Genre: Time Slip and/or Time Shift

+Author Guest Post+ Enquiring about time slips and their unique style of story-telling on behalf of ChocLit author Christina Courtenay!

Posted Saturday, 10 May, 2014 by jorielov , , , , 2 Comments

Guest Post by Parajunkee

Christina Courtenay

Proposed Topic: Having visited with you on The Word Wenches in February, I am aware of the fact that time slips are your favourite stories to become wrapped up inside. How do you approach writing a time slip and allowing the reader to alight inside a story which is half hinged in two separate time settings? What do you feel is the greatest challenge in presenting both eras with a visceral presence for the reader?

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The Silent Touch of Shadows by Christina Courtenay

 Book Synopsis: 

What will it take to put the past to rest? Professional genealogist Melissa Grantham receives an invitation to visit her family’s ancestral home, Ashleigh Manor. From the moment she arrives, life-like dreams and visions haunt her. The spiritual connection to a medieval young woman and her forbidden lover have her questioning her sanity, but Melissa is determined to solve the mystery.

Jake Precy, owner of a nearby cottage, has disturbing dreams too, but it’s not until he meets Melissa that they begin to make sense. He hires her to research his family’s history, unaware their lives are already entwined. Is the mutual attraction real or the result of ghostly interference?

A haunting love story set partly in the present and partly in fifteenth century Kent.

The Secret Kiss of Darkness by Christina Courtenay

Book Synopsis: 

Must forbidden love end in heartbreak?

Kayla Sinclair knows she’s in big trouble when she almost bankrupts herself to buy a life-size portrait of a mysterious eighteenth century man at an auction.

Jago Kerswell, innkeeper and smuggler, knows there is danger in those stolen moments with Lady Eliza Marcombe, but he’ll take any risk to be with her.

Over two centuries separate Kayla and Jago, but, when Kayla’s jealous fiancé presents her with an ultimatum, and Jago and Eliza’s affair is tragically discovered, their lives become inextricably linked thanks to a gypsy’s spell.

Kayla finds herself on a quest that could heal the past, but what she cannot foresee is the danger in her own future.

Will Kayla find heartache or happiness?

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Q. How do you approach writing a time slip and allowing the reader to alight inside a story which is half hinged in two separate time settings?

A. First of all you have to have something that connects the two time periods, and authors use a lot of different devices to achieve that. It can be that the heroine in the present finds the diary of an ancestor, for example, or stumbles across an ancient family secret – perhaps told to her by an older relative. Or the heroine in the present can see (and hear) a ghost or somehow become connected to an ancestor or someone in the past via dreams, past life regression (usually done with hypnotherapy) or some other paranormal manner. I’ve read stories where the connection was through an object, like a mirror or a piece of jewellery. And in my novel The Silent Touch of Shadows I used the fact that the heroine was a genealogist in order for her to piece together the life on an ancestor through the old documents she finds. There is also a ghost, but he doesn’t actually tell her anything about the past, he is just the catalyst that sets her off on her quest to find out what happened to him.

As he’s been a ghost for over 600 years, the heroine wonders (as would I!) why his soul would stay in the same place for so long and she figures it’s because he has unfinished business, which can be the case in these stories as well. Often, it is something evil (or an evil person’s soul) which has lived on because it is still seeking revenge or wanting to continue to do horrible things, and that can work very well as a plot device too. In the case of my book, it’s not the spirit who is evil, but what was done to him that prevents him from finding eternal rest.

Once you have the connection with the past, you can start to write the two stories and try to weave them together. I don’t usually find this all that difficult really because I have both plot strands in my mind at the same time and I know how I want them to intertwine. The only problem lies in making the transition between the two as smooth as possible each time so that the reader can follow them easily and not be jolted out of the story.

Q. What do you feel is the greatest challenge in presenting both eras with a visceral presence for the reader?

A. It is a challenge to keep the reader engaged in both stories without losing interest or forgetting what was happening. I try to alternate the sections so that they are not too long, and thereby hopefully the plot strands will be fresh in the readers’ mind. As the author, you have to remember which section you’re working on and make sure that you get the language absolutely right – you can’t use writing with a more historical ‘feel’ in the scenes set in the present and vice versa. For the historical parts you have to remember not to use words that hadn’t been invented at that time, whereas for the scenes in the present you have to be careful not to sound too old-fashioned. One way of doing that would be to write each story separately and combine them afterwards, but that doesn’t work for me so I just have to try and switch mindset for each section.

I do love the time slip format because I’m fascinated by the idea that our souls might live on somehow after we pass away, and although I’m terrified of ghosts, at the same time it is a comforting thought that life could go on in some form. Part of the fun of this genre is that anything goes – the author can invent ways of showing the reader (and the hero/heroine too) that there is life after death. I always like stories where good triumphs over evil, so I’m sure that’s part of every novel I write.

I also like time slips because you get the best of two (or even three!) genres – historical and contemporary, sometimes with the paranormal added. That makes them less likely to feel identical to something else you’ve read recently and most time slip authors have their own take on the genre so they vary a lot.

Some authors, like Susanna Kearsley, weave in lots of history in a truly effortless way so that you are learning along with the heroine in the present. That, for me, is wonderful! And others, like Barbara Erskine, add seriously chilling aspects, making them more akin to ghost stories or even horror, so yet again this is different. Although she has also taught me a lot about history, especially the Romans and the Celts in Britain.

In my latest time slip novel, The Secret Kiss of Darkness, I took a more light-hearted approach and created a hero whose soul is trapped in a painting by means of a gypsy’s curse. I would love to know if readers find it as easy to suspend disbelief with a story line like that rather than a more traditional ghost story? Personally, I don’t mind and am happy to go along with whatever an author comes up with – I just love the time slip genre whichever way it’s done!

Many thanks for having me as your guest!

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Author Connections:

Personal Site | Blog | Facebook | Twitter

Converse via: #TheSilentTouchOfShadows & #TheSecretKissOfDarkness

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As you were relaying the keystone characteristics of ‘time slips’ used in fictional stories as a method of telling one particular story with elements of the paranormal as much as parapsychology, I found myself rather bemused by the fact that despite knowing the ‘tricks of the trade’ to insert the dialogue and story into a reader’s mind — I am never found in want or need to be tricked nor entertained. The writers I have been blessed to read and/or watch if on the level I am watching a motion picture with the same story threads as the novels; convey their stories in such a way as to distort reality with a gentle hand. They have a way of allowing us to believe the intangible and improbable as to give us a footing on solid ground when there should be nothing but air! I love how we can take that leap of faith with the writer and peer into their world in which their characters are set to explore! It is quite a heap of fun truly, to go between two distinct time periods and see how true the writer kept to each whilst never deterring from the heart of the story they are telling at the same time.

You mentioned one bit that was most curious and I tend to agree with you: most hauntings are not about ghosts bent towards evil but rather there are circumstances in their lives which took an evil tilt. I oft wonder if a lot of the lost souls who are still wandering and seeking are truly lost or if they are hoping to find someone who can unravell the missing bits of truth needed to find peace? I loved in your Acknowledgements for In The Silent Touch of Shadows,you had relayed visiting a haunted house but were ever so blessed the ghost gave you a wide birth! I tend to agree with you again in this regard, as although I am open to the fact there is much we have little understanding of between the veils of the worlds, I too, believe I might be pushed a bit past my envelope of what I could accept if a ghost simply walked up to me, sat down, and asked to chat over tea! Oy.

So much of our lives are lived on faith and the hope of what has yet to become revealed to us, and in that, we are left with not only unanswered questions and curiosities, but a lot of theories about what will come next and where we shall find ourselves. I think part of the joy in being a writer is not only exploring what keeps our curiosity healthy whilst we are alive, but to impart a bit of what implores us to remain open to ideas and situations that take us outside our zones of familiarity and comfort. Reading opens the horizons to uncharted realms of plausibility but writing endeavours us to encompass everything we understand and everything we have yet to conceive possible. I love the ability to create everything from nothing and to explore how far nothingness can take us if we are willing to make the connection from our heart to our imagination. Imagination is truly the key which unlocks the mysteries of where our pen wants to lead us.

I commend you for being able to write in both a modern vernacular and in a historical one, as I tend to be a hybrid of both on a regular basis out of my pure zest for Old English expressions and words in which are not always as relevant today as they were in yesteryear. Susanna Kearsley is on my TBR List, as I spotlighted one of her novels in my Autumn Top Ten Tuesday Lists of books which whet an interest to delve into whereas with Barbara Erskine I am in need of researching her books! I love the recommendation, as I can never run out of possible next reads!

I shall be able to answer your last question in regards to The Secret Kiss of Darkness, after I have had the pleasure of soaking into its covers! I have elected to read it last from my latest ChocLit offerings to savour the fact I enjoyed winning it from my visit with the Wenches! It was quite a delightful keepsake from such a lovely afternoon of conversation and sharing about a mutual love of time slips! I tend to be a bird of the same feather as you though, as no matter how a writer chooses to tell their tale, if I can make a connection to the characters and story, I am seriously in love with the experience they give me through their choices!

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I’d like to thank Ms. Courtenay for providing such a wonderful explanation of how she approaches time slip fiction and what motivates her to continue to explore the thematic as she pens her stories! What a wonderful discovery to find an author who is as in tune with this curious branch of literature as much as I am attempting to become myself! The full scope of this Guest Post was in part due to my visit with The Word Wenches whereupon I learnt a bit more about their individual attachments to the time slip phenom as much as how Ms. Courtenay appreciated it herself. I wanted to expand a bit on that lovely experience and give a bit more insight to my readers who might be curious about time slips and find themselves wanting to explore authors & stories set inside this unique setting!

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This Author Guest Post is courtesy of ChocLitUK,

ChocLitUK Reviewercheck out my upcoming bookish event and mark your calendars!

Previously I have had the honour of

reviewing & showcasing guest posts by ChocLit Authors!

My book review of “The Silent Touch of Shadows” & “Flight to Coorah Creek” post before Saturday, 17th! And, “The Secret Kiss of Darkness” shall round out this batch of ChocLit novels which have alighted in my reading life on 7th of June! I do apologise for the absence I have given on behalf of my book reviews & archives of #ChocLitSaturdays chats as I was dealing with personal stress which took me away from my blog life for a short bit of time.

#ChocLitSaturdays | a feature exclusive to Jorie Loves A Story

Don’t forget : #ChocLitSaturdays has expanded to include a weekly chat via http://twubs.com/choclitsaturdays! Stay around at 11am EST | 8am PST | 4pm UK | 1am Australia for a lovely spontaneous conversation about ‘time slips’ & “The Silent Touch of Shadows”! All romance booklovers are welcome to join in on the joy of our conversations! Remember to login via Twubs with your regular Twitter account! Do not look like a ‘penguin’ as tweets will not go to Twitter! I look forward to seeing you in convo on Twubs OR in these comment threads!

{NOTE: Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.}

{SOURCES: Author photograph, Author Biography, Book Synopsises, Book Covers, and ChocLit Reviewer badge were provided by ChocLitUK and were used by permission. Jorie requested an Author Guest Post from Christina Courtenay through ChocLitUK of which she received a reply. She wanted to expand her knowledge of how one writer approaches the art of writing stories with time slips. Guest Post badge provided by Parajunkee to give book bloggers definition on their blogs. Jorie Loves A Story badge created by Ravven with edits by Jorie in FotoFlexer. #ChocLitSaturdays collage was created by Jorie in PicMonkey. Post dividers & My Thoughts badge by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2014.

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Posted Saturday, 10 May, 2014 by jorielov in 15th Century, 21st Century, Blog Tour Host, Bookish Discussions, ChocLitSaturdays, ChocLitUK, Ghost Story, Ghosts & the Supernatural, Gothic Literature, Haunting & Ethereal, Historical Fiction, Historical Romance, Indie Author, Magical Realism, Paranormal Romance, Parapsychological Suspense, Reader Submitted Guest Post (Topic) for Author, Romance Fiction, Time Slip, Time Travel Romance

:*Book Review*: A Fall of Marigolds by Susan Meissner

Posted Wednesday, 19 February, 2014 by jorielov , , , , , , , 6 Comments

Parajunkee DesignsA Fall of Marigolds by Susan MeissnerA Fall of Marigolds by Susan Meissner

Author’s Pin(terest) Boards: Susan Meissner

Official Author Websites: Site | Twitter | Facebook
Converse on Twitter: #AFallofMarigolds | #SusanMeissner

Genre(s): Fiction | Inspirational | Historical

[time slip] 1911 Ellis Island / Post-911 New York City

Published by: New American Library, an imprint of Penguin Group (USA), 4 February, 2014

Available Format: Paperback, Hardback, & E-Book
| Page Count: 400 |

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Acquired Book By:

I was contacted by the author (Susan Meissner) herself through Twitter (@SusanMeissner) back in December, 2013 about the possibility of receiving “A Fall of Marigolds” in exchange for an honest review which would be included on her official blog tour for its February release! I was beyond delighted at having been approached by her and readily agreed. As I have a non-giveaway policy for Jorie Loves A Story, this blog tour stop is not hosting the tour giveaway, but rather is solely a book review of the novel which is posted whilst the official tour is going on.  I received a complimentary ARC of “A Fall of Marigolds” direct from Ms. Meissner in exchange for an honest review.  In January 2014, I received the press materials from her publicist Ms. Clark at Penguin Group (USA). I am thankful for this wonderful opportunity, not only to read my first novel by Ms. Meissner but to host my first blog tour book review for Penguin Group (USA)! I did not receive compensation for my opinions or thoughts shared herein.

Inspired to Read:

The inspiring moment for me is when I realised that although I hadn’t known about A Fall of Marigolds releasing February 2014, I had already planned to read Ms. Meissner’s novels! You might have noticed her name is threaded into my 70 Authors Challenge of which has a focus on Inspirational fiction!? All the authors I am reading over the 24 months of the challenge are linked to their main websites in my blog’s sidebar! The books I selected to read of hers are as follows: The Girl in the Glass, A Sound Among the Trees, and Widows and Orphans which starts the Legal Mystery series. As you will read on my 70 Authors Challenge page, I found the inspiration to select all 70 authors due to my readings of Writing for Christ, which is Ms. Casey Herringshaw’s bookish blog! She is also a stop on this tour and I feel I have come full circle from being a reader of bookish blogs to curating my very own! I am further esteemed to be in the company of an author group blog I started to hang out around in January 2013 [Southern Belle View Daily] and a reader blog I came to cherish as much as Ms. Herringshaw’s [Relz Reviews]!

I never dreamt that I would be hosting a blog tour for one of the authors I selected to read and I am humbled by the honour of having Ms. Meissner seek me out in the first place! She’s a wonderfully sweet woman and I am thankful our paths have crossed!

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Susan MeissnerBook Synopsis in the Author’s words:

The book is about two women who never meet as they are separated by a century. One woman, Taryn, is a 9/11 widow and single mother who is about to mark the tenth anniversary of her husband’s passing. The other is a nurse, Clara, who witnessed the tragic death of the man she loved in the Triangle Shirtwaist Fire in Manhattan in 1911.In her sorrow, Clara imposes on herself an exile of sorts; she takes a post at the hospital on Ellis Island so that she can hover in an in-between place while she wrestles with her grief. She meets an immigrant who wears the scarf of the wife he lost crossing the Atlantic, a scarf patterned in marigolds. The scarf becomes emblematic of the beauty and risk inherent in loving people, and it eventually finds it way to Taryn one hundred years later on the morning a plane crashes into the North Tower of the World Trade Center. The story is about the resiliency of love, and the notion that the weight of the world is made more bearable because of it, even though it exposes us to the risk of loss.

On the significance of ‘marigolds’:

Marigolds aren’t like most other flowers. They aren’t beautiful and fragrant. You don’t see them in bridal bouquets or prom corsages or funeral sprays. They don’t come in gentle colors like pink and lavender and baby blue. Marigolds are hearty, pungent and brassy. They are able to bloom in the autumn months, well past the point when many other flowers can’t. In that respect, I see marigolds as being symbolic of the strength of the human spirit to risk loving again after loss. Because, face it. We live in a messy world. Yet it’s the only one we’ve got. We either love here or we don’t. The title of the book has a sort of double-meaning. Both the historical and contemporary story take place primarily in the autumn. Secondarily, when Clara sees the scarf for the first time, dangling from an immigrant’s shoulders as he enters the hospital building, she sees the floral pattern in the threads, notes how similar they are to the flames she saw in the fire that changed everything for her, and she describes the cascading blooms woven into the scarf as “a fall of marigolds.”

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A time slip between two worlds of New York frozen in time itself:

I am not unfamiliar with the shirtwaist industry, as I previously disclosed I have read Rivington Street by Meredith Tax, of whom gives such a visceral experience through her narrative there is no illusion of the reality the girls faced in that industry. A Fall of Marigolds begins rather acutely in post-911 New York. To find myself curling into a fabric store made my crafters heart turn giddy indeed! I am plumb knitty over knitting, but what I truly want to explore in the future is quilting and sewing clothes! My heart warmed with the warmth of an internal fire whilst soaking in the first chapter as a customer murmured her gratitude for the shoppe! (My affection for quilting, mind you, grew out of my wanderings inside the world of Elm Creek by Jennifer Chiaverini!)

One of the early echoes of the novel is that for everything we see beauty inside, a story alights just outside of our view. I found myself resonating with this particular statement, as due to the nature of why I created the title of my own bookish blog: Jorie Loves A Story! Stories exist across mediums not merely hinged to the printed text of literature or even of spoken voice or motion picture. I heart the ability to seek out stories which endeavour us to step a bit closer to the greater picture of why living and experiencing everything we can bring into full focus. Stories enchant us as much as they evoke our deepest most gutting emotions. Stories have the ability to transcend time and sustain us during the roughest of seas which entreat on our everyday hours. I grew on the living histories which in of themselves were stories set into action by the voices of my grand-parents, great-grandmother, and parents. We inhabit such a small vacuüm of space whilst we’re here, but alas! The stories live past us and stitch into the tapestry of the world’s interconnected thread!

This fascination and intrepid enchantment of history and story, might even go as far to explain my personal preferences towards seeking out the skills of old world arts & crafts inasmuch as antiquing! The older a piece of furniture is in my mind is a greater chance of having the unique addition thus far amiss from a room! I like the tangibility effect of touching the past in ways that are visible in the modern age. I like wandering around antique emporiums as much as ambling through a small towne set to a  pace fifty years in the past. There is a subtle nudge to slow down, breathe, and live in harmony. Pieces of stories live all around us, each day we walk outside the door and wonder, “What if? And, what does that person do? What are their experiences? Where did that particular something or other come from?” It’s in our nature to wonder, to strive towards unearthing the mysteries, to put a history inside of an explanation which sounds more like the legacy of a life told through a story!

The etching desire of both lead characters needing closure for the traumas of their past is eclipsed by their stalwart resolve to leave out of step with time. To gather their wits by being withdrawn into a world which lives a harpoon throw from the reality neither wants to approach or excavate out the memories which haunt them. A time slip was naturally going to occur for Taryn and Clara, as each of them are on the precipice of living half in stasis and half in motion.

My Review of A Fall of Marigolds:

In choking honesty, Meissner draws us backwards into the morning when the world woke up once more to a day out of step with the reality we all knew. September 11th, 2001 is a day no one will soon forget, whether or not they lived in America or whether they lived overseas. The newsfeeds overtook the channels, and for this reader in particular who had spent the aching early morning hours in knee-deep research was a groggy grand-daughter at the other end of the line whilst her grandmother urgently tried to shake her to her senses about ‘a plane went down in New York’. I was caught in the segue between deep sleep and awareness, so I truly only heard ‘a plane went down’ which I mumbled was terrible before the line clicked off and I was snoring most likely oblivious to the world’s reaction. I remember waking by four o’ clock in the afternoon, eyes full of sleep and wandering into the living room to catch a light-hearted tv show of an unremembered name. Instead, as Taryn reflects on her part of standing underneath the Towers at ground-zero, I was only a bit past a thousand miles south completely gobsmacked to numbness taking in every channel as the tv flickered into view; I was simply transfixed.  I grabbed the phone without recognition and rang my grandmother. The fullness of that day I oft try to push aside and not reflect on. Images broadcasted on television left a dulling ache inside my soul, as it was all too much to process and see in vivid real-time reality. Half of what I saw was pulled as soon as it aired as it wasn’t even being filtered. Meissner deftly drew me back emotionally into the heart of that fateful day, and attached me directly into the heart of her lead character: Taryn!

The breath of realism breathed into each section touches you as the transition from Taryn to Clara arrive as mere whispers and shadows of each other. Meissner is a sensory writer giving her readers a treat to trick one’s mind into experiencing everything the characters are seeing, sensing, and internalising. The anguished heartache of Clara came propelling back to the forefront of my mind as the bits of information disclosed about the shirtwaist factory fire ignited in my memories from Rivington Street, the book I have previously mentioned reminded me that I have a sensitive heart and best tread cautiously in future readings by what I choose to internalise.

Grief wrapped up in the guilt of never knowing what could have been is one of our greatest struggles as we survive those who pass on. Whether or not, we were properly tethered to them or if they were a loved spirit who gave us joy during our days; gutting sorrow overtakes our sense of normalcy. We cannot always filter out our emotions anymore than we can filter out our memories. Our minds love to play games with us, toying us with images we witnessed as well as the incidents of terror which gripped us like a plague. Clara and Taryn are anchored by the very moments where their lives intersected with tragedy beyond logical reason. Their gutting emotional strife is brought to life in such an intoxicating manner, you’re finding your fingers pressed into the softness of the book cover nearly afeared for what you will find on the next page! Hours melt away as you drink through their lives as if you would be left adrift in not knowing where their days will lead them next.

I liked Clara as instantly as I endeared myself to Taryn, which is always a credit to the writer! Clara is one of the few bourne to find herself drawn to blood rather than bolt away from it on sight. A doctor’s daughter endued with the gift for nursing set a claim on her to find her way to Ellis Island taking care of the infirmed immigrants who felt muddled by how they were not walking ashore instead. Transposed against the brutal anguish of standing below the Towers as they fell on September 11th, my ears echoed with the pounding shock of the ‘noise’* of that day as it was heard in the late afternoon. I felt shell-shocked at four o ‘clock on the 11th, I felt as though Meissner dug into our conjoined memories of that horrid day and led us out the other end. To hold onto something more than the worst bits our centermost memories stored and tucked out of sight. The scarf of marigolds was a talisman of Hope and of Life.

The strangest realisation which washed over for me (towards the middle of the novel), is that I have purposely avoided medical dramas and medical-heavy stories for numerous years as I felt as though I needed an honest break from them. I had seen more than my fair share of medical dramas on television and perhaps, had unexpectedly burnt out from the viewings. Whilst wrapped up inside Clara’s side of the story, I nearly had forgotten she was a registered nurse on the front lines of combating diseases like scarlet fever, which of itself lends to a certain medical-esque narrative!

*noise: Here refers to all the conjoined sounds, screams, shatterments of glass, sirens, confused murmurings of the haggardly confused survivors, the intensity of the news anchors overwhelmed by anguish and grief, and the chaos of the events flickering into broad view on the television screen. Followed by eerie oblivion which characterised the silence, whilst everyone’s face and bodies were shrouded in whitish-grey. The absence of light and dark was obscured by debris falling like snowflakes. Everything merged together, everything felt oppressively real, the shock took forever to wear off, even if I was merely observing the horrors of those who were front and center.

All the emotions I had tied into my throat pummeled out of me by page 238. Overwhelming emotion and the stark despair of what Taryn realised in that pivotal moment which clouded her vision in despair. I felt her anguish and I felt it because of what I had witnessed myself on video feedback. Meissner humanised the disparity of the survivors and the observers. She breathed life into the stories of everyone we never knew before that awful morning when the world paused by the sheer terror of it all.

Life is an intricate fabric. We weave in the threads with each day we dare to breathe in and drink in all that we can learn or experience. It’s the in-between hours of when we are truly alive. The moments when we are not even realising where we are headed or how we are meant to reach our destinations. The living hours of where truth reveals itself to those willing to listen. Faith is lived best by accepting what we do not yet understand as a measure of hope for what we do. Love is the binding of our souls to help grasp the understanding which sometimes is blinded by fear, trauma, and grief. All of life has a purpose which propels us forward to greet each new day with the possibility that it will afford. Compassion. Empathy. Acceptance is the final gate we must cross through to complete the circle our footfalls led us to arrive inside.

New York | a backdrop I love:

I am uncertain if I have ever disclosed on Jorie Loves A Story, if my affection for New York City has been attached to me as long as I have watched motion picture set inside the city from my youth!? The fanciful synergy of a city bent on creativity and indulgence in an all-inclusive playground has held my esteem attention! Transferring off the screen into the world of print books and hearty narratives by wordsmiths who paint the city aflame with a pulsating heart where the story of success and of love go together in tandem! Mysteries eking out of the shadows and humbling stories of humanity which surround your soul in a respite of rumination. My journeys have not yet taken me to the city I’ve read about to the level I have, but a part of me feels as though I have been there. Lived a bit even. As the old saying tends to go, if you have a book in hand, you have a compass point in your soul! Travel doesn’t always have to be walked through the soles of your feet. There are times when the light of a novel can illuminate a specific setting and locale in a crystal of reason unseen by a living experience. Novels transport us beyond where time and space have earthly limits. We enter into the conscience linings of characters and in part, take out a piece of them into our own wanderings of imagination. Perhaps then, the essence of the city of New York has always held such a strong grasp of my yearnings.

It’s the city’s tenacity and resilience to overcome what befalls her that gives all of us the greatest hope of all for seeking a community of such unfaltering strength. They rally and bolster each other up whilst dealing with the impossible, soldiering through unspeakable horrors and rebounding together as though they had risen out of the ashes as one entity rather than thousands. New York City’s greatest blessing is the ability to hold onto Hope in the midst of devastation and rise again as a Phoenix.

A note of gratitude to Ms. Meissner:

I am full of gratitude to the author for writing a convincing story without pushing the envelope past what this particular sensitive heart can endure. The sequences in which she gave riveting and honest accounts of the scenes Clara experienced after the shirtwaist factory fire and of ground-zero for Taryn were bang-on brilliant in their conveyances. I applaud the choices Meissner made in eluding to the horror without having to take us there completely by imagery. What was included was expected as some living horrors can only be spared so far, but in her gentle grace of knowing the limits of tender heart readers, her own heart shined. The stories of Taryn and Clara evoke the realities of women like them who lived a life counterpart to their fictional ones. Meissner has writ a story with the softness and grace of a historian but with the ease of a novelist. I am forever grateful she approached me, as I feel our paths would surely have intersected if she hadn’t. Her writings draw me into the depth of where she is leading us and I feel blessed to have read this story of New York as my first Susan Meissner novel!

Extending into the heart of 9/11:  There is a book I have been meaning to read which illuminates a singular unspoken moment of compassion and humanity where one small town in Newfoundland found their airport was in dire need of re-directing inbound flights on September 11th, 2001. The book is called: The Day the World Came to Town and its the main reason my original fascination about the hearty compassionate souls who reside in Newfoundland made me curious about their maritime province!

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This book review is courtesy of the author: Susan Meissner

I give my gratitude to Ms. Meissner & to Penguin Group (USA) for allowing me the honour to be a stop on the “A Fall of Marigolds” blog tour! I was happily delighted I could participate! I hope I will be able to participate in future blog tours if the opportunity were to arise! Until then, please drop by my Bookish Events Featured on JLAS to see what is coming up next!

**Please Note: This is a non-giveaway stop on the blog tour. I do not host giveaways or bookaways of any kind on Jorie Loves A Story (as you can read in my Review Policy). Which is why my blog is not included in the giveaway hop via the author’s website. I agreed only to host a review stop whilst the tour was in-progress. Therefore, I do encourage you to leave me a comment but it will not be counted as an entry in the tour’s giveaway. Thank you for understanding!**

{SOURCES: Cover art of “A Fall of Marigolds”, Susan Meissner’s photograph; snippets of the book synopsis (taken from the Press Kit Q&A section), were all provided by Ms. Meissner’s publicity agent at Penguin Group (USA) and used with permission. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets were able to be embedded by the codes provided by Twitter.}

Copyright © Jorie Loves A Story, 2014.

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Posted Wednesday, 19 February, 2014 by jorielov in 20th Century, 21st Century, Author Found me On Twitter, Blog Tour Host, Book Review (non-blog tour), Death, Sorrow, and Loss, Diary Accountment of Life, Ellis Island, Geographically Specific, Historical Fiction, Immigrant Stories, Inspirational Fiction & Non-Fiction, Medical Fiction, Modern Day, New York City, Nurses & Hospital Life, Penguin Group (USA) Publicity, Post-911 (11th September 2001), Shirtwaist Industry, the Nineteen Hundreds, Time Slip