Acquired Audiobook By: I started to listen to audiobooks in  as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.
I received a complimentary audiobook copy of “Rebecca of Sunnybrook Farm” via Audiobookworm Promotions who is working directly with the publisher Post Hypnotic Press in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I was keenly interested in listening to this Classics Children’s Story:
Of all the Shirley Temple films I haven’t yet seen, the one film which has stood the test of time of being of apt curiosity is ‘Rebecca of Sunnybrook Farm’! I have adored Ms Temple for most of my life – as her films are wickedly delightful to see at any age – in my twenties whilst appreciating binge watching TCM, I had the joy of finding her as a sixteen year old in the film “Since You Went Away”. The film lead was played by Claudette Colbert who had impressed with right next to Ingrid Bergman for their dexterity and their depth of character performances. This was a rare treat to see Temple in a nearly-adult role.
I wasn’t sure where this particular adaptation of ‘Rebecca’ would befit within the Classic novel – as when it comes to adaptations, you have to keep an open mind as some are strictly by the ‘book’ of what was disclosed and others have a healthy heaping of ‘liberties’ taken with how their filmed. Either way, you look on it, I knew I wanted to see Shirley Temple in this role, even if I would prefer another version for keeping in better step with the original story.
Quite shockingly, at the time of listening to the audiobook, as would you believe I never had the proper chance to source a print copy of this novel?! It was one of those ‘book-to-film’ reads I had intended to get and simply never did. I ought to work a bit harder at rectifying this pursuit in the future. For now, audiobook versions are my jam. I am seriously over the moon in love in finding Classical works of Lit in audio formats – and this first and foremost is a strong affirmative of credit towards the work of Post Hypnotic Press, of whom, had my path not crossed with theirs during the Betty MacDonald memoirs, I might never had even realised how keen I am on listening to the Classics on audiobook!
Another shocker for this reader and book blogger was discovering of *all!* the fastidiously ridiculous series of adaptations for Classical Lit in motion pictures, somehow, this particular field overlooked ‘Rebecca of Sunnybrook Farm’ as there appear to be only *three!*? Imagine!? I barely could myself!
One thing I was thankful for – my introduction into ‘whom’ would alight off the pages of the novel came into my headphones by way of Ms Richardson on behalf of Post Hypnotic Press! They truly go the extra mile in placing the right narrator(s) in the right roles which give you a wealth of joy to be #amlistening! It isn’t the first time I felt the narrator befit the character and had a wholly individual way of presenting the character of the hour – the last time I felt this for a fictional character was during my listenings of Ms Henderson voicing ‘Anne of Green Gables’.
Rather oddly, I had overlooked adding this particular title to my tCC List, of which I’ve amended during this blog tour. It ought to truly have been inclusive all along and the oversight was decidedly a reader’s over enthused approach at trying to compile a ‘list’ to present as a list of #nextreads when altogether mindful of the fact she might ‘forget!” a few in the process! I am thankful I can continue to share these readings and listenings with my fellow Classic Clubbers! (as I link my reviews, including the audiobooks to the main review archives)
Happily I spied a fellow book blogger, Classic Clubber and friend on this blog tour (Maggie) and I truly look forward to reading her ruminative thoughts and see how she took to ‘Rebecca’.
Rebecca of Sunnybrook Farm has delighted readers for over 100 years. Published in 1903, when girls were inevitably depicted as pretty, gentle and proper, Rebecca Rowena Randall burst onto the scene of children's literature. Sent to live with her prim and proper Aunt Miranda, who is expecting her much more demure sister, Rebecca is a "bird of a very different feather". She has "a small, plain face illuminated by a pair of eyes carrying such messages, such suggestions, such hints of sleeping power and insight, that one never tired of looking into their shining depths...." To her Aunt Miranda's continual dismay, Rebecca is exuberant, irrepressible, and spirited - not at all "proper" or "demure". She wins over her aunt soon enough, and the whole town, and thousands of readers and listeners everywhere.
In 1904, author Jack London wrote Kate Douglas Wiggin: "May I thank you for Rebecca?.... I would have quested the wide world over to make her mine, only I was born too long ago and she was born but yesterday.... Why could she not have been my daughter? Why couldn't it have been I who bought the three hundred cakes of soap? Why, O, why?" And Mark Twain called Rebecca of Sunnybrook Farm "beautiful and warm and satisfying".
This recording, narrated by Ann Richardson, whose sweet voice has a facility for accents and character voices, is a satisfying listening experience you'll want to revisit. Upcoming from Post Hypnotic Press is a new annotated print/eBook edition of this book, with illustrations from the original publication and a new introduction, as well as a work-book for children
Places to find the book:
Published by Post Hypnotic Press
on 8th December, 2017
Format: Audiobook | Digital
Length: 8 hours and 11 minutes (unabridged)
Previously I’ve listened to the following titles:
[ of Classical Children’s Lit by this publisher ]
Anne of Green Gables by L.M. Montgomery (see also Review)
Anne of Avonlea by L.M. Montgomery (see also Review)
Anne of the Island by L.M. Montgomery (see also Review)
[ these were all narrated by the lovely Collen Winton! ]
*I truly hope they will be creating more installments for ‘Anne!’
Whilst I’m featuring two more reviews for this publisher this coming week:
The Curve of Time by M. Wylie Blanchet, narrated by Heather Henderson
Greenwillow by B.J. Chute, narrated by Ann Richardson
Whilst previously I listened to Heather Henderson narrating the Betty MacDonald memoirs!
And, Paula Becker leant her insight into Betty MacDonald as well!
Kindly read the convo I had with Post Hypnotic Press!
Reading this book contributed to these challenges: