Genre: Historical Fiction

*Blog Book Tour*: Gracianna by Trini Amador!

Posted Wednesday, 13 November, 2013 by jorielov , , 5 Comments

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Gracianna by Trini Amador - HFVBTGracianna by Trini Amador
Published By: Green Leaf Book Group, 23 July, 2013
Official Author Websites: Amador on Facebook; Amador on Twitter; Gracianna Winery
Available Formats: Hardcover and E-Book
Page Count: 296

Original HFVBT Tour: 15 July – 9 August 2013

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Acquired Book By: I was selected to be a stop on the second blog book tour for “Gracianna” hosted by Historical Fiction Virtual Book Tours. I received a complimentary copy of “Gracianna” in exchange for an honest review by the author Trini Amador. I was thankful to be placed on the tour as I was able to not only able to read the book but interview the author! I did not receive compensation for my opinions or thoughts shared herein.

Author Biography:

Trini Amador AuthorTrini Amador vividly remembers the day he found a loaded German Luger tucked away in a nightstand while wandering through his great-grandmother’s home in Southern California. He was only four years old at the time, but the memory remained and he knew he had to explore the story behind the gun. This experience sparked a journey towards Gracianna, Amador’s debut novel, inspired by true events and weaving reality with imagination. It’s a tale drawing from real-life family experiences.

Mr. Amador is a traveled global marketing “insighter.” He is a sought-after guru teaching multinational brand marketers to understand how customer and consumer segments behave based on their needs, values, motivations, feeling and values. He has trained over five thousand brand marketers on how to grow brands in over 20 countries in the last 15 years. His counseling has been valued at global brands including General Electric, Microsoft, AT&T, Yahoo!, Sun Microsystems, Google, Jack Daniel’s, The J.M. Smucker Co., DuPont, Mattel, and Rodale, Inc..

Amador is also a founding partner with his wife and children of Gracianna Winery, an award-winning winery located in Healdsburg, California. The winery also pays tribute to the Amador Family’s maternal grandmother, Gracianna Lasaga. Her message of being thankful lives on through them. The Gracianna winery strives to keep Gracianna’s gratitude alive through their wine. Learn more at: www.gracianna.com, like Gracianna Winery on Facebook or follow them on Twitter @GraciannaWinery.

Amador resides in Sonoma County with his family.

Synopsis of Gracianna:

Gracianna by Trini AmadorThe gripping story of Gracianna–a French-Basque girl forced to make impossible decisions after being recruited into the French Resistance in Nazi-occupied Paris.

Gracianna is inspired by true events in the life of Trini Amador’s great-grandmother, Gracianna Lasaga. As an adult, Amador was haunted by the vivid memory of finding a loaded German Luger tucked away in a nightstand while wandering his great-grandmother’s home in Southern California. He was only four years old at the time, but the memory remained and he knew he had to explore the story behind the gun.

Decades later, Amador would delve into the remarkable odyssey of his Gracianna’s past, a road that led him to an incredible surprise. In Gracianna, Amador weaves fact and fiction to tell his great-grandmother’s story.

Gracianna bravely sets off to Paris in the early 1940s–on her way to America, she hopes–but is soon swept into the escalation of the war and the Nazi occupation of Paris. After chilling life-and-death struggles, she discovers that her missing sister has surfaced as a laborer in Auschwitz. When she finds an opportunity to fight back against the Nazis to try to free her sister, she takes it–even if it means using lethal force.

As Amador tells the imagined story of how his great-grandmother risked it all, he delivers richly drawn characters and a heart-wrenching page-turner that readers won’t soon forget.

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As the Story Opens:

Amador reflects on his childhood discovery which launched him on a lifelong journey towards unraveling the truth behind his great-grandmother Gracianna. This innocent look into a young boy’ s childhood find of a German gun gives a pointed insight into Gracianna herself who even in this memory had a formidable presence. Upon recollecting her early years, he made a choice to focus not only on her hard work ethic but to give a light on her ability to realise how important knowledge and learning is to a person’s life; through her passion for reading. She was proud of her language (the Basque) due to its uniqueness as compared to the surrounding languages of the Spanish, French, and Portuguese. I noted this as a nodding towards her self-reflection of her self-identity and how interesting it is that she wanted to hold onto a language that might have been passed over for a more commonly spoken one by another.

The pacing of Amador’s narrative reads and asserts itself as a biographical fiction piece which is an ingenious way of writing a non-fiction story (i.e. biography or memoir) with the inclusions of painting in the in-between moments of a person’s lived life with a familiar resonance to where a reader can walk alongside rather than trudge through a straight-up recollection of dates. He walks between his own tellings of her life and borrowing from metaphoric and mythological stories of ancient truths. He chooses to paint his great-grandmother’s life in point-of-face and point-of-fact accuracy of bone-chilling realism that is at times gutting and emotionally convicting. The imagery is not always easy to drink in but neither is the life she lived an easy path to endure.

Her formidable training taking her from girlhood to womanhood (after her mother’s death) was due to the stability and presence of the imposing Anastasia. One begs to wonder if through this relationship, Gracianna formulated her own persona and identity as a reflection of Anastasia. Anastasia was Ann’s mother, making her Gracianna’s maternal grandmother. Proving that she comes from a lineage of strong women who endure as a living testament and legacy to those of whom they lose in death.

My Review of Gracianna:

The story of Gracianna’s life is pivoted against a brief re-telling of her ancestral roots and beginnings of her enriched life as a descendant of the Basque from the Pyrenees. (on the border of France and Spain) As Amador disclosed his great-grandmother’s ability to walk and read in harmony, I was drawn to think back on my own life where I would do the same during my school years as my head was always cast inside of a book whilst walking to and from class. She shifted from childhood into adulthood during harrowing personal tragedies which became an epoch of trauma and loss for her family. At the moment she lost her mother, she had to be reminded about who she was and how strong she was as despite her fortitude she lost her footing at the death of her mother. A fracture of her spirit was repaired by the family members who stood beside her and reminded her of who she was and of where she came. This rooted her ability to carry-on and proceed forward at a time when she didn’t feel motivated to do so.

My mind had trouble staying in tow with the story of Gracianna due to the overwhelming disconnects that ensue as you watch her life unfold. One moment she’s endearing to the point of humbling a graceful measure of humanity in every action she takes and on the next page, it’s as though this Gracianna your heart is rooting for is replaced by a stranger you have not yet met. I reflected that this could be due to the author’s stop-and-go writing process as he wrote Gracianna’s story whilst traveling for his work’s intense schedule. It’s almost as though he resumed the story without realising he had started a piece of it in a different vein of thought. I can sympathise with his situation but as a reader, it’s a bit difficult to work through as your second-guessing who Gracianna really is. His thoughts were being pulled in too many different directions for the story to fuse together properly. As the story proceeds, I began to wonder if Gracianna’s greater legacy would have been better off told through a collection of antidotes and short missives of life lessons rather than through a novel where her essence becomes entangled and muddled.

On wine and story-telling:

Originally I had wanted to select a hearty choice of red wine as my preferences are Cabernet Sauvignon and Merlot, however I surprised myself by settling on Sangria! Sweet. Robust. Flowery. My choice of wine I felt would match well with a story of Gracianna as she originally came from a region of where there was a fusion of wine, story-telling, and living life with passion infused into everyday living. I occasionally admit that rather than pairing a book with a cuppa tea or a steamingly smooth coffee latte, I opt instead for a smooth glass of wine! Whether the atmospheric murmurings of the story about to be read is the inspiration or the pure indulgence of being an adult who can relax into a story with a subtle nod to the novel at large, makes reading a blissful adventure for me! Being that the author owns a vineyard it only felt fitting that I make a selection to pour a bit of decadence into a rose-hued glass goblet and have it accompany me on my journey into his début!

Fly in the Ointment:

Despite the flawless words of the author in recounting Gracianna’s young life, he failed to include the formidable years between eight and seventeen. It’s a shame we were not privy to more details of her young life. This exclusion jutted me out of the context of the story momentarily as it felt as though the story shifted forward without a proper segue to account for the loss of years. Perhaps this was due to a lack of information of the years in question, in which I can fully accept and understand. However, there wasn’t a footnote to guide the reader. There is a passage on page 12 which takes a detour from the Gracianna who is first introduced to us in the opening pages (as much as being included in his interview), where she is now painted as a humbled, caring, and empathic woman. I found this a bit out of step with her character as she was previously introduced as a hardened, slightly embittered, over-bearing grandmother. The juxtaposition feels a bit unrealistic to me either due to two reflections of the same woman or of a grandson unsure of which personality his grandmother was the truer one of the two. The disconnect truly stems from his interview answer in which he describes her as quick-tempered, stubborn, and controlling. If this was a woman whose personality shifted due to her life experiences I would have preferred this to be explained in the text as her life is described for the reader to drink in and accept.

My honest feeling in this last regard is that the story was rushed to print too quickly and needed a bit more time to become polished and absorbed into being. Amador has brilliant moments of flucidity in which he writes with heart and soul. Unfortunately, his pen undermined his passion to bring her story forward in the light I believe he was attempting to place her.

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Inspired to Share: I truly had expected this story to wrap around my heart and not let me go. As you watch this book trailer, the story in the heart of the premise unfolds before you as Amador narrates his grandmother’s story. However, I was unfortunately unable to fully conceive his vision of the story as I couldn’t connect with the context as it was presented in Gracianna.

“Gracianna” by Trini Amador Official Book Trailer

by Greenleaf Book Group on Gracianna Winery Channel

Fun Stuff for Your Blog via pureimaginationblog.com

The “Gracianna” Virtual Book Tour Road Map:

Gracianna by Trini Amador - HFVBTBe sure to catch the first half of this showcase on JLAS:
Jorie interviews Trini Amador!

Fun Stuff for Your Blog via pureimaginationblog.com

Be sure to scope out upcoming tours I will be hosting with:

Historical Fiction Virtual Book Tours - HFVBTon my Bookish Events Featured on JLAS!

{SOURCES: Cover art of “Gracianna” as well as Trini Amador’s photograph and biography, the blog tour badge, and the logo banner for HFVBT were all provided by Historical Fiction Virtual Book Tours and used with permission. The book trailer by Greenleaf Book Group had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2013.

Related Articles:

Virtual Tour: Gracianna – (closedthecover.com)

Gracianna – (doingdeweydecimal.wordpress.com)

Review: Gracianna by Trini Amador – (diaryofaneccentric.wordpress.com)

Gracianna by Trini Amador is the Story of a Women’s Strength During Nazi-Occupied France – (hookofabook.wordpress.com)

Book Review: Gracianna by Trini Amador – (westmetromommy.blogspot.com)

Book Review: Gracianna by Trini Amador – (confessionsavidreader.blogspot.com)

Gracianna by Trini Amador – (flashlightcommentary.blogspot.com)

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Posted Wednesday, 13 November, 2013 by jorielov in 20th Century, Biographical Fiction & Non-Fiction, Blog Tour Host, California, Debut Novel, Fly in the Ointment, France, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Multi-Generational Saga, Sonoma County, The World Wars, Vintages and Vineyards

*Blog Book Tour*: The House Girl by Tara Conklin

Posted Tuesday, 12 November, 2013 by jorielov , , , 5 Comments

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The House Girl by Tara Conklin

The House Girl

Published By: William Morrow,

an imprint of HarperCollins Publishers (12, February 2013 [hardback]

Published By: William Morrow Paperbacks, 5, November 2013 [paperback]

Official Author Websites: Conklin on Facebook; Conklin on Twitter;

Personal Website and Contributor @ Popcorn the Blog.

Available Formats: Paperback, Hardback, and E-Book Page Count: 400

Converse on Twitter: #TheHouseGirl

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Acquired Book By: Book Browse First Impressions Programme: I received a complimentary ARC in exchange for my honest review on Book Browse, from the publisher William Morrow. The House Girl was amongst the offerings for November 2012, as this book was published in February 2013. I did not receive compensation for my opinions or thoughts shared therein or herein. Fun Stuff for Your Blog via pureimaginationblog.com On Being a Part of the Blog Book Tour: Whilst I submitted my application to work with TLC Book Tours, I had mentioned that I have read this particular book as I noted they were going to launch a blog book tour for it in November 2013; to celebrate the paperback release! I thought it would be nice to participate in a blog book tour on behalf of a book that truly not only captivated my imagination but is of a story that I have never fully let go of since I put the book down! I was thankful to be placed on the tour! Therefore, this is my second reading of this story based on the ARC I previously received. I will juxtaposition my original thoughts alongside my new impressions as they are revealed! I did not receive compensation for my participation on this book tour! Fun Stuff for Your Blog via pureimaginationblog.com Inspired to Re-Visit: As a reader there are always those particular books that stand out to us, stories and characters who have a way of transforming our perspective as much as endearing us to a particular time in history that was wholly different from the time we live in ourselves. These are the stories that challenge us to dig into the heart of the narrative to seek out the truth of which the writer is imparting to us. Through their words of choice, as much as the fingering nudges they urge us to open our eyes to, a portion of history that is hard to reconcile even today. They endeavour us to seek humanity and empathy as they seek to obliterate social prejudices whilst revealing a story that is not only multi-layered but dimensionally complex. This is one of those stories that leaves you ruminative as you close the book sleeves and sit pondering the greater message that has been revealed in its ending.

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Listen to an Excerpt:

The House Girl by Tara Conklin

Fun Stuff for Your Blog via pureimaginationblog.comSlipping Back in Time and Forward Again:

Conklin weaves her narrative forward and backwards between Josephine’s world in the mid to late 1800s, and Lina’s in the present day, given us the full force of each woman’s plight as their individual circumstances start to unfold. Josephine is not a free slave when the story begins, as she earnestly wants to run to freedom and enter into a new life she has dared not allow herself to imagine. Her sole friend and confidante was Lottie, a woman of passionate faith mixed with an indomitable spirit despite the hardship of loss she has suffered. The two women forged a friendship which consoled Josephine as the years waxed onward. Their lives were always interrupted by the absence of sold-off slaves, of whom they had grown attached too and suddenly never knew what had become of them next. The worst part of their lives was the broken connections between friends, family, and offspring. No living histories could be formed in other words, which led many to question and wonder what ever became of anyone they had ever known.

Lina on the other hand, is caught between where her life has led her and where her heart is leading her to go next. She is harbouring deep seeded anguish murmuring from her past into her present, as she attempts to break free once and for all. She has closed her heart to seeking out a way to let love back into her life as she has walled herself against being close to anyone who could bring her discomfort or loss. What she wasn’t realising is that a life without love is a sure way to live a half-fulfilled life which would only bring regret in the end. The ability to make two cornerstone eras reminiscent through narrative, dialogue, and elemental knowledge of the eras themselves is a nodding to how Conklin fuses the story within the time setting of The House Girl. She diverts your mind from realising there is a time slip happening as you shift further into the folds of the novel, soaking in the natural world through Josephine’s eyes and taking in the repulsive angst of a reparations case in Lina’s. Whichever setting you find yourself present in per chapter you’re not in your current time and place, but rather are living through the spirit and eyes of Conklin’s lead heroines. As for me, both Josephine and Lina are heroines in their own rights, having transcended everything that was holding them back.

My Review of The House Girl [one year later] for TLC Book Tours:

The story opens inside an ordinary day in Josephine’s, where she has to endure more abuse from her Master. Her eye is always attached to the outside world noticing the most insignificant details. It’s in these details her true freedom begins. She drinks in a piece of joy whilst walking barefoot in the grass, a moment for her that meant more than what could be observed in its simplicity. She was bourne into a world of unjust rules thrust upon her and those like her to live with the heaviest of burdens without the rights afforded to them. To live in a world where you had no say in what became of you is the hardest part of the story to drink in as a reader. Your heart starts to grieve as Josephine and Lottie’s intimate conversations paint the stark realities of their world. Where even the necessity of medical care was not given as an option. Her only resolve was to focus on the task at hand which gave her a purpose for the hour. It wasn’t enough to keep her thoughts away from running, but it helped to keep her focus off her nerves.

As time slips back into the present, Lina comes into view as a lawyer bent under the pressures of being on the fast track to success. A slave in her own right to the work load she is drowning inside. Lina suffers from lack of self-esteem and self-confidence in both her work ethic and her abilities to provide the services her clients are in need of most. She finds that her position at the law firm is all but redundant as the work she puts in is not even close to being necessary. She is finding that her role in life is being a cog in the wheel to where her fated course is up to someone else. She has missed the ability to feel as though she is making a difference rather than only doing what is expected of her. When she is assigned the reparations case to seek a living heir through the descendants of Josephine Bell and to provide proof of provenance for the artwork which was recovered (as there is an issue of who the artist actually was), she finds her true self. She starts to shed  the outer barrier that kept her at a distance from becoming close to others and starts to find her voice through following the path of Josephine; the house girl who dreamt of freedom in the Underground Railroad.

In direct comparison, here is my Original Review for Book Browse First Impressions:

Art Redeems the Soul

Josephine Bell is the catalyst that launches an inquiry into the historical past, to unearth the mystery of what happened to the artist who fashioned the artwork that survived time. Her story is not unlike others in her class and station, in the late 1800’s. A slave bound to her Master’s wife, as a house girl confined to their land and their rules. A life that would have gone unnoticed until an unsuspecting lawyer (Lina) in the 21st century (early 2000’s) is giving the task to unearth data on a case that would give back redemption to those who have all but been erased by modern history. This isn’t just a story that evokes the tragedy of those enslaved in the South, but rather a silver lining of Hope… that their lives took on greater meaning and purpose when their lives started to intersect with others. It’s through this intersection where the ripples of small kindnesses and hours of bravery, began to change the lives of others. I found that inside the secondary characters held within the House Girl, the simplest of truths to step forward. Peace with Self. Strength in Resolve. Determined Self Reliance. And the hope of freedom. Oppression comes in different forms, as even those who live free are not always free to do what their hearts desire.

I believe this would make an excellent addition to an Art History class or a Civil Rights class which focuses on slavery in the South. The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

My cross-comparison of my feelings separated by a year between readings:

Initially when I first read The House Girl, I had a lot of thoughts and feelings running through my head at the time I was reading the narrative, so much in fact, I nearly felt like I should have a blog to write everything down and share with other readers! Fast forward to when I was applying to be a tour hostess for TLC Book Tours, and the opportunity arose to re-read this lovely novel that never quite left my conscience since I originally read it! All those swirling thoughts started to re-surface, but I tried to keep them at bay, in order to best re-visit a book I had previously read! I liked the challenge of this particular book tour, as it would stretch me completely outside my comfort zone as I have never re-read a book for a tour beforehand! I liked the fact that I would have to not only challenge my heart to approach the story with a new pair of eyes but to keep myself focused on the hidden depths of the novel that I might have overlooked or missed during my first reading!

Therefore, I can attest that as I was musing about the message of The House Girl, I found myself a bit at a loss for words to purport it into focus in a clear and even paragraph. This is a novel that is best read by feeling the story by your heart and the evoking emotions that comes out of internalising the story you’ve just read. I was deeply attached to each character at different parts of the story’s thread, as you get to see different pieces of their souls shining through at different intervals. In my mind, there wouldn’t have been much to lament about on Lina’s behalf if Josephine Bell hadn’t been in her life; likewise, I feel as though Josephine Bell’s life was to give a living testament and tribute to her descendants once the provenance of her artwork was discovered. The greater truth I think is the perception we have of blood relations and the essence of who we are on the outside as a mirror image of who we are on the inside.

The House Girl challenges the perception of ancestral lines and blood ties as passed down through the generations from the original start of a hereditary chain. It seeks to point to the truth of who we are as a society and who we endeavour to become. I still stand by what I spoke about a year ago, as there is such a determined spirit to The House Girl, as far as taking bold steps to overcome your circumstances as much as being bold in your faith when you feel all hope has been lost. As you unravel the heart of the story, you start to see the other layers which were intuitively stitched into the tapestry of Josephine and Lina’s entwined story-lines. Even now, a full year later, I find that my final sentence in my original review is the key for me to think back upon this story with fond affection: The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

Empathy wrapped inside Sophisticated Prose:

Tara Conlin photo credit Mary Grace Long
Photo Credit: Mary Grace Long

Ms. Conklin has a wonderful ability for drawing empathy and compassion out of her narrative whilst wrapping her story inside sophisticated prose which speaks to a higher message. Her willingness to delve into the deeper levels of humanity and uncertainty for each of her characters’ lives, gives the reader a first-hand impression of where the story led her to go as she wrote it. I was struck by her honest way of writing the time slip between Josephine and Lina, to where neither century felt forced or conjectured. She uses words to paint the time eclipse of each woman on the cusp of a season of change arriving into their lives when they least expect a change to be possible. Each woman is seeking her own true self and a freedom of their past they were not expecting to receive. It’s in this honesty that Conklin performs the best visually, as she uncovers the nibblings of the human spirit as evoked through the emotional shiftings of her two protagonists. Reading through The House Girl you gather the sense that the story itself had an equally powerful effect on its writer. And, I suppose that begs to ask the question, “Are stories written by their writers solely, or are stories evoked out of a seed of a story that alights in a writer’s mind as needing to be told?”

Inspired to Share: Ms. Conklin talks about her journey towards publishing The House Girl, and how like Lina, she was a lawyer originally but technically still feels in her heart she is still a lawyer. Her novel started as a seed of an idea and developed into a novel. I must have tapped into this rather intuitively as it was true! I found it interesting how the slave doctor catapulted her muse to follow where the story was leading her. As you listen to her experiences as a litigator as it cross-compares to her life as a writer, she has a fascinating beginning to her writing career. Research and writing as a litigator was a natural progression for Conklin to become a novelist. I find this most intriguing, as I hadn’t realised how much research and writing goes into being a litigator! One of the more compelling things she discloses is how she became a wordsmith of the mid-to-late 1800s by keeping a journal of words she had read inside letters of the time. I appreciated her speaking about the aspect of ‘freedom’, as I have oft believed myself that true freedom lies in the simplicity. She loved the short story format but never thought she could create a novel! She happily surprised herself. I highly recommend taking the time to see the interview in full!

Fun Stuff for Your Blog via pureimaginationblog.com

Tara Conklin Interview by the Pacific Northwest Writers Association

on Bill Kenower [Author, Magazine Editor] Channel

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The “The House Girl” Virtual Book Tour Roadmap:

  1. 5 November: Review @ Read Lately
  2. 7 November: Review @ A Bookish Affair
  3. 11 November: @ Books in the Burbs
  4. 12 November: Review @ Jorie Loves a Story
  5. 13 November: @ Peppermint PhD
  6. 14 November: @ Lavish Bookshelf
  7. 18 November: @ Olduvai Reads
  8. 19 November: @ BoundbyWords
  9. 20 November: @ Book-alicious Mama
  10. 26 November: @ A Bookish Way of Life

I hope to be a regular tour hostess with:

TLC Book Toursuntil then, check up my upcoming Bookish Events Featured on JLAS!

[*NOTE: Any and all purchase links that are attached to SoundCloud are not affiliated with Jorie Loves A Story.]
{SOURCES: Cover art of “The House Girl” as well as Tara Conklin’s photograph, and the logo badge for TLC Book Tours were all provided by TLC Book Tours and used with permission. The author interview by PNWA / Author magazine as well as the audio excerpt of “The House Girl” by Tara Conklin via SoundCloud had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it.  Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2013.

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Posted Tuesday, 12 November, 2013 by jorielov in ARC | Galley Copy, Art History, Artist's Proof, Artwork Provenance, Author Interview, Blog Tour Host, Book Browse, Civil Rights, Debut Author, Debut Novel, Equality In Literature, Fathers and Daughters, First Impressions, Historical Fiction, Literary Fiction, Pre-Civil War, Soundcloud, The Deep South, Time Slip, TLC Book Tours, Underground Railroad

*Blog Book Tour*: Unravelled by M.K. Tod

Posted Saturday, 9 November, 2013 by jorielov , , 5 Comments

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Unravlled Virtual Book Tour - France Book Tours

Unravelled by M.K. Tod
Published By: Tod Publishing, 19 September 2013
Official Author Websites: Tod on Facebook; Tod on Twitter; Personal Site & Blog
Available Formats: Softcover and E-Book
Page Count: 440

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Acquired Book By: I was selected to be a stop on the “Unravelled” Virtual Book Tour, hosted by France Book Tours. I received a complimentary copy of “Unravelled”  in exchange for an honest review by the author (M.K. Tod) of whom is also the publisher Tod Publishing. The book released in September 2013. I did not receive compensation for my opinions or thoughts shared herein.

Inspired to Read: I have always been drawn into dramas set during the World War eras, including reading one earlier this year which was a time slip between both World Wars as a woman (Elspeth) embarked on discovering what had happened to the man (David) she met and loved during the war. Having read “Letters from Skye“, I was awakened to the idea of “Unravelled” most readily because at the heart of both premises is the search for truth inside the backdrop of war. War dramas can evoke so much emotion on the pure level of the war itself, but its what happens in the background of war that keeps my interest perked. How the loved ones left behind find resolve to carry-on forward whilst they have someone deployed as much as how those who survive the war itself re-integrate back into civilian life. No two stories are alike, as readily as each character elects to draw into their human condition in different ways.

 

M.K. TodAuthor’s Biography:

I have enjoyed a passion for historical novels that began in my early teenage years immersed in the stories of Rosemary Sutcliff, Jean Plaidy and Georgette Heyer. During my twenties, armed with Mathematics and Computer Science degrees, I embarked on a career in technology and consulting continuing to read historical fiction in the tiny snippets of time available to working women with children to raise.

In 2004, I moved to Hong Kong with my husband and no job. To keep busy I decided to research my grandfather’s part in the Great War. What began as an effort to understand my grandparents’ lives blossomed into a fulltime occupation as a writer. Beyond my debut novel UNRAVELLED, I have written two other novels with WWI settings. I have an active blog—www.awriterofhistory.com —on all aspects of historical fiction including interviews with a variety of authors and others involved in this genre. Additionally, I am a book reviewer for the Historical Novel Society. I live in Toronto and I’m happily married with two adult children.

Book Synopsis:Unravelled by M.K. Tod

Two wars, two affairs, one marriage.

In October 1935, Edward Jamieson’s memories of war and a passionate love affair resurface when an invitation to a WWI memorial ceremony arrives. Though reluctant to visit the scenes of horror he has spent years trying to forget, Edward succumbs to the unlikely possibility of discovering what happened to Helene Noisette, the woman he once pledged to marry. Travelling through the French countryside with his wife Ann, Edward sees nothing but reminders of war. After a chance encounter with Helene at the dedication ceremony, Edward’s past puts his present life in jeopardy.

When WWII erupts a few years later, Edward is quickly caught up in the world of training espionage agents, while Ann counsels grieving women and copes with the daily threats facing those she loves. And once again, secrets and war threaten the bonds of marriage.

With events unfolding in Canada, France and England, UNRAVELLED is a compelling novel of love, duty and sacrifice set amongst the turmoil of two world wars.

Unravel & Disseminate the Past:

It’s hard to step back into the past when you’ve lived through a brutal war, of which your memories plague you with the harshness of service. When your past cross-sects your present and propels you backwards towards that time, due to a recognition (in this case) or a footnote in lecture series of that particular war, your entire being fights against the ability to calmly acknowledge the gratitude. As a survivor of such brutality, the living mind will not entreat from memories but rather allow them to consume every inch of a person’s waking world. Edward has to weigh the past horrors with his present invitation to go back to France, whilst choosing whether or not to disclose the details he’s kept from his wife Ann. How then do you decide what to share and what to keep hidden from view?

Prior to taking his trip to France, he decided to recover letters he had hidden in a metal tin he had kept in his parents house. Letters which were not exchanged with his wife, but rather a woman named Helene. Memories of his first love flickered back to him with a warming glow of affection. He ruminated about his last search for her whereabouts and of what could have separated them. Even in the present day, his heart could not accept the fact he never found out what had become of Helene. The more you dig into your past, the more you have to decide what to allow back into the threshold of your thoughts, because if you’re not careful, the past can overcome you to a sickening degree. Whilst in France, standing at the memorial Edward’s burden is compounded by being in the presence of where the lives were lost that had become the baggage of grief of which he had never shed. He arrives at a point where he has to decide about how to resolve the past as bits of his wartime life starts to emerge back into his present world. It’s a question that deserves merit to weigh, because when there are disconnections in our lives we lose the ability to grasp the larger scope of our actions. We tend to act on feeling and instinct rather than reason. Edward has placed himself at a junction point where the further he attempts to unravel the events of his life, the further away from where he has been led lengthens.

In his vein attempt to keep his past personal and away from Ann, he starts to distance himself from his wife who is tired of his retreating into himself without sharing what is on his mind, heart, and soul. He doesn’t realise that his solitude is creating a divide in his marriage. I would hope that in the end, he would realise that it is far better to share the whole truth, than to carry-on with the lie. As this is one of the pitfalls of attempting to make reparations of the past. His further anguish as he stands on the precipice of the past merged with the present as events are propelled forward for him in France, he must make choices he never felt he would have to face. Therein lies another danger of tempting fate beyond what your willing to sacrifice.

Fun Stuff for Your Blog via pureimaginationblog.com My Review of Unravelled:

In the opening bits of the story, Edward starts to experience flashbacks to his time at war, re-living the most brutal of situations which were spun into focus after receiving an invitation to attend the unveiling of a war memorial. Tod is unflinching in her descriptions of war giving the reader a close and personal view of what he had experienced. In the quaking reality of his visual memory, Edward starts to wonder if he can handle the reality of home and what being back home truly means to the outside world. His job as a signaler meant he had to keep a continuance viable for communication between troop locations and the front. As he started to impart his experiences on the battlefield, Tod paints the grisly truth in gruesome detail. It is not for the sensitive heart as she shares these moments. Edward’s wife Ann heard for the first time her husband’s horrors of war, finding the strength to listen and console. I believe this is a breath of humanity her husband was not expecting to find in her, as his own guilt of war nearly eclipses out all hope of compassion. Uniquely after the war, Edward remained in telecommunications in which he was still working as a man in civilian life in charge of similar duties he had during wartime.

One of the more interesting perspectives that Tod gives in her story, is the amount of Canadians who were traveling to France at the same time as Edward and Ann. She grounds the story rather humbling by showing that Edward is not the only war survivor who is coming to terms with his past, as otherwise there would not have been 6,000 going overseas to pay homage. Whilst in France, Edward is finding that there is a thin line between truth, memory, honesty, and protecting his wife from what he is not sure she would be able to handle to hear. I appreciated the sincerity of Tod’s writing, proving that being human and being in love, make certain circumstances a bit more complex than we can willingly handle to bear. Tod gives a pristine hinting of the (real) Canadian National Vimy Memorial which bespeaks of the real-life grief and harrowing escapes of soldiers who never felt they deserved to live. The alacrity of the moment encased in this scene brings to light that for each soldier lost in battle, there is another soldier leading a half-life, lost in time due to the guilt they carried back from the field.

Memories are like doors with a key to unlock each hidden image struck from view, which can take you into ethereal thoughts of which should remain inactive. Human nature turns the keys into a slippery slope if acted upon as proven in Unravelled by the actions Edward chooses to take once he reunites with Helene. Time yields to desire but by succumbing to our innermost desires we chart a course where our fate is determined by our actions. Whilst Edward was struggling to untangle his own demons (as his memories took on a different context), Ann was struggling with her own as she could not understand why Edward was seething with angst when he sent her away to London when he stayed behind in France. The developing story of Unravelled is pitting two souls against each other when they should be standing united at the moment they decide to intersect with past regrets and anguish. In this way, Tod carves open a timeless conundrum of knowing when to let the past remain where it belongs.

A slow rumbling discontentment started to shatter the everyday solace of marital bliss that Ann and Edward had experienced prior to the trip to France. One must wonder why anyone would throw away a marriage based solely on an errant day of remembrance. Ann found her voice and articulated herself whenever Edward tried to press her about why their marriage was starting to crumble, struck by the unfamiliar territory of realising that there could be repercussions for his transgressions. A fact he hadn’t bothered to consider before digging himself into such a giant hole. Ann’s strength shines through honestly and openly, as Tod engages the reader as a fly on the wall inside their once happy home. On the brink of the Second World War, their unresolved issues will become circumspect. The emotional throbbing angst of Ann is one of the more genuine approaches I have seen in fiction.

As World War II starts to erupt into their lives, so too, do new roles assert a new distance between them. As Edward is staying away longer under the presumption of war affairs, his absences start to nettle the old worries of Ann’s heart. Meanwhile, Ann has taken on a new role herself as a Signals Welfare coping counselor. At a time where they were able to patch up the past and start to shift their lives forward, I found it striking that fate would deal them another hard hand to muddle through. Tod did not waver in her ability to give a real-life honesty to the setting, as she deftly presented stateside wartime life, re-pleat with the rationing, rubber and metal drives, as well as the inclusion of the Victory gardens; the latter of which continues to inspire my own family towards self-sufficiency. The inclusion of Ann being a wartime knitter spoke to my own heart as I am a charity knitter alongside my Mum. Through watching a classic movie on TCM, I saw firsthand the sock knitting that is mentioned in the novel. It is a charity; I am not sure why knitting groups have not reinstated. Whilst Ann is caught up in her new duties, Edward is approached to have a more active role in World War II.

The impetus of the story is revealed inside the choice of cover art, as the entire crust of marital issues arises out of a forgotten tin full of letters. The memories of what the letters contain within them sets Edward and Ann on a course spinning into their future selves at a maddening pace of hurt, regret, and the illicitness of time spent away from the one you honoured by vow. If the lessons of what transpired in the past are not fully learnt and forgiven, history can repeat itself, but to which degree and to which level of sacrifice is left to be determined by the reader who walks alongside Edward and Ann as the Second World War rages onward. In the end, your left wondering if the lesson of the letters in the tin had any merit of being drawn back into the present? If the tin hadn’t been recovered would the actions have been different on behalf of Edward and Ann? This is a story that provokes the reader to render questions inside their heart long after the book is placed back on their bookshelf, as the contemplations overtook one’s thoughts as readily as Autumn springs up after Summer. Unravelled for me is a relationship-romance wrapped up in the shirt tails of a war drama, in which, you viscerally live through one married couples life.

A Love Stronger than Time:

Unravelled presents an unparalleled love triangle which fuses Ann to Edward as much as Helene to Edward. Two great loves of his life intersecting at a chance reunion in France during a war memorial dedication for World War I, jettison him into an internal turmoil of knowing which is his true heart’s desire to pursue. Each of the three are struggling with their own memories, doubts, fears, and demons of anguish and yet, at the center of the triangle remains Edward. Stalwart and stubborn in belief that he were able to reclaim his first love, it would trump his second. However, Helene is a stronger than he is which makes his journey more difficult because he has to accept reality as it has stood. Tod has an unwavering precision of giving you the raw emotional scenes that develop out of such a triangle as much as the psychological affects of how it manifests its presence in a marriage. Love can transcend time, but if time has shifted forward where lives have moved past where love was first committed to two souls, I would have to believe that the better choice would be to honour the life that was lived in the absence of such a love as great as Helene and Edward. The complexity of the story, is that Tod is presenting you with characters who might contradict your own personal beliefs as you walk alongside Ann, Helene, and Edward wondering how each of their lives will pan out or wander apart. The stitchings of their love are frazzled and frayed by time itself, and yet, as wholly true as though they were only separated by mere hours rather than years. I am not sure if any of us can determine how we would react if the circumstances were thrust upon us nor how far we could go to effectively right a wrong we feel was unjust.

On the other hand, I was struck with the powerful dilemma of Ann, who was the wife who was thought to find forgiveness for her husband’s transgressions without knowledge of how deep they ran. Her faith and her resolve to carry forward is a testament to women of her time who met every challenge presented to them with grit and determination, even if they didn’t feel empowered to do so. She is the wife left stateside who held true to the love of her husband who embarked into war and returned a hollow fragment of the man who had left. The courage it would take to grasp all the changes her world was evolving into is not even measurable. I think all of us would be blessed to have such a formidable Aunt in our lives, such as Aunt Bea to turn too when our internal world collapses. Tod wrote her character in an atypical method for the era of the story, giving her a realism that most authors shy away from.

Gratitude for Giving Light to an Unknown Piece of History:

One reason I appreciate reading historical fiction as much as I do, is that it brings to light the lesser known stories that would remain obscured from our eyes, if it were not for dedicated well-researched writers, such as M.K. Tod who breathe new life into the stories that deserve to be told. I am finding myself attracted to these stories as they are the missing fragments of the larger stories already known to all of us. These new stories shed light on certain aspects of the whole that have been left out of focus, giving us a resounding fuller picture than we had originally. War, in of itself, is a brutally difficult period of time for any man or woman called to service. They dedicated unselfishly their time, their talent, their resolve, and their lives to keep all of us safe for another day. They deserve our utmost respect and honour for their sacrifices during deployment. Erecting memorials is one way of sharing our esteemed gratitude, yet on another level, if we can remember to thank a serviceman or woman in person, at whichever moment their path crosses ours, we have the ability to share our gratitude randomly. The biggest thing to remember is simply not to forget what they gave and what we have gained due to these sacrifices that cannot be fully understood.

Fly in the Ointment:

Although I realise the stark realities of war are beyond what my imagination will allow me to endeavour to envision, I know they are from the very depths of Hell itself. However, as mentioned previously in other reviews, I do have a keenly sensitive heart and when visceral imagery turns into the grisly and macabre, I must admit that I feel my stomach turn a bit queasy around the edges.  I will admit that I might be overly sensitive at the time of reading this novel, but that doesn’t take away from the fact that the level of violent images disturbed me to where I glossed over certain passages to overt my eyes entirely! Therefore, as a forewarning to a reader I must let you know that if you’d rather read a novel that doesn’t describe the verity of degree as this one you have my notation to guide you on your choice!

As much as I must make a notation about the curiously strong expressions whilst the soldiers are deployed in which the language takes on a certain ‘character’ of its own! And, it’s not always arriving in your ears when you think it might either! I was a bit surprised at the frequency on one level of regard, as at one point my ears cringed red! In cases as these where vulgarity becomes the choice expression, I ask myself if its given for literary merit or shock value to the reader. In my own opinion, I do not believe the disbursements of these words adds value to the story but rather etches a bit of its heart away instead.

Fun Stuff for Your Blog via pureimaginationblog.com

The “Unravelled” Virtual Book Tour Roadmap:

Unravlled Virtual Book Tour - France Book Tours

Be sure to catch the first half of this showcase on JLAS:
M.K. Tod’s Guest Post:
“Becoming a Historical Fiction Writer”

Fun Stuff for Your Blog via pureimaginationblog.com

Be sure to scope out upcoming tours I will be hosting with:

France Book Tours

by visiting:

Bookish Events badge created by Jorie in Canva

{SOURCES: Cover art of “Unravelled” as well as M.K. Tod’s photograph and biography, the blog tour badge, and the logo banner for France Book Tours were all provided by France Book Tours and used with permission. Post dividers were provided by Shabby Blogs, who give bloggers free resources to add personality to their blogs. Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Bookish events badge created by Jorie in Canva.}

Copyright © Jorie Loves A Story, 2013.

Related Articles:

Canadian National Vimy Memorial – (en.wikipedia.org)

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Posted Saturday, 9 November, 2013 by jorielov in Adulterous Affair, Blog Tour Host, Canada, Debut Novel, England, Espionage, Fly in the Ointment, France, France Book Tours, Historical Fiction, Indie Author, The World Wars, Time Slip, War-time Romance

*Blog Book Tour*: Illuminations by Mary Sharratt

Posted Friday, 1 November, 2013 by jorielov , , 1 Comment

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Illuminations: {A novel of Hildegard von Bingen} by Mary Sharratt

Iluminations by Mary Sharratt Book Tour HFVBT
Published ByHoughton Mifflin Harcourt, 9 October, 2012
Published By: Mariner Books, 15 October, 2013 [paperback edition]
Official Author Websites: Sharratt on Facebook; Sharratt on Twitter;
Personal Website and Blog.
Available Formats: Paperback, Hardback, and E-Book
Page Count: 288

Acquired Book By: Winning a contest adverted through “Shelf Awareness for Readers” bi-weekly newsletter, October 2012. I received the hardcover book direct from the publisher Houghton Mifflin Harcourt without obligation to post a review. When I started to work with Historical Fiction Virtual Book Tours, I made a request to join this book tour, as due to different reasons I have not yet had the pleasure of reading this book! I thought it would be lovely to participate in a blog book tour on behalf of a book I was rather intrigued to start reading! I was thankful to be selected to participate on the tour! I did not receive compensation for my opinions or thoughts herein.

Original Interest to Read: I originally had discovered the author and the book on Book Browse prior to seeing the contest on Shelf Awareness. I was swept away by the research, the passion, and the dedication Sharratt enfused into the book “Illuminations” as it was not only a historical biography of a woman very few of us would have uncovered without her efforts, but it felt like a living testament of how the strength of a woman can make a marked change on the world around her. I have always celebrated the lives of women who stand up for social injustice as well as indoctrinated wrongs that others’ might be too passive to attack themselves. As women, we’re given a beautiful gift of being able to use our enlightened minds for the power of positive change, and I felt as I read the synopsis and words on this book, that that is exactly the type of story that would envelope me if I read Hildegard’s story.

Design HMary SharrattAuthor Biography:

The author of four critically acclaimed historical novels, Mary Sharratt is an American who lives in the Pendle region of Lancashire, England, the setting for her acclaimed Daughters of the Witching Hill, which recasts the Pendle Witches of 1612 in their historical context as cunning folk and healers. She also lived for twelve years in Germany, which, along with her interest in sacred music and herbal medicine, inspired her to write Illuminations: A Novel of Hildegard von Bingen. Illuminations won the Nautilus Gold Award for Better Books for a Better World and was selected as a Kirkus Book of the Year.

Book Synopsis:

Skillfully weaving historical fact with psychological insight and vivid imagination, Illuminations brings to life one of the Illuminations by Mary Sharrattmost extraordinary women of the Middle Ages: Hildegard von Bingen, Benedictine abbess, visionary, and polymath.

Offered to the Church at the age of eight, Hildegard was expected to live in silent submission as the handmaiden of a renowned, disturbed young nun, Jutta von Sponheim. But Hildegard rejected Jutta’s masochistic piety, rejoicing in her own secret visions of the divine. When Jutta died, Hildegard broke out of her prison, answering the heavenly call to speak and write about her visions and to liberate her sisters. Riveting and utterly unforgettable, Illuminations is a deeply moving portrayal of a woman willing to risk everything for what she believed.

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Out of Darkness and Anguish,…

The opening bits of Illuminations, is guttingly honest and real, as Hildegard is in her elder years of seventy on the brink of eighty, whilst on the precipice of a vengeful storm requiring sufferance! Her longanimity of the impeding darkness that is about to swirl around herself and the daughters’ in her charge is of impeccable clarity! How she endeavoured to have the forethought to circumvent the discretion of a buried soul with the full knowledge of how severely the act would affect her, is beyond comprehension; except to say, her raw courage was fully illumine from a source greater than the wrath of man! The quotation that Sharratt used as preface to Chapter One, taken from Hildegard’s own writings on how she foresaw the Feminine Divine is stirringly moving to the point of feeling an inward sense of calm. Which you reflect upon whilst reading where we enter her life at such an arduous time that bespeaks a greater evocable merit of trust. I had a forbearance of knowing, that her humble protection of humanity will become the forefront of her life.

Her solitude of being cast into a brick tiered wall of the Anchorite chamber made me lament about how at such a young age of eight she was sent into darkness to seek out the light. Her anguish for losing her innocence and childhood vexed her as she grew accustomed to being shrouded in a tomb. Her only outside contact was through a grate and a window on high that allowed in bits of the outside world through its portal. I wondered how she fought her discourse to crave into an inward spiral and instead, constantly found the ability to dig deeper and seek out the light. I think if she had not been blessed with the orbs (visions), she might have lost herself in that dark space whilst she spent her young years on a sojourn for learning and knowledge. Her life lessons came to her abruptly at an age where most of us are still exploring our environments, testing the wills of independence, and finding our voice, confidence, and the path of interest we wish to walk as we age.

To illumine the mind and strengthen the spirit,…

I have always known of the interconnectedness of humanity, the natural world, and the realm behind the veil of this world which is the gateway to spirit world. Each of us is connected to each other and to what is not yet understood though believed to be in existence on faith alone. What I appreciated about reading Hilegard’s story is that she is touching on the elemental truths that each spiritual person comes to realise and accept: the circle of life and of time, the abundance of the interlocking connections, and how we are only in the infancy of our understandings of the greater whole that we strive to obtain whilst we walk Earth.

By examining her life through this biographic exposition, we are striving to become closer to understanding what she came to understand herself. Each of us are given gifts in life to share and pass down, small legacies of goodwill, hope, peace, love, charity, and grace. We tap into where our lifepath is leading us whilst we are openly receptive to where we are being guided to go next. Hilegard was unique in this, as she viewed herself as a flawed human who made more mistakes than deemed repentable, and yet, she could not help acknowledge that she had become a vessel of truth, as chosen as her destiny to give others’ insight that they were not privy too. She reminds me of women I have heard about prior to her, who never felt they were good enough to be placed in a position of importance. How humbling it is then, to realise that these are the women and spiritual beings who are called upon to do the most good during their lifetime!? To ingenuate a plausibility of which most of us might forego or bypass whilst caught up in the clatterment of living our lives!?

A wordsmith of Divine Grace:

The words in which consume Illuminations, are set on a higher keeling of intellect, that draw the reader forward and back into a time whereupon the essence of explaining the Divine in singular breaths of words was not as readily forthright to convey, as it was a time in need of edifying the truth by which was shown to the limited few who could hear the Voice. Sharratt has undertaken a gift for channeling the words of which Hildegard herself might have used to express not only the experiences of her life, but of the time in which she lived. The story begins in 1177, set on the cusp between the 12th and 13th centuries, in a time of harrowing and clandestine turmoil. And, yet Sharratt has a way of speaking through the essence of Hildegard as though we can be transported back into her timescape, wholly aware of her surroundings, and seeing everything unfold as it once did for her. Including glimmerments of her internal thoughts and emotional angst. There are poetic ruminations throughout the text that draw you into the story and let’s your imagination not skip forward off the page your eyes are consuming.

Hilegard’s humbleness is infused with her fortitude, for not only being a woman in high regard in her abbey but to have reached an apex of celebrity amongst her peers in the Church and Orders, due to her gift for visionary prophecies. Her elucidate nature of being a woman who thinks before she speaks, and one who doesn’t falter in will when she is taken unawares proves that she internally had strengthened herself long ago in her younger years to be anchored to her faith.

Review of Illuminations:

Hilegard von Bingen was a Renaissance Woman ahead of her time, given the hour of her birth and the compass point of her life. Alongside da Vinci, she embarked on not only ascertaining a living truth of Latin and Religion, but of each interconnected subject and topic that would cross sect with an interest that was at the tip of importance for knowledge of what would become imparted to her through visionary grace. She was a formidable woman whose humble nature did not wish to extract her weaknesses, but rather shed light on them for what they were and to utilize her strengths when necessity demanded them.

As a young child growing up surrounded by the Crusades, she was given her first taste of the visions that would later set the course of her life. I was touched by how genuinely innocent they were and how frequent they would visit her, hoping to find a way for her to yield to her gift. I’d imagine that most youngsters at the age of five might rather attempt to ‘fit in’ than to be cast out as an enigma! For this, I musefully could understand her reasoning! How she drew upon a strength of resolve to survive her cast into an Anchorite Order at the age of eight, I do not readily know! Yet, she embodied a pure caste of curiosity, which strove for her to further her knowledge, and learn as much as her mind could encompass. In that regard, I believe her will to learn became her first saving grace whilst she was entombed as an Anchorite.

I was not quite prepared for how long her term as an Anchorite would last, as she was well into her mid-thirties when I realised just how long she had been in captivity! She even sacrificed her own freedom to save two young girls whose plight in life would have been doubly worse than had they joined her. My heart ached for all three of them, and for the fourth, Jutta who long ago had given up on living, wretched by a transgression made against her and blackened against all light and love. They had few moments of joy, but for the most part, their lives were endured by an endless see of ritual, rite, and prayer.

Hilegard’s inner resolve to find peace with her faith and with her lot in life is a testament to how we each struggle to make sense of the circumstances that arise that lay obstacles in our path. Each of us is walking our own path towards understanding, for where we are meant to live as much as how we are meant to live. Her solitude from the outside world provided her with wisdom that even she, I dare not think, could fully grasp or understand. She was given visions of knowledge that fall outside the realm of what we would regularly be led to see. Her maternal nature I think, is one of her greatest gifts, as she unearthed of all the attributes that we are bestowed it’s our ability to love and give love that counts the most on high.

In the midst of lost hope, she found liberty and justice. Her heart swelled for the freedom which she was finally granted to live as a proper nun, rather than an entombed Anchorite. I could relate to her attachment to the natural world and the calm balm of insight and mirth that walking in nature can give you. She found God’s light and joy nestled amongst the woods, herbs, and flowers. As much as basking in the glow of the warming sun. How I have oft found myself swept into warm embrace that walking in nature can afford! If we look keenly, we shall see His light wherever we turn.

Illluminations is an apt title to give this story, because it is also its central theme. The luminescent purity of God’s spoken word igniting itself into her mind, heart, and soul. And, yet, Illuminations also spoke to me of the whispers of truth and guidance that sometimes we try to sweep away, not willing to accept them for what they are and for the reason by which they were given to us. I think the best gift of her life is to remain true to ourselves, but yield to the will of God even if the path He is placing in front of us has its share of tribulations, it’s the bits we cannot yet see that come through on the other side of our discomfort that lead to our restitution.

A note of gratitude:

I am always fervently thankful for authors who conduct intensive research to breathe life into their stories with such an exquisite hand of probable narrative, that when you go to read a biographical fiction accountment of a life once lived, that there are enough pieces and fragments of the person etched into the text your reading. I am thankful to say, it would appear that Sharratt is one such writer who is happily consumed and entrenched in the work that goes into fortifying the story with historical remnants and facts. I haven’t read other biographies of Hilegard von Bingen, as this is the first book that tipped my hat of interest towards learning more about her, but the voice of Hilegard inside Illuminations is one that begs you to give her a chance to say her peace. She’s an unassuming woman whose faith tested her in ways that not all of us could have endured. She appears to have longed for a bit of normalcy even within the confines of her vows, which thankfully, if history and fact are correct in this account, she at least found a bit of that when the bricks of her hidden prison were taken down.

Sharratt gives you a lot to chew on whilst your reading, from the way in which she paints the visions to life, to the contemplations of the human spirit, the Divine Grace, and the elements of faith and spirituality itself. She gives you a hearty tome of reflection and presents a woman who lived in touch with the Feminine Divine. I marked this as “Inspirational Fiction” as I think it befits that declaration as much as “Historical Fiction” and “Biographical Fiction”, as religion and spirituality are at the core and heart of this story, yet the time in which she lived is so far removed from modern eras it’s historically inclined to be reflective of how we perceive the 12th Century through the modern lens we approach it by.

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“Illuminations” Book Trailer by Houghton Mifflin Harcourt

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Converse About “Illuminations”
via the Discussion Guide:

[ IF you have read the book, I encourage you to open a conversation
in the comments section below!]

Illuminations: A Novel of Hildegard von Bingen by Mary Sharratt — Discussion Questions

by Houghton Miffton Harcourt

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The “Iluminations” Virtual Book Tour Roadmap:
  1. 14 October: Review @ The Maiden’s Court
  2. 15 October: Review (from 2012) Interview @ Unabridged Chick
  3. 16 October: Review @ Bitches with Books
  4. 17 October: Review @ Flashlight Commentary
  5. 17 October: Review @ A Bookish Libraria
  6. 18 October: Interview @ Flashlight Commentary
  7. 21 October: Review @ Book of Secrets
  8. 22 October: Review @ The Most Happy Reader
  9. 22 October: Review @ Book Lovers Paradise
  10. 23 October: Review @ Books, Belles, and Beaux
  11. 23 October: Review @ Confessions of an Avid Reader
  12. 24 October: Review @ Just One More Chapter
  13. 24 October: Guest Post @ Books, Belles, and Beaux
  14. 25 October: Interview @ Just One More Chapter
  15. 28 October: Review @ Bloggin’ bout Books
  16. 29 October: Review @ Griperangs Bookmarks
  17. 29 October: Guest Post @ HF Book Muse – News
  18. 30 October: Review @ Ageless Pages Reviews
  19. All Saint’s Day: Review @ Jorie Loves A Story
  20. All Saint’s Day: Review @ Broken Teepee
  21. 4 November: Review @ Sharon’s Garden of Book Reviews
  22. 5 November: Review @ The True Book Addict
  23. 5 November: Interview @ Erika Mailman Blog
  24. 6 November: Review @ CelticLady’s Reviews
  25. 6 November: Guest Post @ The True Book Addict
  26. 7 November: Review @ Oh, For the Hook of a Book!
  27. 8 November: Review @ History and Women
  28. 8 November: Interview @ Oh, For the Hook of a Book!
  29. 11 November: Review @ A Bookish Affair
  30. 11 November: Review @ Closed the Cover
  31. 12 November: Review @ vvb32reads
  32. 12 November: Guest Post @ A Bookish Affair
  33. 13 November: Review @ The Musings of ALMYBNENR
  34. 14 November: Review @ So Many Books, So Little Time
  35. 14 November: Feature @ Book-alicious Mama
  36. 15 November: Review @ Books in the Burbs
  37. 16 November: Book Spotlight @ Passages to the Past
IF you want to follow the conversation by Twitter, please tune into: #IlluminationsTour There is also a Twitter share button below this post for your convenience as well.

Be sure to scope out upcoming tours I will be hosting with:

Historical Fiction Virtual Book Tours - HFVBTon my Bookish Events Featured on JLAS

{SOURCES: Cover art of “Illuminations” as well as Mary Sharratt’s photograph and biography, the blog tour badge, and the logo banner for HFVBT were all provided by Historical Fiction Virtual Book Tours and used with permission. The book trailer by Houghton Mifflin Harcourt as well as the discussion guide via Scribd had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Post dividers were provided by Shabby Blogs, who give bloggers free resources to add personality to their blogs. Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. }

Copyright © Jorie Loves A Story, 2013.

Related Articles:

Hildegard of Bingen – (en.wikipedia.org)

Polymath – (en.wikipedia.org)

Doctor of the Church – (en.wikipedia.org)

Primary Source Breaththrough! – Hilegard’s Letter to the Prelates of Mainz (symphonialisestanima.wordpress.com)

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Posted Friday, 1 November, 2013 by jorielov in 12th Century, Benedictine Abbess, Biographical Fiction & Non-Fiction, Blog Tour Host, Book Browse, Christian Mystic, Composer, Early Middle Ages [the Dark Ages] (1001-1300), High Middle Ages (1000-1299), Historical Fiction Virtual Book Tours, Inspirational Fiction & Non-Fiction, Nun, Philosopher, Polymath, Scribd, Shelf Awareness, Writer

*Review* The Study of Murder by Susan McDuffie

Posted Sunday, 27 October, 2013 by jorielov , , , 7 Comments

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The Study of Murder by Susan McDuffie
[Book Three in the Muirteach MacPhee mystery series]

The Study of Murder by Susan McDuffie

[Book One: A Mass for the Dead]
[Book Two: The Fairie Hills]

Published By: Five Star Publishing, an imprint of Gale Group, September 2013
Page Count: 264
Available Formats: Softcover and E-Book

Blog Book Tour with Historical Fiction Virtual Book Tours
was scheduled 16th of September – 25th of September 2013

Acquired Book By: Whilst following the said book tour for The Study of Murder, I had the honour of interacting with Ms. McDuffie on Unabridged Chick’s blog. That conversation moved off-blog, as I had a bit more to say about how lovely it was to find an author who was as dedicated to research as she happens to be! The author contacted me and asked if I would be interested in reviewing her book. I received a complimentary copy of The Study of Murder direct from the author herself [Susan McDuffie] in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

What implored me to read The Study of Murder: I was originally intrigued with the title itself, as I was looking over the upcoming book tours on the HFVBT website, and I thought to myself, “This one sounds interesting!”. Yet, I wasn’t sure if it fell under ‘cosy’ or ‘hard-boiled’ which is why I hesitated to find a copy through my local library! Laughs. Mostly as I tend to read more mysteries on the cosy side of the ledger, being that I have a sensitive heart! When the review posted on Unabridged Chick I started to see the story as a whole, and realised that I not only could read the book, but that I might find myself curiously entranced by the setting by which the story takes place!! There was a direct line of interest for me, as I have become an appreciator of the “Inspector Morse” and “Inspector Lewis” mysteries from the BBC! I borrowed the first two seasons of Morse, before realising that the harder hitting story-lines were a bit too unsettling for me at the time I was watching them! (Spring 2012) Which is why I decided to seek out Lewis instead, as I had a feeling his spin-off series might be a bit lighter or at the very least, easier to watch! I was quite chuffed to find that I was right! 

I had mentioned my knowledge of Morse and Lewis whilst interacting on Unabridged Chick‘s blog as I had a bit of a footing of the historical aspects of Oxford, simply based on the observations I had made whilst watching the series! There is such a large presence of historical artifacts as far as structures and buildings are concerned, that you can get a good sense of the depth of history and of time, that Oxford can afford! I was also encouraged by this review to read The Study of Murder because it’s not quite as hard-boiled as I had feared!

All of this combined with the fact the central character is of Scottish decent implored me to find out more about this lovely three book series and the author who penned it! The way in which I concluded my thoughts on Unabridged Chick‘s blog were as follows:

Prior to seeing the series, I always mistook Oxford for a quaint University towne, where scholarly pursuits were the center-focus! However, it’s also a hub for the arts, theatre, and has a youthful vibe set against the backdrop of a rather ancient site of University grounds! There is history leaping out off the screen, and inside the suspense of the story-lines, I always get a proper sense that ‘there is something more’ ‘something left unsaid’ that is just awaiting my discovery! I love old architecture and places like Oxford, who have an enriched history that is still viable and visible!

Combined with all of this I said tonight + the other day, you can see why I was properly fascinated by “The Study of Murder”!!! I completely concur with you, the characters that stay a bit in your mind’s eye and heart, are the ones who have broached into that special remembrance place all readers aspire to keep their most beloved reads!

Susan McDuffie

Author Biography:

Susan McDuffie has been a devotee of historical fiction since her childhood, when she believed she had been born in the wrong century.  She now writes historical mysteries set in medieval Scotland.  The Muirteach MacPhee Mysteries include A MASS FOR THE DEAD (2006), THE FAERIE HILLS (2011–  Winner of NM Book Award “Best Historical Novel” 2011) and THE STUDY OF MURDER (September 2013). Additional information can be found at www.SusanMcDuffie.net  or facebook.com/SusanMcDuffieAuthor.

Setting into a Muirteach MacPhee mystery:

One of the gifts of having an author whose passion for research is clearly evident from the first moment you pick up their novel to the very last page your fingers touch as you watch the story resolve at its conclusion, is that your mind never falters out of the timescape by which the story is set! You’re instantly intrigued by the uniqueness of the era by which the story is unfolding inside, due to the distance between the 1300’s and the 2000’s! It’s not as though we have a semblance of a working knowledge of what life led ‘then’ would involve as compared to how we might be acquainted through living (family) histories with the 1800’s and 1900’s!

The author provides a brilliant resources page to help readers sort through the Gaelic pronunciations! Although, I have learnt how to properly say “Muirteach”, I must confess, part of what I love about reading is how I attach certain ‘endearing names’ to the characters that I discover whilst I walk through stories!

Your introduction to Oxford comes through a travelogue of notations as a young son of the Lord of the Isles is sent to Oxford to study, and I would presume, to gain a breath of the world to enlighten his path towards maturity! You’re with the MacPhee’s as they first enter Oxford, and whilst they start to settle into village life. Including becoming regulars at the alehouse, booksellers, market, and other little odd nooks around the village that bespoke to life during that time! I was mirroring my dismay with Mariota (Muirteach’s wife) at how close-minded and cold-hearted the institutions of school were towards women. Although, I have oft known of this particular issue in the folds of history, as it creeps into view whilst I read certain stories set during certain times in our histories.

One of the opening revelations that spoke to my sense of suspense and curiosity are of the parchments that young Donald was given to use for his schoolwork!? I was fascinated by how you were never quite certain where the parchments had come from originally OR even what their direct purpose was prior to being in your possession! I was quite curious how the drawings were attached to the mystery, or if in effect, they were a secondary branch of mystery!

I like that Muirteach’s wife, Mariota is painted as a formidable and independent woman! She has a strong head on her shoulders, and she’s determined to follow her will without being told what she aims to do is impossible or ill received for the time she is living! I always latch on to strong women in stories, because they give us such a hearty glimpse of the strength it takes to pursue your dreams and to be able to push through an obstacles that might arise in your life as you walk towards your destiny.

Transportation is limited in this part of Oxford, as most of it is by foot! Being that I have advanced my stamina in recent years to walking a handful of miles whilst enjoying the natural world, I can attest, that walking has its wellness attributes! Yet, I am not sure if I could get used to always having to walk to reach each destination that is needed to be visited! I think that takes more energy than I have stored to have within me! In this way, I noticed that the pace of life is set differently than our time of day now. Being a University towne, everything of course, runs in counterpart to the lectures and the lives of the students, which I discerned is not always acceptable to the townesfolk who live there. Much in the same way I think modern University townes get a bit of a bad reputation, as the ‘hobby of the hour’ is drinking ale or wine to the brink of being drunk!

The manner is which Muirteach deduces his investigations is quite unlike another I have come across since, because he has such a quiet manner about him! He calmly asks questions and investigates in a way that is befit a man who enjoys the duties of detecting but perhaps, does not fully want to explore detection. He stumbles a bit in finding the connections, but given the people he has to interact with, I do not find them to be easily questioned due to their preference for hostility.

I like the interactions he has with his wife, because it shows a marriage of equality at a time when men had more ruling over women. I like finding distinctive differences to the norm in literature, as it begs the question that despite the society norms, you will always have a few who adhere to a rhythm that extends outside society’s reach. In this way, we always shift forward and away from the darker days without liberties and move into a time of equal pursuits and stations. I think I would enjoy getting to know Mariota a bit more in the previous stories, as I was appreciative of her knowledge of natural medicine and tinctures!

These mysteries unfold gently, (which endears them to cosy) yet they provide you with a gritty sense of reality once the murders and/or violence start to unfold, (this would be the slightly bent towards hard-boiled bits) in such a way that it’s possible to read them if you enjoy either branch of mystery! For me, I was thankful the death scenes were not too elaborate and that the heart of the story was consumed by the investigation rather than the macabre of the deaths.

Review of The Study of Murder:

The story opens benignly enough with the quest to partake of life in Oxford, to seek the education of the Lord’s son, by which Muirteach MacPhee and his wife, Mariota were entrusted to achieve. I realised it could not stay this uncomplicated, but what I appreciated in the telling of the unfolding story, is the historical details that differentiate the classes and casts. As much as the inability of women to study at their choosing the subjects and topics that interest them, merely due to the inability to have the right to study such as they gained in generations past the 14th Century; in the mid to late 1800’s from what I can gather. I found it curious how industrious Mariota MacPhee became in this installment of the Muirteach MacPhee mysteries, to not only succeed at pursuing her studies but in having gained the insightful knowledge of natural medicine by being attune to her father’s work previously!

At first, it felt as though there was a simple matter of a missing girl, presumed dead that curtailed into the brutal murder of a Master at the University itself! This was followed by a second murder, which although presumed interconnected to the first murder, I was still curious how the disappearance of the first girl fit into the timeline! I started to sort out the meaning of the mysterious parchments, but what held my interest was an attempt to unearth the connecting dots that would place each of the events in line and construct the picture into a larger scope.

One thing that always struck me about living during the earlier centuries, is that oft-times the conditions of the townes were quite amuck of filth and sewage! I have always heard of the stories of Venice, Italy, being that the canal streets and close proximity of the waterways always prove to be a disadvantage in keeping the city clean: both in sight and smell. It did not surprise me in the least that Oxford, at this point in history, suffered under the same issues of Venice of today. Honestly, I do not know how one could handle the enormity of stench whilst walking down the streets! Especially as depicted if it were true that the townesfolk would simply dump out their sewage into the very streets themselves!

The mystery ended up being compounded by the delusions of a madman who felt compelled to a calling that only he was aware of existing. In this way, I nearly pitied the villain in the story, but only nearly, because what he did to secure his calling was outside the scope of God’s and Man’s Law of Order. I was still curious at the ending about the parchments, as if they were of an origin that was not yet known at the time or if they were simply not as important as I first thought they would be revealed as being!?

Thankful that I stumbled across this book on tour with HFVBT:

If I hadn’t started to seek out the books going on tour with HFVBT at the time in which I stumbled across this one, I might not have had the pleasure to interact with the author, Ms. McDuffie! I never would have suspected a conversation or a passion for research and writing would have led to my opportunity to read this book in exchange for an honest review! Therefore, I can only attest, that if you see a book going on tour that piques your interest, do follow the tour routes and leave messages for the authors’ and bloggers’ who are participating! You simply might find a new book to read, an author to engage in conversation, and perhaps, even, win one of the books that are given away! I celebrate the beauty of the bookish culture online, for it provides all of us a chance to interact with those who write the stories that interest us to discover!

IF you are familiar with the book tours HFVBT organises, I am most curious, which tours stand out in your mind as being amongst your favourites!? Did you get the chance to converse with one of the authors? Do you seek out books that are touring (on blogs) through all the lovely book tour companies!?

{SOURCES: Author biography, Book Cover, and Author photograph were given to me by the author herself, (Susan McDuffie) and are used with permission. Book Review badge provided by Parajunkee to give book bloggers definition on their blogs. }

Copyright © Jorie Loves A Story, 2013.

Related Articles:

The Study of Murder by Susan McDuffie – (unabridged-expression.blogspot.com)

Interview with Susan McDuffie – (unabridged-expression.blogspot.com)

Guest Post: Susan McDuffie’s The Study of Murder – (hf-connection.com)

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Posted Sunday, 27 October, 2013 by jorielov in 14th Century, Amateur Detective, Blog Book Tour Find, Book Review (non-blog tour), England, Indie Author, Late Middle Ages (1300-1500), Oxford