Acquired Book By: I received an enquiry from a publicist at Tor/Forge in regards to this lovely new Historical Mysteries series I had not had the pleasure of finding out about previously! I was quite excited about what the scope of the series might entertain as I have a fond appreciation for Old Hollywood and the treasure trove of movies one can experience through the channel Turner Classic Movies (or TCM for short). Being one of the lead characters was Edith Head (a woman of interest of my own from Hollywood’s past) it felt like a wicked good fit for me to accept this series for review. Especially as I love watching old films as a stepping stone towards ‘discovering’ new actors and actresses I have not yet had the pleasure of seeing before and in effect become my ‘new favourites’ even decades after their careers ended. There is a pulse inside those films and I love watching the fashions change as much as the settings and story-lines!
I received a complimentary copy of “Design for Dying” direct from the publisher Forge (an imprint of Tom Doherty Associates) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Why I was keenly interested in this new Mystery series:
First of all, I have a deep appreciation for Old Hollywood and Classic Movies of yesteryear – I grew up with this passion for black and white movies – going back to a quintessential holiday favourite of mine: ‘It’s A Wonderful Life’ followed by ‘White Christmas’. I grew up on James Stewart films especially, as he was such a wicked good actor who could move between family films, drama and suspense (ie. Hitchcock!). By the time I discovered TCM (Turner Classic Movies) in my late teens / early twenties, it was a bit of a foregone conclusion Classic Movies would become a fixture of my viewing pleasure; yet it wasn’t until my mid to late twenties and early thirties that I started to *devour!* the offerings of TCM!
I even stumbled across the collective works of Cari Beauchamp (a wicked sweet Hollywood biographer!) prior to being a book blogger whilst fully engaged in the context of her book: Adventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s. Ever since I came across her writings, I’ve longed to attend the TCM: Classic Film Festival and mingle with others who love Classic Hollywood! I still itch to read through her collective works and seek out other titles by writers who are encompassing the same zest of love for this wicked time in film history!
One of my pet projects prior to being a book blogger was compiling a list of titles about Old Hollywood – most of the books were hard to fetch via ILL (inter-library loan) due to the heaviness of their volumes, which is why my ILL List soon became a Wish List of Purchases! lol On that list are biographies about Edith Head, as I had come to find her styles being represented through the films I was watching on TCM. The beauty of TCM is being able to find #newtomeactors of a begone age where women had the luxury of having a healthy body image & a definitive style where the fashions of Hollywood not only pushed new boundaries of fabric & craft but gave an eloquence to film-making at the same time! I love drinking in the styles of the 1920s – 1940s especially as they are such a cardinal imprint of class, sophistication and individuality.
When the publicist at Tor/Forge reached out to me about the mysteries involving Edith Head, I didn’t even have to think hard about accepting them! I did request receiving ‘Design for Dying’ alongside ‘Dangerous to Know’ as I felt the best way to entreat into an established series is to read the very first entry, wherein I could get a solid footing for the background of the characters and feel the continuity between installments!
As I will be blogging my ruminations back to back – if you return on Friday, you’ll get a special delight in reading my conversation with the authors behind this delishly vintage series, too! I loved how I even have a small tidbit about the ‘length and scope of time’ we all have coming towards us as the series expands and continues to grow! I am ever so excited for these two showcases as one thing I love about Old Hollywood is how quirky and comedic the ‘back-stories’ can be surrounding what is readily known but also, how delightfully quirky their lives were because they were defining the rules as they lived! There wasn’t a structure to everything back then – you could carve out a life between the lines and craft together a living on sheer determined will, pure wit and the daring conviction to pull it all off! And, that is what I loved about this series – as it embodies the fierce grit of daring possibilities to carve out your own path and live it with confidence!
Notation on Cover Art Design: For a girl who once considered studying Costume Design at Ole Miss, I must confess I love the whole vintage texture and vibe of this cover art! I even love how there is this allure of ‘who could that be entering through the theshold’ whilst focusing on the dress of the woman in front of the mirror! Part of my allure of following the legacy of Edith Head is my passion for vintage fashion and costume design. A bit of this was revealled recently on my review of ‘How to be a Hepburn in a Kardashian World’ – but more to the point, I love how the typography, the setting and the art direction of this cover pull you forward into a plausible entry point to re-trace the footsteps of Edith Head.
The salon and the case files are open...
Meet Lillian Frost. A transplanted New Yorker with a boundless love of the movies and a single lousy screen test to her credit.
Meet Edith Head. The costume designer who, over the course of a career spanning seven decades, would be nominated for more Academy Awards than any other woman. Who dressed the most glamorous stars in history. Who worked closely with directors like Alfred Hitchcock and Billy Wilder.
Meet the sleuthing duo about to become Hollywood’s greatest detectives.
Los Angeles, 1937. Lillian Frost has traded dreams of stardom for security as a department store salesgirl ... until she discovers she’s a suspect in the murder of her former roommate Ruby Carroll. Party girl Ruby died wearing a gown she stole from the wardrobe department at Paramount Pictures, domain of Edith Head.
Edith has yet to win the first of her eight Academy Awards; right now she’s barely hanging on to her job, and a scandal is the last thing she needs. To clear Lillian’s name and save Edith’s career, the two women join forces. Unraveling the mystery pits them against a Hungarian princess on the lam, a hotshot director on the make, and a private investigator who’s not on the level.
All they have going for them are dogged determination, assists from the likes of Bob Hope and Barbara Stanwyck, and a killer sense of style. In show business, that just may be enough…
Places to find the book:
Also by this author: Dangerous to Know
Also in this series: Dangerous to Know
Published by Forge
on 7th March, 2017
Format: Trade Paperback
Available Formats: Trade Paperback, Hardcover + EbookRead More
Reading this book contributed to these challenges:
- 2017 Historical Fiction Reading Challenge