
The illustrations that are included are wicked awesome, don’t think for one minute they’re not! They added to the allure of reading a genre-bending comic-fantasy as I’m about to seriously consider this superhero fairytale truly is by essence of its character. Yet, for me, what began to unravel a bit of its heart is the absence of the illustrations themselves. Perhaps there was a layout issue or a formatting issue when the novel went to be printed, but to be truthful, there must be a way to circumvent this for the next Awesome Jones, right?! Where the illustrations can take ring-side seats to the action of the character’s dialogue and narrative voices?!
Please note at the time of posting the Author’s Guest Post and the commentary I added before and after Sullivan’s essay I had not yet begun to read ‘Awesome Jones’. I picked up reading the novel shortly thereafter and although as you can see I readily absorbed into the world of ‘Awesome Jones’, part of me was hungry for a bit more of its comic-minded essence!
Be sure to jump over to my tour stop for “A Chimerical World: Tales of the Seelie Court” an Editor Interview as I am hosting a reader poll to determine what is the favourite fantastical character in fantasy! Be sure to leave a comment in those threads on a recommended title and/or author!
What do you love about genre-bender fiction!? What kinds of stories do you wish were bent together more often?! Which authors and books would you highly recommend reading more than once to get their full effect!? What are your thoughts on Sullivan’s gift and vision for uniting comic superheros & fantasy fiction narrative!?
{SOURCES: Author photograph, Author Biography, Book Synopsis, Book Cover, and TCM Tour Host badge were provided by Tomorrow Comes Media and were used by permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Selected Quotation of the novel “Awesome Jones” was used with permission of Seventh Star Press.}
Proposed Topic: Genre-bender stories are a new favourite discovery of mine as they endear you to purport your mind to jump straight out of the expected and into the realms of where the impossible lives free. How did you conceptually perceive the format of Awesome Jones and how did you take the conception of this unique story into the finished style that it is now? Did you storyboard out ideas for the components of the comic sections before you wrote the narrative? OR did they organically fuse together as you wrote?
I originally revealed my intentions to read ‘Awesome Jones’ during my most recent contribution to my Feature: Jorie’s Box of Joy! Whereupon I revealed that I have a particular attachment to a certain ‘kind of superhero’ as much as I have an affinity for wicked comic illustrations; well, perhaps I did not quite go into as much detail in this last regard but it was floating through my mind to disclose! You see, I have always appreciated original art and illustrations when it comes to books, comics, graphic novels, and all formats of story-telling (including the Story Boards for motion picture!) where a sketch artist, a graphic designer, an illustrator, a painter, or digital illustrative artist is needed to bring to life the characters, setting, and world set within a story itself. I cherish original art as much as I cherish original stories — aside from the film adaptations of literary works, of course! There is a particular essence to an original artwork coinciding with that of the fictional world by which it is representing!
I have nodded a keen awareness towards my preferences in today’s flash in the fire world of book covers, where I extoll the virtues of publishers like Seventh Star Press & ChocLitUK who go the extra mile to ensure that their cover-art and/or inside illustrative plates are not only ORIGINAL and EXCLUSIVE to their stories but they create art which is a living representation of the STORY inside their volumes of creative work! You can well imagine how wicked sweet it was to see the cover-art for ‘Awesome Jones’ for the first time! I had this inertia of excitement well up inside me, wondering about the marvels of what was awaiting my eyes to drink in!
Simply look at the cover yourself and tell me what it brings to mind afterwards in the comment threads!
Book Synopsis:
The only thing Awesome Jones wants is to be a super hero. Until he falls in love.
Despite his colorful name, Awesome Jones is a painfully average man who dreams of being a super hero, just like the ones who patrol his city. It’s been that way since he was a little boy, raised by his grandfather after his parents’ death.
The day Jones starts his new job as a file clerk at Akai Printing Company he meets secretary Lona Chang and everything changes. Lona sees something in Jones that no one ever has and the two quickly become inseparable. But when the perfect pair’s domestic bliss is threatened by a super-powered secret from the past, Awesome Jones has to make a choice. He must decide whether he should play it safe or find the strength to live up to his name and risk everything he’s come to love to save the day like he always dreamed.
}:HowAshleyRose Sullivan
created her own path as a writer:{
My favorite movies are a little (a lot) weird. Buckaroo Banzai. Big Trouble in Little China. Amelie. The Life Aquatic. Everything Miyazaki. For me, their appeal comes from their endearing characters, their snappy dialogue, and–perhaps most of all–their creative use of genre and trope bending. Buckaroo is all about a super scientist/rock star/martial artist/cowboy and his gang of similarly gifted friends. It’s also a sci-fi adventure love story. And, it’s not in any way ironic. It’s 100% earnest and all I want to do is spend time in that crazy universe. It’s basically the film equivalent to seven layer dip. I can’t get enough of it.
I guess, then, it’s no surprise that when I started writing, I naturally gravitated to twisting and braiding together my favorite genres. With Awesome Jones, I mixed superheroes, fairy tales, alternate history, and art together to form what is essentially a comic book in prose. But, it’s also a love story. It features an alternate version of our history. And it’s full of illustrations. How all this comes together is evident not only in the story but in the format itself.
That formatting seems to be getting a lot of attention with readers so here’s some information about it: The paragraphs are not indented. The dialogue is indented–but it’s not tagged. And then there’s the art. All this stuff came organically as I started writing Awesome Jones. I begin books in 9.5×6” notebooks and this was the novel that started that trend. I hand-wrote the first fifty or so pages and, as I was going, that’s the format that came out. Including the illustrations. Originally they were hand-drawn on notebook paper in the middle of all the text–just as they appear now in the published version.
There have been a few changes. Originally, the dialogue didn’t have quotation marks at all. Just a hyphen preceding the line. Over the years, though, I ended up just changing it to quotation marks. Publishing industry types are incredible sticklers for manuscript format. Double Space. One Inch Margins. Quotation Marks. Indentation. Well, the manuscript I presented to my mentors and professors in my MFA program, my beta readers, potential agents, publishers etc. was single spaced with no indentation and all this weird art and that totally freaked people out. The lack of quotation marks was one point I was willing to concede. It was one less hurdle I was making them jump over. The thing is, once it’s in printed form, it’s single spaced anyway and the lack of indentation feels more subtle than it looks in a Word document or on an 8.5×11 sheet. But, what can I say? People have been typing up manuscripts a certain way for a long time–I shook up the system as much as I could without causing an earthquake of automatic rejection.
(It’s worth noting that when I approached Seventh Star with my crazy formatting, they didn’t bat an eye. They were totally onboard. That’s cool, man.)
The art itself went through several iterations over the seven years that I worked on the book. First, they were hand-drawn. When I started typing up the MS, though, I didn’t have a way to insert the art. So I made text boxes where I could (a lot of the art comes in the form of newspaper articles, postcards, etc.) and because I was doing the art as I was going along, more and more pieces grew into word-based illustrations. Then, a while back, I finally got enough money for a scanner. I started doing art on paper and scanning it in but I didn’t like the look and mostly just left text boxes in as stand-ins. Gradually, I went through a few digital art programs and figured out how to mix my artistic style with the text that needed to go into the art and I did a bunch of rough pieces. That’s where it was when I sent it to Seventh Star. I said, “I can do better versions of all this art but here’s what I’ve got right now.” Or something lame like that. Anyway, I got lucky and my publisher saw the potential in it. So then I spent a few months just re-doing every single piece in the book. And, in case you’re wondering (including the journal entries in the last third of the novel) there are 44 illustrations.
Artwork Credit: AshleyRose Sullivan
I’m working on the next Awesome Jones novel now and it’s just as much a braided together genre-bender as the first novel. I’m excited about doing a whole new novel’s art. I went through such a long process before finally settling on the style that’s in Awesome Jones and I’m glad I can skip the learning curve on that this time and concentrate on the art itself. I spent several years on the first novel and I don’t have that luxury now but those years bought me an intimate knowledge of the Awesome Jones world and its characters. So, I’m going into it excited and (mostly) unafraid. My dream is that my weirdo books will land in the hands of the people who will appreciate them the way I appreciated Buckaroo Banzai. Whether that’s five people or five million, my goal is to make someone’s day by saying, “This is the crazy universe where my heart lives. Yours can live here too.”
Being that I had not heard of any of the motion pictures Ms. Sullivan revealed as her absolute top-notch stellar favourites (aside from “Amelie”), I decided it might be best to seek out the Wikipedia pages in case this would be true of my visitors & readers alike! And, can I simply take a moment and reveal that I think its bang-on brilliant that she genre-bent comic superheroes with smashing narrative fiction story arcs!? I was always seeking a wicked good story set around comic superheroes OR a comic which was a bit more bent on story than graphics. I found The Young Indiana Jones Chronicles had run for three editions before going scarce to non-existent when I found my niche. I always fancied the Sunday Comics in the papers, but I always wanted the strips to continue past what was in front of me. This is a bit why I loved Adam West & Burt Ward as Batman & Robin because the entire show was not just slap-stick comedy but it had the air of a comic superhero about it!
I even like when superheroes are re-invented and the genre is bent even more outside its regular scope such as my penchant attachment for “Sky Captain and the World of Tomorrow” which I am *still awaiting!* a sequel which at this point must be a canned idea! Too sad. I love when writers take us on a journey into a new dimension of story craft as much as they heighten how stories can be told as they re-define the art of how a story can be transitioned between dialogue and narrative. IF there were more pulp science fiction films hitting the silver screen like ‘Sky Captain’ I’d be plumb mesmerised more often!
Like Sullivan, I have a quirky side to my motion picture appreciation as I adored “Rango” for blending motion-stop action sequences with a clever twist of Weird West(ern) & classic friend-foe set-ups inside of anime characters on the silver screen! The irony is that I had not realised how oft I am in a position to watch a ‘Weird West’ installment as I have over the years grown fond of: The Adventures of Brisco County, Jr.; Legend(Richard Dean Anderson & John de Lancie – how could I not watch?); Back to the Future: Part III (my favourite aside the original!); Wild Wild West (although re-watching it lost its appeal); and others I am sure I am forgetting to mention.
My mind automatically started to read the context of the story Sullivan gave inside ‘Awesome Jones’ to the brink that I had to re-read her notation about its quirky style of typeset and layout on the pages! I think perhaps my history of always remaining keenly aware and on the forefront of story as it evolves forward towards new dimensions of immersion for the reader; my mind was able to auto-remember this style from the adventures I had when I was younger and up until now had not yet experienced again. It’s tricky finding your groove,… there is a heap of cover-art illustrations I love in Manga, but as far as the interiors of the graphic novels themselves, I found myself less than agreeable to purchase the books. I am quite curious how to learn to ‘sketch!’ Manga art, as far as monking around and being inky with a medium and range outside of my traditionally classic art training as a child. I want to push the limits of my own artistic skills and wander into new mediums which tie together my past with my present knowledge of how I’ve grown as an artist.
When I see a writer like AshleyRose Sullivan who not only dared to embrace a genre-bender story as it alighted inside her heart but dared to have the confidence to find a publisher who recognised her vision is not only awe-inspiring it is the foundation of how each of us needs to remember to ‘own our muse, own our work, and carry-on forward’ until our stories reach the hands of the readers who believe in us too.
{NOTE: Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.}
Be sure to jump over to my tour stop for “A Chimerical World: Tales of the Seelie Court” an Editor Interview as I am hosting a reader poll to determine what is the favourite fantastical character in fantasy! Be sure to leave a comment in those threads on a recommended title and/or author!
What do you love about genre-bender fiction!? What kinds of stories do you wish were bent together more often?! Which authors and books would you highly recommend reading more than once to get their full effect!? What are your thoughts on Sullivan’s gift and vision for uniting comic superheros & fantasy fiction narrative!?
{SOURCES: Author photograph, Author Biography, Book Synopsis, Book Cover, and TCM Tour Host badge were provided by Tomorrow Comes Media and were used by permission. Jorie requested an Author Guest Post from AshleyRose Sullivan through Tomorrow Comes Media of which she received a reply. Her interest in genre-bending stories grew out of seeing more of the field of offerings being uniquely reflected by today’s Indie Authors. Guest Post badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers & My Thoughts badge by Fun Stuff for Your Blog via Pure Imagination.}
Acquired Book By: I am a regular blog book tour hostess for Tomorrow Comes Media, whereupon in conversation with Stephen Zimmer about my curiosity over the contents of this anthology due to the overwhelmingly creative book cover art; I was offered to receive a complimentary copy of this book in exchange for an honest review direct from the publisher Seventh Star Press. I did not receive compensation for my opinions or thoughts shared herein.
Intrigued to Read:
Being I am a writer of science fiction stories set in a modern world akin to our own and based on science fact (I always had leanings towards hard sci-fi rather than soft!), I am always quite the intrepid girl who becomes interested in reading the latest book of writing advice, tips, and sage wisdom from those who have gone before me and cast their stories out into the hands of readers! Science fiction was in my blood long before I ever put thought to pen, as I inherited a passion for Trek & Star Wars which goes back to the original canon of both franchises. I never expected to live in a generation where having to say I support the ‘original canon’ of either one would even come to pass! However, that aside, what drew me into this anthology wasn’t just the context of the subject at hand but the excellent cover art rendering by Matthew Perry! Whose knack for presenting such a cleverly creative jumping gate of a writer’s muse is in good form! I knew whatever was contained inside the anthology was content I was determined to read! The musings of writers always makes me smile, yet its the enduring spirit of putting your heart on the line, owning your own work irregardless of its popularity and being strong in your belief an audience is awaiting to read your story is what invigorates me!
Within the Workshop, you’ll find:
Prominent writers within the craft of science fiction and fantasy story-telling, impart sage wisdom and advice given through anecdotical essays, pertinent interviews; set to a rhythm of appearances which makes Editor Knost appear nearly telepathically inclined as the reader weaves through a symbiotic rumination!
Contents Therein:
Michael Knost: Introduction
Neil Gaiman: Where do you get your Ideas?
Lou Anders: Nebulous Matters or Speculation on Subgenres
Lucy A. Synder: Ursula K. Le Guin Talks about a Lifetime in the Craft
James Gunn: Beginnings
George Zebrowski: Middles
Jay Lake: Endings
Nayad A. Monroe: Time Powers Talks about Writing Speculative Fiction
Orson Scott Card: On Rhetoric and Style
Pamela Sargent: Talking Too Much, or Not Enough: Dialogue in Science Fiction & Fantasy
G. Cameron Fuller: How Alien the Alien: A Primer
Nancy Kress: “The Green-Skinned Zorn Laughed with Grief” Character and Emotion in Science Fiction & Fantasy
Harry Turtledove: Alternate History: The How-to of What Might Have Been
Jude-Marie Green: Larry Niven Talks about Collaboration
Joe Haldeman: Hemingway Talks about Writing
Nisi Shawl: Unbending Gender
Alan Dean Foster: Reverse Engineering
Alethea Kontis: Kevin J. Anderson Talks about Spin-offs, Prequels, & Fan Fiction
Elizabeth Bear: Tactics of World-Building
Jackie Gamber: Ann VanderMeer Talks about Weird Fiction
Michael Knost: Short Fiction: A Roundtable Discussion with Short Story Editors
Max Miller: Long Fiction: A Roundtable Discussion with Novel Editors
I will be making selections of my reading to focus on throughout this bookish girl’s review of the ruminative musings which ignited in her mind’s eye as she drank through the pages with an eagerness all writers will understand! Writers reflecting on their craft and opening an honest discussion about the inner workings of writing as art is a moment to celebrate and cherish!
[Where Do You Get Your Ideas? an essay by Neil Gaiman]
The curious nature of readers is always to formulate a question directed towards the writer they unabashedly follow throughout their career as to explain the seemingly bottomless well of ideas the stories oriented from. The honest truths of where the genesis of an idea is first garnished is brilliantly executed by Mr. Gaiman (of whom I am aware of his works but haven’t yet read)! Your ideas percolate at a pace that you’re at times not even expecting to be able to fulfill a request of, because of the nature of the human brain’s processor of information! A writer is willfully able to head into the direction the first spark of inspiration alights in mind, but to follow the originating idea through germination and tether it to a solidified ending is walking through the unknown; proportions of which, none of us truly know of until we’re sitting down to write.
And, it’s within this boiling and brewing of ideas where I gather my energy for the story about to transfer out of my mind’s vortex and unto the written page! To take a thread of an idea, nurture it into being and then, allowing the freedom of the idea to transition and transmorph into its full-bodied existence of what its meant to be is a writer’s realised dream. Nibblements of ruminations sprinkled throughout a lifetime of experience and adventure start to ink out into our imagination. Transcending both time and memory, as pieces of ourselves are wrangled into the lifeblood of our characters! Being a writer is akin to being a nurturer of ideas and of ideals. We take our observations from our living realities, and pour our heart into our works attempting to yield a story that others might find palatable. I say ‘might’ find as I am one writer who writes the stories which flow through her rather than write a story which is hinged to a specific audience or topic. We (writers) all hope that the momentum and passion we have for an idea will garnish itself a foothold in a reader’s queue. Perhaps even, enlighten their outlook or perception, but moreso than naught, to give them a hearty piece of narrative which leaves them pensively grateful for the idea which started the words to fill the page!
[Nebulous Matters or Speculation on Subgenres – an essay by Lou Anders]
I felt especially blessed to find this particular section included in the Workshop, as I am always befuddled to understand which ‘genre’ is the stepping stone of each of the ‘subgenres’ in which I read! I have spent quite literally hours exhausting resources online to sort through the myriad labyrinth of descriptive analysis always walking away feeling a bit more muddled than clarified! There are a few exceptions, as one post floats to mind which I read during (#RRSciFiMonth) Sci-Fi November (my endearing name for “Sci-Fi Month” hosted by Rinn Reads!*) which was Top Ten Sci-Fi Sub-Genres (Part 1: Cyberpunk) by Leanne of Literary Excursion! Whilst I read her engaging post on a slice of science fiction I never felt I could honestly attach myself, I shared this remarkable observation:
I have a keen interest in the subject as I never knew what the differences were and its part of my learning curve this month with SFN! Cheers to you!
You know, I hadn’t even realised Steampunk came OUT of Cyberpunk! Learnt something new there! And, I was researching a LOT myself to educate myself on the origins of Steampunk but I must’ve missed the key references that would have connected these dots for me! Thankfully, you stepped in and saved the day!
Wait! Hold the TARDIS! I like “Dieselpunk”!?! Seriously!? Wow. I didn’t see that coming at all! But, right there in your essay it explains that “The Rocketeer” and “Sky Captain and the World of Tomorrow” (I *knew!* I missed one on my Top List for Films!) are listed! I seriously adore those films!!!
Wow. OKay, so I’m still processing,… I am a Cyberpunk who fits inside the Steampunk + Dieselpunk genres!? Wow. I can see I have more research to do after SFN! Thanks for pointing me off in two new directions!
You can clearly see that “Doctor Who” had a direct impact on my life at the time, as I actually said “TARDIS” as an expression rather than as a direct reference of the Doctor’s travelling box! Laughs within a smile. One of the resounding benefits for me in being part of SFN is that it allowed me the advantage of not only interacting with other sci-fi enthused readers, but it allowed me to talk about a branch of literature I’m over the moon passionate about! And, within that perimeter, I gained growth in the knowledge of how the genre is both supported, explored, and constantly being revolutionised by new ideas! I am going to be going back through all the lovely blogs of whom were populated with posts during SFN as I make my exodus backwards and through the rest of my own SFN experience!
Leading back to the book at hand, Mr. Anders brought to light several classic key points which interested me dearly:
The word “speculative fiction” has plagued me since Autumn 2013, as I was trying to unearth if it were in fact the broad stroke of description attributed to science fiction, fantasy, & horror OR if it were a new definitive space of works within those keystrokes which pushed past the barriers of straight-up foundational beliefs and entered into the cross-section of the unknown, the unfamiliar, and the remarkable. His answer finally closes the theory of mystery for me!
My mind was enraptured by science since I was a very young girl, to the brink that following myself into studies for various sciences was the track I was going to bookend to my creative pursuits. Those who know me well, know which of the ‘sciences’ pulls at my heartstrings the most, and as I blog about my reading escapades I am quite certain it will be revealed for others as well. Here, I only wanted to say that due to my background in science (and the continued studies I am pursuing on my own) the branch of hard science fictionis quite appealing as it goes into the exploration of where the limits of known science and theoretical science are heading right here in the living now of time. It was not a surprise to me to see Ringworld mentioned in relation to this branch, as Niven is one of the authors I have earmarked off to read since I first broached science fiction in the first place!
The curation of mundane science fiction fascinates me due to the dexterity of how far the writers can take the stories without the ‘theories’ of the inclusion of hard sci-fi elements. There is always going to be a balance between the personal beliefs of a reader & of a writer, as to how far each is willing to extend their imagination and the stories in which they each choose to define as a whole component of the living context of the genre. I’d be keen to seek out writers of this branch and see how their approach is leading the genre forward.
Space Opera was an inherent choice of mine to pursue! One of my favourite ‘personal discoveries’ was Babylon 5, as it eliminated the ‘box’ of how science fiction serials were once defined. For me, it leapt out of the convention a bit moreso than its counterpart of Deep Space Nine, which was still set to work inside an established reality and space. I even appreciated the folly of Galaxy Quest as a comic and cheeky side of being a geeky sci-fi appreciator! (I am not one who would normally gather a mirth of joy for folly, farce, or parody!) The ramifications for living interstellarly is too keen of an idea not to indulge in reading! And, there is of course the tv movie from the 1980s I am still trying to unearth the title of,…where they had to choose whether or not to stay on the moon or return back to earth?! The woman was pregnant and the choice would be between where to live and how the choice would affect their family long-term. Not a lot to go on, but it was brilliantly done at the time and I regret my memory cannot remember more!
New Space Opera leaves me curious as I am always seeking to read more British literature, and if the Britons have sorted out a new method of curating stories of this nature, I am definitely going to sort out how to find them! Verse Military Science Fiction taking a limited backdoor of plausible interest. I think for me, the film Starship Troopers wrecked the joy! As I watched it when it first premiered, had I know the level of intensity I would experience I would have omitted the desire. Conversely, I have a deep appreciation for military fiction stories, as I have been a long-term supporter of JAG, NCIS, and NCIS: LA, as much as seeing various incarnations of the military fiction in both tv and film. I never fully close a door, as I might wander back through with a book in hand which changes my perspective and illuminates a character which my heart grows empathy to meet. Two examples of military fiction I have been over jupiter’s moon in favour of are: Red Storm Rising by Tom Clancy & Sebastian’s Way: The Pathfinder by George Steger.
New Wave Science Fiction is one that I have noticed without the realisation of what I was seeing! And, yet am a bit on the fence if I am a reader who can attach herself to the stories of this category! Time will reveal… Cyberpunk I already revealed was a startling discovery of interest!
Steampunk Is a sub-genre I’ve had a deep appreciation for which was knitted out of a love of the Victorian Gothic clothing movement, the sub-culture of indie artists on Etsy, and a firm appreciation for Victorian technology merged into story-lines which elicit a new generation of science fiction with the heart of the old age intact yet re-defined for today! I am only in the very beginnings of reading ‘steampunk’ as my next foray will be The Boy with the Cuckoo-Clock Heart! (blogged about my discovery of the book) (posts on Steampunk)
Epic &/or High Fantasy Is singularly my absolute favourite to read due to the breadth and depth of the stories which bind together living worlds of imagined joy! I love wandering around a well-fused story, anchored by characters whose lives are visibly flawed but contain within the mirth of their scope an adventure, a journey, or a mission which takes you to the heights of their world and yours. I get all giddy about discovering new authors to seek out, because I know the story I’m about to merge my heart into is going to be one I’ll not quite forget! The author who proved her salt and my adoration for this branch was Kate Elliott’s Crown of Stars saga which I began reading at the age of seventeen!
Sword & Sorcery as well as Urban Fantasy Are two branches I am always a bit hesitative to indulge in as I am not a grisly, gruesome, or intensely horror-filled sort of reader. Having said that, I have read Urban Fantasy books which might have resonated an issue with my personal preferences but the heart of the stories staid with me much longer than a twitching of an issue over a book turnoff contained within their covers! I always keep an open-mind whilst I read due to the fact you never know which book your going to read that might push you outside your known envelope of acceptance into a story that gives you back something you were not expecting to receive.
Dark Fantasy & Paranormal Romance Are two more areas in which I find myself at odds to begin reading; only because I haven’t yet found my proper footing to explore the writers who pen their tales! There are aspects of the paranormal which intrigue me to read (clearly, as I read the Ghost Harrison series by Heather Graham!), but its in finding which author who pens which story of whose characters resonate with me in printed form as much as say “Ghost Whisperer” does in its motion medium.
Sci-Fantasy To me sounds like a merger of two of my favourite literary excursions in which I cannot wait to journey inside! To empathises and mix the two genres into a lively genre-bender exploration of story and thought is beyond genius! One of my favourite genre-benders for science fiction (Sci-Mystery?) is The Demolished Man by Alfred Bester, another story I read at seventeen!
Ander’s way of capturing the tick-tocking dance of enticing offshoots of the genre, electrify the eagerness to drink in more of the stories which give us the most joy to read! His enthused approach to make the complexities of genre explainable to the causal reader as well as the experienced is a credit to his skill in understanding the foundations of science fiction. IF lack of space hadn’t been an issue, (as I presume all essays within the Workshop were under a limited word count), I would have rejoiced in reading more on the subject! Eek. Exciting stuff! And, for a girl transitioning back into the genre, it’s quite literally ‘a road map and treasure trove of where to wander off next!’
*As you may or may not be aware of, I am resuming where I left off with my Sci-Fi November postings, to where I want to complete what I originally set out to accomplish! I have numerous notes on the Doctor Who episodes I watched, as much as I want to complete the viewings I scheduled as it was such a fantastic introduction to the tv serial! My gratitude to Rinn for conceiving the idea & for running with it is a deep as the galaxy itself! I do hope it becomes an ‘annual’ event as it was quite literally the light and joy of my November!
[Jake Lake: Endings]
As it so happens the day I was first preparing this review to go live on my blog, I ended up readily engaged in quite a lively conversation through #LitChat which is a bi-weekly (Monday & Wednesday, 4-5 EST) literature conversation for the bookishly inclined! I stumbled across their feeds late in 2013, only to realise that it feels like I have found a nexus of readers who are as geeky and bookish as I am! The topics change weekly, as do the guests they feature on Wednesdays! As you can see, the topic on Monday was “Cliffhanger Endings” which I felt was appropriate to include here being that I was reading an essay on this very topical issue! How to properly end a story!
The following tweets were inserted using WP’s automated Tweet App: (as such I was trying to only include my words but the top tweet appears as well! They also appear in ‘reverse order’ because I like to be quirky!)
#LitChat My blog expresses the eclectic nature of my reading adventures! :) Laughs. Its a great time to be geeky and bookish! @LazetteG
As you can clearly denote, I have a keen interest in why certain books are set to swirl my head with bone crushing emotion and anguish, only to have no resolution of the core of the climax! These are the stories which nestle into my heart, the characters of whom I have followed through strife and joy, only to emerge out of their adverse circumstances with an unresolved distaste in my mouth! I whole-heartedly understand when stories cannot end well in later chapters if it’s the beginning of a serial, but what about the stand-alone books which oft-times are written by début authors!? What then, pray tell? Do you chance the hope that a sequel will be penned and released within a twelvemonth or do you anguish over the grief of not having a proper Epilogue to guide your heart back through to reality outside of the realm of the book!?
Endings if you ask me, are dicey, and these were my ruminations BEFORE I entered into Lake’s essay! Whoa!
I am quite comfortable if the elucidation of the story’s resolve remains vague if enough of the climaxical angst feels as though nothing more can be said or done to alleviate the character’s anguish. There are as much unresolved endings in fiction as Lake credits to real life; and I completely concur! Except to say, there is a measure of a breadth of leeway for science fiction & fantasy to a certain extent. However, my comments in the LitChat feed was a broad stroke recollection of inter-genre discussion. As such, I never specifically said which genre or branch of literature I was respectively discussing nor which particular author. I’d rather debate the merits of a tool of the craft, in this case, ‘the cliffhanger ending’ rather than to specifically denounce a preference of a writer. Because in the end, the issue with the ending is mine. I’m the reader who picked up the story in the forethought of expectation of an ending I could live with once the book was set down on my shelf. IF my presumption worked against my heart in the end, it is only half on the fault of the writing. It’s difficult to brace ourselves for unresolved endings when in life we are constantly dealing with the peculiar nature of the unknown! Sometimes it is nice to have a purported dimension where more or less resolution is commonplace rather than elusive!
According to Lake’s assessment my key issue is with accepting a story which is writ in normative and non-normative format! I knew there had to be a reasoning behind my discontempt! Yet. There are moments in certain stories I would suspect or even hope that the ending wouldn’t be resolved if the issues contained within the heart of the journey are ones beyond the scope of the book. A story can only yield so much insight into the world in which it thrives in the space in which it inhabits. I think my classic mistake is expecting too much out of certain stories in which present a journey with an open-ended definition of ‘the end’.
I was smiling when I read the bottom paragraphs of page 51! At the footfall of page 52 arching into page 53, Lake touches on the exact sentiment I was attempting to explain myself! If a story is generated to be a complex tome of narrative, the reader not only presumes but requires the ending to resonate with a deft complexity as the rest of the text! Thank you, Mr. Lake! His final sentence of page 55 is precisely what I was hinting at! Precisely!
Ah, ha! My malaise can lift! I suffer from broken endings under the influence of the parachute technique!
[G. Cameron Fuller: How Alien the Alien: A Primer]
The opening sequence of this essay illuminates one of my favourite [fantasy] films of the past decade: Avatar! I quite literally wanted to soak into the world in which the Na’vi lived! To soar into the skies as a warrior would have made my heart thrive on the electric pulse of purpose! Except to say, I believe my gender is against me in this one regard, but oh, I suppose there is a bit of a feminist in all of us who strive towards equality for all genders to pursue what they individually wish to achieve! Including in fictional worlds we drink in with a mirth of a nod in awe!
What fascinated me is that the conjecture of the tone in this section is that the Na’vi were not altogether alien in the traditional sense but rather a humanoid species living on a different planet from our own! Strangely or not, this mirrors my exact thought processes whilst I was in the darkened theater watching it on the silver screen! The aliens for me were the para-military minded soldiers whose taste for blood winked out the last bit of my inner resolve for warfare! No one wins in war, but warmongers are not my favourite characters to meet in fiction nor in motion pictures. The level of the emotionally gutting plane is enough to eclipse a moon!
I could even reflect that whilst I was becoming a Whovian during the 50th Anniversary month of Doctor Who, there were more than one occasion where I felt the ‘alien’ species being highlighted were less alien than the contemporary humans! Did anyone else think the nurses whose faces were cats was not all that unrealistic? Or, what about the fact that the Doctor himself is quite alien but prefers to be human?! Data ring any bells!? (as in: Brent Spiner’s character!)
He delves further into a study of some of my most memorable ‘alien’ characters: from Star Trek, Star Wars & Battlestar Galactica (all originals for me!); to the HAL computer of Clarke’s 2001: A Space Odyssey, and the evolution of fear of technologic advances as explored in the works of Michael Crichton which I read from thirteen to seventeen! I devoured Crichton because I appreciated the balance of science fact and science fiction. Who else jumps into a dedicated passion for quantum mechanics and quantum physics due to the immersive jauntings of chaos theory encapsulated by the character of Malcolm in Jurassic Park? Which previously had been encouraged by Macgyver!
To put it more plainly, my personal preference of an alien race is one whose blendability is as translucently unseen as the subtle CGI special effects of films where unless you were given an outline could not deduce which sequence was digitally enhanced and which was shot in live-action!! Too much CGI makes a film portioned out of position which goes to say, that an alien who acts wantonly alien is going to have a more difficult chance of drawing empathy out of a reader!
[Nancy Kress: “The Green-Skinned Zorn Laughed with Grief” Character and Emotion in Science Fiction & Fantasy]
Compassion for characters through being a receptacle of their emotional cues whilst reading their stories unfold on the printed page is one of the main reasons I read fiction! I want the visceral experience to be all-encompassing without limiting myself of how far I am willing to take my emotional keel! I want to ache and anguish alongside the character who is woefully going through strife and adverse circumstances before embarking on a path towards redemption or enlightenment. I want to emotionally be convinced that my time spent with the character is one where I can feel as moved as though I had lived their life by the time the story concludes.
I do have my limits, naturally, we all do, but what I am referring to here is to be ensconced into a story within my limits and living every inch of the character’s life therein.
The following tweets were inserted using WP’s automated Tweet App: (as such I was trying to only include my words but the top tweet appears as well! They also appear in ‘reverse order’ because I like to be quirky!)
I couldn’t find the exact tweets I was seeking, which made me realise that perhaps the conversation was half contained in LitChat and half contained elsewhere! My memory is not drawing forward the exact ‘moment’ the topic was examined but the tweets I did discover to include bank around to the topic of why empathy for written characters is crucial to the reader’s experience of the story! If we cannot attach ourselves to the lead or supporting cast of characters on an emotional level, be that intensive or fanciful, we are not going to feel as though we read a transformative piece of story. We transform ourselves through the characters we read, as our minds process the experiences of their lives as experiences that become a part of our own threads of living. We process and analyse everything we drink in, which is one reason we all have to be cautious of what our internal limits are for subject, topic, and genre explorations! Its one thing to read to expand our horizons, it’s quite another to focus on literature which has a negative effect on our overall well-being. Which for me includes how far I am willing to absolve myself in gutting emotions if the off-set of the anguish is not released by a resolved ending!*
*The Time Traveller’s Wife (motion picture); Remember Sunday (tv movie); Follow the Stars Home (tv movie); The Notebook (motion picture); Backdraft (motion picture); Saving Private Ryan (motion picture); Life is Beautiful (motion picture); Alice I Have Been (book); The Unlikely Pilgrimage of Harold Fry (book); are key examples of stories I watched or read but should have exited without seeing the conclusions. The emotionally gutting angst and anguish which followed each of them was wrecked physically by the nightmaric flashbacks and migraine! Sometimes writing can feel so hauntingly real to me, that I have to watch that I do not traverse through a section of narrative that will render me worse than when I first became engaged! Woe to all sensitive hearts like me!
Whereas despite the heavy emotional keel I experienced whilst watching Road to Perdition it was the sociological perspective of understanding the character Tom Hanks portrayed that leveled out the angst of watching his life unfold. I gladly rallied through Girl in a Blue Dress (book), The House Girl (book), and even The Spirit Keeper (book) to emerge out of where I had started. I cherish the stories which push the envelope only ‘nay far’ to where I can enter and exit without side effects of my visit.
Her conclusion is my reason for reading itself: to walk away feeling physically moved and changed by the story I’ve read to the brink where the characters, setting, and place are able to stay with me for many years yet to come! I crave seeking out the stories which leave pieces of their imprint on my heart!
[Elizabeth Bear: Tactics of WorldBuilding]
Her essay was keenly lit in my eyes as I had already blogged about my Top Ten Book Turn-Offs late in 2013. Wherein I would disclose that one of the hardest issues I have in reading is when I am ‘taking out of place’ within the confines of the story. I completely concur with her lamentations about the purity of research and the extensive amount of said research it takes to create the true atmosphere of a world built on a sturdy foundation. I personally thrive on research because I happen to have a curious mind of which is rarely quenched! I adore snaking through corridors of the past to spotlight a key notation that could lead to a recognition in a story I am creating. I love wandering and absorbing everything that whets my general interest in the subject at hand as well as the focus in which I am pursuing for a specific reason. I try not to limit my research in scope but rather in a methodology that allows me the genesis of spontaneity of creating dialogue and narrative at the brink of discovery!
There are two key elements for me when it comes to world building in narratives, which may or may not be as prominently important for others. Is the author a wordsmith? And, did the author conduct the research to stitch in clues of the ‘place’, ‘time’, and ‘setting’ in which the story is erected!? These are key for me, because I am not one who always appreciates the redundancy of words in fiction. There are certain genres which sometimes flutter an ire inside me, because they relay on the usage of ‘trigger’ words which repeat, reflect, and insinuate themselves to have their own harmonious hum in the story. I still read those stories if the character and context interest me, but my ire is aflame a bit to wonder, why not pick up a thesaurus?I should have mentioned this in my Book Turn Offs, but I didn’t originally believe I had enough to fill the list! The research falterations can become readily apparent to me in most instances and less so in others. It depends if I am reading for mere pleasure or if I want a heartier read where I quite literally want to feel, touch, and sense the world in which I am reading. The difference is subtle but the elements can reflect whether or not its a causal author you read OR if it’s an author you want to pursue long-term.
Her exposition on writers using other writers to give them the foundation of their stories is something I picked up on myself whilst reading certain genres which are saturated. You can start to notice the telling truth of writers who write stories solely based on the books they read themselves. Mostly because their own creations are limited to the world in which they read by another writer’s vision. Her intuition of a readers who send up ‘red flags’ whilst reading is reflective of my own reading life! If I reach more than three flags, I am considering why I am bothering at all! If it feels like a tornado siren is going off in my head, I simply discontinue right where I am!
Being a think writer myself, I understood where she is pointing her guiding hand; she wants writers to become aware of their worlds to where you could quite literally walk blind through them knowing every inch of its space. You have to be conscience of the dynamics your world is creating for you to build the story. If your confidence grows out of the knowledge of your world, your readers will automatically endear themselves to the novel long before the middle is reached! Whilst reading her essay I found a like-minded soul who reads with the same apprehensive excitement as I do!Apprehensive here refers to whether or not she or I will find what we are hoping to read inside the cover!
I am not one to generally gravitate towards a manual of ‘writing tips OR how to’ yield the most out of our craft [writing]. Except to say, I can honestly credit Writers Workshop of Science Fiction & Fantasy alongside Writing Down the Bones by Natalie Goldberg as being my favourite discoveries thus far! The key elements of the craft are interlayed into both books, and I daresay, no matter what you elect to create, these are the two books of ‘writer’s craft’ guides you need in your personal library!
I have unearthed three distinctly different Twitter Chat interfaces this week, which I happily suggest you find time one week to engage in directly!
*(runs concurrent with The Star Chamber Show, unfortunately! In which you may not see me until its concluded!)
Do you know of any other chat feeds and the days in which they chatter about a literary topic? Kindly share your experiences in the comment threads!
This Seventh Star Press focus week was brought together with the help of Tomorrow Comes Media, of which I am a blog tour hostess and book reviewer. To keep up to speed with which authors and books I will be featuring on Jorie Loves A Story in the near future via Tomorrow Comes Media, please check out my Bookish Events!
This marks my fourth post in contribution of:
(“Strength and Honor” by Stephan Martiniere, used with the artist’s permission)
I open up the discussion to continue through you, dear hearts! Which of the sections I have highlighted through my own musings attached themselves to your own curious heart? Which inclinations of writing resonate to you the most? Which of the three branches of speculative fiction do you write? Which do you draw a breath of curious excitement to read? Are any of the writers contained in the anthology ones you read regularly? I’d love to hear your thoughts and takeaways from your visit! And, as this is a focus week on an Indie Press, which Indie Press do you gravitate towards for science fiction, fantasy, and horror? OR have you hesitated to read an Indie Press title or author? Which specific sub-genre do you gravitate towards the most?
{SOURCES: The 2014 Sci-Fi Experience was granted permission to use the artwork by Stephen Martiniere in their official badge for all participants to show their solidarity during the event! Michael Knost photograph & biography, cover art for Writers Workshop of Science Fiction & Fantasy were provided by Tomorrow Comes Media and used with permission. Blog News badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets pulled from Twitter were able to be embedded by the codes provided through WP’s Tweet App in the Media section. Likewise, tweets can also be directly added by individual tweets on Twitter.}
Melanie Dugan is the author of Dead Beautiful (“the writing is gorgeous,” A Soul Unsung), Revising Romance, and Sometime Daughter.
This Blog Tour Stop is courtesy of 
Being that I had not heard of any of the motion pictures Ms. Sullivan revealed as her absolute top-notch stellar favourites (aside from “Amelie”), I decided it might be best to seek out the Wikipedia pages in case this would be true of my visitors & readers alike! And, can I simply take a moment and reveal that I think its bang-on brilliant that she genre-bent comic superheroes with smashing narrative fiction story arcs!? I was always seeking a wicked good story set around comic superheroes OR a comic which was a bit more bent on story than graphics. I found The Young Indiana Jones Chronicles had run for three editions before going scarce to non-existent when I found my niche. I always fancied the Sunday Comics in the papers, but I always wanted the strips to continue past what was in front of me. This is a bit why I loved Adam West & Burt Ward as Batman & Robin because the entire show was not just slap-stick comedy but it had the air of a comic superhero about it!
Writers Workshop of Science Fiction & Fantasy (edited by) 
