Acquired Book By: I was approached in late August 2019 – just ahead of #Mythothon Year 2 to consider reviewing a tome of a book (over 800+ pages) regarding Norse Mythology. At the time the book review request came into my blog, I must admit, I was slightly *gobsmacked!* at the timing of it – as how could a book such as this about the very topic of discovery I was about embark on during September come into my Review Requests? I considered it writ in the runes as they say – eagerly excited about what the book would reveal to me about the Norse Mythologies but also, the challenge of reading, dissecting and blogging about a book separated into six distinctive sections called “cycles”.
Initially, I had projected to read and review this work of fictional excellence within the month of September, however, due to unforeseen illness and a severe migraine; I re-grouped and realised I needed three months not thirty days! I also re-planned how I would attack reading and reviewing this book – as per each ‘cycle’ of the story, there was loads to ruminate over and discuss with my readers – therefore, this is a review in [six] installments – where each ‘cycle’ in the book itself is a separate review [similar to when I read serial fiction?] and it will be anchoured with a Q&A at the beginning of my readings [featuring nine questions, one per post featured in this series of showcases]; a more extensive interview at the conclusion of my readings [featuring 20 questions] and a cumulative review wherein I will re-address each of the cycles (and their reviews) whilst talking about what truly resonated with the book overall as the whole story will have become revealled to me at that junction.
My health proved to be a stumbling block I could not circumvent in late 2019 – I had two months of migraines and two months of illness to shift through to where focusing on Non-Fiction and headier reads like this one were not going to work out very well for me. It wasn’t until May, where I felt I could re-settle into the context of the story and truly honour the text with reviews I had originally planned to write on its behalf where I felt renewed to re-attempt my original goals of sequencing the reviews into six installments whilst interviewing the author at the end of finishing the book and giving my overall impression of what I had read. Sometimes you have to let life be lived before you can return to something you were enjoying to read – such as this lovely book I received last year.
I received a complimentary copy of “Cycles of Norse Mythology” direct from the author Glenn Searfoss in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
The mood I created for myself as I read:
Regular followers who actively read Jorie Loves A Story will have denoted a section on my reviews where I talk about the playlists I listen to on a variety of platforms – from Spotify (my first choice), Pandora (my secondary choice), iHeartRadio (a distant third) and when I was able to have a subscription Hearts of Space programmes which I originally discovered on analogue radio broadcasts. If I could ever remember the Sunday Playlists are *free!* to stream via Hearts of Space – I could soak into their beautiful soundscapes which feature ambient and trance electronica.
As I was embarking on a reader’s odyssey into a wholly new dimension of a) literature and b) Mythology – in the Classical study of the field – I opted to use Spotify due to the choices the platform affords readers who are seeking a personalised soundscape as they’re reading. I’ve mentioned this previously on different reviews – how I equate the components of a novel or work of Non-Fiction with the sounds, tones, lyrics or non-lyrics, classical orchestrations or other experimental sound environs which are either contemporary, classic or somewhere betwixt the two – either featuring stateside artists or stepping through the window into the world’s musical stage. In essence, my musical adventures cast a wide net.
For Cycles in Mythology, I knew instinctively it would be similar to my original pursuits of Irish, Celtic and Gaelic stories – wherein I would pursue the music in-line with my readings across Contemporary and Historical story-crafters who were intriguing me into their sagas and/or genre fiction. Happily Spotify did not let me down – all you had to key into their lovely search box (it is a bit like a treasure box of infinite random joy; at least to me) was “Nordic” – this gave me such a motley ecelecticity of choice I was at first unsure which playlist, album or artist to begin my journey.
Previously I had discovered melodic metal bands Sonarta Artica and Nightwish – with this kind of background of layered sound and an intriguing approach to how music can transcend time, place and language inasmuch as create a soundscape intuitive aware of its origins, I let my eyes roam over the selections. Sometimes you have to just trust your intuition. This is how I landed on “Nordic and Viking Music” – a collection of music spanning 7 hours and 50 minutes with a total collection of 93 tracks. I felt it was fittingly long enough to dive into my “Day One” readings.
Cycles of Norse Mythology
Subtitle: Tales of the AEsir Gods
Source: Direct from Author
Edda's and Sagas of the Northland recount epic struggles for control of the world. In this land lost amid the cycles of time, canny gods confront shrewd giants, while valiant heroes battle honorable foes.
Cycles of Norse Mythology takes the reader on a thrilling exploration of the Norse Universe as the Gods and Giants are exposed in their complex interactions. From the creation of the world to its violent ending, this comprehensive re-imagining breathes life and modern relevance into the Norse gods and their foes, while remaining faithful to the traditional myths. Through engaging, lyrical storytelling, this work presents the gripping adventures of the Norse Gods in a style to delight modern readers of all ages.
Cycles of Norse Mythology comprises six cycles of 100+ interconnected stories that encompass the entire breadth of Norse Mythology. All tales are extended to create greater tension between the reader and the characters. Sequence gaps are filled by interpolations based on cross references in classic and modern literature.
→ Cycle 1: Prophesy. Odin travels the dark road to Niflhel seeking knowledge from the withered lips of the long dead seeress. In this frozen land, he is forged to his purpose by the harsh lashings of the seeress as she relates the creation stories of the cosmos, the nine worlds, the sun and moon, day and night, the origin of giants, dwarves, elves, mankind, and the gods themselves.
→ Cycle 2: The Victory Gods. Returned to Asgard, Odin learns the truth of prophecy and the ultimate cost of purpose. As the Æsir expand their number and their power, Gullveig’s brutal death at their hands sparks a bloody war with a rival clan, the Vanir; their eventual truce unifies the godheads in an uneasy alliance. Post-war rebuilding introduces the primary gods and goddesses, along with the Einherjar, valorous warriors gathered from battlefields across Midgard. Meanwhile, Thor’s martial journeys into Jotunheim underscore the constant tension with the offspring of Ymir.
→ Cycle 3: The Sword of Vengeance. Accompany the fiery blade born of love and hate that is destined to play a pivotal role in the shaping of the Norse universe, through the tragedies of Volund its creator, Nidud king of the Njara who is ordered by the Odin to capture the blade, and Svipdag the chosen son of man fated to recover its keen edge, and who ultimately gifts it to the Æsir for his marriage to Fryeja .
→ Cycle 4: Premonitions. Victory, jealousy, and revenge follow the Æsir gods and goddesses as they seek to avert their ultimate fate. The Fenris wolf is tricked and bound. Baldur’s death sends shudders through the nine worlds as innocence dies and the first portents of Ragnarök begin to align. Vali, fresh born from his mother’s womb, slays Baldur’s hapless killer. Freyr gives away the Sword of Vengeance for a bride; an ill-fated gift which ultimately finds its way into the hands of Surt at Ragnarök. Loki’s devious and sometimes, vicious attempts to humble the gods highlight the strife and dissent of within the Æsir clan and result in his horrible punishment.
→ Cycle 5: Ragnarök. Unable to avoid the final confrontation, the Æsir gather their band of chosen warriors and prepare for battle. The rainbow bridge shatters as ancient enemies charge onto Vigrid Plain, eager to end the reign of the victory gods. Follow the fortunes of the primary combatants as they boldly face known defeat, the Æsir goddesses awaiting their fate in the great hall of Fensalir, and the remnants of mankind who survive to greet the dawn.
→ Cycle 6: Of Gods and Men. While Cycles 1-5 focused on interactions among the gods, this cycle encompasses stories of direct interaction between the Æsir gods and mankind. These stories contrast human folly with the morality inherent in Norse Mythology.
→ Glossary: Norse Mythology heralds from an era when names reflected the character attributed to an object, such as a weapon, a person’s character, or their current station in life. This glossary provides a quick reference to the meaning behind names and terms used in the book.
→ Source Reference: References for further reading are included for persons who want to delve deeper into the study of Norse Mythology. This bibliography is restricted to books published in or translated into English and is by no means, exhaustive. As with all resources, the harder and longer you look, the more there is to be found.
Places to find the book:
Published by Acorn Press
on 11th April, 2019
Format: Trade Paperback
Published By: Acorn Press,
an imprint of Andrews UK Limited
Formats Available: Paperback and Ebook
Converse via: #NorseMythology, #Norse, #Mythology and #Odin
as well as #WyrdAndWonder
This story received my award for Best Adaptation of Classical Mythology.
Reading this book contributed to these challenges: