Acquired Book By:I was selected to be a tour stop on the “Go Away Home” virtual book tour through HFVBT: Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the publisher Rising Sun Press, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Book Synopsis:
Liddie Treadway grew up on a family farm where options for her future were marriage or teaching. Encouraged by suffragette rhetoric and her maiden aunt, Liddie is determined to avoid both and pursue a career. Her goal is within her grasp when her older sister’s abrupt departure threatens to keep her on the farm forever.
Once she is able to experience the world she’s dreamed of, Liddie is enthralled with her independence, a new-found passion for photography, and the man who teaches her. Yet, the family, friends, and life of her youth tug at her heart, and she must face the reality that life is not as simple, or the choices as clear-cut, as she once imagined.
GO AWAY HOME is a coming-of-age novel that explores the enduring themes of family, friendship, and love, as well as death and grief. This novel will resonate with anyone who’s confronted the conflict between dreams and reality and come to recognize that getting what you want can be a two-edged sword.
Author Biography:
Carol Bodensteiner grew up in the heartland of the United States, and she continues to draw writing inspiration from the people, places, culture, and history of the area. She is a member of the Historical Novel Society. She is the author of Growing Up Country: Memories of an Iowa Farm Girl, a memoir. Her essays have been published in several anthologies. Go Away Home is her first novel.
Mid-West America : Americana as a setting:
I grew up reading a heap of Children’s Literature and Classical Literature for Young Readers which dealt with the Heartland of America, as much as the life on the frontier whilst America was just starting to sprout wings as settlers moved further West from the East. I also was fortunate to settle into stories which developed a positive outlook and relationship of the Native American tribes between Canada and America; not always focusing on the war between the settlers and the Indians, but rather stories which enriched the notion that oft-times a truce of peace and an alliance in trade was able to be transacted. What always fascinated me by the hearty life of ranching and farming, is the ordinary joys that whispered into the hearts and minds of those who lived aplenty off the land they worked, harvested, and grew families upon. Even in Native American cultures and societies there was a pure sense of honour and pride knowing that what you could either hunt or grow could not only sustain your own family but your neighbours and community.
My own ancestral roots include farmers and workers for civil rights and liberties, which is why I was thankful to see Aunt Kate and her suffrage movement work included in this particular story. The quality of food from farm to fork (or plate; there are two ready phrases in use nowadays) cannot be compared to industrial methods, and I am happily a locavore and have been for most of my days. The convenience of purchasing locally grown foods in places outside larger cities is still a means to an end to achieve, but the idea of lowering our footprint and supporting local farmers is at the core of my being. The best way to impact the economy is in direct support of local producers of food, commerce, and supplies. I also appreciate settling into stories where there is an ‘other age’ quality to the story-telling, where life was not bent against the wheel towards working one’s soul into an early grave, but rather, the work which was done was in effort to create a better living for yourself and those you took care of. To give industry to the hours of daylight and mirth to the hours that waxed into the moon.
Communication was limited (for the most part) to postal mail – letters and the correspondences exchanged between family and friends alike was not only a convenience but a lifeline built between everyone. In my own childhood, I came to appreciate the joy of sending and receiving letters quite readily; a tradition that I carry forward today. My eyes always glisten with a bit of eager happiness when a writer includes samples or full passages of the ‘letters’ being sent back and forth between their characters. In Go Away Home, the letters are warm reminders of how special a connection is to be kept and how dear the conversation is to those who send and receive postal mail.
Proposed Topic:The underscore of the novel is relating directly to the life choices each individual makes as we grow-up, and yet, not always an easy topic to write about as sometimes people have to make a harder choice which leads them back to family, their childhood home, or a place they weren’t expecting to find themselves. How did you originate the idea behind Liddie Treadway!? Was it partly inspired by a real person, either known in your own family’s history or one you came across whilst conducting research? What drew you into Liddie’s story to impart her onto readers?
One of the blessings I have always appreciated as a book blogger is having the opportunity to host authors as Special Guests on my blog! They give me such keen insight into their novels, a bit of their writer’s process, and the light of joy in their inspiring paths they take towards having their stories in printed form, that I am always fascinated and thrilled to feature a new author I have been enjoying the pleasure of knowing a bit better. In this particular case, what happily surprised me about having learnt the back-story on “Go Away Home” is that the author herself, quite literally ‘went back home” and found the inspiration of her story! I have oft mentioned my delight and joy in researching my own ancestral past, and like Ms. Bodensteiner I am generally left a bit bereft in having lost the true details of how my grandfathers and grandmothers stories truly knit together and occupied their living days.
Let me now present Ms. Bodensteiner and
give you the lovely insight into this historical novel
I was so happy to read about myself:
Book Synopsis:
Liddie Treadway grew up on a family farm where options for her future were marriage or teaching. Encouraged by suffragette rhetoric and her maiden aunt, Liddie is determined to avoid both and pursue a career. Her goal is within her grasp when her older sister’s abrupt departure threatens to keep her on the farm forever.
Once she is able to experience the world she’s dreamed of, Liddie is enthralled with her independence, a new-found passion for photography, and the man who teaches her. Yet, the family, friends, and life of her youth tug at her heart, and she must face the reality that life is not as simple, or the choices as clear-cut, as she once imagined.
GO AWAY HOME is a coming-of-age novel that explores the enduring themes of family, friendship, and love, as well as death and grief. This novel will resonate with anyone who’s confronted the conflict between dreams and reality and come to recognize that getting what you want can be a two-edged sword.
}: The story behind her novel,
& how her grandfather inspired her to create it :{
Is that a good choice?
“What if you choose wrong?” Liddie looked to her father.
“Then you make a new decision.” G.W. tapped the pipe bowl against the ashtray. “Every choice we make becomes part of who we are. That’s why you must take care.”
As a writer of Young Adult and New Adult genre focused literature, how would you best describe what separates the two from each other and what defines them as being individualistically unique? There are misconceptions about both genres, from what they are meant to include inside the structure of their stories to the age of whom is meant to be reading them. How would you best describe their definitions as literary selections and how did you personally approach writing for this specific market? Can you expand by using your own writings as examples of your own style vs other stories that are being featured in today’s market?
Cover Art Design Credits: Tracy Stewart at Simply Bookish. Tattoo for Asher by Teresa Reasor (author & artist). Ebook Cover Art
}: Book Synopsis :{
Grace Ballard has been in love with Asher Howell for a long time. When she was sixteen, he became her hero, and she fell head over heels for the boy with a ring through his eyebrow, a big heart, and an unending sense of justice. But two years ago he left for college without a backward glance, leaving Grace to wonder if she’d imagined everything.
With no reason to wait for Asher to return, Grace moved on, and Asher’s brother, Adam, stepped in to help her pick up the pieces. But Asher never left her thoughts… or her heart.Now, two years later, tragedy brings Asher home and back into Grace’s life. The boy who left her behind is now very much a man – a licensed tattoo artist, much to his parents’ dismay, and still carrying a major torch for Grace. But two years apart has changed them both, and the things that happened during their separation may create a divide that can’t be crossed.
Asher and his brother both left their mark on Grace’s heart. Will Asher’s be able to stand the test of time?
I am a bit late getting my posts together for this, but I have been participating nonetheless! My posts will start to populate TODAY, including having this post fleshed out properly! Please stay tuned! I am editing a book review for a blog tour “Queen of Bedlam” and will work on this after that concludes! Meanwhile, if you haven’t yet joined this challenge OR haven’t visited the sites involved, I encourage you to do so! :)
{SOURCES: Join the Fun badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers badge by Fun Stuff for Your Blog via Pure Imagination. Summer Library Challenge badge created by The Book Monsters and used with permission.}
The author’s plans for her Hanoverian series of which Queen of Bedlam is Book One.
Acquired Book By:I was selected to be a tour stop on the “Queen of Bedlam” virtual book tour through HFVBT: Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the publisher Myrmidon Books Ltd, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
I will admit I have not yet tackled the Georgian Era in British history, which is one of the most neglected eras of my reading exploits to have come to my notice this past year! The Tudors were a bit of an interest of mine originally, yet they simply always felt a bit difficult to entreat inside their stories. The recent popularity of the Tudors sort of left me a bit betwixt knowing if I wanted to broach into the Tudors at this particular moment or not. Thankfully, I was able to find a few stories most agreeable to my interests, which I happily reviewed in recent months! When I first read about this particular novel, what perked my interest the most is that it was writ with an air of knowledge of the Georgians! An entire group of British royals I had never once entranced a fevering wink or nod into researching or reading! I always celebrate moments of this sort, because it simply proves that when a book alights in one’s hand to read, there are entreaties of the historical past that still hold a candle of surprise for the reader! And, this one by far had a premise and a potential which bewitched the very essence of this sentiment!
Book Synopsis:
London, 1788. The calm order of Queen Charlotte’s court is shattered by screams. Her beloved husband, England’s King, has gone mad.
Left alone with thirteen children and a country at war, Charlotte must fight to hold her husband’s throne in a time of revolutionary fever. But it is not just the guillotine that Charlotte fears: it is the King himself.
Her six daughters are desperate to escape their palace asylum. Their only chance lies in a good marriage, but no Prince wants the daughter of a madman. They are forced to take love wherever they can find it – with devastating consequences.
The moving true story of George III’s madness and the women whose lives it destroyed.
Author Biography:
Laura Purcell lives in Colchester, the oldest recorded town in England. She met her husband working in Waterstones bookshop and they share their home with several pet guinea pigs.
Laura is a member of the Historical Novel Society, The Society for Court Studies and Historic Royal Palaces. She has recently appeared on the PBS documentary The Secrets of Henry VIII’s Palace, talking about Queen Caroline’s life at Hampton Court.
Laura’s novels explore the lives of royal women during the Georgian era, who have largely been ignored by modern history. Her debut Queen Charlotte was originally self-published as God Save the King, receiving excellent reviews as an Amazon bestseller in biographical fiction.
The Georgian Era:
I had not realised there was a bit of an overlap between the time of Marie Antoinette during Revolutionary France and the Georgian Era of British history. I think perhaps, I might have missed this pertinent note on where the timescape of the era lies because whenever I am reading a novel before, during, or after the French Revolution, I am wholly full into that particular character and time of France itself. I do not always remember the secondary details if another country is mentioned or if they are mentioned at all — as oft-times I do read novels from a French perspective rather than on a fuller scope of the whole. What was most curious to me is how different the two worlds truly were and how similar they felt at the same time. Both of the royal families, between England and France were honoured with duty and obligations befit to their crowns, yet neither appeared to be blissful and happy within their own lives.
Book Synopsis:
describe what separates the two from each other and what defines them as being individualistically unique? There are misconceptions about both genres, from what they are meant to include inside the structure of their stories to the age of whom is meant to be reading them. How would you best describe their definitions as literary selections and how did you personally approach writing for this specific market? Can you expand by using your own writings as examples of your own style vs other stories that are being featured in today’s market?
