The Vineyard by Michael Hurley

Published By: Ragbagger Press
Available Formats: Trade Paperback, E-book

Converse on Twitter via:#TheVineyard

Acquired Book By: I was selected to be a tour stop on the “The Vineyard” virtual book tour through TLC Book Tours. I received a complimentary copy of the book direct from the author Michael Hurley, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Note about the Cover Art Design:

Prior to receiving the novel for review, there was a discussion threaded through TLC Book Tours via Twitter on which cover art design we would vote for in regards to the cover art for this particular novel. I must confess, I didn’t quite understand why the woman underwater would make any sense to be used, as I voted for the cover that placed the image of a woman at the edge of the shore instead. At least, I believe that was the scene I opted to choose, as it was a bit ago since I cast my vote! It wasn’t until I opened up the first chapter of “The Vineyard” that I had realised the basis for the cover image is the fact one of the women in the story is contemplating ending her life; and of all the methods available to her it is drowning in the ocean that appeals to her the most. On this level, the feeling of overwhelming emotion and to be put within the vise of a life-altering choice between life and death; yes, the cover art makes a bit more sense. The title however, I do agree was slightly misleading if you did not realise it was the shortened name for “Martha’s Vineyard” in regards to where the story is set.

The author included a small bookmark with the original cover art on display, which was a green and blue colour theme with leaves of a vine between both colours which take up 50% of the space for the cover itself. Almost as if the leaves were an underlay and overlay at the same time. To me it clued in to a dimensional thread of narrative where what is not readily known or able to be seen becomes a puncture of emotional drama. Or perhaps I prefer ambient gestures in cover art sometimes as opposed to curious images that do not always feel they are a strong fit such as the woman underwater tipping her finger to the surface. It does paint a different image altogether when pondering the story itself.

The Vineyard
by Michael Hurley
Source: Author via TLC Book Tours

Ten years after college, three very different women reunite for a summer on the island of Martha’s Vineyard. As they come to grips with various challenges in their lives, their encounter with a reclusive fisherman threatens to change everything they believe about their world—and each other.

Genres: Literary Fiction

Places to find the book:

Published by Ragbagger Press

on 25th November, 2014

Format: Paperback

Pages: 384

My Review of The Vineyard:

Charlotte Harris a mother on a mission to save her daughter’s soul in death and to quell the anguish of her mother’s heart from the disillusionment her life became in the circumstances which catapulted her from a woman with a zest of life to one who was broken by the absurdity of regulations of the Catholic Church; at least to her mind and reason. Any mother grieving the loss of her deceased child would feel bound by angst out of spiteful rules that felt cruel and indifferent to the choices she had wanted to give her daughter; the baptismal blessing of a daughter whose mother wanted her to align on the side of Heaven was given a hard choice between accepting the limits of her faith and pursuing a route towards self-redemption. Her entire state of mind within the opening chapter hinges between sanity and the furrowing line of insanity — a sanction only Charlotte Harris could make a discernible ascertain as to which line she was living at that particular moment.

Charlotte received an invitation to the Vineyard which would single-handedly allow her to shape where her destiny was attempting to align her stars — Dory, the vagabond free-spirit friend of her youth encouraged her a Summery respite from the city to spend time with her by the ocean and hours filled to the brim with spontaneity. Dory was the type of friend who saw a friend spiraling into a well of depression and before it could be fully rotated into a sea of darkness, attempts to pull you out of your malaise. Dory’s family is old money as they say, a woman of means who lives an ordinary life (by her own justifications) but Charlotte is straight-up middle class with insecurities about her body image as much as the choices she made in life that feel unwarranted of declaring she lived life well.

Charlotte is a strong willed woman whose mission to greet her daughter in the in-between worlds of life and death blurred a bit whilst she attempted the unthinkable. In one figurative moment of where you could not back out of a course you struck out on, an intervention is given on behalf of what could have been Charlotte’s final hour. There is an immediate mystery surrounding how Charlotte is found bobbling offshore in a boat she doesn’t even remember taking out on her own as much as the identity of the person she’s convinced saved her life. Meanwhile, a third woman joins Dory and Charlotte; Turner who appears to be stuck in her own void whilst seizing an opportunity to promote Charlotte’s mysterious resurrection on her blog. The story not only goes viral but becomes the turning point for how their lives are suddenly stop drifting and start taking a trajectory that has merit of being explored.

Terminal illnesses play a central focus on the story – which I was a bit surprised to find but they are included at different integral parts of the novel. In regards to Charlotte’s daughter and in regards to the health of her beloved friend Dory; I generally steer clear of stories involving terminal illnesses due to the heavy weight of the yoke these stories affect on my mind and heart. However, I can say, that despite the heaviness of the subject they are treated with respect and consideration not only for the reader but for the characters who are living through the circumstances as revelations become known to them.

The issues started to arise for me after the mid-way point of the novel, where the entire foundation of where I felt this story was taking me ended up being shattered by a completely different story-line. Prior to my detachment with the novel and stopping to read it forthwith, I was perplexed by how the style and tone of the novel changed so suddenly. I had originally felt this about the writing style of the author:

Hurley has an incredible arc of characterising the level of depth a human can emote through life as much as internalise in an attempt to process what is perceived, felt, and layered into our unconscience. He knits into his story a level of uncanny perceptive intuition, where the details he describes are both perspicacious and viscerally accurate. His narrative prose gives this literary novel an elevation of tone, body, and attachment to the reader’s own ruminations to fall in step with the words he’s left behind for us to read off the printed page.

Yet at the point where I stopped reading his novel, I no longer felt the same. The transition from the first half to the second half of The Vineyard simply did not sit well with me. Especially as it explores the darker side of how vulnerable women can be taken advantage of, but the fact that the assault is attached to the priest was stepping a bit too far outside the lines of where I want to see a story shift forward. Prior to that moment, I appreciated the intuitiveness of his writing, but afterwards, I felt as though I wasted my time reading the built-up of emotional drama.

On the writing style of Michael Hurley:

Although I grew up in an industry akin and adjacent to the life of a medical examiner, the way in which Hurley chooses to describe the desperate act of a mother resolute in her belief that committing suicide is the only way in which to free her child and herself in oblique harmony can only be taken straight from an medical examiner’s journal of cases. Yet even within the framework of how the act could theoretically be carried through, he gives his character a pause to allow reason and the humanistic desire of holding onto life a chance to breathe. He gives Charlotte the window of exploring the depths of her soul and the gutting reality of a mother who has lost her child; allowing her the time to sort through her emotional heart and her soul wrenched memories of gutting grief.

Having the fisherman who gives Charlotte the shrimp in the beginning a scant view of the note Charlotte intended to leave behind for Dory to find was a nice eclipse of tide. It gave Charlotte a crimson flush of embarrassment yes, but it also alerted her mind to realise she was in a deeply wrought depression. A stop-start of realisation of where her act could lead and how it would affect everyone in her wake of sudden death.

Fly in the Ointment:

At first the inclusions of stronger choices of words was intermittent and infrequent, but by the time I reached the middle of the novel, they became a bit more repetitive and inclusive. They are still not the main focal point of the tone or voice of the novel itself, as they are included in moments of high tension and/or emotional disbelief. However, I will always contend I can read a novel without any vulgarity within its pages and still perceive the eclipse of the emotional turbulence all the same.

I do have issues with stories that involve impropriety between spiritual leaders and their flock; as it simply isn’t a story-line I would normally walk into blind. I originally felt this was a story rooted in sisterhood friendships and a life affirmative jaunt of a Summer where they would renew their spirits whilst celebrating their friendship. What I received instead is a darkening cloud of a drama leading me into a story I felt I hadn’t signed up to read. If that one thread of narrative had been removed, it would have told a completely different story. One that I might have wanted to finish reading.

This blog tour stop was courtesy of TLC Book Tours:

{ click-through to follow the blogosphere tour }

See what I am hosting next by stopping by my Bookish Events page!

I created a list on Riffle to share the books that I simply could not become attached to as a reader myself, but stories which would benefit a reader to find them, and appreciate them for what each writer gave to their story. For me, the reason I included The Vineyard is because I did not feel it appropriate to explore the infidelity and impropriety of a priest nor to have such an illicit disconnect from the opening first half of the novel tot he middle portion. Therefore, this is now listed on my Riffle List entitled: Stories Seeking Love from Readers.

{SOURCES: Cover art of “The Vineyard”, author photograph, author biography, book synopsis and the tour badge were all provided by TLC Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2014.

Reading this book contributed to these challenges:

• Go Indie