Category: Historical Fiction Virtual Book Tours

+Blog Book Tour+ Close to the Sun by Donald Michael Platt

Posted Wednesday, 3 September, 2014 by jorielov Close to the Sun, Donald Michael Platt, Fireship Press 2 Comments

Close to the Sun by Donald Michael Platt

Published by: Fireship Press (@FireshipPress)

Available Formats: Paperback, Ebook

Official Author Websites: Site | @donroc | Facebook

Converse via: #CloseToTheSunBlogTour

Acquired Book By:

I was selected to be a tour stop on the “Close to the Sun” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the publisher Fireship Press, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Close to the Sun

Close to the Sun follows the lives of fighter pilots during the Second World War. As a boy, Hank Milroy from Wyoming idealized the gallant exploits of WWI fighter aces. Karl, Fürst von Pfalz-Teuffelreich, aspires to surpass his father’s 49 Luftsiegen. Seth Braham falls in love with flying during an air show at San Francisco’s Chrissy Field.

The young men encounter friends, rivals, and exceptional women. Braxton Mobley, the hotshot, wants to outscore every man in the air force. Texas tomboy Catherine “Winty” McCabe is as good a flyer as any man. Princess Maria-Xenia, a stateless White Russian, works for the Abwehr, German Intelligence. Elfriede Wohlman is a frontline nurse with a dangerous secret. Miriam Keramopoulos is the girl from Brooklyn with a voice that will take her places.

Once the United States enter the war, Hank, Brax, and Seth experience the exhilaration of aerial combat and acedom during the unromantic reality of combat losses, tedious bomber escort, strafing runs, and the firebombing of entire cities. As one of the hated aristocrats, Karl is in as much danger from Nazis as he is from enemy fighter pilots, as he and his colleagues desperately try to stem the overwhelming tide as the war turns against Germany. Callous political decisions, disastrous mistakes, and horrific atrocities they witness at the end of WWII put a dark spin on all their dreams of glory.

Praise on behalf of the Novel from Book Bloggers who read the ARC:

“Donald Michael Platt’s Close to the Sun is an amazing story told from the perspective of average male fighter pilots in the onset and during WWII, juxtaposing between various men from many sides of the war. The details in this novel were spectacular, creating imagery and depth in the scenes and characters, as well as the dialogue being so nostalgic and well-written it felt right out of a 1950’s film. The romantic nuances of his storytelling felt incredibly authentic with the tug and pull of the men being called to serve and the women whom they loved who had their own high hopes, dreams, or work. I loved how he portrayed this women the most—strongly and fiercely independent. I’ve read several other books by Platt, and this is the best one I’ve read yet! I couldn’t stop reading. ” – Erin Sweet Al-Mehairi, Hook of a Book

“Donald Platt’s Close To The Sun, is nothing short of Historical Fiction gold. Platt’s flair for emotionally provocative storytelling makes this book attractive to both male and female readers. Seamlessly weaving the threads of action and feeling into a brilliant tableau of humanity. This is a masterfully penned tale of war, ambition, love, loss, and ACES!” – Frishawn Rasheed, WTF Are You Reading?

Places to find the book:

on 15th of June, 2014

Format: Paperback

Pages: 404

Author Biography:

Author of four other novels, ROCAMORA, HOUSE OF ROCAMORA, A GATHERING OF VULTURES, and CLOSE TO THE SUN, Donald Michael Platt was born and raised in San Francisco. Donald graduated from Lowell High School and received his B.A. in History from the University of California at Berkeley. After two years in the Army, Donald attended graduate school at San Jose State where he won a batch of literary awards in the annual SENATOR PHELAN LITERARY CONTEST.

Donald moved to southern California to begin his professional writing career. He sold to the TV series, MR. NOVAK, ghosted for health food guru, Dan Dale Alexander, and wrote for and with diverse producers, among them as Harry Joe Brown, Sig Schlager, Albert J. Cohen, Al Ruddy plus Paul Stader Sr, Hollywood stuntman and stunt/2nd unit director. While in Hollywood, Donald taught Creative Writing and Advanced Placement European History at Fairfax High School where he was Social Studies Department Chairman.

After living in Florianópolis, Brazil, setting of his horror novel A GATHERING OF VULTURES, pub. 2007 & 2011, he moved to Florida where he wrote as a with: VITAMIN ENRICHED, pub.1999, for Carl DeSantis, founder of Rexall Sundown Vitamins; and THE COUPLE’S DISEASE, Finding a Cure for Your Lost “Love” Life, pub. 2002, for Lawrence S. Hakim, MD, FACS, Head of Sexual Dysfunction Unit at the Cleveland Clinic.

Currently, Donald resides in Winter Haven, Florida where he is polishing a dark novel and preparing to write a sequel to CLOSE TO THE SUN.

My Review of Close to the Sun:

It is not often I find myself entreating into a war drama of which is entitled after an Alfred Lord Tennyson poem, yet I find myself dipping into Close to the Sun finding myself genuinely intrigued by how such a small poem called “The Eagle” prompted the author’s inspired narrative to be spilt onto the page! It is only fitting that I began to read this novel whilst listening to an instrumental interlude at the tailend of a Blog Talk Radio programme which set the mood considerably!

On the shoulders of the great aces lingers a passion for flying high into the heavens inside the young and impressionable minds of the next generation, of whose dreams of flight open this war drama and secure our hearts into the story at large. The men who returned from The Great War (called as such as it was the first of its kind prior to WWII) held within their breasts not only the battle scars and fatigue of their service, but the memories of honourable and daring flight as the pilots who were legends of their own kind: the aces who defeated and defended the skies for their countries. The honour of how they attacked and how they fought in the skies were part of the legends and the knowledge they would each endeavour to knit inside the young boys who dreamt of picking up where they left off. There is far more to war than battles wrought through the air, but the boys were too innocent to realise the full scope of what their dreams would grant them; instead it was simply a nice reprieve to listen to the fathers and grandfathers share their stories and inspire a new age of pilots into service.

The part of the story where I started to dig into the grip of the evolving story is when Winty took her entrance, a spunky sixteen year old who was raised as a tomboy, taught to fly, and wanted to pursue being an ace. Winty was smart enough to realise she was limited due to her gender, but it was her moxie filled attitude that won me over. She had a grit filled passion for flying and had she been bourne decades later when the air corps had accepted women, I could have seen her shine in her own rights commanding a plane and daring to go further than most her age or older.

Parts of the story felt out of step and lacked pace with the bits I found held my attention; some of the text felt a bit heavy on technical details whereas when the characters interacted with each other, or someone like Winty came on scene, the novel took on a fluid arc of emotion, action, and promise. My interest was originally sparked to read this novel because I happen to appreciate reading war dramas, and in particular, have not always come across stories set against the life of fighter pilots. I have come across classic movies which take on the thematic, and of course, I simply adore watching Foyle’s War (of the BBC) where Julian Overton’s character Andrew was an ace. It is a thread of story I enjoy watching and felt I would enjoy reading as well. Yet. Everything I loved about Foyle’s War I found a bit lacking inside Close to the Sun. Not to cross-compare a tv series to a novel, but it is the elements of the characters against each other and the way in which the elements of representing the life of a pilot can be cross-referenced.

I walked into the novel expecting the story to take-on a certain feel and texture of its setting, instead I felt a bit lost and muddled. I simply had trouble aligning the visuals of where Platt was trying to lead me and I think perhaps this novel was not the best fit for me to read overall.

Fly in the Ointment:

Although I was appreciating getting into the mind-set of the time between the two Great Wars, what was distracting me a bit from being ‘inside’ the narrative were the ever present typos and missing words or letters. I had to double-check my copy to make sure it wasn’t marked as an ARC as I at first presumed I had missed the identification as one. Generally speaking, although I can receive finished copies which are inclusive of spelling errors or omissions, either from ones I have purchased on my own, borrowed from my library, or otherwise receive for a review, I was a bit surprised this apparent final copy had several errors within its pages after having such a strong pre-released reading by book bloggers I have crossed paths with on blog tours. Not that ARC readers are meant to criticise an ARC for mistakes as they’re uncorrected proofs, but in turn, I always felt the ARC would then go under a proofreader’s lens for typographical errors and omissions. I felt a bit out of step with this story as I read it, which was a bit frustrating because I was enjoying the pace (in the opening chapters) Platt set his story to be told.

I further appreciated the absence of strong language except for small occasions wherein the word either felt accurate for the era or for the place where it was used to be mentioned. The only wrinkle in the crow for me was a bit of crude humour I could have lived without being shared amongst the new cadets as they settled into their first week of training. Although I know crude humour is realistic to the nature of the story it is not something I personally enjoying reading irregardless of the reason to include it.

Blog Book Tour Stop,

courtesy of Historical Fiction Virtual Book Tours

Virtual Road Map of “Close to the Sun” Blog Tour found here:

see what I will be hosting next for

and mark your calendars!

{SOURCES: Cover art of “Close to the Sun”, author photograph, book synopsis, quotes of praise, and the tour badge were all provided by Historical Fiction Virtual Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Bookish Events badge created by Jorie in Canva. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Comments on Twitter:

Wow, @JLovesAStory, you are a prolific & diverse blogger! More great reviews from this gal. Read it. http://t.co/s11vC94aRg #reviews #books

— ellen mulholland (@thisgirlclimbs) September 4, 2014

Reading this book contributed to these challenges:

Go Indie

Posted Wednesday, 3 September, 2014 by jorielov in 20th Century, Blog Tour Host, Fly in the Ointment, Historical Fiction, Historical Fiction Virtual Book Tours, The World Wars, Vulgarity in Literature, War Drama

+Blog Book Tour+ The Duel for Consuelo by Claudia H. Long

Posted Monday, 1 September, 2014 by jorielov BookTrope Editions, Claudia H. Long, The Castillo Family series, The Duel for Consuelo 3 Comments

The Duel for Consuelo by Claudia Long

Published By: BookTrope (@booktrope)
Official Author Websites: Site | Blog | @clongnovels | Facebook
Available Formats: Paperback, Ebook

Converse via: #DuelForConsueloBlogTour & #TheDuelForConsuelo

Acquired Book By:

I was selected to be a tour stop on the “The Duel for Consuelo” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the author Claudia H. Long, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

The Duel for Consuelo
by Claudia H. Long
Source: Author via Historical Fiction Virtual Book Tours

History, love, and faith combine in a gripping novel set in early 1700’s Mexico. In this second passionate and thrilling story of the Castillo family, the daughter of a secret Jew is caught between love and the burdens of a despised and threatened religion. The Enlightenment is making slow in-roads, but Consuelo’s world is still under the dark cloud of the Inquisition. Forced to choose between protecting her ailing mother and the love of dashing Juan Carlos Castillo, Consuelo’s personal dilemma reflects the conflicts of history as they unfold in 1711 Mexico.

A rich, romantic story illuminating the timeless complexities of family, faith, and love.

Genres: Historical Fiction

Places to find the book:

Series: The Castillo Family, No. 2

Also in this series: Invincible

Published by Booktrope Editions

on 2nd of June, 2014

Format: Paperback

Pages: 231

Author Biography:

Claudia Long is a highly caffeinated, terminally optimistic married lady living in Northern California. She writes about early 1700’s Mexico and modern day and roaring 20′s California. Claudia practices law as a mediator for employment disputes and business collapses, has two formerly rambunctious–now grown kids, and owns four dogs and a cat. Her first mainstream novel was Josefina’s Sin, published by Simon & Schuster in 2011. Her second one, The Harlot’s Pen, was published with Devine Destinies in February 2014. Claudia grew up in Mexico City and New York, and she now lives in California.

The breadth of history knitted into the text:

I will admit, part of the reason I was drawn into reading this novel, is because although I have travelled to Mexico in my youth, I haven’t had the proper chance to seek out Mexican stories in fiction since the days I spent climbing pyramids and enjoying the local cuisine. I always appreciate stories whose characters are not only culturally diverse but religiously diverse as well – we live in such a beautiful melting pot of a world, that through literature we can all enlarge our compassion and empathy for others simply by picking up books whose characters have strong historically enriched backgrounds and are set during times in the world’s history that may or may not be highlighted in schools. I will admit, very little was covered about the Mexican history concurrent to the Americas time-line, outside of the more well-known events that are briefly covered. I was always a bit curious about our neighbour to the South, wondering about their own historical stories and the growth they had endured as their country grew through the centuries. I thankfully have started to make a bit of headway on my quest to seek out literature of Mexico and South America, as I previously read City of Promises.

I made an exception to read this novel out of sequence from its series, as when I read the full descriptions of the previous novel and cross-compared it with this novel, I felt this second novel was a better fit for me overall. I liked how the story was centered around a tumultuous slice of history with the family’s struggle for balance in a world that is fighting against their very will to find a measure of normalcy.

My Review of The Duel for Consuelo:

As soon as I opened the pages of The Duel for Consuelo, I was greeted by a passionate story-teller who wanted to not only impart the history of the time the story is set but to curate a connective thread to the family within the story itself. In the Prologue, there is a full sense of urgency to gain freedom on distant shores where both time and distance can help restore a blight on a family’s heritage moreso than staying where they have always lived. In this story, there appeared to be an issue of religious heritage that was giving the family a bit of grief, but as the next generation moved forward with their own life lived in the Americas, a sense of compassionate forgiveness was evident as was the hope for a new day for a family I had just barely begun to become acquainted with as the clock moved forward a century.

Yet, as I am settling into the story, the voice of Rosa’s granddaughter comes out quite strong as the narrative vehicle for which this story revolves; through her eyes it is evident that compassion and acceptance is still quite far away from being given. Through her maternal line of origin there is a history of Judaism, a reverence for Jewish culture and faith which is not aligning well for her family during the Spanish Inquisition. Her father comes across rather bearish as his ideal capitalistic pursuits are less shallow than his vain attempts to clarify his role in the community. Consuelo herself feels pulled through this duality of purpose – to be the daughter her father can be proud of and the caregiver of her mother, whose health is not as well as it had been in previous years. She is tied to the home, yet her dreams carry her outside the walls as she goes about her daily routines.

The most sinister moment was when it was revealed that despite her father’s efforts to quiet a blackmailer, his efforts were found out and his family was thus unprotected by the wrath of justice that would follow if he did not find a way to amend for his actions. This was a curious sideline of the opening structure of the story, as he barely agreed to the blackmail on one breath and he was found in the wrong on the next. I had almost felt that this might have carried forward as a dark secret for the duration of the story, but instead, it flickered and died.

Consuelo’s own gift was in her nurturing attentiveness to those who were ill and her maternal instincts to care for those who needed assistance. Although, I gathered she would have preferred to do more in her life than care for her mother, it was in so doing that she learnt her greatest gift was in the understanding of apothecarist healing practices and the strength of herbs. Her life was overshadowed by the forbearing presence of her father, a man who ruled his roost with a strong hand, and yet, never gave much consequence to his daughter or wife. He was much more interested in keeping up the appearance of who they were rather than being honest inside his relationships and business affairs. How she found the strength to rise above each adverse and brutal moment of shocking distrust is a credit to her confidence in herself. She was not dealt an easy life nor one that aligned with how she believed her life would fall together – in life as in love, she was betrayed and it was through anguish she started to rise again.

Her father’s inability to forestall the Inquisition’s ransom and blackmail demands (although earlier I felt they were relieved of) played a larger part of the trials in which Consuelo found herself in the middle of succumbing. Her life was not necessarily her own, and her choices although valid in their own right, rarely had the light to shine on their own accord. The most distraught part of the story is watching Consuelo attempt to right her stars only be dragged by through the mud carved out of her father’s transactions and misdirections of attempting to escape a worser fate. She was used as though she were a pawn, and despite that, she always had the hope for a future she could no longer envision probable. The acidity of rumours and insinuated falsehoods plagued her from the very start, as where truth and lies forged together as though welded in steel, it is within this nest of vipers Consuelo truly had to find a sword stronger than her entangled woes.

On the writing style of Claudia H. Long:

Long tells the story from different points of view which lately I am appreciating being given the opportunity to read with such frequency; as I originally only occasionally had come across this style of the craft. Each sequence is broken down into each of the character’s mindfulness of the events or the daily trials as they arise. As you shift through their connective chapters, you draw out more insight into how the family structure is maintained and who has the keener knowledge of what is actually going on. The ailing mother for instance is given reflective chapters where you are reading her internal thoughts rather than her spoken words in the moment. This is a bridge to understand and accept her husband and daughter, as she is revealing a bit of the unspoken truths that the other two leave amiss.

Long has infused her historical novel with such a breadth of history, you cannot help but acknowledge the dedication she had to researching this part of Mexico’s 17th and 18th Century past. She stitches into the everyday dialogue bits and bobbles of Spanish as well, and as I always lament, I appreciate when a native tongue can be included as it helps to strengthen the picture we have in our mind of the characters whose heritage is not only important to their identity but helps visualise who they are as they live inside the story.

The story is truly emotionally gutting in its intensity throughout the narrative arc, as the story is rooted in the historical knowledge of the time in which the events unfold. The brutal injustice and the prejudicial judgments of those who did not understand a different in faith and belief is quite shocking to read; even if the knowledge of the era is already known. The hardest part for me, was shifting through the more difficult passages to entreat back into the light and to see where Consuelo found her resolve and the strength to carry-on. I credit this to Long who gave her readers resolution even with the realisation that many might not have found the same in real life.

Blog Book Tour Stop,

courtesy of Historical Fiction Virtual Book Tours

Virtual Road Map of “The Duel for Consuelo” Blog Tour found here:

see what I will be hosting next for

and mark your calendars!

{SOURCES: Cover art of “The Duel for Consuelo”, author photograph, book synopsis and the tour badge were all provided by Historical Fiction Virtual Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Bookish Events badge created by Jorie in Canva. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Reading this book contributed to these challenges:

Go Indie

Posted Monday, 1 September, 2014 by jorielov in 17th Century, 18th Century, Apothecary, Blog Tour Host, Christianity, Civil Rights, Cultural & Religious Traditions, Cultural Heritage, Domestic Violence, Equality In Literature, Family Drama, Family Life, Father-Daughter Relationships, Flashbacks & Recollective Memories, Geographically Specific, Good vs. Evil, Herbalist, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Judaism in Fiction, Light vs Dark, Medical Fiction, Mental Illness, Mexico, Psychological Abuse, Trauma | Abuse & Recovery, World Religions

+Blog Book Tour+ The Typewriter Girl by Alison Atlee

Posted Thursday, 28 August, 2014 by jorielov Alison Atlee, Gallery Books, Simon & Schuster, The Typewriter Girl 1 Comment

The Typewriter Girl by Alison Atlee

Published By: Gallery Books (@GalleryBooks)
(an imprint of Simon & Schuster: @simonschuster),
Official Author Websites: Site | @AlisonAtlee | Facebook
Available Formats: Paperback, Hardcover, Ebook, & Audiobook (only on Audible)

Converse via: #TypewriterGirlBlogTour, #TheTypeWriterGirl OR #TypeWriterGirl

Acquired Book By:

I was selected to be a tour stop on the “The Typewriter Girl” virtual book tour through HFVBT: Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the publisher Gallery Books, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Inspired to Read:

@JLovesAStory Both @HFVBT and I love hearing that! Hope you enjoy!

— Alison Atlee (@AlisonAtlee) June 3, 2014

My original reaction to joining the blog tour: I am thrilled to peaches that this is available for joining as a blog tour, as I was just the other day commenting on Twitter how thrilled I was to have discovered the novel! I was going to have to ILL it into my local library from out of the area, too! Wow. And, now I have the lovely chance of hosting the author & the book for the tour!!! THANK YOU!!! My enthused reply to Ms. Bruno was due to the fact I had seen her tweeting about this particular tour alighting on the schedule — I took flight immediately to see if my local library held a copy and then, soon thereafter learnt I could (ILL) inter-library loan the novel instead! This is a resource I use quite a heap as it allows you to check-out materials that your local branch cannot always purchase. Mine is part of a consortium of libraries in my state (not even half which surprised me!), making borrowing books, audiobooks, musical albums, seasonal dvds (tv series), and motion pictures quite easy!

I was excited initially about the era this story takes place (the Victorian era is singularly my bonefide favourite next to the Regency!), and the entire synopsis felt like a story I could curl into and enjoy with my whole heart. In some ways, I wasn’t sure what was more exciting the fact that I had found a story where a character was using a typewriter on her job or the fact that I had found a strong female lead character set in an age where being strong was not as kosher as being passive.

I will admit when it came time to read the novel for the tour, I felt a bit apprehensive as through my research for the author interview I hosted ahead of this review, I learnt that the author has the occasion to use strong language in her writings. For regular readers and visitors alike, this will not come as a surprise when I say that I have the tendency to give out very few allowances for vulgarity in literature, as generally speaking I am not keen on the inclusion at all. So much so, I generally post a ‘fly in the ointment’ on a novel that pushes the envelope for me in this regard. Hence my apprehension and second-guessing about diving into this particular story! My thoughts were turnt a bit as I had read other interviews leading up to asking my own questions (as I always strive to ask different questions than the ones that are always asked), where readers were already voicing their own thoughts in this regard.

+Blog Book Tour+ The Typewriter Girl by Alison Atlee

The Typewriter Girl
by Alison Atlee
Source: Publisher via Historical Fiction Virtual Book Tours
Narrator: Rosalyn Landor

When Betsey Dobson disembarks from the London train in the seaside resort of Idensea, all she owns is a small valise and a canary in a cage. After an attempt to forge a letter of reference she knew would be denied her, Betsey has been fired from the typing pool of her previous employer. Her vigorous protest left one man wounded, another jilted, and her character permanently besmirched.

Now, without money or a reference for a new job, the future looks even bleaker than the debacle she left behind her.

But her life is about to change … because a young Welshman on the railroad quay, waiting for another woman, is the one finally willing to believe in her.

Mr. Jones is inept in matters of love, but a genius at things mechanical. In Idensea, he has constructed a glittering pier that astounds the wealthy tourists. And in Betsey, he recognizes the ideal tour manager for the Idensea Pier & Pleasure Building Company.

After a lifetime of guarding her secrets and breaking the rules, Betsey becomes a force to be reckoned with. Together, she and Mr. Jones must find a way for her to succeed in a society that would reject her, and figure the price of surrendering to the tides of love.

Genres: Historical Fiction

Places to find the book:

Also by this author:

Published by Audible Studios, Gallery Books, Simon & Schuster

on 31st January, 2013

Format: Paperback

Length: 12 hours and 39 minutes

Pages: 384

Author Biography:

Alison Atlee spent her childhood re-enacting Little Women and trying to fashion nineteenth century wardrobes for her Barbie dolls. Happily, these activities turned out to be good preparation for writing historical novels. She now lives in Kentucky.

My Review of The Typewriter Girl:

I became a bit disenchanted reading this novel when I first started to read Chapter 1 — not only because of the word included on page 2 (which I highlight below) but because of Betsey’s demeanor and her air of entitlement. She carries herself as if she is devoid of any perimeter or courtesy of character. This is notwithstanding a fatal flaw for any character to have, but she is writ in such a way as to elicit a far different story than the one I first envisioned myself reading. Where I felt I would be arriving in Victorian England on the footheels of a strong female lead working her way through the working class ranks and proving her worth based on her work and/or her ability to rise above her circumstances, I instead am greeted by a rather crude and violent woman who feels she is detached from ordinary society to the brink that her actions do not befit consequence. She has a very distinct and disfavourable outlook on life, and her only mission appears to be getting ahead without much effort involved. I fear, as her tendency is leaning towards being more vocal and vulgar in both her speech and mannerisms, she’s not only a fallen woman but she is one who doesn’t see herself as such. She lives exactly the way she pleases not because of how she was taught or raised, but because it is as though she feels the world owes her something back for a debt no one knew to pay or collect.

The character model Atlee carved into Betsey is not one that I am especially keen on reading personally, as it takes a certain divergent method of telling a story. I oft find these are the kind of characters without spirit nor soul, simply living inside the moment and not even flickering to worry about the ramifications of their hours. What really appalled me is how she exited her first job at the end of Chapter 1, acting like a common ruffian thud rather than a spurned woman who would rather leave with dignity than a wage owed for time worked. I did not find myself endeared to her nor did I have any empathy for her plight. She felt cold and hardened past the point of light and I simply could not connect to her alienable personality.

I also have never honestly found a sex scene in a historical fiction novel quite like the one I found inside The Typewriter Girl — to be perfectly frank, even this scene was withered down to everything crude and vulgar. No intimacy at all. No connection of mind, body, heart, or soul. Just the perfunctory actions and a rather grotesque aftertaste. I never even say ‘sex scene’ as I read historical fiction & romance fiction, because the writers I generally read always knit in a heap of love and intimacy between their characters. The character of Betsey is too cold and too abstract to continue forward with her story. I simply could not find a way to connect to her, no matter how many chapters I read to find a measure of a mirth of why she acted and spoke the way she did. I feel more than a bit misled from my impression of the novel before I read the story to how I feel now that I’ve read a partial amount. I cannot read further, as it is simply not the kind of fiction I choose to read.

Fly in the Ointment:

Yes, dear hearts, I found the reason why another reader was upset as early-on as page 2, as even I had my brows raised attempting to sort out why this particular word was used when so many others could have been chosen to express or rather elucidate the precise action being taken. Such a distinctly vulgar word is not one I tread over lightly and it is the very reason I always put a clause in my Review Policy about why I have a preference to avoid as much vulgarity in literature as I’m able too. There are few instances where I’ll give an allowance, in this one particular moment of disclosing the word — I fully concur with the previous reader. A different way of expressing the exact same action would have sufficed. This is one moment where writers and readers are left at an impasse. (especially as Ms. Atlee is not the first to answer my question in the way in which she did) I’d prefer there was a middle ground — c’est la vie!

Blog Book Tour Stop,

courtesy of Historical Fiction Virtual Book Tours

Virtual Road Map of “The Typewriter Girl” Blog Tour found here:

I also hosted Ms. Atlee for an Author Interview

see what I will be hosting next for

and mark your calendars!

Reader Interactive Question:

What are your own thoughts about vulgarity in literature!? What are your individual allowances (i.e. time period / era, personality type, publication year (such as classical literature accepted; modern not as much), etc) for accepting an author’s choice to include a rampant array of strong language verse an author who uses strong language only as a sprinkle of inclusion to where if you were to blink, you’d miss it completely? Where do you draw the line yourself? And, what do you wish could change in the climate of books being written with a heavier hand of vulgarity?

{SOURCES: “The Typewriter Girl” Book Cover, synopsis, tour badge, author photograph and HFVBT badge were provided by Historical Fiction Virtual Book Tours and were used by permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Bookish Events badge created by Jorie in Canva. Typewriter clipart inserted through the ClipArt Plug-In via WP for the Open Clip Art Library (OCAL) – all clip art images are in the public domain and are free to use without restrictions. Tweets embeded by codes provided by Twitter.}

Related Articles:

Book Review: The Typewriter Girl by Alison Atlee – (readingthepast.blogspot.com)

Book Review: The Typewriter Girl by Alison Atlee – (themaidenscourt.blogspot.com)

Blog Tour: AudioBook Review: The Typewriter Girl by Alison Atlee – (bibliophiliaplease.com)

Book Review: The Typewriter Girl – (amusedbybooks.com)

Book Review: The Typewriter Girl – (dwellinpossibilitybooks.blogspot.com)

Book Review: The Typewriter Girl – (thelostentwife.net)

Posted Thursday, 28 August, 2014 by jorielov in 19th Century, Blog Tour Host, Fly in the Ointment, Historical Fiction, Historical Fiction Virtual Book Tours, the Victorian era

+Author Interview+ A conversation with Alison Atlee, [author of] “The Typewriter Girl”, a historical fiction debut.

Posted Thursday, 28 August, 2014 by jorielov Alison Atlee, Gallery Books, Simon & Schuster, The Typewriter Girl 0 Comments

I am welcoming Alison Atlee to my blog today, the debut author of a historical fiction story set inside Victorian England, and engages the reader into the life and world of a woman bent on forging her own path and declaring her own right to choose the way in which she wants to live. I am always keeping a steady eye on the historical fiction market, as I have come to realise just how much this particular branch of literature means to me, now that I have been hosting blog tours for the Historical Fiction Virtual Book Tours run by Amy Bruno {of Passages to the Past} for nearly a year now. I had always felt historical fiction was one of my absolute favourites to select amongst other offerings, but after reading such a lovely variety thus far forward within a twelvemonth, I have realised it is of utmost necessity! I simply love becoming engrossed inside narrative stories heavily wrought out of the annuals of history! Therefore, it is always a pure honour when I can ask an author of this genre I love so much to drop by for a conversation! I welcome Ms. Atlee as she is engaged in the conversation which came out of the questions that left me a bit curious; especially on ‘typewriters’ and the culture therein.

Book Synopsis:

When Betsey Dobson disembarks from the London train in the seaside resort of Idensea, all she owns is a small valise and a canary in a cage. After an attempt to forge a letter of reference she knew would be denied her, Betsey has been fired from the typing pool of her previous employer. Her vigorous protest left one man wounded, another jilted, and her character permanently besmirched.

Now, without money or a reference for a new job, the future looks even bleaker than the debacle she left behind her.

But her life is about to change … because a young Welshman on the railroad quay, waiting for another woman, is the one finally willing to believe in her.

Mr. Jones is inept in matters of love, but a genius at things mechanical. In Idensea, he has constructed a glittering pier that astounds the wealthy tourists. And in Betsey, he recognizes the ideal tour manager for the Idensea Pier & Pleasure Building Company.

After a lifetime of guarding her secrets and breaking the rules, Betsey becomes a force to be reckoned with. Together, she and Mr. Jones must find a way for her to succeed in a society that would reject her, and figure the price of surrendering to the tides of love.

Author Biography:

What do you feel is the hardest to convey as a writer? The historical backdrop inside the story or the narrative voice of the historical figure?

Atlee responds: The narrative voice is the bigger challenge to me. It takes time to get to know characters and figure out how they would tell their part of the story. Plus, there’s the fact that modern outlooks and attitudes can be very different from those of the past, so as an author, you’re constantly questioning character authenticity in that way, too.

How young were you when you first started to write? Who was your best cheerleader?

Atlee responds: Some experiences in fourth grade helped me understand what writers do and how fun it can be to have an audience for your stories. My mom used to carry around in her purse a short story I wrote in middle school. At least, I think it’s “used to”–really hoping she doesn’t still do that! :D

What were your early influences and wanderings in literature!? Which authors spoke to you as far as a style of story-telling endeared itself to you ahead of creating your own stories? Are there any titles you could share which are still brought forward to mind in fond affection?

Atlee responds: I was very into mysteries as a child, as well as stories with magical elements to them–fairy tales, dolls with secret lives once their owners had left the playroom. :) Around third grade, I discovered Louisa May Alcott and kept An Old-Fashioned Girl on permanent check-out from the school library for the next three years.

Is there a timescape of the historical past which intrigues you personally but one you are trepiderious to explore as a writer?

Atlee responds: I’ll happily read fiction or non-fiction about any historical period. I suppose I feel that if something captures my interest enough to want to write about it, I trust my ability to do the needed research. Not that it wouldn’t be intimidating to begin with, but I imagine many novels begin with the writer tentatively exploring an idea, not quite sure if it will work out.

Being that your novel is about ‘typewriters’, are you familiar with the sub-culture known as “The Typosphere” which is heavily present in the blogosphere? Where ‘typecasters’ not only blog by typing their thoughts on typewriters but host meet-ups where typewriter enthusiasts hold ‘type-ins’ and/or ‘typing contests’? IF you did know of these during your research what were your thoughts at a type-in?

Atlee responds: Well, The Typewriter Girl is much more about the girl than the typewriter, and the typewriter-related research I did was focused on a fairly narrow period. But yes, there is a lot of interest in vintage typewriters out there. Funny thing–typing contests were huge at the turn of the century, even to the point that a few competitive typists gained some celebrity status. The contests were a way to promote interest in this new technology.

Do you own a retrofitted and vintage typewriter? If so, what is your favourite one to use and what makes it uniquely special? (i.e. the way the keys move, noisy/silent, style of letters, etc)

Atlee responds: I have two manual typewriters. One is from 1917, and I love the fact it doesn’t have an exclamation point key. You could make an exclamation point, but it required typing an apostrophe then backspacing to add the period. By the time you’ve done all that, you’ve really put thought into how necessary that exclamation point is. One could hardly avoid becoming a better writer.

On the level of strong language inside the novel, I read that you once said in an interview you always make the choices which best honour the character your creating. Has any of the feedback from previous readers made you question if some of the inclusions should be tempered in future novels, to make the story more agreeable to those who prefer creative ways of expressing the same denotation?

Atlee responds: No. I think about words and their power and impact constantly as I write. I’m always writing toward a certain effect and purpose, so I can only choose words that help me create that effect and achieve my purpose.

What tools and materials do you use to write? And, where do you write the most? Time of Day?

Atlee responds: Post-it notes, yellow lined paper, Scrivener software, a hard-copy thesaurus. I do most of my writing at home, but the time of day changes with my schedule.

Outside the realm of writing and research, what enriches your spirit the most? Where do you find your serenity?

Atlee responds: My family and faith. Nature and being still. Laughter and wonderful stories.

Author Connections:

Site | @AlisonAtlee | Facebook

I would like to thank Ms. Atlee for taking a moment out of her touring schedule for The Typewriter Girl to answer my questions and to give us all a bit more insight into your writing life and the choices you make as you compose your thoughts inside the stories. I appreciate your honesty and your willingness to give us a bit of who you are ‘behind the pen’ so to speak! I especially enjoyed finding out that you own a vintage typewriter, and yes, I had known of the ‘typing’ contests in the past, but what encouraged me is that there is this whole counter-culture thriving in the 21st Century and slowly encouraging people back to the technology of the past. I think having a balance between different technologies is always a mindful way of preserving our living histories, as much as endeavouring our spirits to look outside of the box.

Blog Book Tour Stop,

courtesy of Historical Fiction Virtual Book Tours

Virtual Road Map of “The Typewriter Girl” Blog Tour found here:

I will be sharing my thoughts on the novel today as well!

see what I will be hosting next for

and mark your calendars!

Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.

Reader Interactive Question:

What part of the typewriter culture of today are you curiously interested in yourself!? The stories set around the age of typewriters in fiction (novels and/or tv series or motion pictures) OR are you readily engaged with the “Typosphere” or own your own vintage typewriter? I’d love to hear your thoughts and which vintage typewriter you currently own vs the one(s) you want to acquire in the future!

{SOURCES: “The Typewriter Girl” Book Cover, synopsis, tour badge, author photograph and HFVBT badge were provided by Historical Fiction Virtual Book Tours and were used by permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Related Articles:

Interview with Alison Atlee – Author of The Typewriter Girl – (edwardianpromenade.com)

Posted Thursday, 28 August, 2014 by jorielov in 19th Century, Blog Tour Host, Historical Fiction Virtual Book Tours, Reader Submitted Author Interview, the Victorian era

+Blog Book Tour+ Maggie’s Wars by Phil Pisani A war drama as lived through the courage of a woman re-defining her position in a man’s world.

Posted Tuesday, 26 August, 2014 by jorielov All Classics Books, American Book Incorporated, Maggie's Wars, Phil Pisani 2 Comments

Maggie’s Wars by Phil Pisani

Published By: All Classics Books, an imprint of American Book Incorporated
(aka American Book Publishing, a defunct publisher)(author is actively seeking a new publisher)
Official Author Websites: Site | Maggie’s Wars on Facebook | @PhilPisani1

Available Formats: Trade Paperback, Ebook

{I found the Trade Paperback available on Powells.com}

Converse via: #MaggiesWars

Acquired Book By:

I was selected to be a tour stop on the “Maggie’s Wars” virtual book tour through HFVBT: Historical Fiction Virtual Book Tours. I received a complimentary ARC copy of the book direct from the author Phil Pisani, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Due to personal issues arising from self-hosting my book blog (Jorie Loves A Story) within the 24 hours ahead of my stop last Friday, the 22nd of August. I am posting my book review post-tour instead, and am grateful for the understanding of the author Mr. Pisani, of whom I spoke to on Twitter the day of my original tour scheduled stop.

Inspired to Read:

I have percolated my keen interest (and most dearest desire, mind you!) in vintage typewriters ever so often on my blog, and within the links (of which are temporarily ‘missing’ from my sidebar) threaded on my blog I have left a curious little nudge of this passion left within the mentions of ‘The Typosphere’ and all things geekily befit a girl bent on owning a retrofitted (vintage) typewriter from the 1930s-1940s. I have the mind of finding a workhorse (one so powerful the happy merriment of clacking away on my own manuscripts will not put it into an earlier grave) and one wherein only the occasional missive could be typed out for a friend. I daresay, once I start ‘growing’ my collection I’ll most likely be one of those lovely souls I see in ‘type-in’ photographs whose sporting a variety of machines, and letting everyone write-off a note to a friend of theirs to mail by post.

Part of what encouraged my interest in this particular novel, was not merrily the cover-art sporting a curious shot of a typewriter, but the very synopsis of it; of finding a wicked strong female character charging into a life bourne of men and a long honoured past of service where peers are not easy to come by and where a backbone of tenacity is commonplace! I am referring to the trade of journalism, and the strong boiled grit of any woman who wants to take-on a field so rife and known for being for men and men alone. I love stories where women are shown as not only courageous but trail-blazing forerunners for everyone else who rises after them in successive generations. I, also, happen to have a particular fondness for journalism – albeit in fictional stories, and most especially the newspaper trade! Mostly I have come to find stories in motion picture that whet my fancy of interest (i.e. “The Paper” starring Marisa Tomei & Michael Keaton; “One Fine Day” starring Michelle Pfeiffer & George Clooney; and of course, “I Love Trouble” starring Julia Roberts”. I also fancy classic films like “His Girl Friday” starring Rosalind Russell & Cary Grant and “It Happened One Night” starring Claudette Colbert and Clark Gable.) yet there are a few novels I have found as well over the years. One in particular was part of a series, but the publisher went under before the series could alight and find its footing. A bit sad on that note, as the lead character was a typing secretary with her own portable typewriter by which she travelled with job to job. Loved the premise and the fact she solved cosies as she typed or rather stumbled upon murderous circumstances made it even lovelier.

I have always wanted to seek out more story-lines in fiction, told by authors and settled inside the bounded pages of novels; the stories my mind is so fanciful to watch on film. Seeing an excerpt of this novel prior to electing to participate in the blog tour sealed the initial joy I had in reading the synopsis. Even seeing Maggie for a few short paragraphs, I knew I wanted to spend time with the feisty blonde who dared to carve out a path where most women would not have dared to walk! And, if typewriters were involved, ooh, all the more reason to dive into the heart of the novel! Dare I say, if she were a redhead Maureen O’ Hara would have played her on camera!

Maggie's Wars

Combatting wars on two fronts – one of fame and the other love – Maggie Hogan never wavers as a rare woman reporter on the battlefields of World War II, the Nuremburg Trials and the beginnings of the cold war. But she makes the mistake of falling for an officer, complicating her ambitions. Learn of what one woman feels she must do in order to make it in a man’s world, no matter what. Maggie’s Wars is a story about the ultimate battle between love and prestige, and how you can’t win them both.

Places to find the book:

Series: Maggie's Wars, No.1

Also in this series: Intangible, Beneath Creek Waters

on 6th November, 2013

Pages: 232

Author Biography:

Phil Pisani grew up on the north side of the railroad tracks in an upstate New York blue-collar industrial town in a rough neighborhood filled with the most colorful characters in the world. Factory and tannery workers mingled with bar and restaurant owners, gamblers and gangsters, good people and bad people, brash rogues and weak loudmouths, all spawned by the early immigrant movement to America. Italians, Russians, Slovacks, Irish, and Germans formed a rough and tough section of town where few from the south side dared to venture. He learned to fight at a very young age, both in the ring and on the streets. Fights became badges of honor. He also was a voracious reader. His mother worked in the village’s library. After school, or fights or sandlot football games he would curl away into the adult reading section. Enjoying the polished blonde oak bookshelves, tables and chairs, he would choose a book from the stacks and delve into its smells and contents. Reading soothed him.

He studied history and humanities in Pisa, Italy, and Oswego State in New York and later earned a MA in Political Science from Binghamton University.

He worked as a labor investigator for NY and rose in the ranks through the years but never stopped writing or reading. He currently lives in Albany NY, with his wife Joanne.

Inserting yourself into a field wrought of men:

Maggie has more gumption than most women her age, older, or younger combined – she has the forthwith and stalwart attitude of never backing down when your in the right, and bending the conventional roles as far as she dared to re-direct them! She solidified in her own heart and mind, the will of a working woman in an age of war and with the determined grit to realise she was not going to be happy within a traditional role; expected by her suitors to take-on. No, Maggie was the rare breed of women whose bliss was attached to the hip of the adventure she was embracing, the pulse of the news breaking before her eyes, and the danger of being in a moment of raw horror. She took the courage in her veins to heighten her awareness of the living environment around her, as much as she credited her initial responses to living horror as a surviving method of acknowledgement as a reporter. To distance herself yet contain herself in the emotional angst all the while reporting the news with a modicum of sensibility and tact.

The callus way the men in her field short-change her abilities and throw her darts at her gender only further inspire her fire to be stoked inside her belly. To refute their sneers and vocal jabs by keeping her head bent on the assignment and her heart outside of swaths of emotional angst.

My Review of Maggie’s Wars:

The Preface of Maggie’s Wars held within its simplicity an inspiring nod towards how serendipitously our lifepaths can unfold before us, and within the observations of where our feet have taken us a measure of kismet is always alongside the hopeful dreams we cast into the cosmos. A beautiful soliloquy of one woman’s fond remembrance of where her past led her into her future, and it was such a wonderful way to begin the story! By the time you enter into the first chapter, your quite aware of the author’s knitted style of giving breath to the craft of story-telling; allowing a fluidity of his lead character Maggie to overtake your senses, endear your heart, and ignite your imagination with a clarity of her driven passion for the life she’s lived. It is in the way he chooses to write in her observations, the manner of her speech, and the ticking nod of her essence, as she starts to bloom alive on the page. I knew from the moment I turnt page 2 I was in for a sweet surprise of narrative, underlit by a light of a joyful narrating current of story inked out of the author’s pen.

By page 15, I was curling into a smile, knowing exactly what was drawing my eye further into the story at such a fast clip: Pisani has written a war drama in the style and favour of a classic movie! Almost as if the characters and the setting were set behind one of the classical story arcs caught on camera, and your nestled in for the duration, popcorn a finger grasp away and eyes absorbing everything in as though your seeing this style of film for the first time. His approach to the craft is one that I appreciate, as he gently glides you into the world where Maggie has alighted; the cross-hairs between choosing a life of a reporter and the traditional route as a wife. She lingers over the choice until her room-mate Flora points out the obvious nature of her character. Flora is the classic best friend you want to room with whilst your living on your salt in Greenrich.

I only snuck a cursory glimpse at a review on this novel posted by a friend of mine (Erin @ Oh for the Hook of a Book), and it was at this passage of time I understand the words which lifted into my focus ‘he wrote a novel befit a noir motion picture’ or perhaps it was worded differently but the meaning was the same! Noir, oh, my yes, and how pleasantly I was to be surprised by this realisation! Generally speaking, Erin & I have the propensity to appreciate the same authors, novels, and styles of literary voice. Her reviews (like those of Audra @ Unabridged Chick) are always a delight to dissolve into after or even before, I’ve picked up the book myself! On this particular instance, I was saving my visits until afterwards,… as I sometimes do.

Maggie’s moxie of proving her worth as a reporter early-on whilst attempting to nail the coveted interview with Madame Chiang Kai-shek, murmured a stir of a memory of another strong-willed woman I always loved watching a fire light inside her eyes; the character of Tess (portrayed by Melanie Griffith) in Working Girl. Defining the role you’re given and taking it a step further is the making of any character who bends convention and attempts to supersede away from the norm. Pisani stitched in just enough moxie into Maggie to already know what her contemporary Tess would have told her: don’t wait for the story, go out and get the story! I love her ingenuity and her eagle eye observations on the politico world of New York City!

There is an undercurrent connection to organised crime as Maggie’s heart is attached to a curious cat known as Johnny Pero, er, Stone rather as he prefers to be called. She wasn’t flummoxed by this bit of information but rather guessed it herself yet respected him enough not to draw out an enquiry. He, on the other hand was bewildered by his feelings for this woman he first caught sight of on the street – back when she was first attempting to land a job at the coveted Trib; a journalist dream starting gate. Their two paths crossed at times in their lives where forging a relationship wasn’t quite optimal. His connections to organised crime and the exploits of his role inside the family therein are explained in full as you read Johnny’s perspective of the events as they unfolded. This is where Pisani makes a good choice in first revealing Maggie’s life from her own point-of-view before re-visiting it again from Johnny’s. He keeps the scenes tempered a bit, giving out the raw details but holding back just enough to where you get the gist and sometimes even more than that, but he doesn’t cross the line. I appreciated the honesty and the fact that despite knowing Johnny’s actions were outright unlawful, the man had a conscience.

As Maggie & Johnny equally started to have their fill of the war on the front lines, both started to question their motivations on going there at all. Maggie was high on the thirst for getting ‘the story’ — blinded by ambition and a zest for danger, she was absolutely clueless to understand what the she would witness in reality. Johnny on the other hand was forced into serving on a special unit, placing his life and his comrades on dangerous grounds the entire time he served. Pisani remains true to etching in the humanity of the story, the undertone is always focused on the hope even in the middle of the darkness of the battlefield. The story ends on the wings of a cliffhanger, as I have a feeling the story is not yet done. The saddest part of the novel is the knowledge that both Johnny and Maggie ended up being pawns for other people whose goals went against the logics of humanity.

On the writing style of Phil Pisani | a classic story-teller of the war era:

Pisani has written a war drama intermingled with an organised crime family angle that gives new definition to the offerings inside historical fiction overall. He draws you into this close-centered world of crime, drama, city politics, and the interior life of a button man on the job. Maggie happens to be the woman who draws the eye of the gangster without his realisation of how that would effect both their lives; their paths start to merge together even though both are not willing to commit. Pisani handles both of their characters with a grace and ease, he is honest and upfront about Johnny’s nefarious dealings in the neighbourhood (if your familiar with Mario Puzo, especially The Last Don; none of these sequences will be unfamiliar) as much as he counter-balances his life on the outskirts of society by giving him a chance to meet someone he never felt he could compliment.

The tone of the novel is underpinned by the desires of Maggie to prove her salt and worth as a reporter in a field as much as it is a juxtaposition of Johnny’s life on the streets and at war. Neither of them realised what they would be getting into once their agreed for their own reasons to be shipped overseas, and it is the drama of how they live through and what they gain back tenfold in experience and maturity that makes the story an enjoyable read. The fact that Pisani is creative with how he chooses his characters to ‘express’ themselves gave me a smile, as this is one question I am always quick to ask any writer who chooses to take the opposite route. This story is enjoyable because although a stronger word or two might be implied, it is how Pisani knits their personality through the words he uses that left me full of appreciation. And, the few times a word might have been used was very well placed.

Blog Book Tour Stop,

courtesy of Historical Fiction Virtual Book Tours

Virtual Road Map of “Maggie’s Wars” Blog Tour found here:

I recommend this novel for anyone who loves reading Kate Mosse!

(review of ‘Citadel’)

See what I’m hosting next for:

and mark your calendars!

Reader Interactive Question:

What pulls you inside the narrative of a war drama the most!? This one was quite a unique story overall, as it the main point of view exchanges between the two lead characters; at times overlapping and conjoining to become one. I appreciated this style of story-telling as it added extra layers of depth and meaning. Which perspective do you prefer!? First person or two interchanging points of view like this one!?

{SOURCES: “Maggie’s Wars” Book Cover, synopsis, tour badge and HFVBT badge were provided by Historical Fiction Virtual Book Tours and were used by permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Bookish Events badge created by Jorie in Canva. Typewriter clipart inserted through the ClipArt Plug-In via WP for the Open Clip Art Library (OCAL) – all clip art images are in the public domain and are free to use without restrictions. Tweets embeded by codes provided by Twitter.}

The ‘live reading’ tweets I shared as I read & reviewed “Maggie’s Wars”:

{ favourite & Re-tweet if inspired to share }

My newly hosted #bookblog is sorted: #amreading two lovely #histfic novels: #BladeOfTheSamurai (Susan Spann) & #MaggiesWars @PhilPisani1

— Jorie Loves A Story (@JLovesAStory) August 26, 2014

.@PhilPisani1 to inhale the beauty & light of a storyteller wholly consumed by his research & spirit of his character illumines #MaggiesWars — Jorie Loves A Story (@JLovesAStory) August 26, 2014

#amreading #MaggiesWars where a sharp-fire tenacious character alights on a path towards giving her destiny a bit of help #histfic #newbook — Jorie Loves A Story (@JLovesAStory) August 26, 2014

@PhilPisani1 I was up til after 3am, striving to read more & more of this novel; I love the way in which you set the flow of narrative voice

— Jorie Loves A Story (@JLovesAStory) August 26, 2014

#amreading #MaggiesWars Phil Pisani whose #amwriting style is a throwback to the classical era of war dramas; infused w/a strong female lead — Jorie Loves A Story (@JLovesAStory) August 26, 2014

#amreading #MaggiesWars a drama during #WWII, where one woman attempts to defy the odds of her gender & tackle being a war reporter; evoking

— Jorie Loves A Story (@JLovesAStory) August 27, 2014

Comments via Twitter:

@JLovesAStory Thanks, Jorie hope you enjoy it!

— Phil Pisani (@PhilPisani1) August 22, 2014

@jlovesastory no apologies needed. Take your time. Look forward to your thoughts.

— Phil Pisani (@PhilPisani1) August 23, 2014

@JLovesAStory Thank you so much, Jorie – you wonderful!

— Phil Pisani (@PhilPisani1) August 26, 2014

@JLovesAStory Once again thank you from the bottom of my heart, Jorie – you are exceptional.

— Phil Pisani (@PhilPisani1) August 27, 2014

@ErinLindsMcCabe @CrytzerFry Ooh wow! I see the two I mentioned! Inscription (@HHMillerBooks) & Maggie's Wars (@PhilPisani1) are visible! :)

— Jorie Story 📖🎧 (@joriestory) September 4, 2014

Reading this book contributed to these challenges:

Go Indie

Posted Tuesday, 26 August, 2014 by jorielov in 20th Century, ARC | Galley Copy, Bits & Bobbles of Jorie, Blog Tour Host, Book for University Study, Bookish Discussions, Clever Turns of Phrase, Cliffhanger Ending, Death, Sorrow, and Loss, Debut Author, Debut Novel, Espionage, Film Music Book Typewriter Focus, Flashbacks & Recollective Memories, Good vs. Evil, Grief & Anguish of Guilt, Historical Fiction, Historical Fiction Virtual Book Tours, Historical Romance, Horror-Lite, Indie Author, Life Shift, Light vs Dark, Military Fiction, New York City, Organised Crime, Passionate Researcher, Psychological Suspense, The World Wars, Typewriter Culture, Vulgarity in Literature, War Drama, War-time Romance, Warfare & Power Realignment