[Official Blurb] Top Ten Tuesday is an original feature / weekly meme created by The Broke & the Bookish. The meme was created because we are particularly fond of lists here at The Broke & the Bookish. We’d love to share our lists with other bookish folks and would LOVE to see your Top 10 Lists! In January, 2018 this meme is now hosted by That Artsy Reader Girl.
Why I nearly didn’t write-up a post for today’s topic:
I’ve noticed over the years (as a reader) and as a book blogger, I have the tendency of reading stories which have either a phrase within their book titles and/or are titles which evolve through the theme of their genre, world or other cognitive connection to the stories or series I am reading. It is rare (by memory) for me to be able to bring back to mind the stories which were singled out which featured a *single-word title* – which is why in order to participate I decided to look through my Story Vault and was quite surprised by the results I found within!
The *biggest!* shocker?! I’ve read FAR MORE single-titled stories than I first realised!
I’ll be discussing how my memory aligns with the stories vs their titles and how rather uniquely why I’m highlighting 16x stories with a bonus selection where I will journal out the rest of the single-titled entries which have evolved into my reading life these past seven years (*as hallo, hallo Jorie Loves A Story’s 7th Blogoversary is the 31st!)
And, to think I wasn’t going to write this post for #TopTenTuesday because I thought as a reader I couldn’t relate to the topic! lol It is definitely an excercise in how we align our memories, how stories speak to us in different ways than linear recognition & how chasing through our book blog archives becomes a bit of a hoot for the reader whose breathed in such a lifetime of lives through the unexpected passageways the books brought into her bookish & readerly life!
When you set about writing this week’s topic – did you struggle to remember if the stories you had read had single word titles OR do you regularly gravitate towards them and they’ve become old hat? I’d love to know how other readers & book bloggers felt about the topic and if they found it a challenging one (like me) or an insta-fit?
I was quite surprised most of the stories on this List were beloved reads of mine – but I’ve remembered them by the world they were set (if they were series) or by their characters or something else which stood out in my memories far longer than the length of their titles! I think I just had a mental disconnect when I originally saw the topic today! lol
*NOTE: all of these stories were sent to me in exchange for honest reviews with a few exceptions such as “Pride” and “Wonder” which I borrowed through my local library.
Acquired Book By: Did you ever grow curious about a new publisher who produces science fiction, fantasy, and horror genre selections in both novel length and short stories? Did you ever decide to enquire with the publisher you’ve found to see if they were open to book blogger requests to read and review their selections!? This is the situation I found myself in as I was quite mystified by the offerings of World Weaver Press! Such a delightful discovery on my behalf, and a website full of inspiring reads across SFF!
Choosing which book to select for review was a bit tricky, but as I love short stories and in particular short stories within the realms of Fantasy, I elected to select this collection of stories of the fae! I received a complimentary copy of “FAE” direct from the publisher World Weaver Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
A bit of an introduction to World Weaver Press:
World Weaver Press is an independently owned publisher of fantasy, paranormal, and science fiction. We believe in great storytelling. Launched in March 2012 in Kalamazoo, Michigan, World Weaver Press is currently based in Alpena, Michigan, owned and operated by Editor-in-Chief Eileen Wiedbrauk.
We believe in great storytelling. We believe in challenging genre boundaries and engaging the fundamental human drive to tell stories that resonate emotionally. The way we do it is by partnering with great writers to craft and edit the best fantasy, paranormal, and science fiction stories possible. By creating beautiful, well designed paperbacks and ebooks. By growing their publicity. And by fostering a family of authors excited to work with us. We believe that publishing speculative fiction isn’t just printing words on the page—it’s the act of weaving brand new worlds.
Indie publishers are on the cutting edge of encouraging interactive reader to author events, and World Weaver Press has poised themselves to curate one of the most stimulating chats in the twitterverse for booklovers of Speculative Fiction! I’ve been a resident chatterbox in weekly, bi-monthly, and quarterly Twitter chats hosted by a variety of individuals, publishers, authors, and Entertainment Industry outlets as well, however, one of my favourite topics of interest being a writer of SFF myself, is opening up a convo with other readers, book bloggers, writers, editors, and the bookish community surrounding Science Fiction and Fantasy as a whole!
I used to frequent the #FantasyChat on Sundays until time became a bit of a barrier for me at that timeslot, wherein the same group who meets-up on the weekends, happily found the same niche of interest I did in #CreatureChat Wednesdays @ 9pm. This is where you can talk dragons, gryphons, and all other sorts of fantastical and mythical wonders of beasts and animals! It’s a broad chat for Fantasy lovers, but I truly can admit, I’ve been seeking out alternatives to talk with others who are keen on SFF as a whole rather than limited by one group of topics. I found several SFF chats on Twitter, but my favourite now is the #SFFLunch hosted by World Weaver Press.
Ironically or not, I’ve only been able to attend one of these wicked awesome chats (thus far!) as try as I might to *stalk!* the homepage of the publisher, I truly wish they had a newsletter and/or a tweet reminder system in place for those who are busy and forgetful about when these events are happening! I nearly thought I was clued into the June meet-up, except to say I was thinking it was *today!* Wednesday when in all honesty they met-up yesterday on Tuesday! *le sigh* One of these months, the moons shall be kind and align,…
Keen interest in the world of Speculative Fiction | side note: the fae:
My interest in the fae and the communities of the faeries grew out of my childhood focused on Speculative Fiction as a whole across different mediums of story-telling. My knowledge of the fae is not as evolved as my love of SFF, but my curiosity has become quite piqued by other authors who are writing compelling and wicked stories of these curious people who are short in statue but not in heart! Truly, it was the anthology collection by another Indie publisher (Seventh Star Press) which first perked my attention to anthological collections of shorts being one of the best gateways into appreciating new-to-me authors of Fantasy fiction. (with an empathsis on the fae!) Their collection A Chimerical World: Tales of the Seelie Court proved to be one of my most beloved anthologies read to date.
This led me to seeking out more stories by E. Chris Garrison (due to Ms Chris writing about the Seelie Goose!) and launched a search for other Indies who were publishing wicked quality collections and/or novel length stories within the realms of SFF. My heart is divided equally between science fiction and fantasy, with a slight bent of newfound interest in Cosy Horror (yes, this is a new term I coined during Horror October 2014 and apparently it’s ‘catching on!’)
Yet, whilst I broached a discussion question during a recent #CreatureChat, I noticed there was an absence of response on the merits of where the fae originated in fiction and of whom the grandfathers / grandmothers of this niche of Fantasy originally sourced their ideas or picked up ideas through their research. I realise a heap of story craft is interwoven into our imaginations, but writers are curious creatures, and we do like to research as much as we love to create from scratch.
Here is the Q:
#CreatureChat To pitch this a different way — which #authors are the founders of fae in #SFF fiction!? Who led the way & developed baseline
I suppose you could say I’m on a self-motivated journey into the world of the fae. I seek to understand their nature and to understand their world(s). I have several books earmarked off in mind to read of the fae, but I was hoping perhaps someone out there might have recommendations for me as to help paint the path towards knowing how they started to emerge into popular Speculative Fiction and how they become as established as they are for a muse.
I do not oft talk about my own writerly pursuits as I am living in the season of a book blogger whose an avid reader giddy happy for discovering new genres, new stories, and new authors. However, my heart always had a special place for SFF due to the enormity of freedom on where you could take a story. You can lead your reader down a road of science grounded realism or you can jump the rails directly into the unknown and guide a reader into a world you’ve fully realised and created yourself. It’s such a lovely branch of literature because of the incredible breadth of choice and selection. The very first manuscript I conceived into being was science fiction based on science fact, however, the more I read Fantasy, whilst being tempted by the ‘cosier’ and ‘psychological’ side of Horror, I’m starting to spread my wings on where my own fiction might reside.
I read across the full spectrum of literature from Major Trade to Indies, with a special appreciation and fondness for Indies as I grew up supporting a wicked awesome Indie bookshoppe who first introduced me to ‘local authors’ and ‘local author events’. As I step back through the doors of SFF, I’m settling inside a heap of lovelies from Indie writers moreso than Major Trade, but this is partially due to the fact my own personal collection of stories are ferreted out into boxes and are not accessible to be read. Hence why I rely on my local public library for ILL’ing (inter-library loan) and borrowing through our local catalogue of SFF.
I am an appreciator of stories;
irregardless of their route to publication,
if they are print and bound in an edition I can hold by hand whilst
reading off the printed texture of a page — I’m one bonefide happy reader!
FAE Subtitle: An Anthology of Fairies
Meet Robin Goodfellow as you've never seen him before, watch damsels in distress rescue themselves, get swept away with the selkies and enjoy tales of hobs, green men, pixies and phookas. One thing is for certain, these are not your grandmother’s fairy tales.
Fairies have been both mischievous and malignant creatures throughout history. They’ve dwelt in forests, collected teeth or crafted shoes. Fae is full of stories that honor that rich history while exploring new and interesting takes on the fair folk from castles to computer technologies to modern midwifing, the Old World to Indianapolis.
Fae bridges traditional and modern styles, from the familiar feeling of a good old-fashioned fairy tale to urban fantasy and horror with a fae twist. This anthology covers a vast swath of the fairy story spectrum, making the old new and exploring lush settings with beautiful prose and complex characters.
With an introduction by Sara Cleto and Brittany Warman, and all new stories from Sidney Blaylock Jr., Amanda Block, Kari Castor, Beth Cato, Liz Colter, Rhonda Eikamp, Lor Graham, Alexis A. Hunter, L.S. Johnson, Jon Arthur Kitson, Adria Laycraft, Lauren Liebowitz, Christine Morgan, Shannon Phillips, Sara Puls, Laura VanArendonk Baugh, and Kristina Wojtaszek.
List of Stories included in this anthology:
“Introduction” by Sara Cleto and Brittany Warman
“Rosie Red Jacket” by Christine Morgan
“The Queen of Lakes” by L.S. Johnson
“Ten Ways to Self-Sabotage, Only Some of Which Relate to Fairies” by Sara Puls
“Antlers” by Amanda Block
“Only Make-Believe” by Lauren Liebowitz
“F.C.U.” by Jon Arthur Kitson
“Water Sense” by Adria Laycraft
“The Cartography of Shattered Trees” by Beth Cato
“Possession” by Rhonda Eikamp
“And Only The Eyes of Children” by Laura VanArendonk Baugh
“Seven Years Fleeting” by Lor Graham
“The Last King” by Liz Colter
“Faerie Knight” by Sidney Blaylock, Jr.
“Solomon’s Friend” by Kristina Wojtaszek
“A Fairfolk Promise” by Alexis A. Hunter
“The Fairy Midwife” by Shannon Phillips
“The Price” by Kari Castor
Rhonda Parrish is a master procrastinator and nap connoisseur but despite that she somehow manages a full professional life. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the forthcoming benefit anthology, Metastasis. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing.
Starting July 1, 2014, Rhonda Parrish will be reading for Corvidae and Scarecrow, two new anthologies in the same series as Fae. Like Fae, each of these new anthologies will focus on a single construct treated in many varied and enthralling ways by new speculative fiction short stories.
The twin anthologies also present a unique opportunity: to create a conversation between the two volumes, between the crows and the straw-men, between the bird tales of Corvidae and the totem tales of Scarecrow. Anthologies to be published in 2015. More information at WorldWeaverPress.com.