After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Books By: I am a reviewer for Prometheus Books and their imprints starting in [2016] as I contacted them through their Edelweiss catalogues and Twitter. I appreciated the diversity of titles across genre and literary explorations – especially focusing on Historical Fiction, Mystery, Science Fiction and Scientific Topics in Non-Fiction.
However, their imprints Seventh Street Books & Pyr were merged into Start Publishing in [2019] – wherein I had the pleasure of being approached by their new publicity team via Kaye Publicity in Spring 2019 wherein I was first introduced to the Spice Shop Mysteries as I was told about a forthcoming release [for June] which was “Chai Another Day”. From there, I started to work with Kaye Publicity to continue reviewing Seventh Street Book titles and author releases I am both familiar with and/or are considered “new authors” to my readerly life.
I received a complimentary copy of “The Body in Griffith Park” direct from the publisher Seventh Street Books (an imprint of Start Science Fiction) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
On why I can’t wait to read more about Anna Blanc:
Series Overview: Young socialite turned police matron Anna Blanc bucks society’s mores to solve crime in early 1900s Los Angeles.
The main reason I find myself so very attached to the world in which Anna Blanc lives is because of how she is beautifully brought to life by Ms Kincheloe. She has a way of fusing Anna into our hearts whilst winning us over with her quirkily humourous prose which not only dictates a keen awareness of Anna but of the times in which she is alive. It’s a curious door into the historical past as these were my parting words after having read the first novel of the series:
Sophisticated in her ascertainment of conception behind Anna Blanc, Kincheloe has writ such a lively character, you drink in her words with such a joy of delight! She has a fast paced narrative, where the humour is smitten by the sophisticated edging of her character’s personality, matched equally brilliantly by the grace of a Cosy Historical Mystery backdrop! She’s captured the turn of the century atmosphere aptly, as she tucks in recognisable familiarities to alight in your imagination as you turn the pages; replete with gaslights and other bits which correlate with the era.
I loved the way in which Kincheloe turnt a phrase, using words not oft found in historical fiction as her novel is a good primer of words that are wicked to say aloud and used in descriptive narratives such as this one! The phrases themselves are a delight for readers who love words as much as wordsmiths, which Kincheloe definitely excels at including whilst giving Anna Blanc a crafty choice of words to express her emotional duress! She also found a clever way to include Anna’s religious background by having her talk to the Saints when a mood or a moment fitted the hour; it was quite an interesting way to thread faith inside a mainstream novel and I liked the author’s candor.
The best attribute Anna Blanc has within her is a self-motivating resolve to become self-educated as it was such a joy to watch her expand her mind in a fervent attempt to understand the underpinnings of motives and causes of the crimes that were leeching through her city at such a fast rate of alarm. She did not just want to sleuth for the sake of detection but to fully understand the methodology behind the crimes and I think this is a nod to the writer’s (Kincheloe) curiosity being piqued by true crime stories straight out of the historical archives from whence she draws her inspirations. Kincheloe also under-writ a stunning historical survey of early Forensic techniques which inspired Anna with her investigating – especially in regards to understanding the differences between murder and suicide. This became quite pivotal in the story as Anna Blanc made her transition from socialite to female detective.
The beauty of The Secret Life of Anna Blanc are the little bits of plot your not expecting to find encircle through the evolving story – there were little clues fluttering through it’s context, but the joy was not completely sorting it all out until the very last chapter – wherein, your heart swoons with glee and you champion the success Anna Blanc had in closing her second case! This is a bit of a guilty pleasure for historical fiction readers – Kincheloe has tempted us with her wicked sweet prose where a heroine peppers the scenes with her feisty personality and a penchant for seeking out the truth from a sea of lies!
Los Angeles, 1908. Anna Blanc is a former so-so socialite, a flailing police matron, and a killer detective.
Ex- heiress, Anna Blanc, is precariously employed by the Los Angeles Police Department, reforming delinquent children and minding lady jailbirds. What she really wants is to hunt criminals and be alone with Detective Joe Singer--both no-nos that could get her fired. On a lover's tryst in Griffith Park, Anna and Joe discover the body of a young gambler. Anna can't resist. She's on the case. With a murder to solve and her police matron duties piling up, a young girl shows up at Central Station claiming to have been raped by a man from Mars. The men at the station scoff, but Anna is willing to investigate. Meanwhile, Anna begins getting strange floral arrangements from an unknown admirer. Following the petals leads her to another crime--one close to home. Suddenly pitted against Joe, Anna must examine her loyalties and solve the crimes, even if it means losing the man she loves.
Available Formats: Trade Paperback, Ebook and Audiobook
About Ms Jennifer Kincheloe
Jennifer Kincheloe is a research scientist and writer of historical mysteries. Her novels take place in 1900s Los Angeles among the police matrons of the LAPD and combine, mystery, history, humor, and romance.
THE WOMAN IN THE CAMPHOR TRUNK was released in November, 2017 and was nominated for a prestigious Lefty Award. Her debut novel, THE SECRET LIFE OF ANNA BLANC was a finalist in the Lefty Awards for Best Historical Mystery, The Colorado Author's League Award for Best Genre Fiction, the Macavity Sue Feder Award for Historical Mystery, and is the WINNER of the Mystery & Mayhem Award for Historical Mystery and the Colorado Gold for Best Mystery.
Jennifer grew up in Southern California, but has traveled to such places as Greenland, Nicaragua, Ethiopia, and Papua New Guinea. She's been a block layer, a nurse's aid, a fragrance model, and on the research faculty at UCLA, where she spent 11 years conducting studies to inform health policy. Jennifer currently lives in Denver, Colorado with her husband and two teenagers, two dogs, and a cat. There she conducts research on the jails.
I personally feel as if Crime Fiction has a soft spot in my heart and mind; for as long as I can remember I’ve been claiming Mysteries, Suspense and Thrillers as being my most keenly interested section of television teleplays and dramas of interest. Counter to that pursuit, are the novels – spilt between the Cosies I personally adore and have a deep affection for devouring and the more intriguingly brilliant and layered Cosy Historical Mysteries which have passionately become a favourite pursuit of my readerly life since I became a book blogger.
Adjacent to those inclinations, I am also most intrigued with the Historical Suspense and/or Thriller – there are a few of my interests in these kinds of stories which are on the ‘outer edge’ of my tolerance levels for visuals and/or inclusive scenes which are relevant to the story/series itself. Those I happily refer and reference as “Hard Boiled” entries for a point of reference here on my blog as well as a marker of interest in my own pursuit of the stories themselves.
When it comes to chasing down television dramas in Crime Fiction as much as Fictional series of the same nature, I have a profound affection for those writers who give keen insight into Forensic Science, Forensic Pathology and Forensic Investigative Techniques or the Psychology of the Crime through Forensic applications on the psyche. What is interesting about studying Forensics through Fiction is how crafty writers have to become to keep us not only invested in their stories but for giving us a truism of realism within the boundaries of their stories. When they go to infer a step into their worlds – a world they are illuminating to become the mainstay of interest for a series in development for the new reader whose found their words – they are giving us a prime example of what is become expected of their collective works in future volumes.
This is why if a writer of Crime Fiction can capture me straight out of the gate – by their voice, their style or their world – over and beyond their lead character(s), supporting cast and the delivery of the suspenseful bits interwoven into the back-stories – they will have found a loyal reader in me for the life of their series*. (*) co-dependent on the fact they do not disappoint my palette of interest in future installments.
When it comes to Sherlock Holmes and the after canons of his stories – I have a very, short list of interest – at which you will find the Mary Russell stories at the very top as Laurie R. King was the first author I had discovered in 2009 who was writing a level of intuitive intention regarding Holmes which felt naturally intrinsic of the character I had remembered. Enola Holmes by Nancy Springer arrived a bit lateron but was a bit of a harder sell for me being that Enola’s story-lines were slightly a hit/miss for me but the character of Enola was intriguing enough to where I wanted to read more of her adventures. With Mary Russell – I was immediately smitten by her and Holmes at this junction in his life and thereby, wooed immediately into the world King had set out for us to discover.
I am quite critical about after canons, stories inspired by classical novelists and sequel authors – notwithstanding my interests in Conan Doyle, there are my inquisitive pursuits of chasing down stories of this nature within the embodiment of Jane Austen and the re-tellings of Jane Eyre.
What I am constantly seeking out is a certain layer of conveyance of presence, of loyalty to the authentic voice of the inspirational character in question and a purposeful dedication of not just honouring the past but of elevating the tone of the new incantation against the old. I love finding authors who have their own unique approach to re-writing a familiar character and giving us a newfound way of appreciating them through their new variant of interest in the here and now. Thus, what captured my attention with the Margaret Harkness and Arthur Conan Doyle Mysteries was simply this – how a pathologist was motivated to write these stories based on his own interest in Holmes and the writer behind Holmes (Conan Doyle) led him into a portal which granted us an immersive look at how Doyle himself might have approached investigative interests which re-lead us to appreciate how he created Holmes and Watson.
Overall, what I love most about Holmes and Watson in the traditional sense is the camaraderie of their relationship – their zest for intellectual dissection of the facts and their pursuit of uncovering the sociological implications of what is fuelling the crimes in which they investigate. They are uniquely timeless in how they inter-relate to one another but also how they approached their techniques – leaning on the intellect and the divisiveness of their research talents, they uncovered the criminology of their cases because of how they approached their ability to sleuth.
My love and appreciation for Holmes and Watson inspired me to take a chance on this new entry into a Holmesian niche of after canon story-lines. Not that this is a traditional after canon in the sense that there is an influence of Holmesian styling but it is not effectively a re-telling or a reincarnation of that canon per se but as you read or listen to A Knife in the Fog you’ll find Holmes and Watson have materalised anew in a different vehicle of interest altogether.
A Knife in the Fog (Interview) Subtitle: A Mystery Featuring Margaret Harkness and Arthur Conan Doyle by Bradley Harper Narrator:Matthew Lloyd Davies
September 1888. A twenty-nine-year-old Arthur Conan Doyle practices medicine by day and writes at night. His first Sherlock Holmes story, A Study in Scarlet, although gaining critical and popular success, has only netted him twenty-five pounds. Embittered by the experience, he vows never to write another "crime story." Then a messenger arrives with a mysterious summons from former Prime Minister William Gladstone, asking him to come to London immediately.
Once there, he is offered one month's employment to assist the Metropolitan Police as a "consultant" in their hunt for the serial killer soon to be known as Jack the Ripper. Doyle agrees on the stipulation his old professor of surgery, Professor Joseph Bell--Doyle's inspiration for Sherlock Holmes--agrees to work with him. Bell agrees, and soon the two are joined by Miss Margaret Harkness, an author residing in the East End who knows how to use a Derringer and serves as their guide and companion.
Pursuing leads through the dank alleys and courtyards of Whitechapel, they come upon the body of a savagely murdered fifth victim. Soon it becomes clear that the hunters have become the hunted when a knife-wielding figure approaches.
As an aside, despite the fact Seventh Street Books has been bought out by Smart Publishing – all links to their website and social accounts have remained active and use the same urls. The new publisher has maintained all their sites and thereby, the transition was seamless for readers who wanted to keep in touch with the authors and the series they come to love by Seventh Street Books & Pyr!
Converse via: #AKnifeInTheFog, #HistNov and #HistFic OR #HistoricalMystery Available Formats: Trade Paperback, Audiobook & Ebook
A Knife in the Fog was nominated for
an Edgar Award in 2019 for “Best First Novel”
I’ve launched a new weekly featured concentration of book reviews on Jorie Loves A Story which celebrates my love and passion for the historical past! For those of whom are regular readers and visitors to my blog, you’ll denote a dedicated passion for reading Historical Fiction (and all the lovely segues of thematic therein) – I am a time traveller of the historical past every chance I get to disappear into a new era and/or century of exploration. There isn’t a time period I haven’t enjoyed ruminating over since [2013] and there are a heap of lovely timescapes I’ve yet to encounter.
This feature was inspired by the stories I’ve read, the stories I’ve yet to experience and the beauty of feeling interconnected to History through the representation of the past through the narratives being writ by today’s Historical Fiction authors. It is to those authors I owe a debt of gratitude for enlightening my bookish mind and my readerly heart with realistic characters, illuminating portals of living history and a purposeful intent on giving each of us a strong representation of ‘life’ which should never become dismissed, forgotten or erased.
I am began this feature with the sequel to a beloved historical novel I first read in [2013] – it was one of the first ARCs I received and it was the first year I was a book blogger though it was through a connection outside my life as a blogger. I celebrated K.B. Laugheed’s literature to kick-off this feature and hopefully will inspire my followers to take this new weekly journey with me into the stories which are beckoning to read their narrative depths and find the words in which to express the thoughts I experienced as I read.
Acquired Book By:
I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.
It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
I received a complimentary of “No Stone Unturned” direct from the author Pam Lecky, exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
A conversation with Pam Lecky : Part One :
Victorian Cosy Mysteries are a lively mix of eclectic serial explorations of the era – how did you take us into the heart of Lucy Lawrence and make her stand out from the crowd? What were some of your favourite attributes of her character and personality?
Lecky responds: Firstly, thanks so much for hosting me today, Jorie, and asking such insightful questions.
From the outset of the story, it was important that the reader felt sympathy for Lucy and what made her tick. It was vital, therefore, to give a little bit of background to her situation: a troubled marriage, unexplained miscarriages and being ostracised by her neighbours because of her elopement. This all helped to build the picture of a woman ripe for change (and adventure!). For Lucy to stand out, I told the entire story through her eyes and as a woman of her time, not our modern idea of a heroine. She admits to being poorly educated (the heir was her parents’ focus) but she is of high intellect and yearns to learn about the world around her. As a youngster she was a bit of a rebel (hence the elopement) and that spirit was never entirely quenched when she married. But convention ruled, and Lucy played the part of the typical Victorian wife. It is only when her husband’s sudden death releases her that Lucy realises how much she sacrificed upon her marriage.
What I admire most in Lucy is her resilience and the fact she is a dare-devil at heart. She takes on situations I would have run away from! I guess I can live through her to some extent. Lucy’s ability to remain positive and to even see the humour in her circumstances when her world is falling apart, is probably what makes her so attractive to Phineas Stone, the male protagonist, and my readers.
If you had to select a quirk of a minor character, which one would you pick and why?
Lecky responds: One of the most interesting characters for me to write was Sibylla, Lucy’s sister-in-law. She is a terrible snob and resents Lucy coming back into the family like a prodigal daughter. Sibylla has a chip on her shoulder because she is the daughter of an industrialist and she has married well above her class. She brings with her a moralizing nature which is entirely hypocritical (she has an affair only a few years into her marriage!) The dialogue between her and Lucy and the rest of the family was a joy to write.
Do you remember the first time you read a Historical Mystery (it can be Victorian or another era) and how it made you feel to be immersed into that setting and timescape? What inspired you to develop your own Historical Mysteries and what did you hope to bring with you as you wrote them based on those initial early wanderings?
Lecky responds: Growing up I read a lot of historical fiction and classics but the majority of them would have been romances. Victorian writers such as Elizabeth Gaskell and Wilkie Collins wrote such wonderful characters in settings I found fascinating. Then I discovered the wonderful Georgette Heyer who is probably the biggest influence on my writing style. She was a master of character and setting creation; and all done with a sprinkling of subtle humour. But what Ms Heyer achieved isn’t easy at all. On the one hand, you need to explore practically everything in your era from idioms used, to mourning protocols. Then you must try to get the balance right between creating authentic settings, characters and believable plots, while not boring your reader with the minutiae. It can be challenging but I love delving into the past to build my worlds.
Added to all of this I had fallen in love with historical dramas on tv at a young age. I loved everything about them – the characters, the architecture and the way people behaved. But my imagination was really set on fire when I started to read crime. The first mysteries/crime novels I fell in love with would have been Dorothy L Sayer’s Lord Peter Wimsey series and PD James. What wonderfully twisty minds those ladies had! My debut novel, The Bowes Inheritance, was romantic suspense and I enjoyed writing it, but I wanted to write something a little darker this time.
So, with my love of the late Victorian era and wanting to explore writing more complex plots (I’m not a great fan of pure romance – I like a little more bite to stories with several threads running through them), it was inevitable I would end up writing historical mystery/crime. I deliberately set out to write a series, as the idea of developing the characters over time really appealed to me. It’s a wonderful opportunity to take my readers on a journey through the Victorian world. The second book is set in Egypt and I intend to visit Italy, Scotland and perhaps India, in other books in the series.
Cat and mouse stories are amongst my favourites – the timing of them is a bit on the trickier side as you have to have a thread of believability that the ‘cat’ and the ‘mouse’ are equal opponents. How did you temper the chase and yet still give the illusion of suspense between the characters?
Lecky responds: You are right! It is incredibly tricky to achieve. I used two devices in No Stone Unturned. Firstly, by writing it entirely from Lucy’s point of view, I was able to build up her anxiety and fear as the layers of the mystery began to unfold. To have used several points of view might have diluted that. Secondly, I deliberately told the reader very little about the antagonist, Marsh – he features so little he is almost a cameo. This, I felt, gave him a more menacing aspect.
What is the hardest part of developing a mystery? Is it the pacing, the sequencing of the revelations or bridging us (the reader) through this world where you know the outcome but you don’t want us (as readers) to ‘catch on’ too quickly and spoil the final reveal?
Lecky responds: It’s probably the latter. There is no final reveal as such in this story, more a continuous unravelling of several mysteries. I like to keep my readers guessing but not to torment them! I want people to engage in the process – the story arc – to become immersed in the protagonists’ lives and to root for them. If a reader is just waiting and trying to anticipate a big twist at the end, I think they miss some of the finer detail. This is what suited this story best; however, in the sequel, Footprints in the Sand, there is a twist at the end, but again, there are smaller revelations along the way.
AFTER YOU ENJOY READING MY RUMINATIONS ON BEHALF OF “NO STONE UNTURNED” – YOU’LL HAPPILY FIND THE CONCLUSION OF OUR CONVERSATION! BE SURE TO HAVE YOUR FAVOURITE CUPPA ON HAND TO ENJOY THE REST OF THIS POST!
A suspicious death, stolen gems, and an unclaimed reward: who will be the victor in a deadly game of cat and mouse?
London October 1886: Trapped in a troubled marriage, Lucy Lawrence is ripe for an adventure. But when she meets the enigmatic Phineas Stone, over the body of her husband in the mortuary, her world begins to fall apart.
When her late husband’s secrets spill from the grave, and her life is threatened by the leader of London’s most notorious gang, Lucy must find the strength to rise to the challenge. But who can she trust and how is she to stay out of the murderous clutches of London’s most dangerous criminal?
Converse via: #HistoricalFiction, #HistFic or #HistNov
as well as #Victorian #CosyMystery and #HFVBTBlogTours
Available Formats: Trade paperback and Ebook
About Pam Lecky
Pam is an Irish writer of historical fiction with a particular love of the late Victorian era and early 20th century. She is fascinated by all things 19th century, from food and clothes to architecture and social history. She is patiently awaiting the invention of time travel, but in the meantime, indulges her love of the past by writing about it.
Her debut novel, The Bowes Inheritance, was awarded the BRAG Medallion in 2017. It was shortlisted for the Carousel Aware Prize 2016; made ‘Editor’s Choice’ by the Historical Novel Society; long-listed for the Historical Novel Society 2016 Indie Award; and chosen as a Discovered Diamond in February 2017.
In April 2018, Pam published an anthology of some previously published short reads, along with some new work. Her collection of short stories is entitled, Past Imperfect, and features stories set in such diverse settings as WW1 Dublin, the sinking of the Lusitania and a lonely haunted lighthouse.
I had a delightful time reading the Lady Guide’s series of Cosy Mysteries recently to where I was overjoyed I would be able to bring an interview with the author to my readers. What I hadn’t foreseen of course was feeling under the weather for a week & having that week end on a tornado scare on a major highway – as journalled on my Twitter feeds almost immediately after I returnt home. To say I had delayed shock and was quite ill overnight would be putting it mildly – I will never forget that experience with my parents and I was never more grateful to be *home* with my cats as those are the moments where your tested in life if you can handle the crises and emergencies you never see coming. At the same time, it wasn’t just owr own well being I was thankful for – it was the entire *gridlocked traffic botttlenecked* on that highway…
Thereby, I apologise to my readers and to the lovely Ms Bruno & Ms Freeman for the delays in being able to bring this conversation to Jorie Loves A Story. I simply haven’t been myself lately and with this experience last night, I’ve spent the last twelve to eighteen hours trying to re-settle my nerves whilst living through prayer. It was definitely one of those defining moments where you lean hard on your faith.
Now – the joyful news is how lovely Ms Freeman was in giving me such a hearty conversation about her writing process & how she’s crafted these Cosy Historical Mysteries! I hope if you haven’t yet had the pleasure of reading the stories, this conversation might nudge your interest towards seeking them out – they are such a treat for the Cosy reader who is seeking something a bit more unique & different in their Historical Cosies.
Be sure to brew yourself a cuppa & settle in for some fun!
What I personally *loved!* about reading this series:
Part of the joy of reading this series are the layers of etiquette permeating into the fabric of the story-line – fitting for this debut of the series itself as it lends a certain view of the absurdity of tradition these lords and ladies were put through when their era was in its heyday! All the confining points of societal regulations and the fact, you couldn’t just remove yourself from the obligations as that would be lent to scandal and gossip; Freeman takes you through the motions of how frivolous the ton can be and how determined you must become to outwit them all the same! Frances shows this by her unwavering belief that if you lead with strength and a resolve to overcome whatever befalls you, society will either a) move on to the next lead story or b) forget you completely; which I felt was her preference. Frances wasn’t the kind who welcomed notoriety – quite the opposite, I believed she wanted to live a more ordinary life without all the pops and poms of the elevated class.
I was endeared to the plot long before I caught-on to the mysterious events happening in the background – for me, this series is wickedly driven by its characters – specifically everyone related into the personal orbit and sphere of Frances! You can’t help but feel caught inside her life – seeing how even the most ordinary of lives can suddenly become a feast of trouble yet with a sturdy circle of friends and family; any obstacle can surely become defeated! I must admit, by the time I unearthed the actual crime and the person behind it – I was quite somber! I hadn’t expected the villain in the story to be whom they were as I was expecting it be someone else completely! The way in which Freeman related those finer details of the whys and hows lead me to believe the rest of this series is going to be as charmingly cosy to read as its debut!
How far will some go to safeguard a secret? In the latest novel in Dianne Freeman’s witty and delightful historical mystery series, the adventurous Countess Harleigh finds out…
Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting—for birds or a second husband—and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.
Instead, she’s immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight—along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society’s elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits?
Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all—but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she’ll soon find herself among them…
After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Book By:
I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.
It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
As this blog tour features a new Cosy Historical Mystery author I hadn’t yet read, I requested the first novel in the series to read in tandem with the latest release. I was blessed by the publisher to receive both novels in order to understand the continuity and sequencing of the Countess of Harleigh Mysteries series. Thereby I received a complimentary ARC copy of “A Lady’s Guide to Gossip and Murder” and a complimentary copy of “A Lady’s Guide to Etiquette and Murder” direct from the publisher St. Martin’s Press, in exchange for honest reviews. I did not receive compensation for my opinions or thoughts shared herein.
On why this series appealled to me:
There are two things I truly enjoy: Historical stories & Cosy Mysteries – when you find a serial which combines these two loves of my mine – you find yourself in the happy niche of *Cosy Historical Mysteries!* A discovery I made as a book blogger – wherein, authors are anchouring their Cosies into the historic past – moving us through different centuries of interest and giving us a wicked brilliant Historical Mystery to boot!
The main reason I wanted to read this series is because I liked the charm of it – a woman who was being encouraged to fit within high society & yet find herself not willing nor ready to take-on the duties that come with widowhood. She is quite the remarkable character – independent by nature & elevated to a certain seat of formality by the death of her husband, Frances has to re-invent herself & still be in a position of honour to raise her young daughter, Rose.
What I love most about Cosy Historical Mysteries though is the truer sense of how we can move through time but still find a happy place to reside whilst the amateur sleuths tackle their most curious cases and how each of us as readers find new authors to follow & lovely new series to capture our attention. These truly are my favourites to find and I am thankful that they haven’t yet gone out of style with the novelists who are endeavouring to write them!
I decided to play honour to the cover art – purple for the colour itself and a cheeky nod to how addictive Cosy Historical Mysteries are to me as a reader – you just can’t eat one of these French cookies without feeling the desire to grab more – and that is how Cosies are for me in this branch of the genre – once I settle myself into one installment, I can’t remove myself until I fetch after more and feel truly rooted in the author’s vision for her series!
my review of a lady’s guide to etiquette & murder:
Rather immediately, I found myself drawn into the life of Frances – not just because her husband was a cad and a louse of a husband but because of how Ms Freeman endeared us to champion her cause as a woman exiting her mourning period and getting on with her life! It was quite horrid for women in the 19th Century – still attached to that tradition of wearing dearly depressing hues of black and grey (in different increments which were rather strictly enforced!) for at least a year after becoming widowed. It was only then, where she could ‘re-emerge’ into her colours and start to make her presence more widely known in society. How those women managed it, I’ll never know not – as in the case of Frances, it most have truly become a chore knowing her her husband departed his life! Oyy, vie such a rat!
Her in-laws were quite typical – only out for themselves, more concerned with the affairs relating to their estate and less enthused to even entertain a thought of concern over Frances. For her benefit, she was made of stronger stock than they would have believed and she took her daughter (Rose) and herself off to the city to carve out their future elsewhere from the throes of the Harleigh family and the responsibilities therein. Freeman gave you such a hearty and joyful introduction to her character – part of her antics reminded me of why I have such cheeky joy in reading the Anna Blanc series and part of the exchanges also reminded me of my recent over the Discreet Detective Agency – there is something to be said for well-timed satire and humour in the Cosy Historical Mysteries your reading! The appeal of course is being able to burst into giggles alongside the allure of moving deeper into the context of the building mystery!
Of course, not all is ill for Frances – she has enough resources within her means to purchase a least outright for a house which still has eighty years to be lived inside! Imagine? She might have sparse furnishings and staff but something told me her and Rose would thrive here rather than having stayed on with the relatives at the estate. One of my favourite moments is when she bribes one of the maids not to spoilt her news by giving her the chance to make haste and away with her once she moves out. It was a ploy to cover-up the fact she had a bit of a rebellious nature inside her to where she did not like to leave things to fate if there was a loophole round the unknown! Smartly written, Freeman keeps you entertained from one chapter to the next to where it is just a delight to overhear what Frances will say next and what her next actions might be which become the new concerns of the family she’s left behind!
If it weren’t such a serious moment for Frances, you could giggle a bit more about it – as she recounted her discovery of her late husband and the goings-on shortly thereafter, you could tell she had a strong reason for not wishing to be next of doors to Mr Hazelton! And, yet, as life would have it – the things one wants and the things which happen to live a blight on a path towards newfound happiness are not entirely equal. Though I must admit, what was charming about this part of the story is how willingly she was helped by Hazelton and how he hadn’t broached the subject of that night since it occurred! Made you wonder – was her need of his services that night just a cheeky clever way of placing them on each other’s paths to where they could interact more down the road rather than of the concerns she had if he would hold it over her for a reason not yet known?
When Fi enters into the scene, you start to see Frances in her own element – as would be the case when your round your best friend who knows you better than you know yourself! Fiona surprisingly is the sister to Mr Hazelton – which I felt was a good bit of drama ontop of the fact the investigation into the death of her husband was becoming re-examined! Felt fitting in one regard but also entirely terrifying on the other hand as what could they find a full twelvemonths later? It left a curious note in your mind as you watched Frances continuing to build her life in the city. Curiously her mother seems to have found herself in wont of her daughter’s assistance in attempting to have a second daughter of the family wed to the London aristocracy. I, was in full agreement with Frances – wasn’t one marriage good enough? I was just thankful she had Rose – of all the grief she’d been put through, having a daughter of her own seemed to be the only bright light in her life especially as she was constantly attempting to be a better mother to her child than her Mum was to her growing up.
As fate continued to give Frances more headaches than smiles, you had to give it to her – she chose to set her attitude on the positive and despite the arduous circumstances alighting towards her at an alarming speed of haste from her brother-in-law, Frances wouldn’t let her resolve falter. There was much more at stake than inconvenient delays in the normality of her life – no, she simply turnt her chin up with a strength she might not have entirely felt but one which would see her through with the kindness of her friends. This was another instance where you could see how lovely it was for her to have Fiona in her life – the kind of huckleberry friend everyone needs and is blessed to have found.
Part of the joy of reading this series are the layers of etiquette permeating into the fabric of the story-line – fitting for this debut of the series itself as it lends a certain view of the absurdity of tradition these lords and ladies were put through when their era was in its heyday! All the confining points of societal regulations and the fact, you couldn’t just remove yourself from the obligations as that would be lent to scandal and gossip; Freeman takes you through the motions of how frivolous the ton can be and how determined you must become to outwit them all the same! Frances shows this by her unwavering belief that if you lead with strength and a resolve to overcome whatever befalls you, society will either a) move on to the next lead story or b) forget you completely; which I felt was her preference. Frances wasn’t the kind who welcomed notoriety – quite the opposite, I believed she wanted to live a more ordinary life without all the pops and poms of the elevated class.
As Lily becomes more convinced of her mother’s reasoning for sending her off to London (to fetch a husband!) the more protective Frances feels to guide her off that goal. For Frances learnt the hard way about what hard choices mean to a young woman whose caught up in the innocence of wanting to wed a man but without the proportional insight into what can go wrong if you act too impulsively and do not research a man’s character the level of knowing exactly what might be in your future if you were to wed. You felt for Frances in that scene – of wanting to be the sister who could spare another the same kind of misery she had faced herself but with the knowledge that despite her earnest hopes of doing that, it was truly left to Lily to take her counsel to heart and adhere to it.
What an incredible find in Mr Hazelton! Not only can this bloke handle himself under pressure but he continues to amaze me how much he will go to lengths to help Frances! Of course, in the back of mind, I was quite aware of the fact he could be smitten with her – as whom else would do all the tasks asked of him and on such short notice? It isn’t even the most typical of duties to be asked and yet, here his Hazelton – willing, able and happily lending his hand to Frances whenever she needs him, no qualms or questions asked! If anything, he is also her guiding sound board of advice – as sometimes she struggles to balance her own thoughts with the logic needed to re-assess things that are happening just outside her own control. He never fails to make me smile in other words because he’s such an easy-going bloke!
I was endeared to the plot long before I caught-on to the mysterious events happening in the background – for me, this series is wickedly driven by its characters – specifically everyone related into the personal orbit and sphere of Frances! You can’t help but feel caught inside her life – seeing how even the most ordinary of lives can suddenly become a feast of trouble yet with a sturdy circle of friends and family; any obstacle can surely become defeated! I must admit, by the time I unearthed the actual crime and the person behind it – I was quite somber! I hadn’t expected the villain in the story to be whom they were as I was expecting it be someone else completely! The way in which Freeman related those finer details of the whys and hows lead me to believe the rest of this series is going to be as charmingly cosy to read as its debut!
How far will some go to safeguard a secret? In the latest novel in Dianne Freeman’s witty and delightful historical mystery series, the adventurous Countess Harleigh finds out…
Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting—for birds or a second husband—and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.
Instead, she’s immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight—along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society’s elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits?
Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all—but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she’ll soon find herself among them…
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About Dianne Freeman
Dianne Freeman is a life-long book lover who left the world of corporate finance to pursue her passion for writing. After co-authoring the non-fiction book, Haunted Highway, The Spirits of Route 66, she realized her true love was fiction, historical mystery in particular. She also realized she didn’t like winter very much so now she and her husband pursue the endless summer by splitting their time between Michigan and Arizona. She’s been nominated for an Agatha and the prestigious Mary Higgins Clark Award, and won the 2019 Lefty Award for Best Debut Mystery.