Acquired Audiobook By: I started to listen to audiobooks in [2016] as a way to offset my readings of print books whilst noting there was a rumour about how audiobooks could help curb chronic migraines as you are switching up how your reading rather than allowing only one format to be your bookish choice. As I found colouring and knitting agreeable companions to listening to audiobooks, I have embarked on a new chapter of my reading life where I spend time outside of print editions of the stories I love reading and exchange them for audio versions. Through hosting for the Audiobookworm I’ve expanded my knowledge of authors who are producing audio versions of their stories whilst finding podcasters who are sharing their bookish lives through pods (ie. AudioShelf and Talking Audiobooks; see my sidebar). Meanwhile, I am also curating my own wanderings in audio via my local library who uses Overdrive for their digital audiobook catalogue whilst making purchase requests for audio CDs. It is a wonderful new journey and one I enjoy sharing – I am hoping to expand the percentage of how many audios I listen to per year starting in 2018.
Similar to the blog tour for the sixth novel of the #KayHunter series, the blog tour review copies are being provided directly by the author off-site from Audible. The key reason I decided to not accept the review copies from “Gone to Ground”, “Bridge to Burn”, “Cradle to Grave” and “Turn to Dust” is because the new format is mostly directed for mobile listeners and I do not listen to audiobooks in that style of format. Eventually as I want to have a full set of all the Kay Hunter installments – I will be purchasing the ones I am missing from Audible to house them all in one place unless I find them available on mp3 CD – until then, I was able to join this lovely blog tour because the audiobooks are readily available via Scribd! For which, I am especially grateful as I can continue to listen to one of my beloved and favourite Crime Drama series!
Thereby my copy of “Turn to Dust” is self-provided through my subscription to Scribd rather than being provided with a complimentary copy of the story. Thereby, I am choosing to participate on the audiobook tour, sharing my ruminations with my readers for my own edification but also, as a continuation of a reader’s love for a dramatic crime serial. I did not receive compensation for my opinions or thoughts shared herein.
What hooked me into the eighth installment of this series “Cradle to Grave”:
When you first begin Cradle to Grave, the title itself was percolating round my mind a bit – as I being a ready listener to the series now, I knew it was murmuring a glimpse of a hint towards the central plot of the story. I hadn’t caught on to what it implied – as I went a different direction in my mind than what was ultimately revealled but I liked where Amphlett took her motivation to tell the story and how that served a central arc of exploration as it was quite a perceptive point of entry once you realise what it is referencing directly.
You get spoilt by how quickly you are inserted into these detective’s lives – where you forget that they have emotional baggage of their own and that for some of them, certain cases are going to affect their mental health moreso than others. This was the case I felt for Gavin who was taking this case especially hard as each time he attempted to make any kind of lead-way, he was being confounded by more dead ends. For a case which felt time sensitive, it was not the kind of process a detective could resolve in their heart of hearts – not when a missing child needed to be found sooner than later.
Happily as we are quite a far afield into the series now – Kay isn’t the only perspective we are focusing on now. Other characters are stepping forward into the foreground – where they can take the ‘lead’ focus for different sequences whilst Kay is still actively working the case in the background and/or delegating her other duties given the role Sharpe appointed her as she’s not just a lead investigator now. This became my mainstay of joy for Cradle to Grave – getting to hear the other characters have more ‘on-scene’ time in your ears – as they are beautifully developed by Ms Campbell and they are lovingly etched out by Ms Amphlett. Due to this the series feels fuller somehow as the team isn’t just a ragtag family of investigators – but they feel authentically true to themselves and the nature of their jobs.
One note of interest to reveal – as I wasn’t sure how I’d feel about the shift in points-of-view from what was previously established early-on in the Kay Hunter series? Amphlett used to feature the villains in her stories on such a high level of disclosure, it was always a bit hard to progress through those passages because of how dark the story felt whilst you were in those sections of the audiobooks. Campbell did well to pull you through them – but there was a point where I noticed there was a general shift to re-establish the series back into the police perspective and keep this more anchoured in a dramatic crime focused through the police procedural thread of interest moreso than in re-shifting off Kay and the villains themselves.
By this installment, I can tell the switch was well-timed because it establishes what I loved about watching Rizzoli and Isles – you feel more connected to the detectives themselves and as such, the series re-evolves itself to be even more emotionally centred on their lives rather than just focusing in on how their solving the cases which test their strengths and their patience to solve the impossible on a time-clock which is constantly working against them.
-quoted from my review of Cradle to Grave
Turn To Dust
Subtitle: A Detective Kay Hunter Novel
by Rachel Amphlett
When the body of a naked man is found in the middle of a barren field, a rural community is left in shock - and fear.
Discovering that someone is offering money in return for information about the dead man and anyone connected to him, Detective Kay Hunter realises there is a dark side to the victim’s past. When a key witness disappears and a web of deceit and lies threatens to derail the investigation, she fears the worst. Can Kay and her team of detectives find out who is behind the man’s murder before another victim is targeted?
Places to find the book:
ASIN: B088KV7NJ6
Also by this author: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Author Inteview: Rachel Amphlett (Gone to Ground), Gone to Ground, Bridge to Burn, Cradle to Grave
Also in this series: Scared to Death, Will to Live, One to Watch, Hell to Pay, Call to Arms, Gone to Ground, Bridge to Burn, Cradle to Grave
Published by Saxon Publishing
on 14th May, 2020
Length: 7 hours and 56 minutes (unabridged)
Published by: Saxon Publishing
Audiobooks by: Audiobook Factory (@audiofactoryuk)
Order of the Kay Hunter Detective series:
Scared to Death | Book One (see also Review)
Will to Live | Book Two (see also Review)
One to Watch | Book Three (see also Review)
Hell to Pay | Book Four (see also Review)
Call to Arms | Book Five (see also Review)
Gone to Ground | Book Six (see also Review)
Bridge to Burn | Book Seven (see also Review)
Cradle to Grave | Book Eight (see also Mini Review)
Turn to Dust | Book Nine
About Rachel Amphlett
Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.
She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.
Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.
She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore's TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.
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