I loved the premise of this meme {WWW Wednesdays} due to the dexterity that it gives the reader! :) Clearly subject to change on a weekly rotation, which may or may not lead to your ‘next’ read which would provide a bit of a paradoxical mystery to your readers!! :) Love the concept! Therefore, this weekly meme is hosted by Should Be Reading. Each week you participate, your keen to answer the following questions:
What are you currently reading!?
What did you recently finish reading!?
What do you think you’ll read next!?
After which, your meant to click over to Should Be Reading to share your post’s link so that the rest of the bloggers who are participating can check out your lovely answers! :) Perhaps even, find other bloggers who dig the same books as you do! I thought it would serve as a great self-check to know where I am and the progress I am hoping to have over the next week!
What are you currently reading!? {a two-week retrospective!}
I am continuing to read Crown of Vengeance by Stephen Zimmer, as it will mark my last post tied to the Sci-Fi Experience! I had wanted to read a few more books towards this reading challenge, but I lost too many hours during January to accomplish this task. I, am, however, continuing to read the books I outlined on my participation page for the Experience! I selected a few books for the Wicked Valentine’s Readathon which are as follows:
{*} As previously disclosed, this boomeranged back to the local library; am awaiting its return!
Alongside the books I pulled for Wicked Valentine, I am also in position to start reading War and Peace by Leo Tolstoy (as part of the #LitChat War & Peace Book Club), & Wuthering Heights by Emily Brontë (as part of the @RiverheadBooks RAL). Once I start to dig into these select classics, I am on my way towards revealing how I have such a hearty affinity for reading classical literature! Over the years I have dreamt of which classics to read first and which to follow in their wake. 2014 marks the year I am finally able to set aside time to start to explore the classical literary world with a curious eye towards the unknown adventures which lie ahead!
What did you recently finish reading!?
I have only finished a handful of novels within the past fortnight or thereabouts, all of which I posted reviews on my blog: The Brotherhood of the Dwarves, Dangerous Decisions, Sebastian’s Way, and the Writers Workshop for Science Fiction and Fantasy. The latter of course, was an anthology collection of essays and interviews compiled together to present an excellent primer on genre writing; even if your genre is outside the scope of the title! I found myself writing quite a heap about my recollections and the musings therein which were extracted from the readings!
I am in the process of reading several novels at the moment for each of my different reading challenges as well as having finished my first blog tour book review stop for Penguin Group (USA). As I am reading multiple books concurrently, I will be revealing where I am by page count rather than by chapter or section next Wednesday! I am hoping to be at the end of Chapter X or XI of Wuthering Heights by the 21st (Friday) as well as complete my reading of Crown of Vengeance to round out my focus week for Seventh Star Press! At the close of February, I am equally as hopeful to have read approx. 200 pages of War and Peacewhereas my goals for the 23rd of February are too complete Somerset & most of Roses! The Ladies Paradise is on my reading table as well, as I am attempting to read in tandem at the moment! I felt best to initiate a bit of a page count goal per book in order to best ignite a pattern of reading classics in-between modern literature I explore either outside of blog tours or within them! I always have such a fanciful heart to explore literature in all of its beauty, that I felt this might help me focus on books I truly want to finish reading within the time I am allotting! Stay tuned for next Wednesday’s journal of WWW to see how well I did!
A Fall of Marigoldstook me backwards into my memories for the shirtwaist factory fire of 1911 as evidenced and exhumed into a breath of life by Meredith Tax’s Rivington Street; whilst bringing forward haunting memories of observing the horrors of September 11th by telecast. I felt honoured to be asked to be a book review stop on her blog tour, and as you can read in my review, the novel itself touched me on a very deep level. It was a blessing to find closure and peace after two events in history profoundly affected me.
I received word that my ILL holds are in queue to arrive within a few week’s time in which I cannot wait to see what is waiting for me inside Leviathan Wakes, Jaran, and The Divining!
Oh, happy book discovery day for me! Ms. Wood I found "The Divining!" via ILL! (inter-library loan!) Now, I'll sit back & wait: #LitChat
Launched myself into a bit of mini-quest to find other “foodie fiction” titles that I could plausibly devour at some point in my reading future! Laughs within a smile! Oh, the wondrous thrill of the ‘discovery’!!
The School of Essential Ingredients by Erica Bauermeister (started; need to finish!)
The Lost Art of Mixing by Erica Bauermeister (sequel to above; goes w/o saying!)
Chocolat by Joanne Harris (birthday gift; need to read!)
The Colour of Tea by Hannah Tunnicliffe (borrowed; returned unread)
Julie & Julia by Julie Powell (opted for the motion picture!)
Charlie & the Chocolate Factory by Ronald Dahl (always saw the films!)
How to Bake a Perfect Life by Barbara O’ Neal (loved!)
The Particular Sadness of Lemon Cake by Aimee Bender (murmurs of curiosity!)
When in Doubt, Add Butter by Beth Harbison
The Baker’s Daughter by Sarah McCoy
The Irresistible Blueberry Bakeshop & Cafe by Mary Simses (borrowed, need to finish!)
The Roots of the Olive Tree by Courtney Miller Santos
Eat. Pray. Love by Elizabeth Gilbert (opted for the motion picture!)
The Hundred-Foot Journey by Richard C. Morais
Garden Spells by Sarah Addison Allen
The Sugar Queen by Sarah Addison Allen
The Girl Who Chased the Moon by Sarah Addison Allen
Coffeehouse mysteries by Cleo Coyle (need to read all of them!)
White House Chef mystery series by Julie Hyzy (need to keep up to date!)
The China Bayles mysteries by Laura Childs (revolves around a teahouse!)
Courtesy of Ms. Lisa via TLC Book Tours the following were also suggested:
The Kitchen Daughter by Jael McHenry
Eating Heaven by Jennie Shortridge
The Provence Cure for the Brokenhearted by Bridget Asher
Maman’s Homesick Pie by Donia Bijan
Hungry by Darlene Barnes
& the forementioned The Colour of Tea & The Lost Art of Mixing
The next books I am drinking in will be books for review and I am quite excited for them to grace my mind’s eye! For I get the absolute pleasure of re-entering the world of the #LelandDragons, as I re-read Redheart by Jackie Gamber before continuing forward into Sela and the bookend third of the trilogy: Reclamation! The Ambitious Madame Bonaparte by Ruth Hull Chatlien is a hearty tome of an account of a side of the Bonaparte family I never had heard of beforehand! My pursuit of Bonaparte has re-strengthened since I read Becoming Josephine by Heather Webb! Whereas Citadel by Kate Mosse is an interest which was encouraged by my Mum when she gave me Labyrinth; in lieu of knowing where I put the book, I have borrowed the two previous books from my local library!
I had a bountiful bookish postal surprise day
in which I happily welcomed in the following books for review:
I decided to join the 2014 Chunkster Challenge, as I had no idea how many novels I’d read over the score of the year which would qualify as being labeled ‘a tome of a book greater than 450 pages!’ Clearly, I have already begun to read stories in greater quantity of depth, but this is going to be a good record of seeing how many I gravitate towards over a regular year’s worth of reading!
Likewise, I have released posts in part of my participation of:
All of which I curate on my RALs & Challenges page, of which I update my progress as well as on my Part II of Reading Challenge Addict! I decided to pull back from several reading & bookish challenges this year, as although they appealed to me in the beginning when I was on the verge of signing into them, I decided in the long-term I would be better off honing in on the ones which were at this point in time the most keen of the lot to participate in! There will undoubtedly be more RALs, Thons, & Challenges forthcoming but these will be the main ones I am concentrating on except to say for the two Jane Austen novels I am reading to correlate with the Jane Austen Readings hosted by Reading is Fun Again!
Quite the exciting time for a bookish soul, eh!?
Have your literary wanderings been as expansive and lovely as mine!?
And, do you have a ‘foodie fiction’ recommendations for me!?
{SOURCE: The WWW Wednesday badge created by Jorie in Canva as a way to
promote the weekly meme for those who want to take part in it.}
I, must admit, I am always quite curious about the books I gravitate towards reading time after time. Do I pick a specific genre to explore!? Is there a particular heart of depth to the stories I am selecting?! Is there any specifics that would stand out!? Setting?! Time preference!? Locale!? Or, could it be that I, Jorie of Jorie Loves A Story have a natural curiosity and eye bent towards falling in love with novels of hearty depth! What the rest of the world considers a ‘chunkser’ I consider “Now! That’s what I call a wicked sweet tome of a novel!”
Although I have seen posts attributed to this particular reading challenge over the past few years, I was always curious about the length requirements of the reader’s choices!? Apparently, any novel over the mark of 450 pages is considered a ‘chunkster’ by the broader readership! I consider anything under 750 pages to be a full-fledged novel of wickedly delightful sagas! Then, again, I happen to have a penchant for reading multi-generational sagas, of which cannot be fully contained in one singular volume! I oft find the sagas are separated into multiples; either in a running serial of the same family &/or spilt into trilogy installments. The odd quartet is thrown in for good measure as well!
I am a reader who envelops her mind, her heart, and her soul around the characters she meets inside the stories her mind illuminates for her as she reads. The main characters as well as the supporting characters all have equal footing in her heart because each of the characters mentioned may hold a piece of the evolving story. Or at the very least, provide a backdrop flow of continuity for the time, setting, and place of the novel! I love seeing the smaller details, the finer points of everyday hours which elapse at different intervals whilst your engrossed into a hearty historical inasmuch as you might be jettisoning into a time slip or time travel narrative! I like seeing the finite details because they in of themselves give a winking nod towards our own histories. How life was for those who came before us in the not-so-far-off past can be ruminated in a historical story.
Given the rate of probability of increasing my page counts as the months progress forward, I have decided to aim even higher than I originally felt I could achieve over the next 10 months, as I am beginning to count this challenge in the second month rather than the first! And, at the latter half of February, I might add! I originally felt only five novels of considerable length might be possible! Who knew!? I suppose this would fall under the ‘hidden talent’ category for performance artists!?
{Reading List} | Combination of Blog Tour Reviews & Personal Selections
IF a book is in italics I have bumped it into 2015 rather than reading it in 2014.
Crown of Vengeance {Book 1: Fires of Eden series} by Stephen Zimmer (612 pages)
War and Peace by Leo Tolstoy (1,215 pages)
Jane Eyre by Charlotte Brontë (643 pages)
Somerset by Leila Meacham {Prequel to Roses} (610 pages)
King’s Dragon {Book 1: Crown of Stars saga} by Kate Elliott (532)
The Shell Seekers by Rosamunde Pilcher (530)
and continuing,.. as I sort out which books were of considerable length!
{*} reading in conjunction with scheduled book review of next in sequence
Already at the start of keeping track of the length of each novel I read, I am amazed at how the list begins with *13!* Curiously, I am fascinated to seeing which ‘length’ of book attracts me the most!? If spilt into 100 page increments, will it be the 400 mark? 500? I’ll have to continue this part of the discussion come New Year’s Eve, 2015!
*UPDATE (18FEB’14): As I read Christine’s note about how many actual pages I’d consume, I was curious, how many would that be!? I added the figures!
{SOURCE: Jorie Loves A Story Badge created by Ravven with edits by Jorie in PicMonkey.
I am a regular blog book tour hostess for Tomorrow Comes Media, whereupon in conversations with Stephen Zimmer about enjoying high fantasy over other aspects of the genre, I was offered to receive a complimentary copy of this book in exchange for an honest review direct from the publisher Seventh Star Press. I did not receive compensation for my opinions or thoughts shared herein.
Initial Thoughts:
I wasn’t quite sure what to expect whilst looking over my copy of The Brotherhood of the Dwarves, as I had revealed inside Mr. Adams’s Guest Post on writing the series that I had first thought the inspiration behind his creation was due to the dwarves in The Lord of the Rings. Although, I have started to pick up my interest into reading the realms of science fiction & fantasy late in 2013, previous to my wanderings thus far along I hadn’t actually delved into stories or authors who focused on dwarves! My entire knowledge going into reading this book is based mostly on my memories of Gimli! Therefore, this is my first example of dwarves in fiction as I entered the sage of Gimli through the motion pictures not the text! (the complete Histories of Middle Earth & Lord of the Rings are on my tCC TBR list!)
Author Biography:
D.A. Adams was born in Florida but was raised in East Tennessee. He received a Master of Arts in Writing from the University of Memphis in 1999 and has taught college English for over a decade. His first novel, The Brotherhood of Dwarves, was released in 2005 and has been described as a solid, honest work about camaraderie, bravery, and sacrifice, a very personal journey, more interested in the ways that a person is changed by life’s events than in epic battles and high magic. In 2008, the sequel, Red Sky at Dawn, was released to the exaltation that this novel thunders along, at times with dizzying speed. The action is visceral and imaginative without being gratuitous. Book three, The Fall of Dorkhun, came out in 2011, followed by book four, Between Dark and Light, in 2012.
In terms of writing style, Adams exhibits an effortless narrative voice and a masterful balance between richly detailed descriptions and tightly worded minimalism. The pacing of his stories is breathtaking, with relentless action and captivating plot twists that keep readers riveted page after page. But his true talent as a writer lies in character development. Readers find themselves empathizing with, fearing for, and cheering on the characters as they overcome their personal shortcomings and grow as fully rendered individuals.
Adams is also the father of two wonderful sons and, despite his professional accomplishments, maintains that they are his greatest achievement in life. He resides in East Tennessee.
Understanding the order of Dwarves:
Adams does a great job at introducing the reader to the world within The Brotherhood of the Dwarves by outlining the differences of each tribe therein. I appreciated seeing the slight differences in both appearance, personality, temperament, and tone of living. Being an artist and a writer myself, I was leaning towards Roskin’s kingdom of Kiredurk as they focused on art and beauty rather than savage battlements of war. I lit up a bit within the intricate descriptions of the underground city as the engineering feat it would take to create such a structure piqued my interest! (after having read The Race Underground recently for a Book Browse First Impressions selection)
The pace picks up a bit whilst understanding the rite of passage within the hierarchy of the dwarf system. I was reminding myself of the Amish who are allowed to choose whether or not to remove themselves from their Order whilst travelling in the world of the English, or if they choose to take their place within their own society. In this story, young Roskin believes his destiny is attached to not only sorting out the mysteries of his past, but in seeking a long forgotten relic of treasure which is the namesake of the book series! Quite clever when I realised this revelation!
My Review of the Brotherhood of the Dwarves:
The Brotherhood of the Dwarves is set within a well-envisioned world, where each of the individual tribes of dwarves adhere to their own rules and regulations of order. There are dwarves who consider bloodshed and battle the mark of a true dwarf and of strength of their people. Whereas there are other more peaceful dwarves who feel that the pursuit of battle completely is not the best plausible way to live. (I happen to agree with the latter sentiment!) It’s Roskin’s pursuit of unearthing his ancestral roots that interested me the most due to his status as half dwarf and half elf.
Torkdohn is a guiding force in aiding young Roskin in the opening bits of his journey, not only in the sage advice he imparts upon the lad but in the knowledge of the lands outside Roskin’s native Kingdom. Torkdohn is the type of character you wonder if you can trust. The journey Roskin is undergoing is a twist on coming-of age, where he will have to settle out his thoughts and beliefs as far as how he wants to live and the manner in which he applies the lessons he is gaining. He isn’t one to play the fool nor is he one to relish in ignorance. His strength lies in sorting out the middle ground between being a dwarf who can hunt and kill without conscience of the consequences and being a dwarf who embodies the principles of only killing what one needs for subsistence; or for self-defense if need be.
I was quite surprised that I could settle into the narrative as the context dips between the psychological and emotional imagery of the life of dwarves to where the reader is front-row center to the action. There is a necessity of caution between the Kingdoms as distrust and broken alliances are clearly evident. What kept me in the story was Roskin himself who was very much a seeker on an adventure to discover more about himself as much as what it meant to be caught between worlds of the dwarves and elves. As the skirmishes evolve in the story, a few of the sequences were a bit much for me, but given the wager between the incidents was life or death, it stood to reason the battle would be heroic bloodshed or the grave! At one point I was wondering if most of the story was going to be hinged to battle, as although I respect warfare and enbattlements; there are times where I prefer more dialogue and narrative of the back-story or forward motion of the characters.
One of my favourite sections of the novel is when Red and Roskin are sent into exile with a hermit in the mountains named Kwarck. I eased into this section because I appreciated the interactions of the land with the labouring of the characters attempting to pay retribution and gratitude to their host. The inner demons of their conscience hearts were on trial throughout the story as each man had to learn how they would best wrangle out a resolution for their haunted memories. It was here in these passages that I felt were the strength of The Brotherhood of the Dwarves, as it laid the groundwork for why friendship, loyalty, and forgiveness are so very important to grab a hold of.
A sociological conscience is threaded throughout the narrative:
One of the things I appreciated the most about the writing style of Adams is that he lights the undertone of the novel The Brotherhood of Dwarves with a sociological conscious. Where for every cause and effect there is a conscience desire to sort through the internal strife of battlefield emotions tempered with the clarity of seeking a way to avoid confrontation. The way he interweaves the history of the dwarves themselves with the network of experience each dwarf must tackle is a way of endearing the race to the reader. Giving you a window into the reasoning for their differences but also empathy for why they make the choices they do. I think for those who appreciate high fantasy strong in warfare and survival based on hand-to-hand combat action will thrive in this setting because Roskin and his friends give a lot towards that end. For me the violent exchanges bordered on the excessive but another reader might feel they were more mild in nature. I think it depends on your personal levels of acceptance.
Fly in the Ointment:
Despite my own surprise of finding a niche in the story, The Brotherhood of the Dwarves bends a bit too much towards bloodshed for my own heart’s sensitivity. I readily enjoyed the engaging dialogue between the secondary characters and the main protagonists but I quickly surmised that what I enjoyed within the story itself was countered by another battle right around the corner. I think I could have fared better if those who were hunting Roskin had taken different paths to find him, allowing him the flexibility to travel on his journey without as many incidents of mayhem and death. Afterall, there is only so much one can stomach back-to-back.
This Seventh Star Press focus week was brought together with the help of Tomorrow Comes Media, of which I am a blog tour hostess and book reviewer. To keep up to speed with which authors and books I will be featuring on Jorie Loves A Story in the near future via Tomorrow Comes Media, please check out my Bookish Events!
This marks my sixth post in contribution of:
(“Strength and Honor” by Stephan Martiniere, used with the artist’s permission)
{SOURCES: The 2014 Sci-Fi Experience was granted permission to use the artwork by Stephen Martiniere in their official badge for all participants to show their solidarity during the event! The Brotherhood of the Dwarves cover art, D.A. Adams photograph & biography provided by Tomorrow Comes Media and used with permission. Post dividers were provided by Shabby Blogs, who give bloggers free resources to add personality to their blogs. Book Review badge provided by Parajunkee to give book bloggers definition on their blogs.}
Proposed Topic for Stephen Zimmer How did you create the world of Ave initially and did you foresee Ave being shaped into a full-on series? What is the back-story of the research you discovered as you went along &/or what were your methods of deciding the texture of the world? Was there a key moment which left the impression of which direction Ave was heading? How did everything evolve forward past conception of the idea?
Artwork Credit: Matthew Perry
As you might recognise, I asked Mr. Zimmer to return to Jorie Loves A Story by featuring an Author Guest Post to discover the early days of conceiving the idea for “Ave” the world in which the “Fires of Eden” series resides. I previously reviewed the “Chronicles of Ave: Volume 1” (the first anthology of the series) which served as my unorthodox introduction to the series! As you will see from that particular post, I was most intrigued by what I found inside! So much so, that it has led me to reading “Crown of Vengeance” of which will be brought to life in a review going live on Wednesday! Be sure to drop back to see my recollections! I also had the pleasure of interviewing Mr. Zimmer whilst participating in the Chronicles of Ave blog tour! Blessedly for those of you who are already wrapped up inside this world, there are many more stories yet to be revealed! Let us now yield to Zimmer who will provide the ‘genesis’ of how Ave was first created.
The Genesis of Ave
Ave is in my heart and has been from the beginning of the road of its genesis that began in the early 1990’s. The origin of this story and how it has grown comes from one of my own personal fantasies. I’ve always imagined and dreamed of what it would be like to go through the wardrobe, to use a Narnia reference, and enter a fantastical world such as the one found in my books.
The entire story involving Ave really did begin on that simple, singular premise, and the idea of an ensemble of characters, all with different backgrounds and circumstances, going into a new world moved it forward as far as a concept for an epic fantasy series. The question of why they are pulled into that world, and what their part is within it, led me to what became the core plot of the series. Before I started writing the first page, I knew the ultimate destination of the series.
I’ve always been drawn to the medieval period, especially the earlier period, including the so-called Dark Ages (I say this as there were a lot of places that continued on a course of progress, from the Byzantines to China, to name a couple). As such, Ave takes on a medieval texture, with a modest presence of magic, as I didn’t want magical or supernatural elements to be too overwhelming in this series (though both play a significant part).
Ave grew into my own personal playground, as far as having everything I would love to see in a fantasy world. It has a full range of cultures , lands, and geographies, with many inspired by historical periods in our own world, and some that are entirely inventive.
One of the challenges of writing this series has been making sure the organic realism of the fully original cultures like the Trogens and Unguhur resonate just as strongly as the ones reflecting a historical inspiration, like the Saxans, Midragard, Avanor, and others. They all need to have the same kind of depth and comprehensive portrayal.
With the historically inspired cultures, I wanted to be sure that there was a strong presence of societies and cultures not commonly reflected in epic fantasy. Readers will see that right from Book One, Crown of Vengeance, when they discover the Five Realms and the five tribes that comprise it. Based upon the Iroquois, the Five Realms and the story of the tribal people within it are a major part of the series.
To bring cultures like the Five Realms to life, research has become a very important aspect of this series. Interestingly enough, in the late 1990’s, when I had the first version of what would become Crown of Vengeance done, one of the biggest reasons I did not try to get an editor or publisher at that time was that I realized that I had not done enough in the area of research to give the books the kind of depth and organic realism that they deserved. It led to several years of immersion into research and rewrites, but at the end of that road I ended up with a book that I was confident in taking onward.
The extended research also honed my thinking and perspective when it came to developing an original culture like the Trogens. Subtle touches about their culture, beliefs, and history added a full dimension to my depiction of them, where before they were coming off as more fantastical than real. In ultimate effect, engaging in serious levels of research developed my thinking process, in a way that truly strengthened this series.
Writing a large-scale series such as this, one that has the kind of depth where I can do short story collections right alongside it, does require some structure, but at the same time I leave myself open to new ideas and adventures that can crop up during the writing of a new title. Having an idea of the core plot of the series, and its ultimate destination, keeps it on a track so that it does not drift or derail into a problematic situation.
Yet at the same time, Ave is truly a playground, and all manner of new creatures, lands, characters, and sub plots can emerge at any given time, and I do want to take advantage of those opportunities. The last thing I wanted to do was box myself in without any flexibility during the process.
I think this is what has led me to using a multi-threaded character-focused style for the Fires in Eden Series. Having multiple story threads does add some complexity to the series, but I also feel it adds a lot of texture and added dimension too. There are layers, there are all sorts of seeds being planted for future payoffs, and for the reader I give a trove of material to enjoy and savor with this kind of depth.
Granted, not all readers may enjoy this approach, and want something more simplistic and linear, but to use a rock band metaphor, there are those who like a more complex and layered musical act like Rush, and those who like a simpler and more straightforward act like ACDC, and there are those who like both. As a reader (and as a rock fan!) I happen to like both complex and straightforward approaches, being in the mood for one or the other at given times. Hopefully, the readers that like the kind of scope I offer will find their way to the world of Ave.
For those that do enjoy this, I have an entire world to explore, one that is being unveiled gradually in the series and in the short stories of the Chronicles of Ave collection. There is so much more ahead and I invite readers along for the grand adventure!
You can follow Stephen Zimmer’s continuous journey with Ave and other stories at: Stephen Zimmer’s website & blog.
Honestly, I knew a lot of thought had gone into Ave, from the moment I first stepped inside its dimension of space and time, it felt as though every inch of Ave had been thought about with care! You have a way of bringing the reader into Ave unaware of its origins and its history, by making the world itself accessible and visually stimulating! As those are what staid with me after I put down the Chronicles! I was quite curious what your method of process would be for creating the multi-layered universe in which Ave resides, and in this lovely Guest Post you have given myself and my readers alike something hearty to ponder! I knew too, there would be hidden depths to the reasonings behind why you elected to create certain classes of people in Ave as much as why there were certain names being used to express who they were. I love how you were studying ancient civilisations in order to have Ave thrive in the past way possible! And, the inclusion of using the Middle Ages as a staging arena for the world itself I think was a classic move on your part to give your world a rooting in our own timeline of reflection. It was especially a time where the world saw the most growth, change, and enlightenment coming out of a period of unrest, uncertainty, and ignorance.
As a writer of whom appreciates writing serial fiction herself, I can understand why you wanted to create a world in which would be limitless in regards to where to expand the threads of Ave’s tapestry and as far as how far you could take your audience! It’s always a lovely gesture to become so well acquainted with your own created world that you can see extensions of the original plot passages igniting new ones down the road! I must confess, although I see my own writings in full view of where I want them to go, I have not yet formulated the fullness of the worlds therein. As in reference of seeing the final destinations of where the characters and the story itself will be ultimately going towards. I give you credit for being able to focus on Ave in a way that befits the benefit of having such a clarity of mind in its creation! I, perhaps, might yield to the fact that my writings have been percolating for the better part of twenty years and have been writ at different intervals of time therein. One of these days I’d love to see everything fall together in a way that will honour my own story.
Your essay here on how Ave knitted together, I think will give all writers (regardless of genre preference) a lot of hope in what they will achieve in their own goals once the bones of what they want to write is out in the open. I can understand what you meant about the difference preferences of readers, where some might prefer the depth vs the low-key approach of subtle nudging, but I for one, tend to choose the complexities of a well-plotted story when I want to soak into epic sagas because it’s the layers in which I get caught up inside which bring me the most joy! They also provide endless hours of reading bliss in order to see how all the connections of lead and supporting cast make off in the installments that follow suit! I always get a kick out of remembering the wholeness of whom is residing in these wicked fantasy stories, because sometimes its nice when the layout is not limited to a cluster of a few but held together with the fullness of an army!
This Seventh Star Press focus week was brought together with the help of Tomorrow Comes Media, of which I am a blog tour hostess and book reviewer. To keep up to speed with which authors and books I will be featuring on Jorie Loves A Story in the near future via Tomorrow Comes Media, please check out my Bookish Events! Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.
This marks my fifth post in contribution of:
(“Strength and Honor” by Stephan Martiniere, used with the artist’s permission)
{SOURCES: The 2014 Sci-Fi Experience was granted permission to use the artwork by Stephen Martiniere in their official badge for all participants to show their solidarity during the event! The Chronicles of Ave: Volume One cover art provided by Tomorrow Comes Media and used with permission. I requested an Author Guest Post on the topic of writing the back-story of Ave’s creation and received the essay direct from the author Stephen Zimmer. Post dividers badge by Fun Stuff for Your Blog via Pure Imagination. Blog News badge provided by Parajunkee to give book bloggers definition on their blogs.}
Acquired Book By: I am a regular blog book tour hostess for Tomorrow Comes Media, whereupon in conversation with Stephen Zimmer about my curiosity over the contents of this anthology due to the overwhelmingly creative book cover art; I was offered to receive a complimentary copy of this book in exchange for an honest review direct from the publisher Seventh Star Press. I did not receive compensation for my opinions or thoughts shared herein.
Intrigued to Read:
Being I am a writer of science fiction stories set in a modern world akin to our own and based on science fact (I always had leanings towards hard sci-fi rather than soft!), I am always quite the intrepid girl who becomes interested in reading the latest book of writing advice, tips, and sage wisdom from those who have gone before me and cast their stories out into the hands of readers! Science fiction was in my blood long before I ever put thought to pen, as I inherited a passion for Trek & Star Wars which goes back to the original canon of both franchises. I never expected to live in a generation where having to say I support the ‘original canon’ of either one would even come to pass! However, that aside, what drew me into this anthology wasn’t just the context of the subject at hand but the excellent cover art rendering by Matthew Perry! Whose knack for presenting such a cleverly creative jumping gate of a writer’s muse is in good form! I knew whatever was contained inside the anthology was content I was determined to read! The musings of writers always makes me smile, yet its the enduring spirit of putting your heart on the line, owning your own work irregardless of its popularity and being strong in your belief an audience is awaiting to read your story is what invigorates me!
Within the Workshop, you’ll find:
Prominent writers within the craft of science fiction and fantasy story-telling, impart sage wisdom and advice given through anecdotical essays, pertinent interviews; set to a rhythm of appearances which makes Editor Knost appear nearly telepathically inclined as the reader weaves through a symbiotic rumination!
Contents Therein:
Michael Knost: Introduction
Neil Gaiman: Where do you get your Ideas?
Lou Anders: Nebulous Matters or Speculation on Subgenres
Lucy A. Synder: Ursula K. Le Guin Talks about a Lifetime in the Craft
James Gunn: Beginnings
George Zebrowski: Middles
Jay Lake: Endings
Nayad A. Monroe: Time Powers Talks about Writing Speculative Fiction
Orson Scott Card: On Rhetoric and Style
Pamela Sargent: Talking Too Much, or Not Enough: Dialogue in Science Fiction & Fantasy
G. Cameron Fuller: How Alien the Alien: A Primer
Nancy Kress: “The Green-Skinned Zorn Laughed with Grief” Character and Emotion in Science Fiction & Fantasy
Harry Turtledove: Alternate History: The How-to of What Might Have Been
Jude-Marie Green: Larry Niven Talks about Collaboration
Joe Haldeman: Hemingway Talks about Writing
Nisi Shawl: Unbending Gender
Alan Dean Foster: Reverse Engineering
Alethea Kontis: Kevin J. Anderson Talks about Spin-offs, Prequels, & Fan Fiction
Elizabeth Bear: Tactics of World-Building
Jackie Gamber: Ann VanderMeer Talks about Weird Fiction
Michael Knost: Short Fiction: A Roundtable Discussion with Short Story Editors
Max Miller: Long Fiction: A Roundtable Discussion with Novel Editors
I will be making selections of my reading to focus on throughout this bookish girl’s review of the ruminative musings which ignited in her mind’s eye as she drank through the pages with an eagerness all writers will understand! Writers reflecting on their craft and opening an honest discussion about the inner workings of writing as art is a moment to celebrate and cherish!
[Where Do You Get Your Ideas? an essay by Neil Gaiman]
The curious nature of readers is always to formulate a question directed towards the writer they unabashedly follow throughout their career as to explain the seemingly bottomless well of ideas the stories oriented from. The honest truths of where the genesis of an idea is first garnished is brilliantly executed by Mr. Gaiman (of whom I am aware of his works but haven’t yet read)! Your ideas percolate at a pace that you’re at times not even expecting to be able to fulfill a request of, because of the nature of the human brain’s processor of information! A writer is willfully able to head into the direction the first spark of inspiration alights in mind, but to follow the originating idea through germination and tether it to a solidified ending is walking through the unknown; proportions of which, none of us truly know of until we’re sitting down to write.
And, it’s within this boiling and brewing of ideas where I gather my energy for the story about to transfer out of my mind’s vortex and unto the written page! To take a thread of an idea, nurture it into being and then, allowing the freedom of the idea to transition and transmorph into its full-bodied existence of what its meant to be is a writer’s realised dream. Nibblements of ruminations sprinkled throughout a lifetime of experience and adventure start to ink out into our imagination. Transcending both time and memory, as pieces of ourselves are wrangled into the lifeblood of our characters! Being a writer is akin to being a nurturer of ideas and of ideals. We take our observations from our living realities, and pour our heart into our works attempting to yield a story that others might find palatable. I say ‘might’ find as I am one writer who writes the stories which flow through her rather than write a story which is hinged to a specific audience or topic. We (writers) all hope that the momentum and passion we have for an idea will garnish itself a foothold in a reader’s queue. Perhaps even, enlighten their outlook or perception, but moreso than naught, to give them a hearty piece of narrative which leaves them pensively grateful for the idea which started the words to fill the page!
[Nebulous Matters or Speculation on Subgenres – an essay by Lou Anders]
I felt especially blessed to find this particular section included in the Workshop, as I am always befuddled to understand which ‘genre’ is the stepping stone of each of the ‘subgenres’ in which I read! I have spent quite literally hours exhausting resources online to sort through the myriad labyrinth of descriptive analysis always walking away feeling a bit more muddled than clarified! There are a few exceptions, as one post floats to mind which I read during (#RRSciFiMonth) Sci-Fi November (my endearing name for “Sci-Fi Month” hosted by Rinn Reads!*) which was Top Ten Sci-Fi Sub-Genres (Part 1: Cyberpunk) by Leanne of Literary Excursion! Whilst I read her engaging post on a slice of science fiction I never felt I could honestly attach myself, I shared this remarkable observation:
I have a keen interest in the subject as I never knew what the differences were and its part of my learning curve this month with SFN! Cheers to you!
You know, I hadn’t even realised Steampunk came OUT of Cyberpunk! Learnt something new there! And, I was researching a LOT myself to educate myself on the origins of Steampunk but I must’ve missed the key references that would have connected these dots for me! Thankfully, you stepped in and saved the day!
Wait! Hold the TARDIS! I like “Dieselpunk”!?! Seriously!? Wow. I didn’t see that coming at all! But, right there in your essay it explains that “The Rocketeer” and “Sky Captain and the World of Tomorrow” (I *knew!* I missed one on my Top List for Films!) are listed! I seriously adore those films!!!
Wow. OKay, so I’m still processing,… I am a Cyberpunk who fits inside the Steampunk + Dieselpunk genres!? Wow. I can see I have more research to do after SFN! Thanks for pointing me off in two new directions!
You can clearly see that “Doctor Who” had a direct impact on my life at the time, as I actually said “TARDIS” as an expression rather than as a direct reference of the Doctor’s travelling box! Laughs within a smile. One of the resounding benefits for me in being part of SFN is that it allowed me the advantage of not only interacting with other sci-fi enthused readers, but it allowed me to talk about a branch of literature I’m over the moon passionate about! And, within that perimeter, I gained growth in the knowledge of how the genre is both supported, explored, and constantly being revolutionised by new ideas! I am going to be going back through all the lovely blogs of whom were populated with posts during SFN as I make my exodus backwards and through the rest of my own SFN experience!
Leading back to the book at hand, Mr. Anders brought to light several classic key points which interested me dearly:
The word “speculative fiction” has plagued me since Autumn 2013, as I was trying to unearth if it were in fact the broad stroke of description attributed to science fiction, fantasy, & horror OR if it were a new definitive space of works within those keystrokes which pushed past the barriers of straight-up foundational beliefs and entered into the cross-section of the unknown, the unfamiliar, and the remarkable. His answer finally closes the theory of mystery for me!
My mind was enraptured by science since I was a very young girl, to the brink that following myself into studies for various sciences was the track I was going to bookend to my creative pursuits. Those who know me well, know which of the ‘sciences’ pulls at my heartstrings the most, and as I blog about my reading escapades I am quite certain it will be revealed for others as well. Here, I only wanted to say that due to my background in science (and the continued studies I am pursuing on my own) the branch of hard science fictionis quite appealing as it goes into the exploration of where the limits of known science and theoretical science are heading right here in the living now of time. It was not a surprise to me to see Ringworld mentioned in relation to this branch, as Niven is one of the authors I have earmarked off to read since I first broached science fiction in the first place!
The curation of mundane science fiction fascinates me due to the dexterity of how far the writers can take the stories without the ‘theories’ of the inclusion of hard sci-fi elements. There is always going to be a balance between the personal beliefs of a reader & of a writer, as to how far each is willing to extend their imagination and the stories in which they each choose to define as a whole component of the living context of the genre. I’d be keen to seek out writers of this branch and see how their approach is leading the genre forward.
Space Opera was an inherent choice of mine to pursue! One of my favourite ‘personal discoveries’ was Babylon 5, as it eliminated the ‘box’ of how science fiction serials were once defined. For me, it leapt out of the convention a bit moreso than its counterpart of Deep Space Nine, which was still set to work inside an established reality and space. I even appreciated the folly of Galaxy Quest as a comic and cheeky side of being a geeky sci-fi appreciator! (I am not one who would normally gather a mirth of joy for folly, farce, or parody!) The ramifications for living interstellarly is too keen of an idea not to indulge in reading! And, there is of course the tv movie from the 1980s I am still trying to unearth the title of,…where they had to choose whether or not to stay on the moon or return back to earth?! The woman was pregnant and the choice would be between where to live and how the choice would affect their family long-term. Not a lot to go on, but it was brilliantly done at the time and I regret my memory cannot remember more!
New Space Opera leaves me curious as I am always seeking to read more British literature, and if the Britons have sorted out a new method of curating stories of this nature, I am definitely going to sort out how to find them! Verse Military Science Fiction taking a limited backdoor of plausible interest. I think for me, the film Starship Troopers wrecked the joy! As I watched it when it first premiered, had I know the level of intensity I would experience I would have omitted the desire. Conversely, I have a deep appreciation for military fiction stories, as I have been a long-term supporter of JAG, NCIS, and NCIS: LA, as much as seeing various incarnations of the military fiction in both tv and film. I never fully close a door, as I might wander back through with a book in hand which changes my perspective and illuminates a character which my heart grows empathy to meet. Two examples of military fiction I have been over jupiter’s moon in favour of are: Red Storm Rising by Tom Clancy & Sebastian’s Way: The Pathfinder by George Steger.
New Wave Science Fiction is one that I have noticed without the realisation of what I was seeing! And, yet am a bit on the fence if I am a reader who can attach herself to the stories of this category! Time will reveal… Cyberpunk I already revealed was a startling discovery of interest!
Steampunk Is a sub-genre I’ve had a deep appreciation for which was knitted out of a love of the Victorian Gothic clothing movement, the sub-culture of indie artists on Etsy, and a firm appreciation for Victorian technology merged into story-lines which elicit a new generation of science fiction with the heart of the old age intact yet re-defined for today! I am only in the very beginnings of reading ‘steampunk’ as my next foray will be The Boy with the Cuckoo-Clock Heart! (blogged about my discovery of the book) (posts on Steampunk)
Epic &/or High Fantasy Is singularly my absolute favourite to read due to the breadth and depth of the stories which bind together living worlds of imagined joy! I love wandering around a well-fused story, anchored by characters whose lives are visibly flawed but contain within the mirth of their scope an adventure, a journey, or a mission which takes you to the heights of their world and yours. I get all giddy about discovering new authors to seek out, because I know the story I’m about to merge my heart into is going to be one I’ll not quite forget! The author who proved her salt and my adoration for this branch was Kate Elliott’s Crown of Stars saga which I began reading at the age of seventeen!
Sword & Sorcery as well as Urban Fantasy Are two branches I am always a bit hesitative to indulge in as I am not a grisly, gruesome, or intensely horror-filled sort of reader. Having said that, I have read Urban Fantasy books which might have resonated an issue with my personal preferences but the heart of the stories staid with me much longer than a twitching of an issue over a book turnoff contained within their covers! I always keep an open-mind whilst I read due to the fact you never know which book your going to read that might push you outside your known envelope of acceptance into a story that gives you back something you were not expecting to receive.
Dark Fantasy & Paranormal Romance Are two more areas in which I find myself at odds to begin reading; only because I haven’t yet found my proper footing to explore the writers who pen their tales! There are aspects of the paranormal which intrigue me to read (clearly, as I read the Ghost Harrison series by Heather Graham!), but its in finding which author who pens which story of whose characters resonate with me in printed form as much as say “Ghost Whisperer” does in its motion medium.
Sci-Fantasy To me sounds like a merger of two of my favourite literary excursions in which I cannot wait to journey inside! To empathises and mix the two genres into a lively genre-bender exploration of story and thought is beyond genius! One of my favourite genre-benders for science fiction (Sci-Mystery?) is The Demolished Man by Alfred Bester, another story I read at seventeen!
Ander’s way of capturing the tick-tocking dance of enticing offshoots of the genre, electrify the eagerness to drink in more of the stories which give us the most joy to read! His enthused approach to make the complexities of genre explainable to the causal reader as well as the experienced is a credit to his skill in understanding the foundations of science fiction. IF lack of space hadn’t been an issue, (as I presume all essays within the Workshop were under a limited word count), I would have rejoiced in reading more on the subject! Eek. Exciting stuff! And, for a girl transitioning back into the genre, it’s quite literally ‘a road map and treasure trove of where to wander off next!’
*As you may or may not be aware of, I am resuming where I left off with my Sci-Fi November postings, to where I want to complete what I originally set out to accomplish! I have numerous notes on the Doctor Who episodes I watched, as much as I want to complete the viewings I scheduled as it was such a fantastic introduction to the tv serial! My gratitude to Rinn for conceiving the idea & for running with it is a deep as the galaxy itself! I do hope it becomes an ‘annual’ event as it was quite literally the light and joy of my November!
[Jake Lake: Endings]
As it so happens the day I was first preparing this review to go live on my blog, I ended up readily engaged in quite a lively conversation through #LitChat which is a bi-weekly (Monday & Wednesday, 4-5 EST) literature conversation for the bookishly inclined! I stumbled across their feeds late in 2013, only to realise that it feels like I have found a nexus of readers who are as geeky and bookish as I am! The topics change weekly, as do the guests they feature on Wednesdays! As you can see, the topic on Monday was “Cliffhanger Endings” which I felt was appropriate to include here being that I was reading an essay on this very topical issue! How to properly end a story!
The following tweets were inserted using WP’s automated Tweet App: (as such I was trying to only include my words but the top tweet appears as well! They also appear in ‘reverse order’ because I like to be quirky!)
#LitChat My blog expresses the eclectic nature of my reading adventures! :) Laughs. Its a great time to be geeky and bookish! @LazetteG
As you can clearly denote, I have a keen interest in why certain books are set to swirl my head with bone crushing emotion and anguish, only to have no resolution of the core of the climax! These are the stories which nestle into my heart, the characters of whom I have followed through strife and joy, only to emerge out of their adverse circumstances with an unresolved distaste in my mouth! I whole-heartedly understand when stories cannot end well in later chapters if it’s the beginning of a serial, but what about the stand-alone books which oft-times are written by début authors!? What then, pray tell? Do you chance the hope that a sequel will be penned and released within a twelvemonth or do you anguish over the grief of not having a proper Epilogue to guide your heart back through to reality outside of the realm of the book!?
Endings if you ask me, are dicey, and these were my ruminations BEFORE I entered into Lake’s essay! Whoa!
I am quite comfortable if the elucidation of the story’s resolve remains vague if enough of the climaxical angst feels as though nothing more can be said or done to alleviate the character’s anguish. There are as much unresolved endings in fiction as Lake credits to real life; and I completely concur! Except to say, there is a measure of a breadth of leeway for science fiction & fantasy to a certain extent. However, my comments in the LitChat feed was a broad stroke recollection of inter-genre discussion. As such, I never specifically said which genre or branch of literature I was respectively discussing nor which particular author. I’d rather debate the merits of a tool of the craft, in this case, ‘the cliffhanger ending’ rather than to specifically denounce a preference of a writer. Because in the end, the issue with the ending is mine. I’m the reader who picked up the story in the forethought of expectation of an ending I could live with once the book was set down on my shelf. IF my presumption worked against my heart in the end, it is only half on the fault of the writing. It’s difficult to brace ourselves for unresolved endings when in life we are constantly dealing with the peculiar nature of the unknown! Sometimes it is nice to have a purported dimension where more or less resolution is commonplace rather than elusive!
According to Lake’s assessment my key issue is with accepting a story which is writ in normative and non-normative format! I knew there had to be a reasoning behind my discontempt! Yet. There are moments in certain stories I would suspect or even hope that the ending wouldn’t be resolved if the issues contained within the heart of the journey are ones beyond the scope of the book. A story can only yield so much insight into the world in which it thrives in the space in which it inhabits. I think my classic mistake is expecting too much out of certain stories in which present a journey with an open-ended definition of ‘the end’.
I was smiling when I read the bottom paragraphs of page 51! At the footfall of page 52 arching into page 53, Lake touches on the exact sentiment I was attempting to explain myself! If a story is generated to be a complex tome of narrative, the reader not only presumes but requires the ending to resonate with a deft complexity as the rest of the text! Thank you, Mr. Lake! His final sentence of page 55 is precisely what I was hinting at! Precisely!
Ah, ha! My malaise can lift! I suffer from broken endings under the influence of the parachute technique!
[G. Cameron Fuller: How Alien the Alien: A Primer]
The opening sequence of this essay illuminates one of my favourite [fantasy] films of the past decade: Avatar! I quite literally wanted to soak into the world in which the Na’vi lived! To soar into the skies as a warrior would have made my heart thrive on the electric pulse of purpose! Except to say, I believe my gender is against me in this one regard, but oh, I suppose there is a bit of a feminist in all of us who strive towards equality for all genders to pursue what they individually wish to achieve! Including in fictional worlds we drink in with a mirth of a nod in awe!
What fascinated me is that the conjecture of the tone in this section is that the Na’vi were not altogether alien in the traditional sense but rather a humanoid species living on a different planet from our own! Strangely or not, this mirrors my exact thought processes whilst I was in the darkened theater watching it on the silver screen! The aliens for me were the para-military minded soldiers whose taste for blood winked out the last bit of my inner resolve for warfare! No one wins in war, but warmongers are not my favourite characters to meet in fiction nor in motion pictures. The level of the emotionally gutting plane is enough to eclipse a moon!
I could even reflect that whilst I was becoming a Whovian during the 50th Anniversary month of Doctor Who, there were more than one occasion where I felt the ‘alien’ species being highlighted were less alien than the contemporary humans! Did anyone else think the nurses whose faces were cats was not all that unrealistic? Or, what about the fact that the Doctor himself is quite alien but prefers to be human?! Data ring any bells!? (as in: Brent Spiner’s character!)
He delves further into a study of some of my most memorable ‘alien’ characters: from Star Trek, Star Wars & Battlestar Galactica (all originals for me!); to the HAL computer of Clarke’s 2001: A Space Odyssey, and the evolution of fear of technologic advances as explored in the works of Michael Crichton which I read from thirteen to seventeen! I devoured Crichton because I appreciated the balance of science fact and science fiction. Who else jumps into a dedicated passion for quantum mechanics and quantum physics due to the immersive jauntings of chaos theory encapsulated by the character of Malcolm in Jurassic Park? Which previously had been encouraged by Macgyver!
To put it more plainly, my personal preference of an alien race is one whose blendability is as translucently unseen as the subtle CGI special effects of films where unless you were given an outline could not deduce which sequence was digitally enhanced and which was shot in live-action!! Too much CGI makes a film portioned out of position which goes to say, that an alien who acts wantonly alien is going to have a more difficult chance of drawing empathy out of a reader!
[Nancy Kress: “The Green-Skinned Zorn Laughed with Grief” Character and Emotion in Science Fiction & Fantasy]
Compassion for characters through being a receptacle of their emotional cues whilst reading their stories unfold on the printed page is one of the main reasons I read fiction! I want the visceral experience to be all-encompassing without limiting myself of how far I am willing to take my emotional keel! I want to ache and anguish alongside the character who is woefully going through strife and adverse circumstances before embarking on a path towards redemption or enlightenment. I want to emotionally be convinced that my time spent with the character is one where I can feel as moved as though I had lived their life by the time the story concludes.
I do have my limits, naturally, we all do, but what I am referring to here is to be ensconced into a story within my limits and living every inch of the character’s life therein.
The following tweets were inserted using WP’s automated Tweet App: (as such I was trying to only include my words but the top tweet appears as well! They also appear in ‘reverse order’ because I like to be quirky!)
I couldn’t find the exact tweets I was seeking, which made me realise that perhaps the conversation was half contained in LitChat and half contained elsewhere! My memory is not drawing forward the exact ‘moment’ the topic was examined but the tweets I did discover to include bank around to the topic of why empathy for written characters is crucial to the reader’s experience of the story! If we cannot attach ourselves to the lead or supporting cast of characters on an emotional level, be that intensive or fanciful, we are not going to feel as though we read a transformative piece of story. We transform ourselves through the characters we read, as our minds process the experiences of their lives as experiences that become a part of our own threads of living. We process and analyse everything we drink in, which is one reason we all have to be cautious of what our internal limits are for subject, topic, and genre explorations! Its one thing to read to expand our horizons, it’s quite another to focus on literature which has a negative effect on our overall well-being. Which for me includes how far I am willing to absolve myself in gutting emotions if the off-set of the anguish is not released by a resolved ending!*
*The Time Traveller’s Wife (motion picture); Remember Sunday (tv movie); Follow the Stars Home (tv movie); The Notebook (motion picture); Backdraft (motion picture); Saving Private Ryan (motion picture); Life is Beautiful (motion picture); Alice I Have Been (book); The Unlikely Pilgrimage of Harold Fry (book); are key examples of stories I watched or read but should have exited without seeing the conclusions. The emotionally gutting angst and anguish which followed each of them was wrecked physically by the nightmaric flashbacks and migraine! Sometimes writing can feel so hauntingly real to me, that I have to watch that I do not traverse through a section of narrative that will render me worse than when I first became engaged! Woe to all sensitive hearts like me!
Whereas despite the heavy emotional keel I experienced whilst watching Road to Perdition it was the sociological perspective of understanding the character Tom Hanks portrayed that leveled out the angst of watching his life unfold. I gladly rallied through Girl in a Blue Dress (book), The House Girl (book), and even The Spirit Keeper (book) to emerge out of where I had started. I cherish the stories which push the envelope only ‘nay far’ to where I can enter and exit without side effects of my visit.
Her conclusion is my reason for reading itself: to walk away feeling physically moved and changed by the story I’ve read to the brink where the characters, setting, and place are able to stay with me for many years yet to come! I crave seeking out the stories which leave pieces of their imprint on my heart!
[Elizabeth Bear: Tactics of WorldBuilding]
Her essay was keenly lit in my eyes as I had already blogged about my Top Ten Book Turn-Offs late in 2013. Wherein I would disclose that one of the hardest issues I have in reading is when I am ‘taking out of place’ within the confines of the story. I completely concur with her lamentations about the purity of research and the extensive amount of said research it takes to create the true atmosphere of a world built on a sturdy foundation. I personally thrive on research because I happen to have a curious mind of which is rarely quenched! I adore snaking through corridors of the past to spotlight a key notation that could lead to a recognition in a story I am creating. I love wandering and absorbing everything that whets my general interest in the subject at hand as well as the focus in which I am pursuing for a specific reason. I try not to limit my research in scope but rather in a methodology that allows me the genesis of spontaneity of creating dialogue and narrative at the brink of discovery!
There are two key elements for me when it comes to world building in narratives, which may or may not be as prominently important for others. Is the author a wordsmith? And, did the author conduct the research to stitch in clues of the ‘place’, ‘time’, and ‘setting’ in which the story is erected!? These are key for me, because I am not one who always appreciates the redundancy of words in fiction. There are certain genres which sometimes flutter an ire inside me, because they relay on the usage of ‘trigger’ words which repeat, reflect, and insinuate themselves to have their own harmonious hum in the story. I still read those stories if the character and context interest me, but my ire is aflame a bit to wonder, why not pick up a thesaurus?I should have mentioned this in my Book Turn Offs, but I didn’t originally believe I had enough to fill the list! The research falterations can become readily apparent to me in most instances and less so in others. It depends if I am reading for mere pleasure or if I want a heartier read where I quite literally want to feel, touch, and sense the world in which I am reading. The difference is subtle but the elements can reflect whether or not its a causal author you read OR if it’s an author you want to pursue long-term.
Her exposition on writers using other writers to give them the foundation of their stories is something I picked up on myself whilst reading certain genres which are saturated. You can start to notice the telling truth of writers who write stories solely based on the books they read themselves. Mostly because their own creations are limited to the world in which they read by another writer’s vision. Her intuition of a readers who send up ‘red flags’ whilst reading is reflective of my own reading life! If I reach more than three flags, I am considering why I am bothering at all! If it feels like a tornado siren is going off in my head, I simply discontinue right where I am!
Being a think writer myself, I understood where she is pointing her guiding hand; she wants writers to become aware of their worlds to where you could quite literally walk blind through them knowing every inch of its space. You have to be conscience of the dynamics your world is creating for you to build the story. If your confidence grows out of the knowledge of your world, your readers will automatically endear themselves to the novel long before the middle is reached! Whilst reading her essay I found a like-minded soul who reads with the same apprehensive excitement as I do!Apprehensive here refers to whether or not she or I will find what we are hoping to read inside the cover!
I am not one to generally gravitate towards a manual of ‘writing tips OR how to’ yield the most out of our craft [writing]. Except to say, I can honestly credit Writers Workshop of Science Fiction & Fantasy alongside Writing Down the Bones by Natalie Goldberg as being my favourite discoveries thus far! The key elements of the craft are interlayed into both books, and I daresay, no matter what you elect to create, these are the two books of ‘writer’s craft’ guides you need in your personal library!
I have unearthed three distinctly different Twitter Chat interfaces this week, which I happily suggest you find time one week to engage in directly!
*(runs concurrent with The Star Chamber Show, unfortunately! In which you may not see me until its concluded!)
Do you know of any other chat feeds and the days in which they chatter about a literary topic? Kindly share your experiences in the comment threads!
This Seventh Star Press focus week was brought together with the help of Tomorrow Comes Media, of which I am a blog tour hostess and book reviewer. To keep up to speed with which authors and books I will be featuring on Jorie Loves A Story in the near future via Tomorrow Comes Media, please check out my Bookish Events!
This marks my fourth post in contribution of:
(“Strength and Honor” by Stephan Martiniere, used with the artist’s permission)
I open up the discussion to continue through you, dear hearts! Which of the sections I have highlighted through my own musings attached themselves to your own curious heart? Which inclinations of writing resonate to you the most? Which of the three branches of speculative fiction do you write? Which do you draw a breath of curious excitement to read? Are any of the writers contained in the anthology ones you read regularly? I’d love to hear your thoughts and takeaways from your visit! And, as this is a focus week on an Indie Press, which Indie Press do you gravitate towards for science fiction, fantasy, and horror? OR have you hesitated to read an Indie Press title or author? Which specific sub-genre do you gravitate towards the most?
{SOURCES: The 2014 Sci-Fi Experience was granted permission to use the artwork by Stephen Martiniere in their official badge for all participants to show their solidarity during the event! Michael Knost photograph & biography, cover art for Writers Workshop of Science Fiction & Fantasy were provided by Tomorrow Comes Media and used with permission. Blog News badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets pulled from Twitter were able to be embedded by the codes provided through WP’s Tweet App in the Media section. Likewise, tweets can also be directly added by individual tweets on Twitter.}
Proposed Topic for 
